The Very Best of Love

~ Veröffentlichung von Luther Vandross (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Power of Love/Love Power
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist) und Marcus Miller (jazz musician)
Techniker(in) und Mix:
Ray Bardani
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Bassgitarre und Keyboard:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Klavier:
Nat Adderley, Jr.
Windspiel:
Paulinho DaCosta (Brazilian percussionist)
Hintergrundgesang:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Genobia Jeter, Pat Joyner, Darlene Love, Paulette McWilliams, Marcus Miller (jazz musician), Kevin Owens, Tamira C. Sanders, Fonzi Thornton und Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood
recording of:
Power of Love / Love Power
Verfasser(in):
Marcus Miller (jazz musician), Luther Vandross und Teddy Vann
Medley von:
Love Power
Medley von:
Power of Love
Luther Vandross46:41
2Never Too Much
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
Luther Vandross3:51
3Stop to Love
recording of:
Stop to Love
Texter und Komponist(in):
Nat Adderley, Jr. und Luther Vandross
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd., SBK Songs (publisher), April Music Inc. (in 1986), Dillard Music (in 1986) und Uncle Ronnie's Music Co. Inc. (in 1986)
Luther Vandross5:10
4Here and Now
recording engineer und Mix:
Ray Bardani
Produzent(in):
Jacques Fred Petrus
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
Here and Now
Verfasser(in):
David L. Elliott und Terry Steele
publisher:
D.L.E. Music, EMI April Music Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Ollie Brown Sugar Music (ASCAP-affiliated) und Universal‐MCA Music Publishing (US)
Luther Vandross5:23
5Endless Love
recording engineer:
Paul Brown (smooth jazz performer/producer) (Sologesang), Dana Jon Chappelle, Dana Jon Chappelle (Sologesang) und Jay Healy (Sologesang)
drum machine-Programmierung:
Walter Afanasieff
Programmierung und Produzent(in):
Walter Afanasieff
Synthesizer-Programmierung:
Gary Cirimelli und Ren Klyce
Mix:
Dana Jon Chappelle und Mick Guzauski
Akustikgitarre, Keyboard, Moog [Moog bass], Synclavier und Synthesizer:
Walter Afanasieff
Gitarre und Solo-Akustikgitarre [nylon guitar]:
Dann Huff
Sologesang:
Mariah Carey und Luther Vandross
conductor:
Jeremy Lubbock
arranger:
Walter Afanasieff
Orchestrator(in):
Jeremy Lubbock
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Luther Vandross with Mariah Carey3.24:20
6Don’t Want to Be a Fool
recording engineer, Techniker(in) und Mix:
Ray Bardani
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist) und Marcus Miller (jazz musician)
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Bassgitarre und Keyboard:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho DaCosta (Brazilian percussionist)
Hintergrundgesang:
Tawatha Agee, Cissy Houston, Paulette McWilliams, Cindy Mizelle und Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood
recording of:
Don’t Want to Be a Fool
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
EMI April Music Inc. (in 1991), Thriller Miller Music (in 1991) und Uncle Ronnie's Music Co. Inc. (in 1991)
Luther Vandross4:36
7Little Miracles (Happen Every Day)
drum machine und Perkussion-Programmierung:
Marcus Miller (jazz musician)
assistierende(r) Techniker(in):
Jim Labinski und Chad Munsey
Techniker(in):
Ray Bardani, Mike Morongell und Shelly Yakus
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Mix:
Ray Bardani
Bass und Keyboard:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Hintergrundgesang:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Paulette McWilliams, Cindy Mizelle, Kevin Owens, Tamira C. Sanders, Fonzi Thornton und Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
aufgenommen bei und mixed at:
A&M Studios in Hollywood
recording of:
Little Miracles (Happen Every Day)
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
EMI April Music Inc. (in 1993), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1993), Thriller Miller Music (in 1993) und Uncle Ronnie's Music Co. Inc. (in 1993)
Luther Vandross4:42
8Any Love
recording engineer, Techniker(in) und Mix:
Ray Bardani
Synthesizer-Programmierung:
Jason Miles (jazz producer/keyboardist)
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
assistierende(r) Mix:
Marc DeSisto
Bass und Synthesizer [keyboard synthesizer]:
Marcus Miller (jazz musician)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Schlagzeug:
Buddy Williams (drummer)
Hintergrundgesang und Sologesang:
Luther Vandross
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
mixed at:
A&M Studios in Hollywood
recording of:
Any Love
Verfasser(in):
Marcus Miller (jazz musician) und Luther Vandross
publisher:
EMI April Music Inc., WB Music Corp. (1929–2019), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1988), SBK April Music Inc. (in 1988), Sunset Burgundy, Inc. (in 1988) und Uncle Ronnie’s Music Company Inc. (in 1988)
Luther Vandross5:01
9Heaven Knows
recording of:
Heaven Knows
Verfasser(in):
Luther Vandross und Reed Vertelney
publisher:
EMI April Music Inc. (in 1993), EMI Blackwood Music Inc. (in 1993), Reed Vertelney Music (in 1993) und Uncle Ronnie's Music Co. Inc. (in 1993)
Luther Vandross4:54
10So Amazing
recording engineer, Techniker(in) und Mix:
Ray Bardani
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Horn arranger und Saiteninstrumente arranger:
Nat Adderley, Jr. und Paul Riser
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood
recording of:
So Amazing
Texter und Komponist(in):
Luther Vandross
publisher:
EMI April Music Inc., SBK Songs (publisher), Uncle Ronnie’s Music, April Music Inc. (in 1986) und Uncle Ronnie's Music Co. Inc. (in 1986)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Luther Vandross3.53:40
11How Many Times Can We Say Goodbye
recording of:
How Many Times Can We Say Goodbye
Texter und Komponist(in):
Steve Goldman (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Goldrian Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Luther Vandross with Dionne Warwick3:26
12Never Let Me Go
cover recording of:
Never Let Me Go
Texter und Komponist(in):
Joseph Scott (Joseph Wade Scott)
publisher:
Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!) und Duchess Music Corporation (BMI-affiliated) (in 1954)
Luther Vandross4:30

Nennungen

Veröffentlichung

hergestellt in:U.S.A.
vertrieben von und vermarkted von:Madacy Entertainment Group (do not use as a release label! later renamed Madacy Lifestyle Marketing, read annotations for sub-label to use)
urheberrechtlich geschützt (©) von:Madacy Entertainment Group, Inc. (do not use as a release label! later renamed Madacy Lifestyle Marketing, read annotations for sub-label to use) (in 2002)