Young at Heart

~ Release by James Moody (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Young at Heart
recording engineer:
James Farber (sound engineer) (from 1996-02-21 until 1996-02-22)
assistant engineer:
Barbara Lipke, Aya Takemura and Gary Townsley
producer:
Gil Goldstein and Matt Pierson (producer)
mixer:
James Farber (sound engineer)
bass:
Todd Coolman (from 1996-02-21 until 1996-02-22)
cello:
Rosalyn Clarke (from 1996-02-21 until 1996-02-22), Daire Fitzgerald (from 1996-02-21 until 1996-02-22), Myron Lutzke (from 1996-02-21 until 1996-02-22), Michael Mermegan (from 1996-02-21 until 1996-02-22) and Eugene J. Moye (from 1996-02-21 until 1996-02-22)
drums (drum set):
Billy Drummond (American jazz drummer) (from 1996-02-21 until 1996-02-22)
flute:
Alan Cox (flute) (from 1996-02-21 until 1996-02-22) and Timothy Malosh (from 1996-02-21 until 1996-02-22)
harp:
Sara Cutler (American harpist) (from 1996-02-21 until 1996-02-22)
piano:
Larry Goldings (from 1996-02-21 until 1996-02-22)
trombone:
Dave Bargeron (US trombonist & tubist) (from 1996-02-21 until 1996-02-22), Slide Hampton (from 1996-02-21 until 1996-02-22), אבי ליבוביץ׳ (Israeli progressive big band) (from 1996-02-21 until 1996-02-22) and Jack Schatz (from 1996-02-21 until 1996-02-22)
viola:
Ronald E. Carbone (violist) (from 1996-02-21 until 1996-02-22), Maureen Gallagher (violist) (from 1996-02-21 until 1996-02-22), Ron Lawrence (American viola player) (from 1996-02-21 until 1996-02-22), Ann Roggen (from 1996-02-21 until 1996-02-22), Louise Schulman (violinist and violist) (from 1996-02-21 until 1996-02-22), Stephanie Fricker (from 1996-02-21 until 1996-02-22) and Liuh-Wen Ting (from 1996-02-21 until 1996-02-22)
woodwind:
James Moody (jazz saxophonist) (from 1996-02-21 until 1996-02-22)
conductor:
Gil Goldstein (from 1996-02-21 until 1996-02-22)
arranger:
Gil Goldstein
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (from 1996-02-21 until 1996-02-22)
mixed at:
EastSide Sound in New York, New York, United States
instrumental recording of:
Young at Heart (Frank Sinatra song) (in 1996-02)
lyricist:
Carolyn Leigh
composer:
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
4:14
2Love and Marriage
recording engineer:
James Farber (sound engineer) (from 1996-02-21 until 1996-02-22)
assistant engineer:
Barbara Lipke, Aya Takemura and Gary Townsley
producer:
Gil Goldstein and Matt Pierson (producer)
mixer:
James Farber (sound engineer)
bass:
Todd Coolman (from 1996-02-21 until 1996-02-22)
drums (drum set):
Billy Drummond (American jazz drummer) (from 1996-02-21 until 1996-02-22)
flute:
Frank Wess (from 1996-02-21 until 1996-02-22)
piano:
Larry Goldings (from 1996-02-21 until 1996-02-22)
trombone:
Slide Hampton (from 1996-02-21 until 1996-02-22)
trumpet:
Alex Sipiagin (Russian jazz trumpeter and flugelhorn player) (from 1996-02-21 until 1996-02-22)
woodwind:
James Moody (jazz saxophonist) (from 1996-02-21 until 1996-02-22)
conductor:
Gil Goldstein (from 1996-02-21 until 1996-02-22)
arranger:
Gil Goldstein
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (from 1996-02-21 until 1996-02-22)
mixed at:
EastSide Sound in New York, New York, United States
instrumental recording of:
Love and Marriage (in 1996-02)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and WB Music Corp. (1929–2019)
5:27
3Nancy (with the Laughing Face)
recording engineer:
James Farber (sound engineer) (from 1996-02-21 until 1996-02-22)
assistant engineer:
Barbara Lipke, Aya Takemura and Gary Townsley
producer:
Gil Goldstein and Matt Pierson (producer)
mixer:
James Farber (sound engineer)
bass:
Todd Coolman (from 1996-02-21 until 1996-02-22)
celesta and electric piano:
Gil Goldstein (from 1996-02-21 until 1996-02-22)
cello:
Rosalyn Clarke (from 1996-02-21 until 1996-02-22), Daire Fitzgerald (from 1996-02-21 until 1996-02-22), Myron Lutzke (from 1996-02-21 until 1996-02-22), Michael Mermegan (from 1996-02-21 until 1996-02-22) and Eugene J. Moye (from 1996-02-21 until 1996-02-22)
drums (drum set):
Billy Drummond (American jazz drummer) (from 1996-02-21 until 1996-02-22)
flute:
Alan Cox (flute) (from 1996-02-21 until 1996-02-22) and Timothy Malosh (from 1996-02-21 until 1996-02-22)
harp:
Sara Cutler (American harpist) (from 1996-02-21 until 1996-02-22)
piano:
