Tag “classical”

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Recordings tagged as “classical”

87,012 recordings found

2 - Messa da Requiem: Dies irae: Confutatis (basso, coro). Andante - Allegro come prima by Kim Borg (operatic bass), RIAS-Kammerchor (German chamber choir), Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
2 - Messa da Requiem: Dies irae: Ingemisco (tenore). Lo stesso tempo - Poco meno mosso by Helmut Krebs (tenor), RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
2 - Messa da requiem: Dies Irae: Lacrimosa by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Marilyn Horne (American operatic mezzo-soprano), Luciano Pavarotti (tenor), Joan Sutherland (soprano), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da Requiem: Dies irae: Lacrimosa (soli, coro). Largo by Maria Stader (soprano), Marianna Radev (contralto), Helmut Krebs (tenor), Kim Borg (operatic bass), RIAS‐Kammerchor (German chamber choir), Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
2 - Messa da requiem: Dies Irae: Liber scriptus by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Marilyn Horne (American operatic mezzo-soprano), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da Requiem: Dies irae: Liber scriptus (mezzo-soprano, coro). Allegro molto sostenuto - Allegro agitato by Marianna Radev (contralto), RIAS‐Kammerchor (German chamber choir), Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
2 - Messa da requiem: Dies Irae: Quid sum miser by Marilyn Horne (American operatic mezzo-soprano), Luciano Pavarotti (tenor), Joan Sutherland (soprano), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da requiem: Dies Irae: Recordare by Marilyn Horne (American operatic mezzo-soprano), Joan Sutherland (soprano), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da Requiem: Dies irae: Recordare (soprano, mezzo-soprano). Lo stesso tempo by Maria Stader (soprano), Marianna Radev (contralto), RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
2 - Messa da requiem: Dies Irae: Rex tremendae by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Marilyn Horne (American operatic mezzo-soprano), Luciano Pavarotti (tenor), Joan Sutherland (soprano), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da Requiem: Dies irae: Rex tremendae (soli, coro). Adagio maestoso by Maria Stader (soprano), Marianna Radev (contralto), Helmut Krebs (tenor), Kim Borg (operatic bass), RIAS‐Kammerchor (German chamber choir), Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
2 - Messa da requiem: Dies Irae: Tuba mirum by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da Requiem: Dies irae: Tuba mirum (coro, basso). Allegro sostenuto - Molto meno mosso by Kim Borg (operatic bass), RIAS-Kammerchor (German chamber choir), Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
2 - Messa da Requiem: II. Dies irae: Rex tremendae by Helmuth Froschauer (conductor and chorus master), Carlo Cossutta (tenor), Mirella Freni (soprano), Nicolaï Ghiaurov (operatic bass), Christa Ludwig (mezzo-soprano), Wiener Singverein, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Messa da Requiem: II. Sequence, No. 1. Dies irae – Tuba mirum by The London Chorus (until Oct 2000, was known as the London Choral Society), London Philharmonic Choir, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), David Parry (conductor)
2 - Messa da requiem: IIh. Dies irae: Ingemisco by Luciano Pavarotti (tenor), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da requiem: IV. Sanctus by Борис Христов (Boris Christoff, Bulgarian bass), Margarete Klose (alto), Helge Rosvænge (tenor), Wiener Singverein, Hilde Zadek (German operatic soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
2 - Messa da Requiem: IV. Sanctus by London Symphony Orchestra, Richard Hickox (conductor)
2 - Messa da Requiem: IV. Sanctus by Philharmonischer Chor München, Münchner Philharmoniker (Munich Philharmonic Orchestra), Lorin Maazel (conductor)
2 - Messa da Requiem: Libera me (soprano, coro). Moderato - Allegro agitato - Andante - Moderato - Allegro risoluto by Maria Stader (soprano), RIAS‐Kammerchor (German chamber choir), Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
2 - Messa da requiem: Libera Me: Dies irae by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Joan Sutherland (soprano), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da requiem: Libera Me: Libera me by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Joan Sutherland (soprano), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da requiem: Libera Me: Libera me by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Joan Sutherland (soprano), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da requiem: Libera Me: Requiem aeternam by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Joan Sutherland (soprano), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da requiem: Lux aeterna by Marilyn Horne (American operatic mezzo-soprano), Luciano Pavarotti (tenor), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da Requiem: Offertorio (soli). Andante mosso - Allegro mosso - Adagio - Come prima by Maria Stader (soprano), Marianna Radev (contralto), Helmut Krebs (tenor), Kim Borg (operatic bass), RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
