Tag “impressionism”

Recordings tagged as “impressionism”

572 recordings found

• 1 - Children's Corner, L. 113: VI. Golliwogg's Cake-Walk by Ensemble Wien-Berlin (quintet comprised of principal wind players from the Wiener and Berliner Philharmoniker)
• 1 - Children's Corner: I. Doctor Gradus ad Parnassum by Theodore Baskin, Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
• 1 - Children's Corner: II. Jimbo's Lullaby by Theodore Baskin, Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
• 1 - Children's Corner: III. Serenade for the Doll by Theodore Baskin, Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
• 1 - Children's Corner: IV. The Snow is Dancing by Theodore Baskin, Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
• 1 - Children's Corner: V. The Little Shepherd by Theodore Baskin, Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
• 1 - Children's Corner: VI. Golliwogg's Cake-Walk by Theodore Baskin, Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
• 1 - Children's Corner: VI. Golliwogg's Cakewalk by Jacques Rouvier (pianist)
• 1 - Chôros No. 1 by Julian Bream
• 1 - Clair de lune by [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
• 1 - Clair de Lune by Orchestre de la Suisse Romande (OSR), Ernest Ansermet (conductor)
• 1 - Clair de lune (from 'Suite Bergamasque' No. 3) by Richard Meyrick (pianist)
• 1 - Concert Étude, op. 49 by Alison Balsom (classical trumpet player), Tom Poster (pianist)
• 1 - Concertino da camera for alto saxophone: I. Allegro con moto by Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
• 1 - Concertino da camera for alto saxophone: II. Larghetto by Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
• 1 - Concertino da camera for alto saxophone: III. Animato molto by Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
• 1 - Concerto for Alto Saxophone and String Orchestra: I. Molto vivo by Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
• 1 - Concerto for Alto Saxophone and String Orchestra: II. Interlude: Andante by Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
• 1 - Concerto for Alto Saxophone and String Orchestra: III. Allegro - Lento by Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
• 1 - Concerto for Piano and Orchestra in G major: I. Allegramente by Krystian Zimerman (pianist), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
• 1 - Concerto for Piano and Orchestra in G major: II. Adagio assai by Krystian Zimerman (pianist), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
• 1 - Concerto for Piano and Orchestra in G major: III. Presto by Krystian Zimerman (pianist), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
• 1 - Concerto for the Left Hand in D major by Jean‐Efflam Bavouzet (pianist), BBC Scottish Symphony Orchestra, Martyn Brabbins (conductor)
• 1 - Concerto for the Left Hand in D major: Lento - Andante - Allegro - Tempo 1 by Krystian Zimerman (pianist), London Symphony Orchestra, Pierre Boulez (composer and conductor)
• 1 - Concerto for the Left Hand: Allegro by Philippe Entremont (French pianist/conductor), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
• 1 - Concerto for the Left Hand: III. Tempo I by Philippe Entremont (French pianist/conductor), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
• 1 - Concerto for the Left Hand: Lento - Andante by Philippe Entremont (French pianist/conductor), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
• 1 - Concerto in E-flat for Alto Saxophone and String Orchestra, op. 109: I. Allegro moderato by Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
• 1 - Concerto in E-flat for Alto Saxophone and String Orchestra, op. 109: II. Andante by Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
• 1 - Concerto in E-flat for Alto Saxophone and String Orchestra, op. 109: III. Allegro by Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
• 1 - Couleurs de la cité céleste by Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
• 1 - Daisies, Op. 38 No. 3 by Emil Gilels (pianist)
• 1 - Danse (Tarantelle styrienne) by Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Riccardo Chailly (conductor)
• 1 - Danse (Tarentelle styrienne) by Philippe Cassard (pianist)
• 1 - Danse bohémienne by Philippe Cassard (pianist)
• 1 - Danses pour harpe et orchestre à cordes : Danse profane by Royal Concertgebouw Orchestra, Bernard Haitink (conductor)
• 1 - Danses pour harpe et orchestre à cordes : Danse sacrée by Royal Concertgebouw Orchestra, Bernard Haitink (conductor)
• 1 - Danses: I. Danse sacrée by Alice Chalifoux (harpist), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
• 1 - Danses: II. Danse profane by Alice Chalifoux (harpist), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
