The Complete Reprise Studio Recordings

~ Release by Frank Sinatra (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1Ring‐A‐Ding Ding
recorded in:
Los Angeles (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-19)
recording of:
Ring-a-Ding Ding (on 1960-12-19)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
22:46
2Let’s Fall in Love
recorded in:
Los Angeles (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-19)
cover recording of:
Let’s Fall in Love (on 1960-12-19)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
2.52:13
3In the Still of the Night
recorded in:
Los Angeles (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-19)
cover recording of:
In the Still of the Night (Cole Porter song) (on 1960-12-19)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
13:27
4A Foggy Day
recorded in:
Los Angeles (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-19)
cover recording of:
A Foggy Day (in London Town) (on 1960-12-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
12:18
5Let’s Face the Music and Dance
recorded in:
Los Angeles (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-20)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (on 1960-12-20)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
3.52:59
6You’d Be So Easy to Love
recorded in:
Los Angeles (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-20)
cover recording of:
Easy to Love (on 1960-12-20)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
12:24
7A Fine Romance
recorded in:
Los Angeles (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-20)
cover recording of:
A Fine Romance (from “Swing Time”) (on 1960-12-20)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
12:13
8The Coffee Song
recorded in:
Los Angeles (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-20)
cover recording of:
The Coffee Song (1946 song) (on 1960-12-20)
lyricist:
Bob Hilliard
composer:
Dick Miles (songwriter, composer)
publisher:
Cromwell Music, Inc.
3.352:53
9Be Careful, It’s My Heart
recorded in:
Los Angeles (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Skip Martin
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-20)
cover recording of:
Be Careful, It’s My Heart (on 1960-12-20)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Company and Irving Berlin Music Corp.
12:04
10I’ve Got My Love to Keep Me Warm
recorded in:
Los Angeles (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-21)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-21)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-21)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-21)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-21)
cover recording of:
I’ve Got My Love to Keep Me Warm (on 1960-12-21)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
22:53
11Zing! Went the Strings of My Heart
engineer:
Bill Putnam (on 1960-12-21)
flute:
Bud Shank (on 1960-12-21)
piano:
Bill Miller (pianist) (on 1960-12-21)
trombone:
Frank Rosolino (on 1960-12-21)
trumpet:
John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-21)
cover recording of:
Zing! Went the Strings of My Heart (on 1960-12-21)
lyricist and composer:
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
12:49
12You and the Night and the Music
recorded in:
Los Angeles (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-21)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-21)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-21)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-21)
cover recording of:
You and the Night and the Music (on 1960-12-21)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
1.152:37
13When I Take My Sugar to Tea
recorded in:
Los Angeles (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-21)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-21)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-21)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-21)
cover recording of:
When I Take My Sugar to Tea (on 1960-12-21)
composer:
Pierre Norman Connor, Sammy Fain and Irving Kahal
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
12:07
14The Last Dance
recorded in:
Los Angeles (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
flute:
Bud Shank (on 1960-12-21)
piano:
Bill Miller (pianist) (on 1960-12-21)
trombone:
Frank Rosolino (on 1960-12-21)
trumpet:
John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Felix Slatkin (on 1960-12-21)
arranger:
Nelson Riddle
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-21)
recording of:
The Last Dance (on 1960-12-21)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp. and WB Music Corp. (1929–2019)
2:48
15The Second Time Around
recorded in:
Los Angeles (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
flute:
Bud Shank (on 1960-12-21)
piano:
Bill Miller (pianist) (on 1960-12-21)
trombone:
Frank Rosolino (on 1960-12-21)
trumpet:
John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Felix Slatkin (on 1960-12-21)
arranger:
Nelson Riddle
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-21)
cover recording of:
The Second Time Around (on 1960-12-21)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Miller Music (publisher) and Twentieth Century Music Corp. (in 1960, in 1988)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
part of:
The 33rd Academy Award for Best Original Song (number: 2)
3:02
16Tina
recorded in:
Los Angeles (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
flute:
Bud Shank (on 1960-12-21)
piano:
Bill Miller (pianist) (on 1960-12-21)
trombone:
Frank Rosolino (on 1960-12-21)
trumpet:
John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Felix Slatkin (on 1960-12-21)
arranger and vocals arranger:
Nelson Riddle
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1960-12-21)
