The Complete Columbia Album Collection

~ Release by Pierre Boulez (see all versions of this release, 1 available)

Annotation

67CD boxset

Annotation last modified on 2016-01-15 22:57 UTC.

Tracklist

1▶CD: Alban Berg - Wozzeck (Act I)
2▶CD: Alban Berg - Wozzeck (Act II, Act III)
3▶CD: Olivier Messiaen - Et expecto resurrectionem mortuorum / Couleurs de la cité céleste
4▶CD: Claude Debussy - Boulez Conducts Debussy (La Mer / Prélude / Jeux)
5▶CD: Hector Berlioz - Symphonie fantastique, op. 14
6▶CD: Hector Berlioz - Lélio, ou Le Retour à la vie, op. 14b
7▶CD
8▶CD
9▶CD
10▶CD
11▶CD
12▶CD
13▶CD
14▶CD
15▶CD
16▶CD
17▶CD
18▶CD
19▶CD
20▼CD
#TitleArtistRatingLength
1The Miraculous Mandarin, Sz 73 (op. 19): Prelude
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:16
2The Miraculous Mandarin, Sz 73 (op. 19): The Curtain rises
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:41
3The Miraculous Mandarin, Sz 73 (op. 19): First seduction game: a shabby old Rake
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:44
4The Miraculous Mandarin, Sz 73 (op. 19): Second seduction game: a shy young Man
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:04
5The Miraculous Mandarin, Sz 73 (op. 19): Third seduction game: the Mandarin
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:25
6The Miraculous Mandarin, Sz 73 (op. 19): General consternation: the Ruffians make signs
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:14
7The Miraculous Mandarin, Sz 73 (op. 19): The Girl is undecided; she shudders and draws back
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók4:33
8The Miraculous Mandarin, Sz 73 (op. 19): The Girl sits on the Mandarin's lap; he starts to tremble excitedly
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:29
9The Miraculous Mandarin, Sz 73 (op. 19): The Ruffians leap out, seize the Mandarin and rob him
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:06
10The Miraculous Mandarin, Sz 73 (op. 19): Suddenly the Mandarin's head appears and he looks longingly at the Girl
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:00
11The Miraculous Mandarin, Sz 73 (op. 19): The terrified Ruffians discuss how they are to get rid of the Mandarin
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:21
12The Miraculous Mandarin, Sz 73 (op. 19): The Body of the Mandarin begins to glow; the Girl resists no longer
engineer:
Bud Graham (classical sound engineer) and Raymond L. Moore (engineer, 1957–1995)
producer:
Andrew Kazdin (American record producer)
mixer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1971-05-11)
orchestra:
New York Philharmonic (on 1971-05-11)
conductor:
Pierre Boulez (composer and conductor) (on 1971-05-11)
chorus master:
Hugh Ross (choral director) (on 1971-05-11)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1971-05-11)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (on 1971-05-11)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók4:09
13Dance Suite, Sz 77: I. Moderato
orchestra:
New York Philharmonic
conductor:
Pierre Boulez (composer and conductor)
Béla Bartók4:02
14Dance Suite, Sz 77: II. Allegro molto
orchestra:
New York Philharmonic (on 1972-02-22)
conductor:
Pierre Boulez (composer and conductor) (on 1972-02-22)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1972-02-22)
recording of:
Dance Suite, Sz. 77, BB 86a: II. Allegro molto (for orchestra) (on 1972-02-22)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók2:11
15Dance Suite, Sz 77: III. Allegro vivace
orchestra:
New York Philharmonic (on 1972-02-22)
conductor:
Pierre Boulez (composer and conductor) (on 1972-02-22)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1972-02-22)
recording of:
Dance Suite, Sz. 77, BB 86a: III. Allegro vivace (for orchestra) (on 1972-02-22)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók3:07
16Dance Suite, Sz 77: IV. Molto tranquillo
orchestra:
New York Philharmonic (on 1972-02-22)
conductor:
Pierre Boulez (composer and conductor) (on 1972-02-22)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1972-02-22)
recording of:
Dance Suite, Sz. 77, BB 86a: IV. Molto tranquillo (for orchestra) (on 1972-02-22)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók3:19
17Dance Suite, Sz 77: V. Comodo
orchestra:
New York Philharmonic (on 1972-02-22)
conductor:
Pierre Boulez (composer and conductor) (on 1972-02-22)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1972-02-22)
recording of:
Dance Suite, Sz. 77, BB 86a: V. Comodo (for orchestra) (on 1972-02-22)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók1:00
18Dance Suite, Sz 77: VI. Finale. Allegro
orchestra:
New York Philharmonic (on 1972-02-22)
conductor:
Pierre Boulez (composer and conductor) (on 1972-02-22)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side (on 1972-02-22)
recording of:
Dance Suite, Sz. 77, BB 86a: VI. Finale. Allegro (for orchestra) (on 1972-02-22)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók4:12
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58▶CD: Edgard Varèse - Ecuatorial / Déserts / Intégrals / Hyperprism / Octandre / Offrandes / Density 21.5
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