Tag “opera”

Recordings tagged as “opera”

8,596 recordings found

• 1 - Lucia di Lammermoor: Atto III, Scena II. "O giusto cielo" - "Il dolce suono" (Coro, Lucia) by Joan Sutherland (soprano), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Sir John Pritchard (conductor)
• 1 - Lucia di Lammermoor: Atto III, Scena II. "Ohimè! sorge il tremendo fantasma" (Lucia) by Joan Sutherland (soprano), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Sir John Pritchard (conductor)
• 1 - Lucia di Lammermoor: Atto III, Scena II. "Spargi d'amaro pianto" (Lucia) by Joan Sutherland (soprano), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Sir John Pritchard (conductor)
• 1 - Lucia di Lammermoor: Atto III. “Il dolce suono“ by Maria Callas (soprano)
• 1 - Lucia di Lammermoor: Atto III. “Il dolce suono” (Lucia) by Montserrat Caballé (soprano), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Jesús López Cobos (conductor)
• 1 - Lucia di Lammermoor: Atto III. Nº 11. "Ashton!" – "Si" / "Qui del padre ancor respira" (Edgardo, Enrico) by Carlo Bergonzi (tenor), Piero Cappuccilli (baritone), London Symphony Orchestra, Thomas Schippers (conductor and composer)
• 1 - Lucia di Lammermoor: Atto III. Nº 11. Uragano, scena e duetto "Orrida è questa notte" (Edgardo, Enrico) by Carlo Bergonzi (tenor), Piero Cappuccilli (baritone), London Symphony Orchestra, Thomas Schippers (conductor and composer)
• 1 - Lucia di Lammermoor: Atto III. Nº 12. Coro "D'immenso giubilo" (Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), London Symphony Orchestra, Thomas Schippers (conductor and composer)
• 1 - Lucia di Lammermoor: Atto III. Nº 13. Gran scena con cori "Deh, cessate quel contento" (Raimondo, Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Justino Díaz (operatic bass), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
• 1 - Lucia di Lammermoor: Atto III. Nº 14. "Ardon gli incensi" (Lucia, Normanno, Raimondo, Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Justino Díaz (operatic bass), Keith Erwen (operatic tenor), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
• 1 - Lucia di Lammermoor: Atto III. Nº 14. "S'avanza Enrico!" (Raimondo, Enrico, Coro, Lucia) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Piero Cappuccilli (baritone), Justino Díaz (operatic bass), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
• 1 - Lucia di Lammermoor: Atto III. Nº 14. "Spargi d'amaro pianto" (Lucia, Enrico, Raimondo, Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Piero Cappuccilli (baritone), Justino Díaz (operatic bass), Beverly Sills (soprano), London Symphony Orchestra, Thomas Schippers (conductor and composer)
• 1 - Lucia di Lammermoor: Atto III. Nº 14. Scena ed aria "O giusto cielo!" – "Il dolce suono" (Lucia, Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Beverly Sills (soprano), William Bennett (flautist), Osian Ellis (Welsh harpist and composer), Bruno Hoffmann (glass harmonica player), London Symphony Orchestra, Thomas Schippers (conductor and composer)
• 1 - Lucia di Lammermoor: Atto III. Nº 15. "Fra poco a me ricovero" (Edgardo) by Carlo Bergonzi (tenor), London Symphony Orchestra, Thomas Schippers (conductor and composer)
• 1 - Lucia di Lammermoor: Atto III. Nº 15. "Oh meschina!" (Coro, Edgardo, Raimondo) / "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Coro) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Carlo Bergonzi (tenor), Justino Díaz (operatic bass), London Symphony Orchestra, Thomas Schippers (conductor and composer)
• 1 - Lucia di Lammermoor: Atto III. Nº 15. Aria e finale "Tombe degli avi miei" (Edgardo) by Carlo Bergonzi (tenor), London Symphony Orchestra, Thomas Schippers (conductor and composer)
• 1 - Lucia di Lammermoor: Atto III. Nº 15. Scena — Recitativo "Si tragga altrove" (Enrico, Raimondo, Normanno) by Piero Cappuccilli (baritone), Justino Díaz (operatic bass), Keith Erwen (operatic tenor), London Symphony Orchestra, Thomas Schippers (conductor and composer)
• 1 - Lucia di Lammermoor: Il dolce suono by Edita Gruberová (soprano), Bruno Lazzaretti (italian tenor), Robert Lloyd (operatic bass), Renato Bruson (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Royal Philharmonic Orchestra, Nicola Rescigno (conductor)
• 1 - Lucie de Lammermoor : Acte III, Scène et air de la folie. « Ashton s’avance » (Raymond, Lucie, Chœur, Ashton) by Nicolas Cavallier (operatic bass), Chœur de l'Opéra National de Lyon, Natalie Dessay (soprano), Ludovic Tézier (baritone), Orchestre de l’Opéra National de Lyon, Evelino Pidò (conductor)
• 1 - Lucie de Lammermoor : Acte III, Scène et air de la folie. « Elle s’avance, hélas, pauvre victime » (Raymond, Lucie) by Nicolas Cavallier (operatic bass), Chœur de l'Opéra National de Lyon, Natalie Dessay (soprano), Orchestre de l’Opéra National de Lyon, Evelino Pidò (conductor)
