Tag “impressionism”
~ Tag
Registrazioni taggate come “impressionism”
572 registrazioni trovate
- 1 - Children's Corner, L. 113: VI. Golliwogg's Cake-Walk di Ensemble Wien-Berlin (quintet comprised of principal wind players from the Wiener and Berliner Philharmoniker)
- 1 - Children's Corner: I. Doctor Gradus ad Parnassum di Theodore Baskin, Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
- 1 - Children's Corner: II. Jimbo's Lullaby di Theodore Baskin, Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
- 1 - Children's Corner: III. Serenade for the Doll di Theodore Baskin, Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
- 1 - Children's Corner: IV. The Snow is Dancing di Theodore Baskin, Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
- 1 - Children's Corner: V. The Little Shepherd di Theodore Baskin, Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
- 1 - Children's Corner: VI. Golliwogg's Cake-Walk di Theodore Baskin, Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
- 1 - Children's Corner: VI. Golliwogg's Cakewalk di Jacques Rouvier (pianist)
- 1 - Chôros No. 1 di Julian Bream
- 1 - Clair de lune di [unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Clair de Lune di Orchestre de la Suisse Romande (OSR), Ernest Ansermet (conductor)
- 1 - Clair de lune (from 'Suite Bergamasque' No. 3) di Richard Meyrick (pianist)
- 1 - Concert Étude, op. 49 di Alison Balsom (classical trumpet player), Tom Poster (pianist)
- 1 - Concertino da camera for alto saxophone: I. Allegro con moto di Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
- 1 - Concertino da camera for alto saxophone: II. Larghetto di Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
- 1 - Concertino da camera for alto saxophone: III. Animato molto di Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
- 1 - Concerto for Alto Saxophone and String Orchestra: I. Molto vivo di Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
- 1 - Concerto for Alto Saxophone and String Orchestra: II. Interlude: Andante di Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
- 1 - Concerto for Alto Saxophone and String Orchestra: III. Allegro - Lento di Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
- 1 - Concerto for Piano and Orchestra in G major: I. Allegramente di Krystian Zimerman (pianist), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
- 1 - Concerto for Piano and Orchestra in G major: II. Adagio assai di Krystian Zimerman (pianist), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
- 1 - Concerto for Piano and Orchestra in G major: III. Presto di Krystian Zimerman (pianist), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
- 1 - Concerto for the Left Hand in D major di Jean‐Efflam Bavouzet (pianist), BBC Scottish Symphony Orchestra, Martyn Brabbins (conductor)
- 1 - Concerto for the Left Hand in D major: Lento - Andante - Allegro - Tempo 1 di Krystian Zimerman (pianist), London Symphony Orchestra, Pierre Boulez (composer and conductor)
- 1 - Concerto for the Left Hand: Allegro di Philippe Entremont (French pianist/conductor), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
- 1 - Concerto for the Left Hand: III. Tempo I di Philippe Entremont (French pianist/conductor), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
- 1 - Concerto for the Left Hand: Lento - Andante di Philippe Entremont (French pianist/conductor), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
- 1 - Concerto in E-flat for Alto Saxophone and String Orchestra, op. 109: I. Allegro moderato di Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
- 1 - Concerto in E-flat for Alto Saxophone and String Orchestra, op. 109: II. Andante di Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
- 1 - Concerto in E-flat for Alto Saxophone and String Orchestra, op. 109: III. Allegro di Academy of St Martin in the Fields, Neville Marriner (conductor), John Harle
- 1 - Couleurs de la cité céleste di Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
- 1 - Daisies, Op. 38 No. 3 di Emil Gilels (pianist)
- 1 - Danse (Tarantelle styrienne) di Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Riccardo Chailly (conductor)
- 1 - Danse (Tarentelle styrienne) di Philippe Cassard (pianist)
- 1 - Danse bohémienne di Philippe Cassard (pianist)
- 1 - Danses pour harpe et orchestre à cordes : Danse profane di Royal Concertgebouw Orchestra, Bernard Haitink (conductor)
- 1 - Danses pour harpe et orchestre à cordes : Danse sacrée di Royal Concertgebouw Orchestra, Bernard Haitink (conductor)
- 1 - Danses: I. Danse sacrée di Alice Chalifoux (harpist), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
- 1 - Danses: II. Danse profane di Alice Chalifoux (harpist), The Cleveland Orchestra, Pierre Boulez (composer and conductor)
