Klassische Musik für Dummies

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Box (back), booklet (impressum), CD cardboard sleeve (back) information:

(p) 1950–2009 The Copyright in these sound recordings is owned by EMI Records Ltd., EMI Records Ltd./Virgin Classics, EMI Music Germany, EMI Music France & EMI Music Spain - This compilation (p) & (c) 2011 EMI Music Germany & Co. KG

Annotation last modified on 2018-04-15 17:42 UTC.

Tracklist

1▼CD: Mittelalter, Renaissance, Barock
#TitleArtistRatingLength
1Ein Kind geboren zu Bethlehem
sound engineer:
Angel Barco
producer:
Maria Francisca Bonmati
choir vocals:
Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos (The Benedictine Monks of Santo Domingo de Silos) (in 1981-05)
chorus master:
Francisco Lara (Gregorian chant specialist, musicologist, professor of history and music sciences) (in 1981-05)
phonographic copyright (℗) by:
Hispavox, S.A. (not for release label use! Spanish record company) (in 1981)
recorded at:
Iglesia del Monasterio Benedictino de Santo Domingo de Silos in Santo Domingo de Silos (in 1981-05)
recording of:
Puer natus in Bethlehem (original Piæ cantiones 1625 version)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Piæ cantiones (1625)
[anonymous]2:02
2Missa Papae Marcelli: Sanctus (Ausschn.)
choir vocals:
King’s College Choir
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
partial recording of:
Missa Papae Marcelli: IV. Sanctus
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina1:52
3Madrigalbuch 8: Hor ch’el ciel e la terra (Ausschn.)
conductor:
Anthony Rooley (lute player / conductor)
performer:
Consort of Musicke (British early-music group)
partial recording of:
Hor che’l ciel e la terra e’l vento tace SV 147
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 147)
part of:
Ottavo Libro de’ Madrigali: Canti Guerrieri
Claudio Monteverdi1:24
4Symphonie de la Gloire (aus Thésée)
conductor:
Lajos Rovatkay
performer:
Capella Agostino Steffani
recording of:
Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs
composer:
Jean‐Baptiste Lully (composer)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully1:20
5Te Deum: Prélude
orchestra and performer:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Salle des Concerts de la Cité de la Musique in Paris (from 2004-09-14 until 2004-09-15)
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:37
6Le Tic-Toc-Choc ou Les Maillotins
piano [Klavier]:
Georges Cziffra (pianist)
recording of:
Dix-huitième ordre de clavecin en fa majeur: No. 6. Le Tic-Toc-Choc ou Les Maillotins
composer:
François Couperin (French composer of the Baroque era)
part of:
Dix-huitième ordre de clavecin en fa majeur
François Couperin2:37
7La Poule (Die Henne)
piano [Klavier]:
Georges Cziffra (pianist)
recording of:
Nouvelles Suites de Pièces de Clavecin: La Poule
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Nouvelles Suites de Pièces de Clavecin: Suite in G major/G minor
Jean‐Philippe Rameau3:05
8Kanon in D
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:40
9Music for a while
classical guitar and guitar:
Craig Ogden (guitarist)
countertenor vocals:
David Daniels (American countertenor)
classical guitar arranger:
Craig Ogden (guitarist)
recording of:
Oedipus, King of Thebes, Z. 583: Act III "Music for a While" (catch-all for arrangements)
composer:
Henry Purcell (Baroque composer)
arrangement of:
Oedipus, King of Thebes, Z. 583: II. "Music for a While"
Henry Purcell3:49
10Gloria, RV 589: Gloria in excelsis Deo (arr. Malipiero)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:26
11Mandolinenkonzert in C-dur, RV 425: Allegro
engineer, editor and balance engineer:
Alessandra Galleron
executive producer:
Alain Lanceron
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
cello:
Maurizio Naddeo (cellist)
harpsichord and organ:
Sergio Ciomei
mandolin [Mandoline]:
Giovanni Scaramuzzino (mandolinist) (from 2001-10-09 until 2001-10-12)
solo mandolin:
Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci and Giangiacomo Pinardi
viola:
Ernesto Braucher, Stefano Marcocchi and Diego Mecca (violist)
violin:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni and Renata Spotti (Classical violinist)
violone:
Francisco Montero (double bassist)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2001-10-09 until 2001-10-12, in 2002)
conductor:
Fabio Biondi (conductor/violinist) (from 2001-10-09 until 2001-10-12, in 2002)
recorded at:
San Giovanni Evangelista in Parma (from 2001-10-09 until 2001-10-12)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro (from 2001-10-09 until 2001-10-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro (in 2002)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi3:12
12Die vier Jahreszeiten: Der Frühling – I. Allegro
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier and Alessandra Galleron
violin:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2000-07 until 2000-10)
conductor:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
balance engineer:
Frédéric Briant
recorded at:
Studio Tibor Varga in Sion (from 2000-07 until 2000-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 2000-07 until 2000-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:02
13Die vier Jahreszeiten: Der Sommer – III. Presto
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
editor:
Charlotte Charbonnier and Alessandra Galleron
