And So It Goes

~ Release by Blake (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1Look to the Mountains (intro)
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer and mixer:
Steve Lipson
choir vocals:
Blake (classical crossover vocal group)
orchestra:
Royal Philharmonic Orchestra
vocals arranger:
Mark Williams (worked with Blake)
orchestrator:
Pete Murray (worked with Blake)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
recording of:
Look to the Mountains (intro)
writer:
Ollie Baines, Stephen Bowman (of Blake), Jules Knight, Stephen Lipson, Pete Murray (worked with Blake) and Dominic Tighe (actor)
21:30
2And So It Goes
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer and mixer:
Steve Lipson
choir vocals:
Blake (classical crossover vocal group)
lead vocals:
Jules
orchestra:
Royal Philharmonic Orchestra
vocals arranger:
Mark Williams (worked with Blake)
orchestrator:
Pete Murray (worked with Blake)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
cover recording of:
And So It Goes
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist) (in 1983)
publisher:
EMI Songs Ltd., Impulsive Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Joelsongs (in 1983)
43:21
3Chasing Cars
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer and mixer:
Steve Lipson
choir vocals:
Blake (classical crossover vocal group)
lead vocals:
Stephen (of Blake)
orchestra:
Royal Philharmonic Orchestra
vocals arranger:
Mark Williams (worked with Blake)
orchestrator:
Pete Murray (worked with Blake)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
cover recording of:
Chasing Cars
lyricist:
Gary Lightbody
composer:
Nathan Connolly, Gary Lightbody, Jonny Quinn, Tom Simpson (Scottish DJ and musician) and Paul Wilson (member of Snow Patrol)
publisher:
Big Life Music Ltd. and Universal Music Publishing BL Limited
44:40
4Wild Mountain Thyme
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer and mixer:
Steve Lipson
choir vocals:
Blake (classical crossover vocal group)
lead vocals:
Dom (actor)
orchestra:
Royal Philharmonic Orchestra
vocals arranger:
Mark Williams (worked with Blake)
orchestrator:
Pete Murray (worked with Blake)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
recording of:
Wild Mountain Thyme (also known as “Purple Heather” and “Will Ye Go, Lassie, Go”)
lyricist:
Robert Tannahill
writer:
Francis McPeake (in 1957)
additional composer:
John Hamilton (songwriter in the late 1700's) (in 1796)
composer:
[traditional] (special purpose artist)
version of:
The Braes o' Balquhidder (1829 Tannahill version)
part of:
Róisín Dubh (Black Rose): A Rock Legend
24:26
5Because We Believe
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer and mixer:
Steve Lipson
choir vocals:
Blake (classical crossover vocal group)
lead vocals:
Ollie
orchestra:
Royal Philharmonic Orchestra
vocals arranger:
Mark Williams (worked with Blake)
orchestrator:
Pete Murray (worked with Blake)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
recording of:
Because We Believe
lyricist:
Andrea Bocelli (tenor) and Amy Foster
composer:
David Foster (Canadian music producer, arranger and composer)
24:33
6Up Where We Belong
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer and mixer:
Steve Lipson
choir vocals:
Blake (classical crossover vocal group)
orchestra:
Royal Philharmonic Orchestra
vocals arranger:
Mark Williams (worked with Blake)
orchestrator:
David Arch (pianist, conductor, arranger and composer)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
cover recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
24:26
7Steal Away
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer and mixer:
Steve Lipson
choir vocals:
Blake (classical crossover vocal group)
orchestra:
Royal Philharmonic Orchestra
vocals arranger:
Mark Williams (worked with Blake)
orchestrator:
Pete Murray (worked with Blake)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
recording of:
Steal Away
arranger:
Ollie Baines, Stephen Bowman (of Blake), Jules Knight, Dominic Tighe (actor) and Mark Williams (worked with Blake)
44:00
8Heaven Can Wait
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer and mixer:
Steve Lipson
choir vocals:
Blake (classical crossover vocal group)
lead vocals:
Jules
orchestra:
Royal Philharmonic Orchestra
vocals arranger:
Mark Williams (worked with Blake)
orchestrator:
Pete Murray (worked with Blake)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
cover recording of:
Heaven Can Wait
lyricist and composer:
Jim Steinman
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Neverland Music Co. and Peg Music Company
54:00
9Closest Thing to Crazy
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer and mixer:
Steve Lipson
choir vocals:
Blake (classical crossover vocal group)
lead vocals:
Stephen (of Blake)
orchestra:
Royal Philharmonic Orchestra
vocals arranger:
Mark Williams (worked with Blake)
orchestrator:
Pete Murray (worked with Blake)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
cover recording of:
The Closest Thing to Crazy
lyricist and composer:
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) and Sony/ATV Music Publishing (UK) Ltd.
54:14
10Fantasia Prelude (interlude)
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer and mixer:
Steve Lipson
orchestra:
Royal Philharmonic Orchestra
orchestrator:
Pete Murray (worked with Blake)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
recording of:
Fantasia Prelude (interlude)
arranger:
Pete Murray (worked with Blake)
20:25
11Nella Fantasia
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer and mixer:
Steve Lipson
choir vocals:
Blake (classical crossover vocal group)
lead vocals:
Ollie
orchestra:
Royal Philharmonic Orchestra
vocals arranger:
Mark Williams (worked with Blake)
orchestrator:
Pete Murray (worked with Blake)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
cover recording of:
Nella fantasia
lyricist:
Chiara Ferraú (lyricist)
composer:
Ennio Morricone (Italian classical and score composer)
arranger:
Audrey Snyder (composer, arranger)
publisher:
EMI/Virgin Music Publishing Ltd.
is based on:
Gabriel’s Oboe (The Mission, main theme)
33:19
12Time to Say Goodbye
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
producer and mixer:
Steve Lipson
choir vocals:
Blake (classical crossover vocal group)
lead vocals:
Dom (actor)
orchestra:
Royal Philharmonic Orchestra
vocals arranger:
Mark Williams (worked with Blake)
orchestrator:
Pete Murray (worked with Blake)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
cover recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”)
additional lyricist:
Frank Peterson
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar Music MV and Sugar S.r.l. (company credits only; do NOT use as release label)
translated version of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
44:08
13Sancta Maria
assistant recording engineer:
Jez Murphy
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
engineer:
Phil Bodger (engineer)
producer and mixer:
Steve Lipson
choir vocals:
Helen Ashby (Soprano), Emily Beahan, Blake (classical crossover vocal group), Katy Butler and Alison Ponsford‐Hill (soprano)
orchestra:
Royal Philharmonic Orchestra
vocals arranger:
Mark Williams (worked with Blake)
orchestrator:
Pete Murray (worked with Blake)
recorded at:
Angel Studios in Islington and Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate
recording of:
Sancta Maria (based on the Intermezzo from "Cavalleria rusticana" by Mascagni)
composer:
Pietro Mascagni (composer & conductor)
arranger:
Steven Mercurio (conductor and composer)
is based on:
Cavalleria rusticana: Intermezzo
34:00

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2008)