• 1 - Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Daphnis et Chloé: Première Partie. Interlude by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Daphnis et Chloé: Première Partie. Introduction et Danse religieuse by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Daphnis et Chloé: Première Partie. Les jeunes filles by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Daphnis et Chloé: Scene I. Dance of the Young Girls Around Daphnis by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene I. Daphnis Reasserts His Love for Chloé by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene I. Dorcon's Advance to Chloé by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene I. Dorcon's Grotesque Dance by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene I. Entrance of Daphnis and Chloé by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene I. Entrance of the Temptress Lyceion and Dance of Veils by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene I. Invocation to Pan by the Nymphs and the Prayer of Daphnis by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene I. Invocation to the Nymphs by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene I. The Gracious Dance of Daphnis by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene I. The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene I. The Triumph of Daphnis by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene II. Bryaxis Orders Chloé to Be Brought Forward and to Dance by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene II. Chloé's Dance of Supplication by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene II. Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone With a Shining Crown by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene II. Interlude by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene II. The Orgiastic Dance of the Pirates by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene III. Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene III. Daphnis and Chloé Are Reunited by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene III. Girls Dressed as Bacchantes Enter With Tambourines by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene III. Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloé Act Out the Story by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene III. Pan (Daphnis) Fashions a Flute From Some Reeds, on Which He Declares His Love for Syrinx (Chloé) by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene III. Sunrise. Daphnis Prostrate at the Grotto of the Nymphs by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Scene III. Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers by Boston Symphony Orchestra, Charles Munch (conductor and violinist)
• 1 - Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Daphnis et Chloé: Troisiéme Partie. Lever du jour by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
• 1 - Des pas sur la neige by Krystian Zimerman (pianist)
• 1 - Die Nacht, op. 10 no. 3 by Sandrine Piau (soprano), Susan Manoff (pianist)
• 1 - Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto by Christian Ferras (violinist), Yehudi Menuhin (violinist), Bath Festival Orchestra
• 1 - Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)
• 1 - En blanc et noir pour 2 pianos: Avec emportement by Martha Argerich (Argentine pianist), Stephen Kovacevich (classical pianist, aka Stephen Bishop)
• 1 - En blanc et noir pour 2 pianos: Lent, Sombre by Martha Argerich (Argentine pianist), Stephen Kovacevich (classical pianist, aka Stephen Bishop)
• 1 - En blanc et noir pour 2 pianos: Scherzando by Martha Argerich (Argentine pianist), Stephen Kovacevich (classical pianist, aka Stephen Bishop)
• 1 - English Suite no. 2 in A minor, BWV 807: I. Prélude by Martha Argerich (Argentine pianist)
• 1 - English Suite no. 2 in A minor, BWV 807: II. Allemande by Martha Argerich (Argentine pianist)
• 1 - English Suite no. 2 in A minor, BWV 807: III. Courante by Martha Argerich (Argentine pianist)
• 1 - English Suite no. 2 in A minor, BWV 807: IV. Sarabande by Martha Argerich (Argentine pianist)
• 1 - English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II by Martha Argerich (Argentine pianist)
• 1 - English Suite no. 2 in A minor, BWV 807: VI. Gigue by Martha Argerich (Argentine pianist)
• 1 - Estampes: Jardins sous la pluie by Эмиль Григорьевич Гилельс (Emil Gilels, pianist)
• 1 - Estampes: La soirée dans Grenade by Эмиль Григорьевич Гилельс (Emil Gilels, pianist)
• 1 - Estampes: Pagodes by Эмиль Григорьевич Гилельс (Emil Gilels, pianist)
• 1 - Et exspecto resurrectionem mortuorum: I. "Des profondeurs de l'abîme, je crie vers toi, Seigneur : Seigneur, écoute ma voix !" (Psaume CXXX, 1, 2) by Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
• 1 - Et exspecto resurrectionem mortuorum: II. "Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire" (Épître de saint Paul aux Romains, VI, 9) by Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
• 1 - Et exspecto resurrectionem mortuorum: III. "L'heure vient où les morts entendront la voix du fils de Dieu" (Évangile selon saint Jean, V, 25) by Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
• 1 - Et exspecto resurrectionem mortuorum: IV. "Ils ressusciteront, glorieux, avec un nom nouveau" (1re Épître de saint Paul aux Corinthiens, XV, 43; Apocalypse II, 17; Livre de Job, XXXVIII, 7) by Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
• 1 - Et exspecto resurrectionem mortuorum: V. "Et j'entendis la voix d'une foule immense ..." (Apocalypse, XIX, 6) by Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
• 1 - Étude in E minor by Julian Bream
• 1 - Etude Pour les arpeges by Emil Gilels (pianist)
• 1 - Etude-tableau in E-flat minor, Op. 39 No. 5 by Emil Gilels (pianist)
• 1 - Fandanguillo by Julian Bream