violin [Violine]:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2000-07 until 2000-10)
conductor:
Fabio Biondi (conductor/violinist) (from 2000-07 until 2000-10)
balance engineer:
Frédéric Briant
recorded at:
Studio Tibor Varga in Sion (from 2000-07 until 2000-10)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 2000-07 until 2000-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:26
14Jesu bleibet meine Freude (arr. Hess)
engineer:
Anthony Griffith (engineer)
producer:
Walter Legge (British classical producer)
piano [Klavier]:
Dinu Lipatti (Romanian classical pianist and composer) (on 1950-07-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1951)
recorded at:
Studio 2, Radio Geneva in Genève (Geneva) (on 1950-07-10)
recording of:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (on 1950-07-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Dame Myra Hess (pianist)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:25
15Johannes-Passion, BWV 245: Choral: Herr unser Herrscher (Ausschn.)
choir vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
partial recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:22
16Das Wohltemperierte Klavier, Teil 1: Präludium Nr. 1 in C-dur, BWV 846
piano [Klavier]:
Christian Zacharias (pianist and conductor)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach1:55
17Cellosuite Nr. 1 in G-dur, BWV 1007: Präludium
assistant engineer:
Alain Joubert (sound engineer) (in 1991-03)
executive producer:
Mstislav Rostropovich (cellist/conductor) (in 1991-03)
producer:
Guy Chesnais (producer)
cello:
Mstislav Rostropovich (cellist/conductor) (in 1991-03)
balance engineer:
Raymond Buttin (engineer) (in 1991-03)
phonographic copyright (℗) by:
SGOL Music Ltd. (in 1995)
recorded at:
Basilique Sainte-Marie-Madeleine de Vézelay in Vézelay (in 1991-03)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1991-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:05
18Brandenburgisches Konzert Nr. 2 in F-dur, BWV 1047: Allegro (Ausschn.)
orchestra:
Orchestra of the Age of Enlightenment
partial recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach1:42
19Klavierkonzert Nr. 4 in f-moll, BWV 1056: Adagio
piano [Klavier]:
David Fray (pianist) (from 2008-01-29 until 2008-02-01)
orchestra:
Deutsche Kammerphilharmonie Bremen (from 2008-01-29 until 2008-02-01)
conductor:
David Fray (pianist)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (from 2008-01-29 until 2008-02-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:07
20Toccata und Fugue in d-moll, BWV 565: Toccata
organ:
Lionel Rogg (organist) (from 1975-11-25 until 1975-12-04)
recorded at:
Cathédrale Saint-Pierre de Genève in Genève (Geneva) (from 1975-11-25 until 1975-12-04)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (from 1975-11-25 until 1975-12-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:32
21Orchestersuite Nr. 3 in D-dur, BWV 1068: Air
orchestra:
English Chamber Orchestra (in 1988-01)
conductor:
Philip Ledger (in 1988-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1991)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach4:50
22Adriano in Siria: Tutti nemeci, e rei
countertenor vocals:
Philippe Jaroussky (countertenor)
orchestra:
Le Cercle de l'Harmonie
conductor:
Jérémie Rhorer (conductor)
recording of:
Adriano in Siria: Atto secondo: Scena VIII: N.5 Aria: Tutti nemici e rei
composer:
Giovanni Battista Pergolesi (composer)
librettist:
Pietro Metastasio
part of:
Adriano in Siria: Atto secondo
Johann Christian Bach2:41
23Sonate in f-moll, K. 519
piano [Klavier]:
Mikhail Pletnev (pianist & conductor)
recording of:
Sonata in F minor, K 519, L 475: Allegro assai
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 475) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 519)
Domenico Scarlatti3:14
24Der Messias: Halleluja
choir vocals:
Taverner Choir (in 1988-04)
orchestra:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
performer:
The Taverner Choir, Consort & Players (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1988-04)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:00
25Sarabande (arr. Hale)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 2002)
conductor:
Alex Briger (Australian conductor) (in 2002)
performer:
Alexander Briger (Australian conductor)
arranger:
Simon Hale
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
George Frideric Handel3:24
26Feuerwerksmusik: La Réjouissance
orchestra:
Menuhin Festival Orchestra (in 1968)
conductor:
Yehudi Menuhin (violinist) (in 1968)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1968)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:22
27Zadok the Priest (Ausschn.)
choir vocals:
Royal Choral Society (The Royal Choral Society)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
partial recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London) (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
George Frideric Handel2:17
28Stabat Mater: Stabat Mater dolorosa
countertenor vocals:
David Daniels (American countertenor)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Europa Galante (Italian Baroque orchestra)
conductor:
Fabio Biondi (conductor/violinist)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:57
2▶CD: Wiener Klassik
3▶CD: Romantik
4▶CD: Spätromantik
5▶CD: Nationale Schulen
6▶CD: Klassische Moderne

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:EMI Music Germany GmbH & Co. KG (do not use this as a release label!) (in 2011)