The History of Classical Music, Part 5: Modern: From Sibelius to Glass

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶Digital Media: Sibelius: Symphony no. 5 / Valse triste / Finlandia / Tapiola
2▼Digital Media: Ives: “Concord” Sonata / Central Park in the Dark / Three Places in New England / Barber: Adagio for Strings
#TitleArtistRatingLength
1Piano Sonata no. 2 “Concord, Mass., 1840–1860”: I. “Emerson”. Slowly - Slowly and quietly
recording engineer:
Hans‐Rudolf Müller (engineer) and Gernot Westhäuser (Engineer)
executive producer:
Karl Faust (producer)
producer:
Werner Mayer (classical producer) (task: recording producer)
piano:
Roberto Szidon (in 1971-05)
viola:
Walter Stangl (Violist) (in 1971-05)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich) (in 1971-05)
recording of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: I. Emerson. Slowly (in 1971-05)
composer:
Charles Ives (American composer) (from 1916 until 1919)
part of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Charles Ives14:19
2Piano Sonata no. 2 “Concord, Mass., 1840–1860”: II. “Hawthorne”. Very fast
recording engineer:
Hans‐Rudolf Müller (engineer) and Gernot Westhäuser (Engineer)
executive producer:
Karl Faust (producer)
producer:
Werner Mayer (classical producer) (task: recording producer)
piano:
Roberto Szidon (in 1971-05)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich) (in 1971-05)
recording of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: II. Hawthorne. Very fast (in 1971-05)
composer:
Charles Ives (American composer) (from 1916 until 1919)
part of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Charles Ives12:55
3Piano Sonata no. 2 “Concord, Mass., 1840–1860”: III. “The Alcotts”
recording engineer:
Hans‐Rudolf Müller (engineer) and Gernot Westhäuser (Engineer)
executive producer:
Karl Faust (producer)
producer:
Werner Mayer (classical producer) (task: recording producer)
piano:
Roberto Szidon (in 1971-05)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich) (in 1971-05)
recording of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: III. The Alcotts. Moderately (in 1971-05)
composer:
Charles Ives (American composer) (from 1916 until 1919)
part of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Charles Ives5:25
4Piano Sonata no. 2 “Concord, Mass., 1840–1860”: IV. “Thoreau”. Starting slowly and quietly
recording engineer:
Hans‐Rudolf Müller (engineer) and Gernot Westhäuser (Engineer)
executive producer:
Karl Faust (producer)
producer:
Werner Mayer (classical producer) (task: recording producer)
flute:
Dieter Sonntag (in 1971-05)
piano:
Roberto Szidon (in 1971-05)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich) (in 1971-05)
recording of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: IV. Thoreau. Starting slowly and quietly (in 1971-05)
composer:
Charles Ives (American composer) (from 1916 until 1919)
part of:
Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
Charles Ives11:28
5Central Park in the Dark
producer:
Thomas W. Mowrey
orchestra:
Boston Symphony Orchestra (in 1976-02)
conductor:
Seiji Ozawa (conductor and composer) (in 1976-02)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1976-02)
recorded at:
Symphony Hall (Boston) in Boston (in 1976-02)
recording of:
Central Park in the Dark, S. 34 (in 1976-02)
composer:
Charles Ives (American composer) (in 1906)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 34)
quotes music from:
Hello! Ma Baby
Charles Ives7:41
6Three Places in New England, S 7: I. The “St. Gaudens” in Boston Common (Col. Shaw and His Colored Regiment)
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-24)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston (from 1970-01-26 until 1970-03-24)
recording of:
Orchestral Set No. 1, S. 7 "Three Places in New England": I. The "St. Gaudens" in Boston Common (from 1970-01-26 until 1970-03-24)
composer:
Charles Ives (American composer)
part of:
Orchestral Set No. 1, S. 7 "Three Places in New England"
Charles Ives8:35
7Three Places in New England, S 7: II. Putnam’s Camp, Redding, Connecticut
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-24)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston (from 1970-01-26 until 1970-03-24)
recording of:
Orchestral Set No. 1, S. 7 "Three Places in New England": II. Putnam's Camp, Redding, Connecticut (from 1970-01-26 until 1970-03-24)
composer:
Charles Ives (American composer)
part of:
Orchestral Set No. 1, S. 7 "Three Places in New England"
Charles Ives6:01
8Three Places in New England, S 7: III. The Housatonic at Stockbridge
recording engineer and editor:
Joachim Niss
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Boston Symphony Orchestra (from 1970-01-26 until 1970-03-24)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1970-01-26 until 1970-03-24)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston (from 1970-01-26 until 1970-03-24)
recording of:
Orchestral Set No. 1, S. 7 "Three Places in New England": III. The Housatonic at Stockbridge (from 1970-01-26 until 1970-03-24)
composer:
Charles Ives (American composer)
part of:
Orchestral Set No. 1, S. 7 "Three Places in New England"
Charles Ives3:49
9String Quartet, op. 11: Adagio for Strings
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
orchestra:
Baltimore Symphony Orchestra (from 1991-09-30 until 1991-10-01)
conductor:
David Zinman (conductor) (from 1991-09-30 until 1991-10-01)
balance engineer:
Simon Eadon (classical music engineer) (from 1991-09-30 until 1991-10-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1992) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
recorded at:
Joseph Meyerhoff Symphony Hall (Meyerhoff Symphony Hall) in Baltimore (from 1991-09-30 until 1991-10-01)
recording of:
Adagio for Strings (from 1991-09-30 until 1991-10-01)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:46
3▶Digital Media: Janáček: Taras Bulba / Concertino / Sinfonietta
4▶Digital Media: Ravel: Boléro / Piano Concerto / Pavane / Ma mère l’oye
5▶Digital Media: Schönberg: Transfigured Night / Pierrot lunaire / Webern: 6 Pieces for Orchestra / Symphony, op. 21
6▶Digital Media: Berg: Violin Concerto / Lyric Suite / 3 Pieces for Orchestra
7▶Digital Media: Stravinsky: Petrushka / Apollo / Circus Polka
8▶Digital Media: Stravinsky: The Rite of Spring / Pulcinella
9▶Digital Media: Prokofiev: Piano Concerto no. 3 / Violin Concerto no. 1 / Lieutenant Kijé
10▶Digital Media: Bartók: Concerto for Orchestra / Music for Strings, Percussion & Celesta
11▶Digital Media: Hindemith: Symphony “Mathis der Maler” / Busoni: Doktor Faust / Pfitzner: Palestrina / Weill: Kleine Dreigroschenmusik
12▶Digital Media: Shostakovich: Symphony no. 5 / Cello Concerto no. 2
13▶Digital Media: Britten: Serenade for Tenor, Horn & Strings / Delius: 2 Pieces for Orchestra / Vaughan Williams: The Lark Ascending / Fantasia on “Greensleeves”
14▶Digital Media: Rodrigo: Concierto de Aranjuez / Falla: El amor brujo / Noches en los jardines de España
15▶Digital Media: Gershwin: Rhapsody in Blue / An American in Paris / Bernstein: “Candide” Overture / Symphonic Dances From “West Side Story”
16▶Digital Media: Messiaen: Turangalîla‐Symphonie
17▶Digital Media: Boulez: Le marteau sans maître / Stockhausen: Gruppen
18▶Digital Media: Lutosławski: Chain 3 / Novelette / Schnittke: Concerto grosso no. 1 / Ligeti: Chamber Concerto
19▶Digital Media: Górecki: Symphony no. 3
20▶Digital Media: Reich: Six Pianos / Adams: Shaker Loops / Glass: Violin Concerto

Credits

Release group

includes:Le Sacre du printemps / Pulcinella by Igor Strawinsky (Igor Stravinsky, Russian composer); Teresa Berganza (mezzo-soprano), Ryland Davies (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra, Claudio Abbado (conductor)
Petruschka / Apollon Musagète / Zirkuspolka by Igor Stravinsky (Russian composer); London Symphony Orchestra, Charles Dutoit (conductor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)