• 1 - Lucie de Lammermoor : Acte III, Scène et air de la folie. « Je vais quitter la terre » (Lucie, Ashton, Raymond, Chœur) by Nicolas Cavallier (operatic bass), Chœur de l'Opéra National de Lyon, Natalie Dessay (soprano), Ludovic Tézier (baritone), Orchestre de l’Opéra National de Lyon, Evelino Pidò (conductor)
• 1 - Lucio Silla, K. 135: Accompagnato "Cecilio, a che t'arresti" / Aria "Quest'improvviso tremito" by Cecilia Bartoli (mezzo‐soprano), Yvonne Kenny (Australian soprano), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Lucio Silla, K. 135: Act 1 "Il tenero momento" (Cecilio) by Cecilia Bartoli (mezzo‐soprano), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio) by Kiri Te Kanawa (soprano), London Symphony Orchestra, Sir Colin Davis (English conductor)
• 1 - Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio) by Cecilia Bartoli (mezzo‐soprano), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Lucio Silla, K. 135: Ouverture. Allegro molto by Staatskapelle Dresden (Dresden Symphonic Orchestra), Hans Vonk (conductor)
• 1 - Lucio Silla: "Il tenero momento" by Cecilia Bartoli (mezzo‐soprano), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Lucio Silla: In un instante...Parto, m'affretto (Giunia) by Diana Damrau (soprano), Le Cercle de l'Harmonie, Jérémie Rhorer (conductor)
• 1 - Lucrezia Borgia: Act I. "Tranquillo ei posa... Com'è bello" by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
• 1 - Lucrezia Borgia: Prologo. “Tranquillo ei posa” … “Com’e bello” by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Antonio Tonini (conductor)
• 1 - Lucrezia: A voi, a voi, padre, consorte by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
• 1 - Lucrezia: Ah! che ancor nell'abisso by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
• 1 - Lucrezia: Gia nel seno comincia compir by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
• 1 - Lucrezia: Il suol che preme by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
• 1 - Lucrezia: Ma voi forse nel cielo by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
• 1 - Lucrezia: O Numi eterni! by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
• 1 - Lucrezia: Questi la disperata anima by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
• 1 - Lucrezia: Sento ch'il cor by Janet Baker (mezzo‐soprano and alto), Raymond Leppard (conductor and harpsichordist), English Chamber Orchestra
• 1 - Luisa Miller, Atto II: Oh! Fede negar potessi … Quando le sere al placido (Rodolfo) by Andrea Bocelli (tenor), Israel Philharmonic Orchestra (Israeli orchestra), Zubin Mehta (conductor)
• 1 - Luisa Miller: "L'ara o l'avello apprestami" by Gianluca Alfano (baritone), Coro Sinfonico di Milano Giuseppe Verdi, Rolando Villazón (tenor), Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi), Daniele Callegari (conductor)
• 1 - Luisa Miller: "Oh! Fede negar potessi... Quando le sere al placido" by José Carreras (Spanish tenor), Royal Philharmonic Orchestra, Roberto Benzi (conductor)
• 1 - Luisa Miller: "Oh! fede negar potessi" by Rolando Villazón (tenor), Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi), Daniele Callegari (conductor)
• 1 - Luisa Miller: "Oh! fede negar potessi" / "Quando le sere al placido" by Ben Heppner (tenor), Münchner Rundfunkorchester (The Munich Radio Orchestra), Roberto Abbado (conductor)
• 1 - Luisa Miller: Atto II. Scena ed aria “Oh! fede negar potessi … Quando le sere al placido” by Jonas Kaufmann (tenor), Orchestra dell'Opera di Parma, Pier Giorgio Morandi (conductor)
• 1 - Luisa Miller: Overture by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Lyrische Stücke V, op. 54 Nr. 4: Notturno by Emil Gilels (pianist)
• 1 - Ma Vlast: I. Vysehrad by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Macbeth: “La luce langue” by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Georges Prêtre (French conductor), Nicola Rescigno (conductor)
• 1 - Macbeth: “La luce langue” by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Nicola Rescigno (conductor)
• 1 - Macbeth: “Nel di della vittoria” … “Vieni! T’affretta” by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Georges Prêtre (French conductor), Nicola Rescigno (conductor)
• 1 - Macbeth: “Patria oppressa!” (Chorus of Scottish Refugees) by Atlanta Symphony Chorus, Atlanta Symphony Orchestra, Robert Shaw (conductor)
• 1 - Macbeth: “Una macchia è qui tuttora” by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Georges Prêtre (French conductor), Nicola Rescigno (conductor)
• 1 - Macbeth: Atto IV. “”Una macchia è qui tuttora by Maria Callas (soprano), Nicola Rescigno (conductor)
• 1 - Macbeth: La luce langue by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Nicola Rescigno (conductor)
• 1 - Macbeth: Overture (Preludio) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 1 - Madama Butterfly, Act II: Coro a bocca chiusa (Chorus) by Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli (conductor)
• 1 - Madama Butterfly: "Addio, fiorito asil" by Andrea Bocelli (tenor), Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda (conductor)