- 1 - Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuient éperdus di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Daphnis et Chloé: Première Partie. Interlude di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Daphnis et Chloé: Première Partie. Introduction et Danse religieuse di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Daphnis et Chloé: Première Partie. Les jeunes filles di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense / Danse de Lyceion di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Daphnis et Chloé: Scene I. Dance of the Young Girls Around Daphnis di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene I. Daphnis Reasserts His Love for Chloé di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene I. Dorcon's Advance to Chloé di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene I. Dorcon's Grotesque Dance di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene I. Entrance of Daphnis and Chloé di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene I. Entrance of the Temptress Lyceion and Dance of Veils di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene I. Invocation to Pan by the Nymphs and the Prayer of Daphnis di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene I. Invocation to the Nymphs di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene I. The Gracious Dance of Daphnis di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene I. The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene I. The Triumph of Daphnis di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene II. Bryaxis Orders Chloé to Be Brought Forward and to Dance di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene II. Chloé's Dance of Supplication di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene II. Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone With a Shining Crown di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene II. Interlude di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene II. The Orgiastic Dance of the Pirates di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene III. Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene III. Daphnis and Chloé Are Reunited di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene III. Girls Dressed as Bacchantes Enter With Tambourines di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene III. Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloé Act Out the Story di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene III. Pan (Daphnis) Fashions a Flute From Some Reeds, on Which He Declares His Love for Syrinx (Chloé) di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene III. Sunrise. Daphnis Prostrate at the Grotto of the Nymphs di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Scene III. Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers di Boston Symphony Orchestra, Charles Munch (conductor and violinist)
- 1 - Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Daphnis et Chloé: Troisiéme Partie. Lever du jour di City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 1 - Des pas sur la neige di Krystian Zimerman (pianist)
- 1 - Die Nacht, op. 10 no. 3 di Sandrine Piau (soprano), Susan Manoff (pianist)
- 1 - Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto di Christian Ferras (violinist), Yehudi Menuhin (violinist), Bath Festival Orchestra
- 1 - Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)
- 1 - En blanc et noir pour 2 pianos: Avec emportement di Martha Argerich (Argentine pianist), Stephen Kovacevich (classical pianist, aka Stephen Bishop)
- 1 - En blanc et noir pour 2 pianos: Lent, Sombre di Martha Argerich (Argentine pianist), Stephen Kovacevich (classical pianist, aka Stephen Bishop)
- 1 - En blanc et noir pour 2 pianos: Scherzando di Martha Argerich (Argentine pianist), Stephen Kovacevich (classical pianist, aka Stephen Bishop)
- 1 - English Suite no. 2 in A minor, BWV 807: I. Prélude di Martha Argerich (Argentine pianist)
- 1 - English Suite no. 2 in A minor, BWV 807: II. Allemande di Martha Argerich (Argentine pianist)
- 1 - English Suite no. 2 in A minor, BWV 807: III. Courante di Martha Argerich (Argentine pianist)
- 1 - English Suite no. 2 in A minor, BWV 807: IV. Sarabande di Martha Argerich (Argentine pianist)
- 1 - English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II di Martha Argerich (Argentine pianist)
- 1 - English Suite no. 2 in A minor, BWV 807: VI. Gigue di Martha Argerich (Argentine pianist)
- 1 - Estampes: Jardins sous la pluie di Эмиль Григорьевич Гилельс (Emil Gilels, pianist)
- 1 - Estampes: La soirée dans Grenade di Эмиль Григорьевич Гилельс (Emil Gilels, pianist)
- 1 - Estampes: Pagodes di Эмиль Григорьевич Гилельс (Emil Gilels, pianist)
- 1 - Et exspecto resurrectionem mortuorum: I. "Des profondeurs de l'abîme, je crie vers toi, Seigneur : Seigneur, écoute ma voix !" (Psaume CXXX, 1, 2) di Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
- 1 - Et exspecto resurrectionem mortuorum: II. "Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire" (Épître de saint Paul aux Romains, VI, 9) di Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
- 1 - Et exspecto resurrectionem mortuorum: III. "L'heure vient où les morts entendront la voix du fils de Dieu" (Évangile selon saint Jean, V, 25) di Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
- 1 - Et exspecto resurrectionem mortuorum: IV. "Ils ressusciteront, glorieux, avec un nom nouveau" (1re Épître de saint Paul aux Corinthiens, XV, 43; Apocalypse II, 17; Livre de Job, XXXVIII, 7) di Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
- 1 - Et exspecto resurrectionem mortuorum: V. "Et j'entendis la voix d'une foule immense ..." (Apocalypse, XIX, 6) di Domaine Musical, Les Percussions de Strasbourg, Pierre Boulez (composer and conductor), Yvonne Loriod (pianist)
- 1 - Étude in E minor di Julian Bream
- 1 - Etude Pour les arpeges di Emil Gilels (pianist)
- 1 - Etude-tableau in E-flat minor, Op. 39 No. 5 di Emil Gilels (pianist)
- 1 - Fandanguillo di Julian Bream