The Decca Sound

~ Uitgave van Various Artists (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Aantekening

a newer 2016 release with barcode 028947892625 (possibly with Decca cat # 478 9262) is available at https://www.amazon.com/dp/B018FCVK8U/ (released Jan 15, 2016, referred to from https://www.deccaclassics.com/us/cat/4789262 )

Aantekening het laatst bewerkt op 2018-03-03 07:12 UTC.

Nummerlijst

1▶cd: Ansermet · Falla: El sombrero de tres picos / Debussy: Images
2▶cd: Argenta · España / Tchaikovsky: Violin Concerto
3▶cd: Ashkenazy · Rachmaninov: Piano Concerto 3 / Piano Sonata
4▶cd: Ashkenazy · Sibelius 1 / Mussorgsky: Pictures at an Exhibition
5▶cd: Bartoli · Italian Songs
6▶cd: Bell · Barber & Walton Concertos
7▶cd: Blomstedt · R. Strauss: Eine Alpensinfonie
8▶cd: Böhm · Bruckner 4
9▶cd: Boskovsky · New Year’s Day Concert, 1979
10▶cd: Britten · War Requiem
11▶cd: Chailly · Messiaen: Turangalîla‐sinfonie
12▶cd: Chung · Bruch & Mendelssohn Concertos
13▶cd: Curzon · Mozart: Piano Concertos 20 & 27
14▶cd: Dohnányi · Schoenberg / Berg / Webern
15▶cd: Dorati · Stravinsky: L’Oiseau de feu / Le Sacre du printemps
16▶cd: Dutoit · Ravel: Ma Mère l’Oye / Boléro
17▶cd: Fleming · Opera Scenes
18▶cd: Freire · Brahms: Piano Concerto 1 / Schumann: Carnaval
19▶cd: Haitink · Shostakovich 4 & 9
20▶cd: Hogwood · Purcell: Dido and Aeneas
21▶cd: Jansen · Britten & Beethoven Violin Concertos
22▶cd: Karajan · Holst: The Planets
23▶cd: Katchen · Bartók / Prokofiev: Piano Concerto 3 / Ravel: Piano Concerto
24▶cd: Kertész · Dvořak: New World Symphony / Symphony 8
25▶cd: King’s College Choir & St John’s College Choir · Haydn: Nelson Mass & Paukenmesse
26▶cd: Larrocha · Granados: Goyescas / Falla: Noches en los jardines de España
27▶cd: Lemper · Berlin Cabaret Songs
28▶cd: Lupu · Beethoven: Moonlight, Pathétique & Waldstein Sonatas
29▶cd: Maag · Mendelssohn: A Midsummer Night’s Dream / Symphony 3
30▶cd: Maazel · Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov
31▶cd: Mackerras · Janáček: Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite
32▶cd: Marriner · Tchaikovsky: Serenade for strings / Souvenir de Florence
33▶cd: Martinon · Ibert: Divertissement / Borodin 2
34▶cd: Mehta · Varèse / Ives 2
35▶cd: Monteux · Ravel: Daphnis et Chloé / Elgar: Enigma Variations
36▼cd: Münchinger · Bach: Magnificat / Cantatas 10 & 140
#TitelArtiestWaarderingDuur
1Magnificat in D major, BWV 243: I. Coro. Magnificat
koor:
Vienna Academy Chorus (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1968-05)
had de première in:
Leipzig (op 1733-07-02)
gecomponeerd in:
Leipzig (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:21
2Magnificat in D major, BWV 243: II. Aria. Et exsultavit spiritus meus
sopraanvocalen:
Hanneke van Bork (soprano) (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1966-09)
had de première in:
Leipzig (op 1733-07-02)
gecomponeerd in:
Leipzig (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
is een opname van:
Magnificat, op. 26: II. Et exultavit
componist:
Urmas Sisask (Estonian composer) (in 1990)
deel van:
Magnificat, op. 26
Johann Sebastian Bach2:32
3Magnificat in D major, BWV 243: III. Aria. Quia respexit humilitatem – IV. Coro. Omnes generationes
contraltovocalen:
Helen Watts (contralto) (in 1968-05)
koor:
Vienna Academy Chorus (in 1968-05)
sopraanvocalen:
Elly Ameling (soprano) (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1968-05)
had de première in:
Leipzig (op 1733-07-02)
gecomponeerd in:
Leipzig (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
is een opname van:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1968-05)
had de première in:
Leipzig (op 1733-07-02)
gecomponeerd in:
Leipzig (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach4:22
4Magnificat in D major, BWV 243: V. Aria. Quia fecit mihi magna
baritonvocalen:
Tom Krause (bass-baritone) (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1968-05)
had de première in:
Leipzig (op 1733-07-02)
gecomponeerd in:
Leipzig (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:20
5Magnificat in D major, BWV 243: VI. Aria (duetto). Et misericordia
tenorvocalen:
Werner Krenn (tenor) (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1968-05)