2 - Messa da requiem: Offertorium: Domine, Jesu Christe by Marilyn Horne (American operatic mezzo-soprano), Luciano Pavarotti (tenor), Joan Sutherland (soprano), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da requiem: Offertorium: Hostias by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da Requiem: Requiem (coro, soli). Andante - Poco più - Attacca subito (come prima) - Animando un poco by Maria Stader (soprano), Marianna Radev (contralto), Helmut Krebs (tenor), Kim Borg (operatic bass), RIAS‐Kammerchor (German chamber choir), Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Ferenc Fricsay (conductor)
2 - Messa da requiem: Requiem aeternam & Kyrie by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Marilyn Horne (American operatic mezzo-soprano), Luciano Pavarotti (tenor), Joan Sutherland (soprano), Martti Talvela (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da requiem: Sanctus by Martti Talvela (operatic bass), Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Wiener Philharmoniker (Vienna Philharmonic), Sir Georg Solti (conductor)
2 - Messa da Requiem: Tuba mirum by Carlo Colombara (operatic bass), Hungarian State Opera Chorus (Hungarian State Opera Chorus), Hungarian State Opera Orchestra (Hungarian State Opera Orchestra), Pier Giorgio Morandi (conductor)
2 - Messa da requiem: VII. Libera me by Борис Христов (Boris Christoff, Bulgarian bass), Margarete Klose (alto), Helge Rosvænge (tenor), Wiener Singverein, Hilde Zadek (German operatic soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
2 - Messa da Requiem: VII. Libera me by London Symphony Orchestra, Richard Hickox (conductor)
2 - Messa da Requiem: VII. Libera me by Helmuth Froschauer (conductor and chorus master), Mirella Freni (soprano), Wiener Singverein, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Messe e-moll KV 427 - Große Messe by Monteverdi Choir (English vocal Baroque ensemble), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
2 - Messe h-moll, BWV 232: Christe eleison by Kathleen Ferrier (contralto), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Wiener Symphoniker (Vienna Symphony Orchestra), Herbert von Karajan (conductor)
2 - Messe h-moll, BWV 232: Kyrie: Kyrie eleison by Wiener Singverein, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Messe in C-dur, KV 317 "Krönungsmesse": 1. Kyrie by Kathleen Battle (soprano), Gösta Winbergh (tenor), Wiener Singverein, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
2 - Messe in C-dur, KV 317 "Krönungsmesse": 2. Gloria by Kathleen Battle (soprano), Trudeliese Schmidt (mezzo-soprano), Gösta Winbergh (tenor), Ferruccio Furlanetto (bass-baritone), Wiener Singverein, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
2 - Messe in C-dur, KV 317 "Krönungsmesse": 6. Agnus dei by Kathleen Battle (soprano), Trudeliese Schmidt (mezzo-soprano), Gösta Winbergh (tenor), Ferruccio Furlanetto (bass-baritone), Rudolf Scholz (organist), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
2 - Messe in C-Dur, KV 317 "Krönungsmesse": Agnus Dei: Agnus Dei. Andante sostenuto by Anna Tomowa‐Sintow (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Messe in C-Dur, KV 317 "Krönungsmesse": Agnus Dei: Dona nobis pacem. Allegro con spirito by Anna Tomowa‐Sintow (soprano), Agnes Baltsa (mezzo-soprano), Werner Krenn (tenor), José van Dam (Belgian operatic bass-baritone), Wiener Singverein, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Messe in C-Dur, KV 317 "Krönungsmesse": Benedictus: Allegretto - Allegro assai by Anna Tomowa‐Sintow (soprano), Agnes Baltsa (mezzo-soprano), Werner Krenn (tenor), José van Dam (Belgian operatic bass-baritone), Wiener Singverein, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Messe in C-Dur, KV 317 "Krönungsmesse": Credo: Allegretto molto - Adagio - Tempo I by Anna Tomowa‐Sintow (soprano), Agnes Baltsa (mezzo-soprano), Werner Krenn (tenor), José van Dam (Belgian operatic bass-baritone), Wiener Singverein, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Messe in C-Dur, KV 317 "Krönungsmesse": Gloria: Allegretto non spirito by Anna Tomowa‐Sintow (soprano), Agnes Baltsa (mezzo-soprano), Werner Krenn (tenor), José van Dam (Belgian operatic bass-baritone), Wiener Singverein, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Messe in C-Dur, KV 317 "Krönungsmesse": Kyrie: Andante maestoso - Più andante by Anna Tomowa‐Sintow (soprano), Werner Krenn (tenor), Wiener Singverein, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Messe in C-Dur, KV 317 "Krönungsmesse": Sanctus: Andante maestoso - Allegro assai by Wiener Singverein, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Messe solennelle de Sainte Cécile : 5. Sanctus by Chœur René Duclos, Franz Crass (operatic bass), Heinz Hoppe (tenor), Pilar Lorengar (soprano), Orchestre de la Société des Concerts du Conservatoire, Jean-Claude Hartemann (conductor)
2 - Messiah, HWV 56: No. 44. Hallelujah by Elizabeth Harwood (soprano), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), English Chamber Orchestra, Sir Charles Mackerras (Australian conductor)
2 - Messiah, HWV 56: Pt. 3: No. 45. Aria “I know that my Redeemer liveth” (Soprano) by Kiri Te Kanawa (soprano), Chicago Symphony Orchestra, Sir Georg Solti (conductor)
2 - Messiah, Part II: XLIV. Chorus "Hallelujah" by The English Concert Choir, The English Concert, Trevor Pinnock (conductor / harpsichord)
2 - Messiah: 44. Hallelujah! by Mormon Tabernacle Choir (fka Mormon Tabernacle Choir), The Philadelphia Orchestra, Eugene Ormandy (conductor)
