80’s Road Trip

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Tainted Love (12″ version)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell5:55
2Change
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983)
recording of:
Change
Texter und Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
publisher:
Roland Orzabal Ltd.
Tears for Fears13:56
3I’m the Man
recording engineer:
Alan Winstanley (English record producer)
Produzent(in):
David Kershenbaum
Mix:
Aldo Bocca
Bassgitarre:
Graham Maby
Gitarre:
Gary Sanford
Schlagzeug:
Dave Houghton
Sologesang:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
aufgenommen bei:
TW Studios (Clanger Winstanley's studio in Fulham) in Fulham
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick
recording of:
I’m the Man
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Albion Music Ltd. und Sony/ATV Tunes LLC (ASCAP)
Joe Jackson54:00
4Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57
5I Melt With You
Techniker(in) und Produzent(in):
Hugh Jones (UK producer)
Bassgitarre [bass] und Geige / Violine:
Michael Conroy
Gitarre:
Gary McDowell
Keyboard [keyboards]:
Stephen Walker (of Modern English)
Perkussion und Schlagzeug [drums]:
Richard Brown (Modern English)
vocals:
Robbie Grey
engineered at:
Rockfield in Monmouth
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 7)
recording of:
I Melt With You
Verfasser(in):
Richard Brown (Modern English), Michael Conroy, Robbie Grey, Gary McDowell und Stephen Walker (of Modern English)
publisher:
Universal–Songs of PolyGram International, Inc.
Modern English4.253:52
6Our Lips Are Sealed
Assistent recording engineer:
Ted Blechta und John Terelle
recording engineer und Mix:
Rob Freeman (engineer)
zusätzlich Assistent recording engineer:
James Ball, Eric Kortee und Darroll Gustamachio
Produzent(in):
Rob Freeman (engineer) und Richard Gottehrer (American songwriter and music executive)
assistierende(r) Mix:
Gray Russell
Bassgitarre und Gitarre:
Kathy Valentine
Gitarre [lead guitar] und Keyboard:
Charlotte Caffey
Gitarre [rhythm guitar]:
Jane Wiedlin
Perkussion und Schlagzeug:
Gina Schock
Sologesang:
Belinda Carlisle
vocals:
Charlotte Caffey und Jane Wiedlin
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) und I.R.S., Inc. (in 1981)
aufgenommen bei:
Pennylane Studios in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Sound Mixers Studio in New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan
mixed at:
Sound Mixers Studio in New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 25), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 317) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 477)
recording of:
Our Lips Are Sealed
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall und Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music und Plangent Visions Music
The Go‐Go’s4.52:48
7Video Killed the Radio Star
Musikvideos:
Video Killed the Radio Star von Buggles und Video Killed the Radio Star von Buggles
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 56)
recording of:
Video Killed the Radio Star
Verfasser(in):
Geoff Downes (English keyboardist), Trevor Horn und Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Buggles4.64:13
8Black Coffee in Bed
assistierende(r) Techniker(in):
Butch Yates
Produzent(in):
Phil McDonald (engineer and producer) und Squeeze (UK new wave band)
Bass:
John Bentley (UK bassist, member of Squeeze)
Gitarre:
Chris Difford und Glenn Tilbrook
Keyboard:
Don Snow
Schlagzeug:
Gilson Lavis
Gast Hintergrundgesang:
Elvis Costello und Paul Young (English pop singer and musician)
Hintergrundgesang:
John Bentley (UK bassist, member of Squeeze) und Don Snow
vocals:
Chris Difford und Glenn Tilbrook
recording of:
Black Coffee in Bed
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
Squeeze3.656:12
9I Know What Boys Like
Koproduzent(in):
Chris Butler (US musician, writer and artist, led The Waitresses) und Kurt Munkacsi
Produzent(in):
Chris Butler (US musician, writer and artist, led The Waitresses) und Kurt Munkacsi
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 34)
recording of:
I Know What Boys Like
Texter und Komponist(in):
Chris Butler (US musician, writer and artist, led The Waitresses)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Version von:
Wait Here I’ll Be Right Back…
The Waitresses3:13
10Be Near Me
assistierende(r) Techniker(in):
Paul Corkett, Charles Harrowell, Mark Stent (producer, engineer), Mike Drake, Heff Moraes, Dietmar Schillinger und Paul Wright (UK recording engineer)
Techniker(in) und Mix:
Martyn Webster (engineer)
Produzent(in):
Martin Fry und Mark White (ABC/Vice Versa)
Bassgitarre:
Brad Lang
Becken:
David Palmer (drummer (ABC/The The))
Sologesang:
Martin Fry
arranger:
Mark White (ABC/Vice Versa)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985), Phonogram Ltd. (London) (company name, NOT a label!) (in 1985, in 1987) und Universal Music Operations (not release label) (in 2005)
aufgenommen bei:
Jacobs Studios in Farnham (von 1984 bis 1985)
mixed at:
Sarm West Studios in Notting Hill
Teil von:
The Downloader’s Music Source Book (Nummer: 71)
recording of:
Be Near Me
Texter und Komponist(in):
Martin Fry und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Neutron Music und Nymph Music, Inc.
ABC3.53:40
11Mexican Radio
Techniker(in):
Jess Sutcliffe
Produzent(in):
Richard Mazda
Mix:
Robert Battaglia, Avi Kipper und Jess Sutcliffe
Bass und Synthesizer und Hintergrundgesang:
Chas T. Gray
Gitarre:
Marc Moreland
Mundharmonika und Keyboard:
Stan Ridgway
Schlagzeug und Perkussion:
Joe Nanini
vocals:
Joe Nanini und Stan Ridgway
recording of:
Mexican Radio
Verfasser(in):
Marc Moreland und Stan Ridgway
Wall of Voodoo4.654:10
12Robert De Niro’s Waiting
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1984)
recording of:
Robert De Niro's Waiting
Komponist(in):
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) und Keren Woodward
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), In a Bunch Music (publisher), J&S Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama2.353:30

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gedruckt in:Vereinigte Staaten