had de première in:
Leipzig (op 1733-07-02)
gecomponeerd in:
Leipzig (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach4:18
6Magnificat in D major, BWV 243: VII. Coro. Fecit potentiam
koor:
Vienna Academy Chorus (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1968-05)
had de première in:
Leipzig (op 1733-07-02)
gecomponeerd in:
Leipzig (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:02
7Magnificat in D major, BWV 243: VIII. Aria. Deposuit potentes
tenorvocalen:
Werner Krenn (tenor) (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1968-05)
had de première in:
Leipzig (op 1733-07-02)
gecomponeerd in:
Leipzig (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:08
8Magnificat in D major, BWV 243: IX. Aria. Esurientes implevit bonis
contraltovocalen:
Helen Watts (contralto) (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1968-05)
had de première in:
Leipzig (op 1733-07-02)
gecomponeerd in:
Leipzig (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
is een opname van:
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
verzorgde het arrangement:
Andreas N. Tarkmann (German composer)
arrangement van:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
Johann Sebastian Bach3:12
9Magnificat in D major, BWV 243: X. Aria (terzetto). Suscepit Israel
contraltovocalen:
Helen Watts (contralto) (in 1968-05)
sopraanvocalen:
Elly Ameling (soprano) (in 1968-05) en Hanneke van Bork (soprano) (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1968-05)
had de première in:
Leipzig (op 1733-07-02)
gecomponeerd in:
Leipzig (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:12
10Magnificat in D major, BWV 243: XI. Coro. Sicut locutus est
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1968-05)
had de première in:
Leipzig (op 1733-07-02)
gecomponeerd in:
Leipzig (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:02
11Magnificat in D major, BWV 243: XII. Coro. Gloria Patri
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1968-05)
had de première in:
Leipzig (op 1733-07-02)
gecomponeerd in:
Leipzig (van 1728 tot 1731)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:36
12Cantata, BWV 10 Meine Seel erhebt den Herren: I. Coro. Meine Seel erhebt den Herren
koor:
Wiener Akademie en Vienna Academy Chorus (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (van 1968-05-01 tot 1968-05-13)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach4:12
13Cantata, BWV 10 Meine Seel erhebt den Herren: II. Aria. Herr, der du stark und mächtig bist
sopraanvocalen:
Elly Ameling (soprano) (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (van 1968-05-01 tot 1968-05-13)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach7:04
14Cantata, BWV 10 Meine Seel erhebt den Herren: III. Recitativo. Des Höchsten Güt und Treu
tenorvocalen:
Werner Krenn (tenor) (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (van 1968-05-01 tot 1968-05-13)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:25
15Cantata, BWV 10 Meine Seel erhebt den Herren: IV. Aria. Gewaltige stößt Gott vom Stuhl
basvocalen:
Marius Rintzler (Romanian operatic bass) (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (van 1968-05-01 tot 1968-05-13)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach3:26
16Cantata, BWV 10 Meine Seel erhebt den Herren: V. Duetto. Er denket der Barmherzigkeit
altvocalen:
Helen Watts (contralto)
basvocalen:
Marius Rintzler (Romanian operatic bass) (in 1968-05)
contraltovocalen:
Helen Watts (contralto) (in 1968-05)
tenorvocalen:
Werner Krenn (tenor)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (van 1968-05-01 tot 1968-05-13)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:03
17Cantata, BWV 10 Meine Seel erhebt den Herren: VI. Recitativo. Was Gott den Vätern alter Zeiten
tenorvocalen:
Werner Krenn (tenor) (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (van 1968-05-01 tot 1968-05-13)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:25
18Cantata, BWV 10 Meine Seel erhebt den Herren: VII. Choral. Lob und Preis sei Gott dem Vater
koor:
Wiener Akademie en Vienna Academy Chorus (in 1968-05)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
was dirigent:
Karl Münchinger (German conductor) (in 1968-05)
is een opname van:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (van 1968-05-01 tot 1968-05-13)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Breitkopf 389 Choralgesänge (nummer: 122)
deel van:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:24
19Cantata, BWV 140 Wachet auf, ruft uns die Stimme: I. Wachet auf, ruft uns die Stimme
koor:
Stuttgarter Hymnus-Chorknaben (Stuttgart Hymnus Boys' Choir) (in 1984-02)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
was dirigent:
Karl Münchinger (German conductor) (in 1984-02)
opgenomen bij:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg (in 1984-02)
is een opname van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (van 1984-02-01 tot 1984-02-04)
had de première in:
Leipzig (op 1731-11-25)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
bewerkingen:
Prelude to Peace
is gebaseerd op:
Wachet auf, ruft uns die Stimme
deel van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:14
20Cantata, BWV 140 Wachet auf, ruft uns die Stimme: II. Recitativo. Er kommt, er kommt
tenorvocalen:
Gösta Winbergh (tenor) (in 1984-02)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
was dirigent:
Karl Münchinger (German conductor) (in 1984-02)
opgenomen bij:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg (in 1984-02)
is een opname van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (van 1984-02-01 tot 1984-02-04)
had de première in:
Leipzig (op 1731-11-25)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
deel van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:14
21Cantata, BWV 140 Wachet auf, ruft uns die Stimme: III. Aria (duetto). Wenn kömmst du, mein Heil
basvocalen:
Tom Krause (bass-baritone) (in 1984-02)
sopraanvocalen:
Gabriele Fontana (Austrian soprano) (in 1984-02)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
was dirigent:
Karl Münchinger (German conductor) (in 1984-02)
opgenomen bij:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg (in 1984-02)
is een opname van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (van 1984-02-01 tot 1984-02-04)
had de première in:
Leipzig (op 1731-11-25)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
deel van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:13
22Cantata, BWV 140 Wachet auf, ruft uns die Stimme: IV. Choral. Zion hört die Wächter singen
koor:
Stuttgarter Hymnus-Chorknaben (Stuttgart Hymnus Boys' Choir) (in 1984-02)
tenorvocalen:
Gösta Winbergh (tenor)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
was dirigent:
Karl Münchinger (German conductor) (in 1984-02)
opgenomen bij:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg (in 1984-02)
is een opname van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (van 1984-02-01 tot 1984-02-04)
had de première in:
Leipzig (op 1731-11-25)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is gebaseerd op:
Wachet auf, ruft uns die Stimme
deel van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:58
23Cantata, BWV 140 Wachet auf, ruft uns die Stimme: V. Recitativo. So geh herein zu mir
basvocalen:
Tom Krause (bass-baritone) (in 1984-02)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
was dirigent:
Karl Münchinger (German conductor) (in 1984-02)
opgenomen bij:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg (in 1984-02)
is een opname van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (van 1984-02-01 tot 1984-02-04)
had de première in:
Leipzig (op 1731-11-25)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
deel van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:41
24Cantata, BWV 140 Wachet auf, ruft uns die Stimme: VI. Aria (duetto). Mein Freund ist mein
basvocalen:
Tom Krause (bass-baritone) (in 1984-02)
sopraanvocalen:
Gabriele Fontana (Austrian soprano) (in 1984-02)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
was dirigent:
Karl Münchinger (German conductor) (in 1984-02)
opgenomen bij:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg (in 1984-02)
is een opname van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (van 1984-02-01 tot 1984-02-04)
had de première in:
Leipzig (op 1731-11-25)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