Larry Goldings (from 1996-02-21 until 1996-02-22)
trombone:
Dave Bargeron (US trombonist & tubist) (from 1996-02-21 until 1996-02-22), Slide Hampton (from 1996-02-21 until 1996-02-22), אבי ליבוביץ׳ (Israeli progressive big band) (from 1996-02-21 until 1996-02-22) and Jack Schatz (from 1996-02-21 until 1996-02-22)
viola:
Ronald E. Carbone (violist) (from 1996-02-21 until 1996-02-22), Maureen Gallagher (violist) (from 1996-02-21 until 1996-02-22), Ron Lawrence (American viola player) (from 1996-02-21 until 1996-02-22), Ann Roggen (from 1996-02-21 until 1996-02-22), Louise Schulman (violinist and violist) (from 1996-02-21 until 1996-02-22), Stephanie Fricker (from 1996-02-21 until 1996-02-22) and Liuh-Wen Ting (from 1996-02-21 until 1996-02-22)
woodwind:
James Moody (jazz saxophonist) (from 1996-02-21 until 1996-02-22)
conductor:
Gil Goldstein (from 1996-02-21 until 1996-02-22)
arranger:
Gil Goldstein
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (from 1996-02-21 until 1996-02-22)
mixed at:
EastSide Sound in New York, New York, United States
instrumental recording of:
Nancy (With the Laughing Face) (in 1996-02)
lyricist:
Phil Silvers (actor)
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
4:27
4That Old Black Magic
recording engineer:
James Farber (sound engineer) (from 1996-02-21 until 1996-02-22)
assistant engineer:
Barbara Lipke, Aya Takemura and Gary Townsley
producer:
Gil Goldstein and Matt Pierson (producer)
mixer:
James Farber (sound engineer)
bass:
Todd Coolman (from 1996-02-21 until 1996-02-22)
drums (drum set):
Billy Drummond (American jazz drummer) (from 1996-02-21 until 1996-02-22)
piano:
Mulgrew Miller (from 1996-02-21 until 1996-02-22)
woodwind:
James Moody (jazz saxophonist) (from 1996-02-21 until 1996-02-22)
conductor:
Gil Goldstein (from 1996-02-21 until 1996-02-22)
arranger:
Gil Goldstein
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (from 1996-02-21 until 1996-02-22)
mixed at:
EastSide Sound in New York, New York, United States
instrumental recording of:
That Old Black Magic (in 1996-02)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
6:29
5Only the Lonely
recording engineer:
James Farber (sound engineer) (from 1996-02-21 until 1996-02-22)
assistant engineer:
Barbara Lipke, Aya Takemura and Gary Townsley
producer:
Gil Goldstein and Matt Pierson (producer)
mixer:
James Farber (sound engineer)
bass:
Todd Coolman (from 1996-02-21 until 1996-02-22)
celesta and electric piano:
Gil Goldstein (from 1996-02-21 until 1996-02-22)
cello:
Rosalyn Clarke (from 1996-02-21 until 1996-02-22), Daire Fitzgerald (from 1996-02-21 until 1996-02-22), Myron Lutzke (from 1996-02-21 until 1996-02-22), Michael Mermegan (from 1996-02-21 until 1996-02-22) and Eugene J. Moye (from 1996-02-21 until 1996-02-22)
drums (drum set):
Billy Drummond (American jazz drummer) (from 1996-02-21 until 1996-02-22)
flute:
Alan Cox (flute) (from 1996-02-21 until 1996-02-22) and Timothy Malosh (from 1996-02-21 until 1996-02-22)
harp:
Sara Cutler (American harpist) (from 1996-02-21 until 1996-02-22)
piano:
Larry Goldings (from 1996-02-21 until 1996-02-22)
trombone:
Dave Bargeron (US trombonist & tubist) (from 1996-02-21 until 1996-02-22), Slide Hampton (from 1996-02-21 until 1996-02-22), אבי ליבוביץ׳ (Israeli progressive big band) (from 1996-02-21 until 1996-02-22) and Jack Schatz (from 1996-02-21 until 1996-02-22)
viola:
Ronald E. Carbone (violist) (from 1996-02-21 until 1996-02-22), Maureen Gallagher (violist) (from 1996-02-21 until 1996-02-22), Ron Lawrence (American viola player) (from 1996-02-21 until 1996-02-22), Ann Roggen (from 1996-02-21 until 1996-02-22), Louise Schulman (violinist and violist) (from 1996-02-21 until 1996-02-22), Stephanie Fricker (from 1996-02-21 until 1996-02-22) and Liuh-Wen Ting (from 1996-02-21 until 1996-02-22)
woodwind:
James Moody (jazz saxophonist) (from 1996-02-21 until 1996-02-22)
conductor:
Gil Goldstein (from 1996-02-21 until 1996-02-22)
arranger:
Gil Goldstein
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (from 1996-02-21 until 1996-02-22)
mixed at:
EastSide Sound in New York, New York, United States
instrumental recording of:
Only the Lonely (in 1996-02)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Cherry Lane Music Publishing Company Inc., DreamWorks Songs and Maraville Music Corp.