• 1 - Madama Butterfly: “Tu, tu piccolo Iddio” (mono) by Renata Tebaldi (soprano), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Alberto Erede (conductor)
• 1 - Madama Butterfly: "Tu? Tu? Tu? Piccolo Iddio" by Megan Marie Hart (soprano)
• 1 - Madama Butterfly: “Un bel dì vedremi” by Régine Crespin (soprano), Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes (conductor)
• 1 - Madama Butterfly: “Un bel dì vedremo” by Renata Tebaldi (soprano), Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia), Tullio Serafin (conductor)
• 1 - Madama Butterfly: “Un bel dì vedremo” by Kiri Te Kanawa (soprano), Lyon Opera Orchestra, Kent Nagano (conductor)
• 1 - Madama Butterfly: “Vogliatemi bene, un bene piccolino” by Maria Callas (soprano), Nicolai Gedda (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
• 1 - Madama Butterfly: "Vogliatemi bene" by Miriam Gauci (soprano), Yordy Ramiro (tenor), Slovak Radio Symphony Orchestra, Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
• 1 - Madama Butterfly: Act I. "Amore o grillo, dir non saprei" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "Bimba dagli occhi pieni di malia" by José Carreras (Spanish tenor), Mirella Freni (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "Bimba, bimba, non piangere" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "Dovunque al mondo lo Yankee vagabondo" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "Ecco! Son giunte al sommo del pendio" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "Ed è bella la sposa?" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "Gran ventura" / "Riverenza" / "È un po' dura la scalata?" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "Ieri son salita tutta sola secreto" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "L'imperial commissario" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "O Kami! O Kami!" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "Sorride Vostro Onore?" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "Tutti zitti!" / "È concesso al nominato Benjamin Franklin Pinkerton" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "Viene la sera" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. "Vieni, amor mio" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act I. “Vogliatemi bene” by Miriam Gauci (soprano), Yordy Ramiro (tenor), Czecho-Slovak Radio Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra), Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
• 1 - Madama Butterfly: Act I. Introduction / "E soffito e pareti" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part I. "C'è. Entrate" / "Chiedo scusa" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part I. "Due cose potrei far" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part I. "E lzaghi ed Izanami, Sarundasico e Kami" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part I. "E questo? Egli potrà pure scordare?" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part I. "Ora a noi. Sedete qui" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part I. "Scuoti quella fronda di ciliegio" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part I. "Vedrai, piccolo amor, mia pena e mio conforto" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part I. "Vespa! Rospo maledetto!" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part I. "Yamadori, ancor le pene dell'amor non v'han delluso?" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part II. "Addio fiorito asil" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part II. "Chi sia?" / "Zitta!" / "Non la destar" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part II. "Già il sole! Cio-cio-san" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part II. "Glielo dirai!" / "Prometto" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part II. "lo so che alle sue pene non ci sono conforti!" by Mirella Freni (soprano), José Carreras (Spanish tenor), Teresa Berganza (mezzo-soprano), Juan Pons (baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II, Part II. Intermezzo / "Oh eh! oh eh!" by Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
• 1 - Madama Butterfly: Act II: Coro a bocca chiusa (Humming Chorus) by May Festival Chorus, Robert Porco, Cincinnati Pops Orchestra, Erich Kunzel (conductor)
• 1 - Madama Butterfly: Act II. "Un bel dì vedremo" by Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
• 1 - Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) by Robert Kerns (baritone), Luciano Pavarotti (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton) by Robert Kerns (baritone), Luciano Pavarotti (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 1 - Madama Butterfly: Atto I. “O Kami! O Kami!” (Amiche) by Mirella Freni (soprano), Martha Heigl (soprano), Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir), Luciano Pavarotti (tenor), Marius Rintzler (Romanian operatic bass), Wolfgang Schneider (operatic bass), Michel Sénéchal (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)