Wide Open Spaces (BMG club edition)

~ Release by Dixie Chicks (see all versions of this release, 11 available)

Annotation

Matrix / Runout (Variant 1): CTDP-000352 G2 1A 10
Matrix / Runout (Variant 2): CTDP-000352 G2 1A 12
Mastering SID Code (Variants 1&2): IFPI L422
Mould SID Code (Variant 1): IFPI 7275
Mould SID Code (Variant 2): IFPI 7257

variant 3:
matrix/runout: CTDP-000352 G2 1A 56
mastering SID: IFPI L422
mould SID: IFPI 7256

Annotation last modified on 2022-02-08 20:19 UTC.

Tracklist

1▼HDCD
#TitleRatingLength
1I Can Love You Better
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville
additionally produced at:
Sound Stage Studio in Hollywood, Soundshop (Nashville, TN) in Nashville, The Money Pit in Nashville and Westwood Studio
recording of:
I Can Love You Better (from 1997-03 until 1997-08)
writer:
Pamela Brown Hayes and Kostas (US country songwriter)
publisher:
Universal–Songs of PolyGram International, Inc.
4.353:54
2Wide Open Spaces
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville
additionally produced at:
Sound Stage Studio in Hollywood, Soundshop (Nashville, TN) in Nashville, The Money Pit in Nashville and Westwood Studio
recording of:
Wide Open Spaces (from 1997-03 until 1997-08)
lyricist and composer:
Susan Gibson
publisher:
Pie-Eyed Music (in 1997)
4.43:44
3Loving Arms
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville
additionally produced at:
Sound Stage Studio in Hollywood, Soundshop (Nashville, TN) in Nashville, The Money Pit in Nashville and Westwood Studio
cover recording of:
Loving Arms (from 1997-03 until 1997-08)
lyricist and composer:
Tom Jans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Rondor Music (London) Ltd.
3.53:38
4There’s Your Trouble
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville
additionally produced at:
Sound Stage Studio in Hollywood, Soundshop (Nashville, TN) in Nashville, The Money Pit in Nashville and Westwood Studio
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1999 winner)
recording of:
There’s Your Trouble (from 1997-03 until 1997-08)
writer:
Mark Selby and Tia Sillers
4.253:13
5You Were Mine
assistant recording engineer:
Chip Matthews (from 1997-03 until 1997-08) and Mike Wruck (from 1997-03 until 1997-08)
recording engineer:
Eric Legg (from 1997-03 until 1997-08)
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens (from 1997-03 until 1997-08), Billy Crain (from 1997-03 until 1997-08), Emily Erwin (from 1997-03 until 1997-08), Billy Joe Walker, Jr. (from 1997-03 until 1997-08) and Paul Worley (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay (from 1997-03 until 1997-08) and Michael Rhodes (from 1997-03 until 1997-08)
congas [conga], shakers [shaker] and tambourine:
Tom Roady (from 1997-03 until 1997-08)
drums (drum set) [drums]:
Greg Morrow (session drummer) (from 1997-03 until 1997-08)
electric guitar:
George Marinelli (from 1997-03 until 1997-08), Billy Joe Walker, Jr. (from 1997-03 until 1997-08) and Paul Worley (from 1997-03 until 1997-08)
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer) (from 1997-03 until 1997-08)
steel guitar:
Lloyd Maines (from 1997-03 until 1997-08)
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio (from 1997-03 until 1997-08)
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville
additionally produced at:
Sound Stage Studio in Hollywood, Soundshop (Nashville, TN) in Nashville, The Money Pit in Nashville and Westwood Studio
recording of:
You Were Mine (from 1997-03 until 1997-08)
writer:
Emily Erwin and Martie Seidel
33:38
6Never Say Die
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville
additionally produced at:
Sound Stage Studio in Hollywood, Soundshop (Nashville, TN) in Nashville, The Money Pit in Nashville and Westwood Studio
recording of:
Never Say Die (from 1997-03 until 1997-08)
writer:
George Ducas and Radney Foster
33:57
7Tonight the Heartache’s on Me
assistant recording engineer:
Chip Matthews (from 1997-03 until 1997-08) and Mike Wruck (from 1997-03 until 1997-08)
recording engineer:
Eric Legg (from 1997-03 until 1997-08)
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens (from 1997-03 until 1997-08), Billy Crain (from 1997-03 until 1997-08), Emily Erwin (from 1997-03 until 1997-08), Billy Joe Walker, Jr. (from 1997-03 until 1997-08) and Paul Worley (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay (from 1997-03 until 1997-08) and Michael Rhodes (from 1997-03 until 1997-08)
congas [conga], shakers [shaker] and tambourine:
Tom Roady (from 1997-03 until 1997-08)
drums (drum set) [drums]:
Greg Morrow (session drummer) (from 1997-03 until 1997-08)
electric guitar:
George Marinelli (from 1997-03 until 1997-08), Billy Joe Walker, Jr. (from 1997-03 until 1997-08) and Paul Worley (from 1997-03 until 1997-08)
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer) (from 1997-03 until 1997-08)
steel guitar:
Lloyd Maines (from 1997-03 until 1997-08)
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio (from 1997-03 until 1997-08)
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville
additionally produced at:
Sound Stage Studio in Hollywood, Soundshop (Nashville, TN) in Nashville, The Money Pit in Nashville and Westwood Studio
cover recording of:
Tonight the Heartache's on Me (from 1997-03 until 1997-08)
writer:
Bob Morrison (US songwriter) (in 1994), Johnny MacRae (American songwriter) (in 1994) and Mary W. Francis (in 1994)
3.53:26
8Let ’er Rip
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville
additionally produced at:
Sound Stage Studio in Hollywood, Soundshop (Nashville, TN) in Nashville, The Money Pit in Nashville and Westwood Studio
recording of:
Let 'er Rip (from 1997-03 until 1997-08)
writer:
Billy Crain and Sandy Ramos (American songwriter)
32:51
9Once You’ve Loved Somebody
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville
additionally produced at:
Sound Stage Studio in Hollywood, Soundshop (Nashville, TN) in Nashville, The Money Pit in Nashville and Westwood Studio
recording of:
Once You've Loved Somebody (from 1997-03 until 1997-08)
writer:
Thom McHugh (American songwriter) and Bruce Miller (Canadian-born Folk / Rock artist)
3.53:29
10I’ll Take Care of You
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville
additionally produced at:
Sound Stage Studio in Hollywood, Soundshop (Nashville, TN) in Nashville, The Money Pit in Nashville and Westwood Studio
recording of:
I'll Take Care of You (from 1997-03 until 1997-08)
lyricist and composer:
John David Souther
3.53:40
11Am I the Only One (Who’s Ever Felt This Way)
assistant recording engineer:
Chip Matthews and Mike Wruck
recording engineer:
Eric Legg
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Christopher Rowe and Shawn Simpson
mixer:
John Guess
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Westwood Studio
mixed at:
The Workstation
edited at:
Georgetown Masters in Nashville
additionally produced at:
Sound Stage Studio in Hollywood, Soundshop (Nashville, TN) in Nashville, The Money Pit in Nashville and Westwood Studio
cover recording of:
Am I the Only One (Who's Ever Felt This Way) (from 1997-03 until 1997-08)
lyricist and composer:
Maria McKee
33:26
12Give It Up or Let Me Go
assistant recording engineer:
Tony Castle (engineer)
recording engineer:
Billy Sherrill (US songwriter/producer/arranger)
additional producer:
Jim Burnett, Mark Capps (recording engineer), Tony Castle (engineer), Erik Hellerman, Clarke Schleicher (American producer, engineer and mixing engineer.) and Ed Simonton
producer:
Blake Chancey and Paul Worley
assistant mixer:
Mark Ralston
mixer:
Chuck Ainlay
editor:
Jim Burnett, Don Cobb and Carlos Grier
acoustic guitar:
Mark Casstevens, Billy Crain, Billy Joe Walker, Jr., Paul Worley and Emily Erwin (from 1997-03 until 1997-08)
banjo and resonator guitar [dobro]:
Emily Erwin (from 1997-03 until 1997-08)
bass:
Bobby Charles, Jr., Joe Chemay and Michael Rhodes
congas [conga], shakers [shaker] and tambourine:
Tom Roady
drums (drum set) [drums]:
Greg Morrow (session drummer)
electric guitar:
George Marinelli, Tommy Nash, Billy Joe Walker, Jr. and Paul Worley
fiddle and mandolin:
Martie Seidel (from 1997-03 until 1997-08)
Hammond organ [B-3 organ] and piano:
Matt Rollings (American composer, musician and record producer)
steel guitar:
Lloyd Maines and Tony Paoletta
lead vocals:
Natalie Maines (from 1997-03 until 1997-08)
vocals:
Emily Erwin (from 1997-03 until 1997-08) and Martie Seidel (from 1997-03 until 1997-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
recorded at:
Westwood Studio
mixed at:
Sound Stage Studio in Hollywood
edited at:
Georgetown Masters in Nashville
additionally produced at:
Sound Stage Studio in Hollywood, Soundshop (Nashville, TN) in Nashville, The Money Pit in Nashville and Westwood Studio
cover recording of:
Give It Up (or Let Me Go) (from 1997-03 until 1997-08)
lyricist and composer:
Bonnie Raitt
publisher:
Kokomo Music
34:56

Credits

Release

printed in:USA