recording of:
Tina (on 1960-12-21)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
2:57
17In the Blue of Evening
recorded in:
Los Angeles (on 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-03-21)
arranger:
Sy Oliver
recording of:
In the Blue of Evening (1940s song) (on 1961-03-21)
lyricist:
Tom Adair
composer:
Alfonso D’Artega (songwriter and conductor)
publisher:
Shapiro, Bernstein & Co., Inc.
4:05
18I’ll Be Seeing You
recorded in:
Los Angeles (on 1961-05-01)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
Vincent DeRosa
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch and Abe Most
trombone:
Dick Nash, Dick Noel (trombone) and Bobby Pring
trumpet:
Pete Candoli, Conrad Gozzo and Al Porcino
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-01)
conductor:
Sy Oliver (on 1961-05-01)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1961-05-01)
cover recording of:
I’ll Be Seeing You (on 1961-05-01)
lyricist:
Irving Kahal (in 1938)
composer:
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music and Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
12:51
19I’m Getting Sentimental Over You
recorded in:
Los Angeles (on 1961-05-01)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
Vincent DeRosa
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch and Abe Most
trombone:
Dick Nash, Dick Noel (trombone) and Bobby Pring
trumpet:
Pete Candoli, Conrad Gozzo and Al Porcino
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-01)
conductor:
Sy Oliver (on 1961-05-01)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1961-05-01)
cover recording of:
I’m Getting Sentimental Over You (on 1961-05-01)
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
13:44
20Imagination
recorded in:
Los Angeles (on 1961-05-01)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
Vincent DeRosa
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch and Abe Most
trombone:
Dick Nash, Dick Noel (trombone) and Bobby Pring
trumpet:
Pete Candoli, Conrad Gozzo and Al Porcino
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-01)
conductor:
Sy Oliver (on 1961-05-01)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1961-05-01)
cover recording of:
Imagination (on 1961-05-01)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:05
21Take Me
recorded in:
Los Angeles (on 1961-05-01)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
Vincent DeRosa
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch and Abe Most
trombone:
Dick Nash, Dick Noel (trombone) and Bobby Pring
trumpet:
Pete Candoli, Conrad Gozzo and Al Porcino
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-01)
conductor:
Sy Oliver (on 1961-05-01)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1961-05-01)
cover recording of:
Take Me (on 1961-05-01)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Mack David (American lyricist and songwriter)
publisher:
Bregman, Vocco & Conn, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and WB Music Corp. (1929–2019)
2:21
22Without a Song
recorded in:
Los Angeles (on 1961-05-02)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
James Decker (French hornist)
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Dick Noel (trombone), Pullman “Tommy” Pederson and Bobby Pring
trumpet:
Conte Candoli, Conrad Gozzo, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-02)
conductor:
Sy Oliver (on 1961-05-02)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1961-05-02)
cover recording of:
Without a Song (on 1961-05-02)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild and WB Music Corp. (1929–2019)
part of:
Great Day!
3:41
23Polka Dots and Moonbeams
recorded in:
Los Angeles (on 1961-05-02)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
James Decker (French hornist)
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Dick Noel (trombone), Pullman “Tommy” Pederson and Bobby Pring
trumpet:
Conte Candoli, Conrad Gozzo, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-02)
conductor:
Sy Oliver (on 1961-05-02)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1961-05-02)
cover recording of:
Polka Dots and Moonbeams (on 1961-05-02)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
2.53:44
24Daybreak
recorded in:
Los Angeles (on 1961-05-02)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
James Decker (French hornist)
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Dick Noel (trombone), Pullman “Tommy” Pederson and Bobby Pring
trumpet:
Conte Candoli, Conrad Gozzo, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-02)
conductor:
Sy Oliver (on 1961-05-02)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1961-05-02)
cover recording of:
Daybreak (on 1961-05-02)
lyricist:
Harold Adamson
composer:
Ferde Grofé (pianist, arranger, conductor and composer)
publisher:
EMI Feist Catalog Inc.
is based on:
Mississippi Suite: IV. Mardi Gras. Allegro – Andantino (espressivo e sostenuto) – Assai maestoso e appassionato
2:45
25The One I Love Belongs to Somebody Else
recorded in:
Los Angeles (on 1961-05-03)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
George Price
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz and Billy Usselton
trombone:
Milt Bernhart, Dick Noel (trombone) and Bobby Pring
trumpet:
Conte Candoli, Ray Linn, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-03)
conductor:
Sy Oliver (on 1961-05-03)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles (on 1961-05-03)
cover recording of:
The One I Love (Belongs to Somebody Else) (on 1961-05-03)
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild and Milton Weil Music Co. (on 1924-01-07)
2:48
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Credits

Release

manufactured in:United States