Mercury Living Presence: The Collector's Edition, Vol. 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▶CD
10▶CD
11▶CD
12▶CD
13▶CD
14▶CD
15▶CD
16▼CD
#TitleArtistRatingLength
1Blow, Gabriel, Blow
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
Blow, Gabriel Blow (Anything Goes) (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1934)
part of:
Anything Goes
Cole Porter2:33
2So in Love
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
So in Love (from Kiss Me, Kate) (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
Cole Porter3:03
3It’s All Right With Me
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
It’s All Right with Me (Can‐Can musical) (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Cole Porter3:27
4Ridin’ High
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
Ridin’ High (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1936)
Cole Porter2:47
5In the Still of the Night
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
In the Still of the Night (Cole Porter song) (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Cole Porter3:00
6Begin the Beguine
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
Begin the Beguine (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Cole Porter3:27
7Night and Day
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Cole Porter3:18
8My Heart Belongs to Daddy
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
cover recording of:
My Heart Belongs to Daddy (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Cole Porter2:28
9Anything Goes
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
Anything Goes (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
Cole Porter2:22
10I’ve Got You Under My Skin
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
I’ve Got You Under My Skin (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Cole Porter3:56
11It’s De‐Lovely
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
It’s De‐Lovely (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Cole Porter3:15
12You’d Be So Nice to Come Home To
orchestra:
The Studio Orchestra (from 1961-11-20 until 1961-11-21)
conductor:
Frederick Fennell (conductor) (from 1961-11-20 until 1961-11-21)
recorded at:
Bayside Studio of Fine Recording in Bayside (from 1961-11-20 until 1961-11-21)
recording of:
You’d Be So Nice to Come Home To (from 1961-11-20 until 1961-11-21)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Cole Porter2:55
17▶CD
18▶CD
19▶CD
20▶CD
21▶CD
22▶CD
23▶CD
24▶CD
25▶CD
26▶CD
27▶CD
28▶CD
29▶CD
30▶CD
31▶CD
32▶CD
33▶CD
34▶CD: Marches and Overtures à la française
35▶CD: Paul Paray conducts Wagner
36▶CD
37▶CD
38▶CD: Variations in High Fidelity
39▶CD
40▶CD
41▶CD
42▶CD
43▶CD
44▶CD
45▶CD
46▶CD
47▶CD
48▶CD: World of Flamenco
49▶CD: Concertos for Recorders and Strings
50▶CD: Hindemith: Symphony in b‐flat / Schoenberg: Theme & Variations, op. 43a / Stravinsky: Symphonies of Wind Instruments
51▶CD: Rafael Puyana – Soler – Music for the Harpsichord
52▶CD: 1812 Festival Overture, op. 49 / Capriccio italien
53▶CD: Shostakovich Quartet no. 4 no. 8

Credits

Release group

includes:Hindemith: Symphony in B-flat / Schoenberg: Theme & Variations, op. 43a / Stravinsky: Symphonies of Wind Instruments by Hindemith (German composer, 1895–1963), Schoenberg (Arnold Schoenberg, composer), Stravinsky (Igor Stravinsky, Russian composer); Frederick Fennell (conductor), Eastman Wind Ensemble