The Box

~ Pubblicazione di Chicago (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

1▶CD: CTA - Chicago
2▶CD: Chicago III - VII
3▶CD: Chicago VIII - Hot Streets
4▼CD: Chicago 13 - 18
#TitoloValutazioneDurata
1Street Player (single edit)
produttore:
Chicago (American pop rock/jazz fusion band) e Phil Ramone
percussione :
Airto Moreira (percussionist)
sintetizzatore :
David “Hawk” Wolinski
tromba :
Maynard Ferguson
edit di:
Street Player (album version) di Chicago (American pop rock/jazz fusion band)
registrazione cover di:
Street Player
autore:
Danny Seraphine e David “Hawk” Wolinski
54:25
2Must Have Been Crazy
tecnico:
Jim Boyer (producer/engineer)
produttore:
Chicago (American pop rock/jazz fusion band) e Phil Ramone
voce principale:
Donnie "Hot Licks" Dacus
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 2003)
mixata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti
registrazione di:
Must Have Been Crazy
autore:
Donnie Dacus
3:24
3Manipulation
assistente tecnico:
Ricky DeLena, Karat Faye e Bill Freesh
tecnico:
Michael Carnévale (engineer)
produttore:
Tom Dowd
registrata presso e mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
registrazione di:
Manipulation
paroliere e compositore:
Robert Lamm
editore:
Little Sacha Songs (nel 1980)
3:30
4Thunder and Lightning
assistente tecnico:
Ricky DeLena, Karat Faye e Bill Freesh
tecnico:
Michael Carnévale (engineer)
produttore:
Tom Dowd
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 2003)
registrata presso e mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
registrazione di:
Thunder and Lightning (nel 1980)
paroliere e compositore:
Peter Cetera (nel 1980) e Robert Lamm (nel 1980)
autore:
Danny Seraphine (nel 1980)
editore:
BMG Songs, Inc. (nel 1980), Little Sacha Songs (nel 1980) e Street Sense Music (nel 1980)
3:32
5Song for You
assistente tecnico:
Ricky DeLena, Karat Faye e Bill Freesh
tecnico:
Michael Carnévale (engineer)
produttore:
Tom Dowd
voce principale:
Peter Cetera (nel 1980)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1980) e Rhino Entertainment Company (not for release label use!) (nel 2003)
registrata presso e mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
registrazione di:
Song for You (nel 1980)
paroliere e compositore:
Peter Cetera (nel 1980)
editore:
Double Virgo Music e BMG Songs, Inc. (nel 1980)
3:42
6The American Dream
assistente tecnico:
Ricky DeLena, Karat Faye e Bill Freesh
tecnico:
Michael Carnévale (engineer)
produttore:
Tom Dowd
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 2003)
registrata presso e mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
registrazione di:
The American Dream
paroliere e compositore:
James Pankow
editore:
Make Me Smile Music (nel 1980)
3:18
7Love Me Tomorrow
tecnico:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore archi :
Jeremy Lubbock
registrazione di:
Love Me Tomorrow
autore:
Peter Cetera (nel 1982) e David Foster (Canadian music producer, arranger and composer) (nel 1982)
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Double Virgo Music, Foster Frees Music Inc., Irving Music, Inc. e Rondor Music (London) Ltd.
5:00
8Chains
tecnico:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
registrazione di:
Chains
autore:
Ian Thomas (Canadian singer/songwriter)
editore:
Mark-Cain Music
3:23
9What You’re Missing (single edit)
tecnico:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
registrazione di:
What You’re Missing
autore:
Jay Gruska e Joseph Williams (vocalist for Toto, son of composer John Williams)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:31
10Hard to Say I’m Sorry / Get Away
tecnico:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Jack Goudie, Lee Loughnane e Walter Parazaider
tecnico di missaggio:
Bill Schnee
arrangiatore archi :
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Jeremy Lubbock
arrangiatore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Danny Seraphine
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982, nel 2010)
mixata presso:
Studio 55 in Los Angeles
registrazione di:
Get Away
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Robert Lamm
editore:
Double Virgo Music, Foster Frees Music Inc., Little Sacha Songs, Peermusic III, Ltd. (BMI), Primary Wave Lamm, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
Hard to Say I’m Sorry (Chicago song)
autore:
Peter Cetera (nel 1982) e David Foster (Canadian music producer, arranger and composer) (nel 1982)
editore:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1982) e Foster Frees Music Inc. (nel 1982)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
Hard to Say I’m Sorry / Get Away
editore:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. e Little Sacha Songs
medley di:
Hard to Say I’m Sorry (Chicago song)
medley di:
Get Away
55:06
11Stay the Night
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
arrangiatore:
Peter Cetera e David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Sunset Sound in Hollywood (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles
registrazione di:
Stay the Night (nel 1984)
autore:
Peter Cetera (nel 1984) e David Foster (Canadian music producer, arranger and composer) (nel 1984)
