The Best of Lite FM

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Minute by Minute
Techniker(in):
Donn Landee
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
Ted Templeman
Synthesizer:
Bill Payne
Sologesang:
Michael McDonald (R&B & soul singer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood
recording of:
Minute by Minute
Verfasser(in):
Lester Abrams und Michael McDonald (R&B & soul singer)
publisher:
BMG Firefly, Bughouse, Kobalt Music Publishing Ltd. (UK) und Snug Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers43:26
2I Got a Name
Akustikgitarre [lead acoustic guitar]:
Maury Muehleisen
Bass:
Joe Macho
Gitarre [rhythm guitar] und Klavier:
Tommy West
Perkussion:
George Devens
Schlagzeug:
Rick Marotta (US drummer/percussionist)
Hintergrundgesang:
Jim Croce, Maury Muehleisen und Tommy West
vocals:
Jim Croce (am 1973-06-06)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographisches Urheberrecht (℗) von:
Saja Music Co. (Saja Music Company, publisher) (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1973-06-06)
recording of:
I Got a Name (am 1973-06-06)
Texter:
Norman Gimbel
Komponist(in):
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Fox Fanfare Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jim Croce43:11
3It Don’t Matter to Me
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread), James Griffin (soft rock singer/songwriter/guitarist) und Robb Royer (American composer, songwriter, multi-instrumentalist, and producer)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1969) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1973)
recording of:
It Don’t Matter to Me
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–Columbia Music, Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread42:49
4Time Passages
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
Bearbeitung von:
Time Passages von Al Stewart (UK folk singer/songwriter)
recording of:
Time Passages
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter White (smooth jazz/jazz fusion guitarist)
publisher:
Approximate Music, PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., DJM Music (in 1978) und Frabjous Music (in 1978)
Al Stewart4:39
5Hurt So Bad
recording engineer:
Val Garay
Produzent(in):
Peter Asher
Bass:
Bob Glaub (in 1979-11)
E-Gitarre:
Dan Dugmore (in 1979-11) und Danny Kortchmar (Danny Kootch) (in 1979-11)
Keyboard:
Bill Payne (in 1979-11)
Schlagzeug [drums]:
Russell Kunkel (session drummer) (in 1979-11)
Solo-E-Gitarre:
Danny Kortchmar (Danny Kootch) (in 1979-11)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
aufgenommen bei:
Record One in Sherman Oaks (in 1979-11)
cover recording of:
Hurt So Bad (in 1979-11)
Verfasser(in):
Bobby Wilding (US songwriter), Bobby Hart und Teddy Randazzo
publisher:
Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music und Vogue Music
recording of:
Hurt So Bad
Verfasser(in):
Bobby Wilding (US songwriter), Bobby Hart und Teddy Randazzo
publisher:
Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music und Vogue Music
Linda Ronstadt53:13
6Feels Like the First Time
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Feels Like the First Time
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3:13
7Babe
Techniker(in):
Rob Kingsland und Gary Loizzo
Produzent(in):
Styx (rock band from Chicago)
Interpret(in):
Styx (rock band from Chicago)
phonographisches Urheberrecht (℗) von:
A&M Records
aufgenommen bei:
Pumpkin Studios in Oak Lawn
recording of:
Babe
Texter und Komponist(in):
Dennis DeYoung
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), MDW (publisher) und Stygian Songs (publishing company for the rock band Styx) (in 1979)
Styx3.354:26
8I Need You
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Akustikgitarre:
Dewey Bunnell
Bassgitarre und Klavier und Sologesang:
Gerry Beckley
Schlagzeug:
Dave Atwood
zwölfsaitige Gitarre:
Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Trident Studios (London, UK) in Soho
recording of:
I Need You
Texter und Komponist(in):
Gerry Beckley
America3.553:07
9Without You
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Akustikgitarre:
John Uribe (in 1971-06)
Bassgitarre:
Klaus Voormann (in 1971-06)
Klavier:
Gary Wright (US singer/keyboardist) (in 1971-06)
Schlagzeug:
Jim Keltner (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
Blechblasinstrumente und Saiteninstrumente arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) und RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 496)
cover recording of:
Without You (in 1971-06)
Verfasser(in):
Tom Evans (UK guitarist for Badfinger) und W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:22
10I Go Crazy
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
I Go Crazy
Texter und Komponist(in):
Paul Davis (American singer)
publisher:
Paul and Jonathan Songs, Sony/ATV Songs LLC und Web IV Music Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis3:43
11Blinded by the Light
Produzent(in):
Manfred Mann (the person) und Manfred Mann’s Earth Band
phonographisches Urheberrecht (℗) von:
Creature Music Ltd., Bronze Records Limited (in 1976) und Petbrook Ltd (in 1976)
aufgenommen bei:
The Workhouse in London (Greater London) (in 1976)
cover recording of:
Blinded by the Light (in 1976)
Texter und Komponist(in):
Bruce Springsteen (von 1972-08 bis 1972-09)
publisher:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music und Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1972)
Manfred Mann’s Earth Band4.23:50
12Bang a Gong (Get It On)
Techniker(in):
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen und Martin Rushent
Produzent(in):
Tony Visconti
E-Bass:
Steve Currie (von 1971-03 bis 1971-06)
E-Gitarre und Sologesang:
Marc Bolan (von 1971-03 bis 1971-06)
Keyboard:
Rick Wakeman (von 1971-03 bis 1971-06)
Perkussion:
Mickey Finn (musician and T. Rex member) (von 1971-03 bis 1971-06)
Schlagzeug:
Bill Legend (von 1971-03 bis 1971-06)
Hintergrundgesang:
Howard Kaylan (von 1971-03 bis 1971-06) und Mark Volman (von 1971-03 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) und Tarantula Productions (in 1971)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 41)
recording of:
Get It On (Bang a Gong) (von 1971-03 bis 1971-06)
Texter und Komponist(in):
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. und Westminster Music Ltd.
T. Rex4.654:28
13Pick Up the Pieces
Produzent(in):
Arif Mardin
Horn arranger:
Roger Ball
arranger:
AWB
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974, in 1975)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Pick Up the Pieces
Verfasser(in):
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. und Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band3.94:01
14City of New Orleans
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
cover recording of:
City of New Orleans
Texter und Komponist(in):
Steve Goodman (folk musician)
publisher:
Sony/ATV Tunes LLC (ASCAP)
Arlo Guthrie4:35
15Just When I Needed You Most
Produzent(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1979) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
Texter und Komponist(in):
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Randy VanWarmer4:02
16Sara Smile
Produzent(in):
Chris Bond (producer, active circa 1970s) und Daryl Hall & John Oates
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1975)
recording of:
Sara Smile
Texter:
Daryl Hall und John Oates
Komponist(in):
Daryl Hall
publisher:
Unichappell Music, Inc.
Daryl Hall & John Oates4.253:09

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hergestellt in:Vereinigte Staaten