The Complete Bill Evans on Verve

~ Veröffentlichung von Bill Evans (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

The original Verve release of this 18-CD box set is notable for being in a metal box that is designed to rust over time. One of the edges is fairly sharp as well. I tell people that they better wear gloves if the haven't had a tetanus booster.

Anmerkung zuletzt geändert am 2015-02-19 22:37 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1'Round Midnight
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-02-09)
aufgenommen bei:
Webster Hall in East Village (am 1963-02-09)
instrumental recording of:
’Round Midnight (am 1963-02-09)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
6:36
2How About You?
recording engineer:
Ray Hall (engineer) (am 1963-02-09)
Techniker(in):
Val Valentin
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-02-09)
aufgenommen bei:
Webster Hall in East Village (am 1963-02-09)
instrumental recording of:
How About You? (am 1963-02-09)
Texter:
Ralph Freed
Komponist(in):
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
2:50
3Spartacus Love Theme
recording engineer:
Ray Hall (engineer) (am 1963-05-20)
Techniker(in):
Val Valentin
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-05-20)
aufgenommen bei:
Webster Hall in East Village (am 1963-05-20)
instrumental cover recording of:
Love Theme (Spartacus) (am 1963-05-20)
Texter:
Terry Callier und Alex North (US composer)
Komponist(in):
Alex North (US composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Cristal Publishing, Northern Music (song publisher), Northern Music Corp., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und USI A Music Publishing
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ジ・インプレッションズ, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:11
4Blue Monk
recording engineer:
Ray Hall (engineer) (am 1963-05-20)
Techniker(in):
Val Valentin
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-05-20)
aufgenommen bei:
Webster Hall in East Village (am 1963-05-20)
recording of:
Blue Monk (am 1963-05-20)
publisher:
Thelonious Monk
Komponist(in):
Thelonious Monk
4:34
5Stella by Starlight
recording engineer:
Ray Hall (engineer) (am 1963-02-09)
Techniker(in):
Val Valentin
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-02-09)
aufgenommen bei:
Webster Hall in East Village (am 1963-02-09)
instrumental recording of:
Stella by Starlight (am 1963-02-09)
Texter:
Ned Washington (in 1946)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:53
6Hey There
recording engineer:
Ray Hall (engineer) (am 1963-02-09)
Techniker(in):
Val Valentin
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-02-09)
aufgenommen bei:
Webster Hall in East Village (am 1963-02-09)
instrumental recording of:
Hey There (The Pajama Game) (am 1963-02-09)
Texter und Komponist(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Frank Music (von 1954 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
Teil von:
The Pajama Game (musical)
4:31
7N.Y.C.'s No Lark
recording engineer:
Ray Hall (engineer) (am 1963-02-06)
Techniker(in):
Val Valentin
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-02-06)
aufgenommen bei:
Webster Hall in East Village (am 1963-02-06)
recording of:
N.Y.C.’s No Lark (am 1963-02-06)
Komponist(in):
Bill Evans (pianist)
5:37
8Just You, Just Me
recording engineer:
Ray Hall (engineer) (am 1963-02-09)
Techniker(in):
Val Valentin
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-02-09)
aufgenommen bei:
Webster Hall in East Village (am 1963-02-09)
instrumental recording of:
Just You, Just Me (am 1963-02-09)
Texter:
Raymond Klages (in 1929)
Komponist(in):
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) und Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
2:37
9Bemsha Swing
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-02-09)
aufgenommen bei:
Webster Hall in East Village (am 1963-02-09)
cover recording of:
Bemsha Swing (instrumental) (am 1963-02-09)
Komponist(in):
Denzil Best und Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music und Thelonious Music
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und 日音 Synch事業部 (NICHION, INC. Synch Division)
2:57
10A Sleepin' Bee
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-02-09)
aufgenommen bei:
Webster Hall in East Village (am 1963-02-09)
cover recording of:
A Sleepin’ Bee (House of Flowers) (am 1963-02-09)
Texter:
Harold Arlen und Truman Capote
Komponist(in):
Harold Arlen
publisher:
Harwin Music und S.A. Music Co.
Teil von:
House of Flowers
4:14
11For Heaven's Sake
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Bass und Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
For Heaven’s Sake (am 1963-12-18)
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
cover recording of:
For Heaven’s Sake (am 1963-12-18)
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
instrumental recording of:
For Heaven’s Sake
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
recording of:
For Heaven’s Sake
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
4:26
12A Sleepin' Bee
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
A Sleepin’ Bee (House of Flowers) (am 1963-12-18)
Texter:
Harold Arlen und Truman Capote
Komponist(in):
Harold Arlen
publisher:
Harwin Music und S.A. Music Co.
Teil von:
House of Flowers
5:34
13Always (breakdown)
Produzent(in):
Creed Taylor
Bass:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
Always (am 1963-12-18)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
0:32
14Always (complete take)
Produzent(in):
Creed Taylor
Bass:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
Always (am 1963-12-18)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
3:55
15Always (master take)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
Always (am 1963-12-18)
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
4:03
16Everything Happens to Me
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Bass und Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
Everything Happens to Me (am 1963-12-18)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:40
17Dancing in the Dark
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
Dancing in the Dark (am 1963-12-18)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
4:36
18Santa Claus Is Coming to Town
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village (am 1963-12-18)
instrumental cover recording of:
Santa Claus Is Coming to Town (am 1963-12-18)
Texter:
Haven Gillespie (in 1932)
Komponist(in):
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership und The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
recording of:
Santa Claus Is Coming to Town
Texter:
Haven Gillespie (in 1932)
Komponist(in):
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership und The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
4:23
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Nennungen

Veröffentlichung

gedruckt in:Vereinigte Staaten
Waldhorn:Ray Alonge (french horn) (am 1969-10-21, am 1970-05-01)