Tag “classical”

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Recordings tagged as “classical”

87,012 recordings found

2 - Feuilles Mortes by Krystian Zimerman (pianist)
2 - Feux dʼartifice by Krystian Zimerman (pianist)
2 - Fidelio Overture, op. 72 by Wiener Philharmoniker (Vienna Philharmonic), Clemens Krauss (conductor)
2 - Fidelio, op. 72: Act I, no. 1. "Der arme Jaquino dauert mich beinahe" (Marzelline) by Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) by Horst Laubenthal (tenor), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 2. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) by José van Dam (Belgian operatic bass-baritone), Helen Donath (soprano), Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) by Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 3. "Höre, Fidelio, wenn ich auch nicht weiß" (Rocco) by José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) by Helen Donath (soprano), Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Horst Laubenthal (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 4. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) by Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) by José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) by José van Dam (Belgian operatic bass-baritone), Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 6. "Depeschen?" (Pizarro, Rocco) by Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 6. March by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 7. "Hauptmann, besteigen Sie den Turm!" (Pizarro, Rocco) by Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) by Karl Ridderbusch (operatic bass), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) by Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 9. "Vater Rocco, ich ersuchte Euch schon" (Leonore, Marzelline, Rocco) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust” by Werner Hollweg (tenor), Siegfried Rudolf Frese (German operatic bass-baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 10. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) by Helen Donath (soprano), José van Dam (Belgian operatic bass-baritone), Horst Laubenthal (tenor), Helga Dernesch (Austrian soprano and mezzo‐soprano), Karl Ridderbusch (operatic bass), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, no. 10. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) by Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) by Adolf Dallapozza (tenor), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline) by Lucia Popp (soprano), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco) by Manfred Jungwirth (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) by Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline) by Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline) by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene I. “Jaquino!” – “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore) by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene II, no. 6. March by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus) by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) by Manfred Jungwirth (operatic bass), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore) by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Karl Terkal (Austrian Tenor), Alfred Šramek (bass-baritone), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative “Nun sprecht, wie ging’s?” (Leonore, Rocco) / no. 10c. Duet “Noch heute! Noch heute!” (Leonore, Rocco) / no. 10d. Duet “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / no. 10e. / no. 10f. by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene II, no. 10g. “Leb wohl, du warmes Sonnenlicht” (Soloists & Chorus) by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene II. “Drei Mann Schildwachen auf den Wall” (Pizarro, Rocco) by Manfred Jungwirth (operatic bass), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene II. “Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm” (Pizarro, Rocco) by Manfred Jungwirth (operatic bass), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act I, Scene II. “Marzelline!” – “Nein, ich will nicht …” (Jaquino, Marzelline, Rocco, Leonore) by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act II, no. 11. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan) by Jon Vickers (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act II, no. 12. "Er erwacht" (Leonore, Rocco, Florestan) by Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Jon Vickers (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act II, no. 12. Duet "Nur hurtig fort" (Rocco, Leonore) by José van Dam (Belgian operatic bass-baritone), Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act II, no. 12. Melodrama "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco) by Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Karl Ridderbusch (operatic bass), Jon Vickers (tenor), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act II, no. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) by Jon Vickers (tenor), José van Dam (Belgian operatic bass-baritone), Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act II, no. 14. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Jon Vickers (tenor), Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act II, no. 14. "Vater Rocco! Vater Rocco!" (Jaquino, Rocco) by Horst Laubenthal (tenor), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act II, no. