Tag “classical”
~ Tag
Recordings tagged as “classical”
87,012 recordings found
- 1 - Psycho: A Suite for Strings: The Knife by Los Angeles Philharmonic, Esa-Pekka Salonen (conductor and composer)
- 1 - Psycho: A Suite for Strings: The Madhouse by Los Angeles Philharmonic, Esa-Pekka Salonen (conductor and composer)
- 1 - Psycho: A Suite for Strings: The Murder by Los Angeles Philharmonic, Esa-Pekka Salonen (conductor and composer)
- 1 - Psycho: A Suite for Strings: The Rainstorm by Los Angeles Philharmonic, Esa-Pekka Salonen (conductor and composer)
- 1 - Psycho: A Suite for Strings: The Stairs by Los Angeles Philharmonic, Esa-Pekka Salonen (conductor and composer)
- 1 - Psycho: A Suite for Strings: The Swamp by Los Angeles Philharmonic, Esa-Pekka Salonen (conductor and composer)
- 1 - Psycho: A Suite for Strings: The Water by Los Angeles Philharmonic, Esa-Pekka Salonen (conductor and composer)
- 1 - Puck (Lyric Pieces, op. 71 no. 3) by Jascha Heifetz (violinist), Isidor Achron (pianist)
- 1 - Puck, op. 71 no. 3 by Arnon Erez (Israeli pianist and chamber musician), Hagai Shaham (Israeli violin virtuoso)
- 1 - Puer natus est à 4 by Pomerium (US early music choral group), Alexander Blachly (chorus master)
- 1 - Puer natus est nobis: Introito (Modo VII) by Ismael Fernández de la Cuesta, Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos (The Benedictine Monks of Santo Domingo de Silos)
- 1 - Puer natus in Bethlehem, BWV 603 by Helmut Walcha (German organist)
- 1 - Puer natus in Bethlehem, BWV 603 by James Kibbie
- 1 - Puer natus in Bethlehem: Ritmo (Modo I) by Francisco Lara (Gregorian chant specialist, musicologist, professor of history and music sciences), Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos (The Benedictine Monks of Santo Domingo de Silos)
- 1 - Puericinium: Quem pastores laudavere by Michael Praetorius (composer and organist)
- 1 - Puhallinserenadi Gran Partita: Adagio by German Wind Soloists
- 1 - Puis qu'en oubli by Oxford Camerata (English chamber choir), Jeremy Summerly (conductor)
- 1 - Puisque bele dame m'eime / FLOS FILIUS (Mo 231) by Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
- 1 - Pulcinella: I. Ouverture: Allegro moderato by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: II. Serenata: Larghetto by Ryland Davies (tenor), London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: II. Serenata. “Mentre l’erbetta” - Scherzino by Robert Tear (tenor), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
- 1 - Pulcinella: III. Scherzino: Allegro by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: IV. Allegro by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: IX. Allegro (alla breve) by John Shirley‐Quirk (bass-baritone), London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: Poco più vivo by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: V. Andantino by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: VI. Allegro by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: VII. Allegretto by Teresa Berganza (mezzo-soprano), London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: VIII. Allegro assai by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: X. Largo (Trio) - Allegro - Presto (Duetto) by Teresa Berganza (mezzo-soprano), Ryland Davies (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: XI. Allegro - alla breve by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: XII. Tarantella by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: XIII. Andantino by Teresa Berganza (mezzo-soprano), London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: XIV. Allegro by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: XV. Gavotta con due variazioni by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: XVI. Vivo by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: XVII. Tempo di minuetto by Teresa Berganza (mezzo-soprano), Ryland Davies (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulcinella: XVIII. Allegro assai by London Symphony Orchestra, Claudio Abbado (conductor)
- 1 - Pulstar by Ed Starink (keyboardist, songwriter & producer)
- 1 - Pump It by BOND (female neo-classical quartet)
- 1 - Pur ti miro by Joshua Bell (violinist), Academy of St Martin in the Fields, Michael Stern (American conductor)
- 1 - Pure Imagination by Cameron Carpenter
- 1 - Pure Imagination (from "Charlie and the Chocolate Factory") by Josh Groban
- 1 - Purjein kuutamolla, op. 31a/1 by Kirsi Tiihonen (soprano), Satu Salminen (pianist)
- 1 - Puro by Mikko Luoma, Avanti! (Finnish ensemble), Susanna Mälkki
- 1 - Purple Bamboo (Traditional) by James Horner (American score composer)
- 1 - Purple Haze by Nigel Kennedy (violinist)
- 1 - Purple Rain by David Garrett (classical violinist)
- 1 - Purpose by Lindsey Stirling
- 1 - Pushit by The Section
- 1 - Put On Your Sunday Clothes by Michael Crawford (UK actor and singer)
- 1 - Pyöräilijä by Lahti Symphony Orchestra, Osmo Vänskä (Finnish conductor)