deel van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach7:35
25Cantata, BWV 140 Wachet auf, ruft uns die Stimme: VII. Choral. Gloria sei dir gesungen
koor:
Stuttgarter Hymnus-Chorknaben (Stuttgart Hymnus Boys' Choir) (in 1984-02)
orkest:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
was dirigent:
Karl Münchinger (German conductor) (in 1984-02)
opgenomen bij:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg (in 1984-02)
is een opname van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (van 1984-02-01 tot 1984-02-04)
had de première in:
Leipzig (op 1731-11-25)
tekstschrijver:
Philipp Nicolai
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
deel van:
Breitkopf 389 Choralgesänge (nummer: 329)
is gebaseerd op:
Wachet auf, ruft uns die Stimme
deel van:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:52
37▶cd: Nilsson / Solti · Wagner: Der Ring des Nibelungen (great scenes)
38▶cd: Carreras / Domingo / Pavarotti · In Concert, 1990
39▶cd: Pavarotti ・ Puccini: Turandot (highlights)
40▶cd: Pickett · Susato: Dansereye
41▶cd: Rogé · Saint‐Saëns: Piano Concertos 2, 4 & 5
42▶cd: Rousset · Pergolesi: Stabat Mater
43▶cd: Schiff · Bach: Goldber Variations
44▶cd: Solti · Romantic Russia / Suppé: 4 Overtures
45▶cd: Solti · Mahler 8
46▶cd: Sutherland / Horne / Pavarotti · Live from Lincoln Center
47▶cd: Takács Quartet · Beethoven: Quartets opp. 95, 130 & 133
48▶cd: Tebaldi / Del Monaco · Puccini: La fanciulla del West (highlights)
49▶cd: Wiener Oktett · Mendelssohn: Octet / Beethoven: Septet
50▶cd: Winchester / Terfel · Walton: Belshazzar’s Feast

Relaties

Uitgavegroep

bevat:A Midsummer Night’s Dream / Symphony no. 3 “Scottish” van Felix Mendelssohn (composer); Peter Maag (conductor)
Arcana / Intégrales / Ionisation van Edgard Varèse (composer); Los Angeles Philharmonic Orchestra, Zubin Mehta (conductor)
Barber: Violin Concerto / Walton: Violin Concerto / Bloch: Baal Shem van Barber (American composer), Walton (British composer and conductor), Bloch (Swiss-American composer); Joshua Bell (violinist), Baltimore Symphony Orchestra, David Zinman (conductor)
Bartók: Piano Concerto no. 3 / Ravel: Piano Concerto in G major van Bartók (Béla Bartók, composer), Ravel (Maurice Ravel, French composer); Julius Katchen (pianist), London Symphony (London Symphony Orchestra), István Kertész (conductor)
Berlin Cabaret Songs van Ute Lemper
Dansereye (1551) van Tielman Susato (Flemish Renaissance composer); New London Consort, Philip Pickett (musician)
Daphnis et Chloé van Ravel (Maurice Ravel, French composer); London Symphony Orchestra, Pierre Monteux (conductor)
Eine Alpensinfonie / Don Juan van Richard Strauss (German composer); San Francisco Symphony, Herbert Blomstedt (conductor)
España van The London Symphony Orchestra (London Symphony Orchestra), Ataúlfo Argenta (pianist and conductor)
Goldberg Variations (1982 recording) van Johann Sebastian Bach (German Baroque period composer & musician); András Schiff (pianist)
Goyescas: Volumes 1 & 2 / El pelele van Granados (composer); Alicia de Larrocha (pianist)
Ibert: Divertissement / Bizet: Jeux d’enfants / Saint‐Säens: Danse macabre / Le rouet d’omphale van Ibert (French composer), Bizet (French composer), Saint‐Saëns (composer); Paris Conservatoire Orchestra, Jean Martinon (French conductor and composer)
In Concert van Carreras (Spanish tenor), Domingo (tenor), Pavarotti (tenor), Mehta (Zubin Mehta, conductor)
Italian Songs van Beethoven (Ludwig van Beethoven, German composer), Schubert (Franz Schubert, composer), Mozart (Wolfgang Amadeus Mozart, classical composer), Haydn (composer); Cecilia Bartoli (mezzo‐soprano), András Schiff (pianist)
La fanciulla del West (1958 studio cast) van Puccini (Italian composer); Tebaldi (soprano), del Monaco (tenor), MacNeil (American baritone), Tozzi (operatic bass), Orchestra (Orchestra of the National Academy of Santa Cecilia) e Coro dell’Accademia di Santa Cecilia, Roma (Chorus of the National Academy of Santa Cecilia), Franco Capuana (conductor)
Le Sacre du printemps / L’Oiseau de feu van Stravinsky (Igor Stravinsky, Russian composer); Antal Doráti (conductor)
