Quantum of Solace: Original Motion Picture Soundtrack

~ Veröffentlichung von David Arnold (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Time to Get Out
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Rob Playford und Steve Hilton
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Time to Get Out
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold3:29
2The Palio
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
The Palio
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold5:00
3Inside Man
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Inside Man
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold0:39
4Bond in Haiti
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Bond in Haiti
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold0:35
5Somebody Wants to Kill You
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Somebody Wants to Kill You
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold2:18
6Greene & Camille
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Greene & Camille
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold2:14
7Pursuit at Port au Prince
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Pursuit at Port au Prince
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold5:58
8No Interest in Dominic Greene
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
No Interest in Dominic Greene
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold2:44
9Night at the Opera
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Night at the Opera
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold3:02
10Restrict Bond’s Movements
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Restrict Bond's Movements
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold1:32
11Talamone
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Talamone
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold0:35
12What’s Keeping You Awake
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
What's Keeping You Awake
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold1:41
13Bolivian Taxi Ride
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Bolivian Taxi Ride
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold0:50
14Field Trip
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Field Trip
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold0:42
15Forgive Yourself
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Forgive Yourself
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold2:27
16DC3
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
DC3
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold1:15
17Target Terminated
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Target Terminated
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold3:54
18Camille’s Story
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Camille's Story
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold3:59
19Oil Fields
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Oil Fields
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold2:29
20Have You Ever Killed Someone?
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Have You Ever Killed Someone?
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold1:33
21Perla de Las Dunas
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
Perla de Las Dunas
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold8:08
22The Dead Don’t Care About Vengeance
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
The Dead Don't Care About Vengeance
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold1:15
23I Never Left
recording engineer und Mix:
Geoff Foster (sound engineer)
Programmierung:
Stephen Hilton und Rob Playford
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Laurence Love Greed
Produzent(in):
David Arnold (English score composer), Geoff Foster (sound engineer) und Rob Playford
Editing:
Dina Eaton und Robin Whittaker
conductor:
Nicholas Dodd (conductor)
Orchestrator(in):
Nicholas Dodd (conductor)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead
recording of:
I Never Left
Komponist(in):
David Arnold (English score composer)
publisher:
Colpix Music, Inc. und United Lion Music Inc.
David Arnold0:41
24Another Way to Die
assistierende(r) Techniker(in):
Nathan Yarboro, Mark Petaccia und Josh Smith (engineer)
Techniker(in):
Vance Powell und Vance Powell (Aufgabe: mixdown engineer)
Produzent(in) und Mix:
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
Baritongitarre und Bassgitarre:
Jack Lawrence (Member of The Greenhornes & The Raconteurs)
Blechblasinstrumente [horns]:
Jack Hale (trombone), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) und Tom McGinley
Cello:
Lindsay Smith-Trostle
Geige / Violine und Geige / Violine [5-string violin]:
Lyndsay Pruett
Gitarre und Schlagzeug [drums]:
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
Klavier:
Laura Matula
Kontrabass:
Michael Rinne
vocals:
Alicia Keys und Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
aufgenommen bei:
Blackbird Studio in Nashville und Sputnik Sound in Nashville
mixed at:
Blackbird Studio in Nashville
recording of:
Another Way to Die
Verfasser(in):
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
publisher:
Colpix Music, Inc., Third String Tunes (Jack White's publishing society) und United Lion Music Inc.
Teil von:
James Bond themes
Jack White & Alicia Keys3.54:24

Nennungen

Veröffentlichung

Gitarre und Mandoline:Mitch Dalton