editore:
BMG Songs, Inc., Double Virgo Music (nel 1984) e Foster Frees Music Inc. (nel 1984)
43:48
12We Can Stop the Hurtin’
tecnico:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
voce di accompagnamento:
Richard Marx e Donny Osmond (singer, actor and entertainer)
arrangiatore corno :
James Pankow
registrazione di:
We Can Stop the Hurtin’
paroliere e compositore:
J. Parker (written by credit)
editore:
Cheeky Kid Music (nel 1984), Fin de Siècle Musique (US work publisher) (nel 1984) e JSH Music (nel 1984)
4:11
13Hard Habit to Break
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
voce principale:
Peter Cetera (nel 1984) e Bill Champlin (nel 1984)
arrangiatore strumenti:
Jeremy Lubbock
arrangiatore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 1984) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010)
registrata presso:
Sunset Sound in Hollywood (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles
registrazione di:
Hard Habit to Break (nel 1984)
autore:
Steve Kipner (nel 1984) e John Lewis Parker (nel 1984)
editore:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), April Music Inc. (nel 1984), Parker Songs (nel 1984), Stephen A. Kipner Music (nel 1984) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
44:44
14Along Comes a Woman (single version)
tecnico:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 1985)
registrazione di:
Along Comes a Woman
autore:
Peter Cetera (nel 1984) e Mark Goldenberg (nel 1984)
editore:
BMG Music Publishing Ltd., MCA Music Ltd., Double Virgo Music (nel 1984), Fleedleedle Music (nel 1984) e Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (nel 1984)
3:47
15You’re the Inspiration
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
arrangiatore strumenti:
Jeremy Lubbock
arrangiatore:
Peter Cetera e David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Sunset Sound in Hollywood (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles
registrazione di:
You’re the Inspiration (nel 1984)
autore:
Peter Cetera (nel 1984) e David Foster (Canadian music producer, arranger and composer) (nel 1984)
editore:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1984) e Foster Frees Music Inc. (nel 1984)
53:49
16Good for Nothing
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
batteria :
Danny Seraphine
chitarra basso :
Peter Cetera
sintetizzatore e tastiera :
Bobby Lamm e David Foster (Canadian music producer, arranger and composer)
strumenti a fiato [horn section] :
Jimmy Pankow, Lee Loughnane e Walt Parazaider
voce:
Bobby Lamm, Peter Cetera e Bill Champlin
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985)
registrata presso e mixata presso:
Lion Share Recording Studios in Los Angeles
registrazione di:
Good for Nothing
autore:
David Foster (Canadian music producer, arranger and composer), Robert Lamm e Richard Marx
editore:
Fin de Siecle Musique (US work publisher) (nel 1985), Foster Frees Music, Inc. (nel 1985) e Security Hogg Music (nel 1985)
3:38
17If She Would Have Been Faithful…
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Laura Livingston
voce principale:
Jason Scheff (nel 1986)
arrangiatore:
David Foster (Canadian music producer, arranger and composer) e Steve Kipner
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986, nel 2010)
mixata presso:
Lion Share Recording Studios in Los Angeles
registrazione di:
If She Would Have Been Faithful... (nel 1986)
autore:
Randy Goodrum (nel 1986) e Steve Kipner (nel 1986)
editore:
Bocu Music Ltd., CBS Songs Ltd., MCA Music Ltd., April Music Inc. (nel 1985), California Phase Music (nel 1985) e Stephen A. Kipner Music (nel 1985)
3:53
18Forever
tecnico:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
registrazione di:
Forever
autore:
Bill Gable e Robert Lamm
editore:
Island Music Ltd., Fin de Siècle Musique (US work publisher) (nel 1986) e Idle Speculation Music (nel 1986)
5:21
19Will You Still Love Me? (single version)
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986)
registrazione di:
Will You Still Love Me? (Chicago song) (nel 1986)
autore:
Richard Baskin (film composer and producer) (nel 1986), David Foster (Canadian music producer, arranger and composer) (nel 1986) e Tom Keane (keyboards, of The Keane Brothers) (nel 1986)
editore:
Masonmack Music, MCA Music Ltd., Peermusic III, Ltd. (BMI), Songs of Universal, Inc. (BMI), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Air Bear Music (nel 1986), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (nel 1986), Warm Springs Music (nel 1986) e Young Millionaires Club Music (nel 1986)
44:11
20Niagara Falls
tecnico:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
registrazione di:
Niagara Falls
autore:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) e Steve Kipner
editore:
Bocu Music Ltd., CBS Songs Ltd., April Music Inc. (nel 1985), Blackwood Music Inc. (1953-02-07–1987-12-30) (nel 1985), Sin-Drome Music (nel 1985) e Stephen A. Kipner Music (nel 1985)
3:42
5▶CD: Chicago 19 - Heart Of, Volume II
6▶DVD-Video: Special Archival Bonus DVD

Accreditamenti

Pubblicazione

fabbricata a:Stati Uniti
stampata a:Stati Uniti