Ma Mère l’Oye / Pavane pour une infante défunte / Le Tombeau de Couperin / Valses nobles et sentimentales van Ravel (Maurice Ravel, French composer); Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
Magnificat in D major / Cantata no. 10 van Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ameling (soprano), Van Bork (soprano), Watts (contralto), Krenn (tenor), Rintzler (Romanian operatic bass), Krause (bass-baritone), Wiener Akademiechor (Vienna Chamber Choir, choir), Stuttgart Chamber Orchestra, Karl Münchinger (German conductor)
Mendelssohn Octet / Beethoven Septet van Mendelssohn (Felix Mendelssohn, composer), Beethoven (Ludwig van Beethoven, German composer); Wiener Oktett
New Year's Day Concert in Vienna 1979 van Wiener Philharmoniker (Vienna Philharmonic), Willi Boskovsky (violinist and conductor)
Piano Concertos no. 20, K466 & no. 27, K595 van Mozart (Wolfgang Amadeus Mozart, classical composer); Clifford Curzon (classical pianist, knighted in 1977), Benjamin Britten (English composer, conductor, and pianist), English Chamber Orchestra
Piano Concertos nos. 2, 4 & 5 van Saint‐Saëns (composer); Pascal Rogé (pianist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Charles Dutoit (conductor)
Piano Sonata op. 27 no. 2 “Moonlight” / Piano Sonata op. 13 “Pathetique” / Piano Sonata op. 53 “Waldstein” van Beethoven (Ludwig van Beethoven, German composer); Radu Lupu (Romanian concert pianist)
Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov: Le Coq d’or (suite) van Respighi (composer), Rimsky‐Korsakov (Nikolaj Rimski-Korsakov, Russian composer); The Cleveland Orchestra, Lorin Maazel (conductor)
Serenade for Strings / Souvenir de Florence van Tchaikovsky (Pjotr Iljitsj Tsjaikovski, Russian romantic composer), Academy of St Martin in the Fields, Neville Marriner (conductor)
Signatures: Great Opera Scenes van Renée Fleming (soprano), Sir Georg Solti (conductor), London Symphony Orchestra
Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite van Janáček (Czech composer); Wiener Philharmoniker (Vienna Philharmonic), Charles Mackerras (Australian conductor)
Stabat Mater / Salve Regina van Pergolesi (composer); Andreas Scholl (countertenor), Barbara Bonney (soprano), Christophe Rousset (French harpsichordist & conductor), Les Talens Lyriques (French classical musical ensemble)
Symphonie no. 8 (1971 recording) van Mahler (composer); Chicago Symphony Orchestra, Georg Solti (Sir Georg Solti, conductor)
Symphony no. 4 van Bruckner (Austrian composer); Vienna Philharmonic Orchestra (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Symphony no. 9 in E minor, op. 95 “New World” van Dvořák (Antonín Dvořák, composer); Vienna Philharmonic Orchestra (Vienna Philharmonic), István Kertész (conductor)
The Planets van Holst (Gustav Holst, composer); Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
The Three-cornered Hat / La Vida Breve - Interlude and Dance van Falla (Spanish composer); Teresa Berganza (mezzo-soprano), L’Orchestre de la Suisse Romande (OSR), Ernest Ansermet (conductor)
Turandot (1972 studio cast) van Puccini (Italian composer); Sutherland (soprano), Pavarotti (tenor), Caballé (soprano), Ghiaurov (operatic bass), Krause (bass-baritone), Pears (tenor), John Alldis Choir (The John Alldis Choir), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Zubin Mehta (conductor)
Turangalîla‐Symphonie van Olivier Messiaen (composer and organist); Royal Concertgebouw Orchestra (Koninklijk Concertgebouworkest), Riccardo Chailly (conductor), Jean‐Yves Thibaudet (pianist), Takashi Harada (Harada Takashi, ondes Martenot player)
Violin Concertos / Scottish Fantasia van Mendelssohn (Felix Mendelssohn, composer), Bruch (composer and conductor); Kyung Wha-Chung (Kyung-Wha Chung, violinist), Kempe (conductor), Dutoit (conductor)
Walton: Belshazzar’s Feast / Coronation Te Deum / Parry: I Was Glad / Jerusalem van Walton (British composer and conductor), Parry (English composer); Bryn Terfel (bass‐baritone opera singer), Waynflete Singers, Winchester Cathedral Choir, Bournemouth Symphony Orchestra, Andrew Litton (conductor)
War Requiem van Benjamin Britten (English composer, conductor, and pianist); Galina Vishnevskaya (soprano), Peter Pears (tenor), Dietrich Fischer‐Dieskau (baritone)