| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | 9 to 5 | Dolly Parton | 3.55 | 2:45 |
| 2 | Jessie’s Girl- Produzent(in):
- Keith Olsen
- arranger:
- Neil Geraldo , Keith Olsen und Rick Springfield
- phonographisches Urheberrecht (℗) von:
- BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (in 1981), RCA Records, Inc. (in 1981), Sony Music Entertainment (in 1981, in 2001) und Wizard Records (in 1981)
- Teil von:
- VH1: 100 Greatest Songs of the 80’s (Nummer: 20) und Billboard: The 500 Best Pop Songs (Nummer: 55)
- recording of:
- Jessie’s Girl
- Texter und Komponist(in):
- Rick Springfield
- publisher:
- BMG Music, Copyright Control , Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc. und Wizard Music
| Rick Springfield | 4.4 | 3:14 |
| 3 | Manic Monday | The Bangles | 4 | 3:04 |
| 4 | My Love Is Waiting | Marvin Gaye | 2 | 5:08 |
| 5 | Loco in Acapulco | The Four Tops | | 3:31 |
| 6 | Caravan of Love | The Isley Brothers | | 4:21 |
| 7 | How Am I Supposed to Live Without You | Michael Bolton | 4 | 4:17 |
| 8 | Always on My Mind- Produzent(in):
- Chips Moman
- Bass:
- Mike Leech (am 1981-10-11)
- Gitarre:
- Johnny Christopher (am 1981-10-11), Willie Nelson (am 1981-10-11) und Reggie Young (am 1981-10-11)
- Keyboard:
- Bobby Woods (am 1981-10-11) und Bobby Emmons (am 1981-10-11)
- Mundharmonika:
- Mickey Raphael (am 1981-10-11)
- Schlagzeug:
- Gene Chrisman (am 1981-10-11)
- vocals:
- Willie Nelson (am 1981-10-11)
- phonographisches Urheberrecht (℗) von:
- Sony Music Entertainment Inc. (in 1981, in 1982, in 2003) und CBS Records Inc. (in 1982)
- aufgenommen bei:
- Moman's Recording Studio in Nashville (am 1981-10-11)
- recording of:
- Always on My Mind (am 1981-10-11)
- Verfasser(in):
- Johnny Christopher , Mark James und Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Copyright Control , Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. und Sebanine Music
- sub-publisher:
- Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. und Screen Gems–EMI Music Ltd.
| Willie Nelson | 4.7 | 3:34 |
| 9 | Toy Soldiers | Martika | 3 | 4:20 |
| 10 | Shake You Down | Gregory Abbott | 3.3 | 4:06 |
| 11 | Wishing Well | Terence Trent D’Arby | 3.15 | 3:31 |
| 12 | Move Closer | Phyllis Nelson | 2 | 4:36 |
| 13 | Suicide Is Painless (from the 20th Century-Fox Film “M*A*S*H”) | The Mash | 3 | 2:56 |
| 14 | The Promise You Made- Produzent(in) und Mix:
- Steve Hillage
- Schlagzeug und Perkussion:
- Louis Molino
- Sologesang:
- Peter Kingsbery und Anna LaCazio
- phonographisches Urheberrecht (℗) von:
- CBS, Inc. (in 1985), Sony Music Entertainment (in 1985) und Sony Music Entertainment Inc. (in 1985)
- mixed at:
- Kendun Recorders in Burbank
- recording of:
- The Promise You Made
- Texter und Komponist(in):
- Peter Kingsbery
- publisher:
- 31, Edwin Ellis Music , EMI Music Publishing Taiwan , Intersong , Nurk Twins Music , Strictly Confidential France, Universal Music Publishing Ltd. und Warner Chappell Music
- sub-publisher:
- Nichion Synch Division und Sony Music Publishing (Japan), Inc., A Division
| Cock Robin | 4.5 | 3:55 |
| 15 | Losing My Mind | Liza Minnelli | | 4:14 |
| 16 | The Flame | Cheap Trick | 5 | 4:48 |
| 17 | Satellite | The Hooters | 4 | 4:18 |
| 18 | Metal Health | Quiet Riot | 4.2 | 5:18 |
| 19 | Easy Livin’ | Fastway | | 2:49 |
| 20 | How ’bout Us- assistierende(r) Techniker(in):
- Michael Ferraro und Tom Miller
- Techniker(in):
- Stu Walder
- Partner-Produzent(in):
- James Mack
- Produzent(in):
- Leo Graham
- Bassgitarre [bass]:
- Michael Reed und Paul Richmond
- elektronisches Schlagzeug / E-Drums [syndrums]:
- Tommy Radtke
- Gitarre [guitars]:
- Michael Day und Howard Reeder
- Keyboard [keyboards]:
- Michael Day und Dana Walden
- Perkussion:
- Rocky Maffit
- Schlagzeug:
- Morris Jennings, Jr.
- Solo-alto saxophone:
- Ken Soderbloom
- Synthesizer [synthesizers]:
- Dana Walden
- Sologesang:
- Pauli Carman
- vocals:
- Michael Day, Rena Jones , Rocky Maffit und Howard Reeder
- Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
- James Mack
- arranger:
- Champaign, Leo Graham und James Mack
- phonographisches Urheberrecht (℗) von:
- CBS, Inc. (in 1981) und Sony Music Entertainment Inc. (in 1981)
- produced for:
- B‐Line Productions
- aufgenommen bei:
- Universal Recording in Chicago
- cover recording of:
- How ’bout Us
- Texter und Komponist(in):
- Dana Walden
- publisher:
- April Music, Irving Music und Irving Music, Inc.
- sub-publisher:
- Rondor Music (London) Ltd., ヤマハミュージックEH(CM) und ユニバーサル・ミュージック・パブリッシング Synch事業部
- recording of:
- How ’bout Us
- Texter und Komponist(in):
- Dana Walden
- publisher:
- April Music, Irving Music und Irving Music, Inc.
- sub-publisher:
- Rondor Music (London) Ltd., ヤマハミュージックEH(CM) und ユニバーサル・ミュージック・パブリッシング Synch事業部
| Champaign | 3 | 4:34 |