2 - Messiah: Hallelujah by Winchester Cathedral Choir, English Chamber Orchestra, London Handel Orchestra, Philip Ledger, Martin Neary (English organist and choral conductor)
2 - Messiah: Hallelujah Chorus by London Musici Chamber Choir, London Musici, Mark Stephenson (conductor/producer)
2 - Messiah: No. 44. Chorus "Hallelujah" by London Symphony Chorus, London Symphony Orchestra, Sir Adrian Boult (conductor)
2 - Messiah: Part 2: No. 44. Chorus: “Hallelujah” by Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
2 - Messiah: Part I. Accompagnato "Comfort ye my people" by John Aler (tenor), Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part I. Air "Ev'ry valley shall be exalted" by John Aler (tenor), Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part I. Air "He shall feed His flock like a shepherd" by Kathleen Battle (soprano), Florence Quivar (mezzo soprano), Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part I. Air & Chorus "O thou that tellest good tidings to Zion" by Florence Quivar (mezzo soprano), Toronto Mendelssohn Choir, Toronto Symphony Orchestra & Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part I. Chorus "And He shall purify" by Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part I. Chorus "For unto us a child Is born" by Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part I. Chorus "His yoke is easy, his burthen is light" by Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part I. Pifa: Larghetto e mezzo piano by Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part I. Sinfony: Grave - Allegro moderato by Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part II. Air "Why do the Nations so furiously rage together?" by Samuel Ramey (bass-baritone), Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part II. Arit "He was despised" by Florence Quivar (mezzo soprano), Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part II. Chorus "All we like sheep have gone astray" by Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part II. Chorus "And with his stripes we are healed" by Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part II. Chorus "Behold the Lamb of God" by Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part II. Chorus "He trusted in God" by Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part II. Chorus "Let all the angels of God worship Him" by Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part II. Chorus "Their sound is gone out" by John Aler (tenor), Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part III. Air "I know that my redeemer liveth" by Kathleen Battle (soprano), Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part III. Air "The trumpet shall sound" by Samuel Ramey (bass-baritone), Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part III. Chorus "Since by man came death" by Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Messiah: Part III. Recitative "Then shall be brought to pass the saying" by Florence Quivar (mezzo soprano), Toronto Symphony Orchestra, Sir Andrew Davis (conductor, keyboardist, composer, arranger)
2 - Metamorphosen by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
2 - Metamorphosen AV 142 für 23 solostreicher by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - Metamorphosen for 23 Solo Strings, TrV 290 by Bamberger Symphoniker (Bamberg Symphony), Giuseppe Sinopoli (conductor)
2 - Metamorphosis Five by Bruce Brubaker
2 - Metastasis by Orchestre national de l’ORTF (National Orchestra of France, RTF / ORTF / Radio France), Maurice Le Roux
2 - Metti una sera a cena by Hayley Westenra & Ennio Morricone (Italian classical and score composer)
2 - Michelle by London Symphony Orchestra
2 - Mille cherubini in coro by Romano Gandolfi (chorus master and conductor), Coro Sinfonico di Milano Giuseppe Verdi, Plácido Domingo (tenor), Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi), Marcello Viotti (conductor)
2 - Mille cherubini in coro by Luciano Pavarotti (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Kurt Herbert Adler (conductor)
2 - Millennium by Royal Philharmonic Orchestra, Matthew Freeman (conductor)
2 - Mini Skirt by Kronos Quartet
2 - Minuet by Budapest Strings (Budapest String Orchestra; Budapest Strings)
2 - Minuet (from “L'Arlésienne” Suite no. 1) by Sergei Rachmaninoff (Russian composer), Wayne Stahnke
2 - Minuet for Keyboard in F major, K. 2 "Notenbuch für Nannerl Mozart" No. 58: Minuet by Ton Koopman (conductor, organist and harpsichordist)
2 - Minuet for Keyboard in G major, K. 1e / 1 (Minuet) "Notenbuch für Nannerl Mozart" No. 62: Minuet / Minuet for Keyboard in C major, K. 1f / 1 (Trio) "Notenbuch für Nannerl Mozart" No. 63: Minuet by Ton Koopman (conductor, organist and harpsichordist)
2 - Minuet for Piano in D major, K. 576b/355 by Luc Devos (Flemish pianist)
2 - Minuet for Piano in F major, K. 2 "Notenbuch für Nannerl Mozart No. 58" by Guy Penson (Belgian harpsichordist)
2 - Minuet in G major, BWV Anh. 116 by Walter Heinz Bernstein (harpsichordist and organist)
2 - Minuetto & Finale From Pulcinella Suite (rev. 1949) by Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
2 - Mir sein die Kaiserjäger by Berliner Philharmonisches Bläserensemble (Berlin Philharmonic Wind Ensemble), Herbert von Karajan (conductor)
2 - Miranda's Lament by Anu Komsi (soprano), Avanti! (Finnish ensemble), Hannu Lintu (conductor)
2 - Mirrors by Jérémie Fèvre, Alexis Descharmes