6:23
6The Song Is You
recording engineer:
James Farber (sound engineer) (from 1996-02-21 until 1996-02-22)
assistant engineer:
Barbara Lipke, Aya Takemura and Gary Townsley
producer:
Gil Goldstein and Matt Pierson (producer)
mixer:
James Farber (sound engineer)
bass:
Todd Coolman (from 1996-02-21 until 1996-02-22)
drums (drum set):
Billy Drummond (American jazz drummer) (from 1996-02-21 until 1996-02-22)
flute:
Frank Wess (from 1996-02-21 until 1996-02-22)
piano:
Larry Goldings (from 1996-02-21 until 1996-02-22)
trombone:
Slide Hampton (from 1996-02-21 until 1996-02-22)
trumpet:
Alex Sipiagin (Russian jazz trumpeter and flugelhorn player) (from 1996-02-21 until 1996-02-22)
woodwind:
James Moody (jazz saxophonist) (from 1996-02-21 until 1996-02-22)
conductor:
Gil Goldstein (from 1996-02-21 until 1996-02-22)
arranger:
Gil Goldstein
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (from 1996-02-21 until 1996-02-22)
mixed at:
EastSide Sound in New York, New York, United States
instrumental recording of:
The Song Is You (in 1996-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
4:19
7In the Wee Small Hours of the Morning
recording engineer:
James Farber (sound engineer) (from 1996-02-21 until 1996-02-22)
assistant engineer:
Barbara Lipke, Aya Takemura and Gary Townsley
producer:
Gil Goldstein and Matt Pierson (producer)
mixer:
James Farber (sound engineer)
bass:
Todd Coolman (from 1996-02-21 until 1996-02-22)
drums (drum set):
Billy Drummond (American jazz drummer) (from 1996-02-21 until 1996-02-22)
flute:
Alan Cox (flute) (from 1996-02-21 until 1996-02-22) and Jerry Dodgion (from 1996-02-21 until 1996-02-22)
harp:
Sara Cutler (American harpist) (from 1996-02-21 until 1996-02-22)
piano:
Mulgrew Miller (from 1996-02-21 until 1996-02-22)
woodwind:
James Moody (jazz saxophonist) (from 1996-02-21 until 1996-02-22)
conductor:
Gil Goldstein (from 1996-02-21 until 1996-02-22)
arranger:
Gil Goldstein
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (from 1996-02-21 until 1996-02-22)
mixed at:
EastSide Sound in New York, New York, United States
instrumental recording of:
In the Wee Small Hours of the Morning (in 1996-02)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
4:52
8It Was a Very Good Year
recording engineer:
James Farber (sound engineer) (from 1996-02-21 until 1996-02-22)
assistant engineer:
Barbara Lipke, Aya Takemura and Gary Townsley
producer:
Gil Goldstein and Matt Pierson (producer)
mixer:
James Farber (sound engineer)
bass:
Todd Coolman (from 1996-02-21 until 1996-02-22)
cello:
Rosalyn Clarke (from 1996-02-21 until 1996-02-22), Daire Fitzgerald (from 1996-02-21 until 1996-02-22), Myron Lutzke (from 1996-02-21 until 1996-02-22), Michael Mermegan (from 1996-02-21 until 1996-02-22) and Eugene J. Moye (from 1996-02-21 until 1996-02-22)
drums (drum set):
Billy Drummond (American jazz drummer) (from 1996-02-21 until 1996-02-22)
flute:
Alan Cox (flute) (from 1996-02-21 until 1996-02-22), Jerry Dodgion (from 1996-02-21 until 1996-02-22) and Timothy Malosh (from 1996-02-21 until 1996-02-22)
harp:
Sara Cutler (American harpist) (from 1996-02-21 until 1996-02-22)
piano:
Mulgrew Miller (from 1996-02-21 until 1996-02-22)
trombone:
Slide Hampton (from 1996-02-21 until 1996-02-22), אבי ליבוביץ׳ (Israeli progressive big band) (from 1996-02-21 until 1996-02-22) and Jack Schatz (from 1996-02-21 until 1996-02-22)