- 1 - Pyörteitä: Act I. I. Prélude à la Fanfare by Lahti Symphony Orchestra, Osmo Vänskä (Finnish conductor)
- 1 - Pyörteitä: Act I. II. Tulien herääminen by Lahti Symphony Orchestra, Osmo Vänskä (Finnish conductor)
- 1 - Pyörteitä: Act I. III. Tulien tanssi nro 1 by Lahti Symphony Orchestra, Osmo Vänskä (Finnish conductor)
- 1 - Pyörteitä: Act I. IV. Sotatanssi by Lahti Symphony Orchestra, Osmo Vänskä (Finnish conductor)
- 1 - Pyörteitä: Act I. V. Liekkien paluu (Tulien tanssi nro 2) by Lahti Symphony Orchestra, Osmo Vänskä (Finnish conductor)
- 1 - Pyörteitä: Act I. VI. Veden tanssi (Aaltojen laulu) by Lahti Symphony Orchestra, Osmo Vänskä (Finnish conductor)
- 1 - Pyörteitä: Act I. VII. Liekkien paluu (Tulien tanssi nro 3) by Lahti Symphony Orchestra, Osmo Vänskä (Finnish conductor)
- 1 - Pyörteitä: Act I. VIII. Orjien tanssi by Lahti Symphony Orchestra, Osmo Vänskä (Finnish conductor)
- 1 - Pyramid Song by Matt Haimovitz (cellist), Christopher O’Riley (American pianist)
- 1 - Pyramid Song by David Chalmin (French composer and guitarist), Katia Labèque (pianist)
- 1 - Pyrrhic by Julianna Barwick
- 1 - Qual per ignoto calle (RV677): I. Recitativo: Qual per ignoto calle by Philippe Jaroussky (countertenor), Ensemble Artaserse
- 1 - Qual per ignoto calle (RV677): II. Aria: Quel passager son io by Philippe Jaroussky (countertenor), Ensemble Artaserse
- 1 - Qual per ignoto calle (RV677): III. Recitativo: Deh, più non regni nel tuo gentil petto by Philippe Jaroussky (countertenor), Ensemble Artaserse
- 1 - Qual per ignoto calle (RV677): IV. Aria: Qual dopo lampi e turbini by Philippe Jaroussky (countertenor), Ensemble Artaserse
- 1 - Quam dilecta: Gratieusement "Et enim passer" by Paul Agnew (tenor and conductor), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
- 1 - Quam dilecta: Gravement: "Domine, Deus virtutum" by Nicolas Rivenq (bass-baritone), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
- 1 - Quam dilecta: Prélude: Légèrement et marqué "Beati, qui habitant" by Nicolas Rivenq (bass-baritone), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
- 1 - Quam dilecta: Tendrement "Cor meum et caro mea" by Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
- 1 - Quam dilecta: Trio: Gravement "Altaria tua" by Nicolas Cavallier (operatic bass), Noémi Rime (Soprano), Sophie Daneman (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
- 1 - Quan vei la lauzeta mover by Maria Lafitte, Michael Posch (Recorder and flute player), Ensemble Oni Wytars, Ensemble Unicorn (Austrian Medieval / Renaissance music group)
- 1 - Quand on s’aime by Nana Mouskouri feat. Michel Legrand
- 1 - Quand tu dors pres de moi by The King’s Singers
- 1 - Quant se depart / Onques ne sai amer / DOCEBIT OMNEM (Mo 131) by Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
- 1 - Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: I. Allegro by Amadeus Quartet
- 1 - Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: III. Adagio molto by Amadeus Quartet
- 1 - Quartet for 2 Violins Viola, and Cello No. 7 in G major, Op. 59 No. 1: IV. Allegro by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): I. Allegro con brio by Hagen Quartett (Hagen Quartet, Austrian string quartet)
- 1 - Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): II. Adagio molto by Hagen Quartett (Hagen Quartet, Austrian string quartet)
- 1 - Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): III. Scherzo. Allegro by Hagen Quartett (Hagen Quartet, Austrian string quartet)
- 1 - Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): IV. Allegretto by Hagen Quartett (Hagen Quartet, Austrian string quartet)
- 1 - Quartet for 2 Violins, Viola, and Cello in F major, Hess 34 (transcribed from "Sonata for Piano, Op. 14 No. 1"): I. Allegro moderato by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello in F major, Hess 34 (transcribed from "Sonata for Piano, Op. 14 No. 1"): II. Allegretto by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello in F major, Hess 34 (transcribed from "Sonata for Piano, Op. 14 No. 1"): III. Allegro by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: I. Allegro con brio by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: III. Scherzo. Allegro molto by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: IV. Allegro by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: I. Allegro by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: II. Adagio cantabile - Allegro - Tempo I by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: III. Scherzo. Allegro by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: IV. Allegro molto, quasi presto by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto by Amadeus Quartet
- 1 - Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: I. Adagio ma non troppo - Allegro by Hungarian Quartet (1935-1972)
- 1 - Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: II. Presto by Hungarian Quartet (1935-1972)