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) by Karl Ridderbusch (operatic bass), Jon Vickers (tenor), Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act II, no. 15. Duet "O namenlose Freude!" (Leonore, Florestan) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Jon Vickers (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act II, no. 16. "Du schlossest auf des Edlen Grab (Don Fernando, Leonore, Florestan, Marzelline, Rocco, Chor, Jaquino) by José van Dam (Belgian operatic bass-baritone), Helga Dernesch (Austrian soprano and mezzo‐soprano), Jon Vickers (tenor), Helen Donath (soprano), José van Dam (Belgian operatic bass-baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Horst Laubenthal (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act II, no. 16. "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Leonore, Marzelline) by Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), José van Dam (Belgian operatic bass-baritone), Karl Ridderbusch (operatic bass), Zoltán Kelemen (operatic bass), Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Act II, Scene I, no. 11. Introduction “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen” by René Kollo (tenor), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama “Wie kalt ist es in diesem unterirdischen Gewölbe!” – Duet “Nur hurtig fort, nur frisch gegraben” by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessem Welten” by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), René Kollo (tenor), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe! Doch er soll erst wissen” - “Vater Rocco! Der Herr Minister ist angekommen” - “Es schlägt der Rache Stunder” by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), René Kollo (tenor), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” by Gundula Janowitz (soprano), René Kollo (tenor), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act II, Scene I. “Alles ist bereit” by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), René Kollo (tenor), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act II, Scene I. “Er erwacht” by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act II, Scene II, no. 16. Finale “Heil sei dem Tag” – “Bestrafet sei der Bösewicht” – “O Gott! Welch ein Augenblick!” – “Wer ein holdes Weib errungen” by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Adolf Dallapozza (tenor), Dietrich Fischer‐Dieskau (baritone), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), René Kollo (tenor), Lucia Popp (soprano), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Act II. Overture “Leonore III” by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio, op. 72: Overture by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Fidelio, op. 72: Overture by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
2 - Fidelio: Act I. Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
2 - Fidelio: Act I. No. 9 Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
2 - Fidelio: Ouvertüre by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Sir Simon Rattle (Simon Rattle, conductor)
2 - Figaro (for violin and orchestra) by Vanessa‐Mae, New Belgian Chamber Orchestra (Belgian chamber orchestra), Nicholas Cleobury (conductor)
2 - Fight Fire With Fire (live, 2005-12-05: Düsseldorf, Germany) by Apocalyptica
2 - Finale (West Side Story, 1961 film cast, remastered 1992, with film dialogue) by Jimmy Bryant (singer), Marni Nixon
2 - Finale: Allegro Moderato Ma Rubato by Radu Lupu (Romanian concert pianist)
2 - Fine knacks for ladies by The King’s Singers with The Consort of Musicke (British early-music group) & Anthony Rooley (lute player / conductor)
2 - Finlandia by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
2 - Finlandia by Turun filharmoninen orkesteri (Turku Philharmonic Orchestra), Jorma Panula
2 - Finlandia, op. 26 by London Symphony Orchestra, Sir Colin Davis (English conductor)
2 - Finlandia, op. 26 by The Philadelphia Orchestra, Eugene Ormandy (conductor)
2 - Finlandia, op. 26 by London Symphony Orchestra, Gennadi Rozhdestvensky (Gennady Rozhdestvensky, conductor)
2 - Finlandia, op. 26 by Oslo‐Filharmonien (Oslo Philharmonic), Mariss Jansons (Latvian conductor)
2 - Finlandia, op. 26 by The Philadelphia Orchestra, Eugene Ormandy (conductor)
2 - Finlandia, op. 26 by New Zealand Symphony Orchestra, Pietari Inkinen (violinist and conductor)
2 - Finlandia, op. 26 by Helsinki Philharmonic Orchestra, Paavo Berglund (conductor)
2 - Finlandia, op. 26 by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), David Parry (conductor)
2 - Finlandia, op. 26 by NBC Symphony Orchestra, Arturo Toscanini (conductor)
2 - Finlandia, op. 26 by NBC Symphony Orchestra, Arturo Toscanini (conductor)
2 - Finlandia, op. 26 by Royal Philharmonic Orchestra, Sir Charles Mackerras (Australian conductor)
2 - Finlandia, op. 26 by Wiener Philharmoniker (Vienna Philharmonic), Sir Malcolm Sargent (conductor)
2 - Finlandia, op. 26 by Moscow Philharmonic Orchestra, Vassily Sinaisky (conductor)
2 - Finlandia, op. 26 by Jussi Makkonen, Nazig Azezian
2 - Finlandia, op. 26 no. 7 by City of Birmingham Symphony Orchestra, Sakari Oramo (conductor)
2 - Finlandia, op. 26 no. 7 by Helsinki Philharmonic Orchestra, Leif Segerstam (Finnish composer and conductor)
2 - Finlandia, op. 26: Andante sostenuto - Allegro moderato - Allegro by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Finlandia, op. 26: Andante sostenuto — Allegro moderato — Allegro by New York Philharmonic, Leonard Bernstein (American conductor, composer, pianist)
2 - Finlandia: Finale (extract) by Morton Gould Orchestra, Morton Gould (American composer and conductor)
2 - Finnish Fantasy, op. 88 by Moscow Symphony Orchestra (founded in 1989, assoc. with Naxos and Marco Polo labels), Igor Golovschin (Igor Golovchin)
2 - Finnish Sketches, op. 89: From Kalevala by Moscow Symphony Orchestra (founded in 1989, assoc. with Naxos and Marco Polo labels), Igor Golovschin (Igor Golovchin)
2 - Finnish Sketches, op. 89: Solemn Procession by Moscow Symphony Orchestra (founded in 1989, assoc. with Naxos and Marco Polo labels), Igor Golovschin (Igor Golovchin)
2 - Firebird Suite (1919 version) by Chicago Symphony Orchestra, James Levine (US conductor and pianist)
2 - Fireworks by Columbia Symphony Orchestra, Igor Stravinsky (Russian composer)
2 - First Movement From Concerto for Violin, Strings, and Continuo in A minor, BWV 1041 by Bobby McFerrin, Layton James (harpsichordist Layton "skip" James)
2 - First of May by Sarah Brightman