tuba:
Dave Bargeron (US trombonist & tubist) (from 1996-02-21 until 1996-02-22)
viola:
Ronald E. Carbone (violist) (from 1996-02-21 until 1996-02-22), Maureen Gallagher (violist) (from 1996-02-21 until 1996-02-22), Ron Lawrence (American viola player) (from 1996-02-21 until 1996-02-22), Ann Roggen (from 1996-02-21 until 1996-02-22), Louise Schulman (violinist and violist) (from 1996-02-21 until 1996-02-22), Stephanie Fricker (from 1996-02-21 until 1996-02-22) and Liuh-Wen Ting (from 1996-02-21 until 1996-02-22)
woodwind:
James Moody (jazz saxophonist) (from 1996-02-21 until 1996-02-22)
conductor:
Gil Goldstein (from 1996-02-21 until 1996-02-22)
arranger:
Gil Goldstein
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (from 1996-02-21 until 1996-02-22)
mixed at:
EastSide Sound in New York, New York, United States
instrumental recording of:
It Was a Very Good Year (in 1996-02)
lyricist and composer:
Ervin Drake (songwriter)
publisher:
Memory Lane Music (publishing company), Reedlands Music Corp. and The Songwriters Guild
8:05
9Come Fly With Me
recording engineer:
James Farber (sound engineer) (from 1996-02-21 until 1996-02-22)
assistant engineer:
Barbara Lipke, Aya Takemura and Gary Townsley
producer:
Gil Goldstein and Matt Pierson (producer)
mixer:
James Farber (sound engineer)
bass:
Todd Coolman (from 1996-02-21 until 1996-02-22)
drums (drum set):
Billy Drummond (American jazz drummer) (from 1996-02-21 until 1996-02-22)
flute:
Frank Wess (from 1996-02-21 until 1996-02-22)
piano:
Larry Goldings (from 1996-02-21 until 1996-02-22)
trombone:
Slide Hampton (from 1996-02-21 until 1996-02-22)
trumpet:
Alex Sipiagin (Russian jazz trumpeter and flugelhorn player) (from 1996-02-21 until 1996-02-22)
woodwind:
James Moody (jazz saxophonist) (from 1996-02-21 until 1996-02-22)
conductor:
Gil Goldstein (from 1996-02-21 until 1996-02-22)
arranger:
Gil Goldstein
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (from 1996-02-21 until 1996-02-22)
mixed at:
EastSide Sound in New York, New York, United States
instrumental recording of:
Come Fly With Me (in 1996-02)
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック (Fujipacific Music, Inc.)
4:50
10A Nightingale Sang in Berkeley Square
recording engineer:
James Farber (sound engineer) (from 1996-02-21 until 1996-02-22)
assistant engineer:
Barbara Lipke, Aya Takemura and Gary Townsley
producer:
Gil Goldstein and Matt Pierson (producer)
mixer:
James Farber (sound engineer)
bass:
Todd Coolman (from 1996-02-21 until 1996-02-22)
drums (drum set):
Billy Drummond (American jazz drummer) (from 1996-02-21 until 1996-02-22)
harp:
Sara Cutler (American harpist) (from 1996-02-21 until 1996-02-22)
piano:
Mulgrew Miller (from 1996-02-21 until 1996-02-22)
woodwind:
James Moody (jazz saxophonist) (from 1996-02-21 until 1996-02-22)
conductor:
Gil Goldstein (from 1996-02-21 until 1996-02-22)
arranger:
Gil Goldstein
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (from 1996-02-21 until 1996-02-22)
mixed at:
EastSide Sound in New York, New York, United States
instrumental recording of:
A Nightingale Sang in Berkeley Square (in 1996-02)
lyricist:
Eric Maschwitz (Holt Marvell)
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
6:02

Credits

Release

mastered at:Masterdisk in New York, New York, United States