The Complete Elvis Presley Masters

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

1▶CD: 1954–1956
2▶CD: 1956
3▶CD: 1957
4▶CD: 1957–1958
5▶CD: 1960
6▶CD: 1960–1961
7▶CD: 1961
8▶CD: 1961–1962
9▶CD: 1962–1963
10▶CD: 1963–1964
11▶CD: 1964–1965
12▼CD: 1965–1966
#TitleRatingLength
1Come Along
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Come Along (from 1965-05-12 until 1965-05-14)
composer:
David Hess (actor/songwriter)
31:52
2Beginner’s Luck
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Beginner’s Luck (from 1965-05-12 until 1965-05-14)
composer:
Roy C. Bennett (US songwriter) and Sid Tepper
42:33
3Down by the Riverside and When the Saints Go Marching In
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
medley including a cover recording of:
Down by the Riverside (from 1965-05-12 until 1965-05-14)
lyricist and composer:
[traditional] (special purpose artist)
medley including a recording of:
When the Saints Go Marching In (from 1965-05-12 until 1965-05-14)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
21:55
4Please Don’t Stop Loving Me
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Please Don’t Stop Loving Me (from 1965-05-12 until 1965-05-14)
lyricist and composer:
Joy Byers
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
2.52:02
5Shout It Out
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Shout It Out (from 1965-05-12 until 1965-05-14)
composer:
Bernie Baum, Bill Grant (US songwriter, worked with Elvis) and Florence Kaye
42:16
6What Every Woman Lives For
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
What Every Woman Lives For (from 1965-05-12 until 1965-05-14)
composer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
3.92:25
7Hard Luck
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Hard Luck (from 1965-05-12 until 1965-05-14)
composer:
Sid Wayne and Ben Weisman
2.52:50
8Petunia, the Gardener’s Daughter
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Petunia the Gardener's Daughter (from 1965-05-12 until 1965-05-14)
composer:
Roy C. Bennett (US songwriter) and Sid Tepper
32:58
9Look Out, Broadway
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Look Out Broadway (from 1965-05-12 until 1965-05-14)
composer:
Randy Starr and Fred Wise
31:39
10Everybody Come Aboard
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Everybody Come Aboard (from 1965-05-12 until 1965-05-14)
composer:
Bernie Baum, Bill Grant (US songwriter, worked with Elvis) and Florence Kaye
41:49
11Chesay
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Chesay (from 1965-05-12 until 1965-05-14)
composer:
Fred Karger (Frederick Maxwell Karger, Jr), Sid Wayne and Ben Weisman
41:37
12Frankie and Johnny
engineer:
David Weichman
bass:
Bob Moore (U.S. bassist and bandleader) (from 1965-05-12 until 1965-05-14)
drums (drum set):
D.J. Fontana (from 1965-05-12 until 1965-05-14) and Buddy Harman (Session drummer and songwriter) (from 1965-05-12 until 1965-05-14)
guitar:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14), Scotty Moore (American guitarist and recording engineer) (from 1965-05-12 until 1965-05-14) and Tiny Timbrell (from 1965-05-12 until 1965-05-14)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-05-12 until 1965-05-14)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-05-12 until 1965-05-14)
saxophone:
Gus Bivona (from 1965-05-12 until 1965-05-14)
trombone:
Richard Noel (trombonist) (from 1965-05-12 until 1965-05-14)
trumpet:
George Worth (from 1965-05-12 until 1965-05-14)
tuba:
Robert Corwin (from 1965-05-12 until 1965-05-14) and John Johnson (session tuba player) (from 1965-05-12 until 1965-05-14)
vocals:
The Jordanaires (southern gospel group) (from 1965-05-12 until 1965-05-14)
remixer:
Ernst Mikael Jorgensen and James Nichols
phonographic copyright (℗) by:
BMG Music
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-05-12 until 1965-05-14, from 1965-05-12 until 1965-05-19)
recording of:
Frankie and Johnny (Elvis arrangement) (from 1965-05-12 until 1965-05-14)
arranger:
Alex Gottlieb, Fred Karger (Frederick Maxwell Karger, Jr) and Ben Weisman
publisher:
Carlin Music Corporation and Gladys Music
arrangement of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
recording of:
Frankie and Johnny (Elvis arrangement) (on 1965-05-13)
arranger:
Alex Gottlieb, Fred Karger (Frederick Maxwell Karger, Jr) and Ben Weisman
publisher:
Carlin Music Corporation and Gladys Music
arrangement of:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
2.52:32
13Drums of the Islands
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
cover recording of:
Drums of the Islands (from 1965-07-26 until 1965-08-04)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
12:33
14Datin’
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
recording of:
Datin’ (from 1965-07-26 until 1965-08-04)
writer:
Randy Starr and Fred Wise
11:22
15Scratch My Back
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
recording of:
Scratch My Back (Then I’ll Scratch Yours) (from 1965-07-26 until 1965-08-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
2:16
16Stop Where You Are
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
recording of:
Stop Where You Are (from 1965-07-26 until 1965-08-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
12:04
17A Dog’s Life
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
recording of:
A Dog’s Life (from 1965-07-26 until 1965-08-04)
writer:
Sid Wayne and Ben Weisman
11:58
18This Is My Heaven
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
recording of:
This Is My Heaven (from 1965-07-26 until 1965-08-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
12:34
19Paradise, Hawaiian Style
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
cover recording of:
Paradise, Hawaiian Style (from 1965-07-26 until 1965-08-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
12:38
20House of Sand
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
cover recording of:
House of Sand (from 1965-07-26 until 1965-08-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
3.752:03
21Queenie Wahine’s Papaya
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-07-27) and Ray Siegel (from 1965-07-26 until 1965-07-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-07-27), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-07-27), D.J. Fontana (from 1965-07-26 until 1965-07-27) and Milton Holland (from 1965-07-26 until 1965-07-27)
guitar:
Barney Kessel (from 1965-07-26 until 1965-07-27) and Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-07-27)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-07-27)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-07-27), The Mello Men (American singing quartet) (from 1965-07-26 until 1965-07-27) and Elvis Presley (“The King of Rock and Roll”) (from 1965-08-02 until 1965-08-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-07-26 until 1965-07-27, from 1965-08-02 until 1965-08-04)
recording of:
Queenie Wahine’s Papaya (from 1965-07-26 until 1965-08-04)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
11:33
22Sand Castles
bass:
Keith Mitchell (jazz double-bassist, composer and lyricist) (from 1965-07-26 until 1965-08-02) and Ray Siegel (from 1965-07-26 until 1965-08-02)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1965-07-26 until 1965-08-02), Victor Feldman (jazz musician) (from 1965-07-26 until 1965-08-02), D.J. Fontana (from 1965-07-26 until 1965-08-02) and Milton Holland (from 1965-07-26 until 1965-08-02)
guitar:
Alton Hendrickson (Session Musician (Guitar)) (from 1965-07-26 until 1965-08-02), Barney Kessel (from 1965-07-26 until 1965-08-02), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-07-26 until 1965-08-02), Scotty Moore (American guitarist and recording engineer) (from 1965-07-26 until 1965-08-02) and Howard Roberts (jazz guitarist, educator, session musician and producer) (from 1965-07-26 until 1965-08-02)
piano:
Larry Muhoberac (American musician, producer, and composer) (from 1965-07-26 until 1965-08-02)
vocals:
The Jordanaires (southern gospel group) (from 1965-07-26 until 1965-08-02) and The Mello Men (American singing quartet) (from 1965-07-26 until 1965-08-02)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1965-07-26 until 1965-07-27, on 1965-08-02)
recording of:
Sand Castles (from 1965-07-26 until 1965-08-02)
writer:
Herb Goldberg and David Hess (actor/songwriter)
12:58
23Smorgasbord
bass:
Bob Moore (U.S. bassist and bandleader) (from 1966-02-16 until 1966-02-17)
drums (drum set):
D.J. Fontana (from 1966-02-16 until 1966-02-17) and Buddy Harman (Session drummer and songwriter) (from 1966-02-16 until 1966-02-17)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1966-02-16 until 1966-02-17), Tommy Tedesco (guitar) (from 1966-02-16 until 1966-02-17) and Tiny Timbrell (from 1966-02-16 until 1966-02-17)
piano:
Floyd Cramer (from 1966-02-16 until 1966-02-17)
saxophone:
Boots Randolph (from 1966-02-16 until 1966-02-17)
vocals:
The Jordanaires (southern gospel group) (from 1966-02-16 until 1966-02-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1966-02-16 until 1966-02-17)
recording of:
Smorgasbord (from 1966-02-16 until 1966-02-17)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
1:57
24Stop, Look and Listen
bass:
Bob Moore (U.S. bassist and bandleader) (from 1966-02-16 until 1966-02-17)
drums (drum set):
D.J. Fontana (from 1966-02-16 until 1966-02-17) and Buddy Harman (Session drummer and songwriter) (from 1966-02-16 until 1966-02-17)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1966-02-16 until 1966-02-17), Tommy Tedesco (guitar) (from 1966-02-16 until 1966-02-17) and Tiny Timbrell (from 1966-02-16 until 1966-02-17)
piano:
Floyd Cramer (from 1966-02-16 until 1966-02-17)
saxophone:
Boots Randolph (from 1966-02-16 until 1966-02-17)
vocals:
The Jordanaires (southern gospel group) (from 1966-02-16 until 1966-02-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1966-02-16 until 1966-02-17)
cover recording of:
Stop, Look and Listen (from 1966-02-16 until 1966-02-17)
lyricist and composer:
Joy Byers
1:29
25Am I Ready
bass:
Bob Moore (U.S. bassist and bandleader) (from 1966-02-16 until 1966-02-17)
drums (drum set):
D.J. Fontana (from 1966-02-16 until 1966-02-17) and Buddy Harman (Session drummer and songwriter) (from 1966-02-16 until 1966-02-17)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1966-02-16 until 1966-02-17), Tommy Tedesco (guitar) (from 1966-02-16 until 1966-02-17) and Tiny Timbrell (from 1966-02-16 until 1966-02-17)
piano:
Floyd Cramer (from 1966-02-16 until 1966-02-17)
saxophone:
Boots Randolph (from 1966-02-16 until 1966-02-17)
vocals:
The Jordanaires (southern gospel group) (from 1966-02-16 until 1966-02-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1966-02-16 until 1966-02-17)
recording of:
Am I Ready (from 1966-02-16 until 1966-02-17)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
2:23
26Beach Shack
bass:
Bob Moore (U.S. bassist and bandleader) (from 1966-02-16 until 1966-02-17)
drums (drum set):
D.J. Fontana (from 1966-02-16 until 1966-02-17) and Buddy Harman (Session drummer and songwriter) (from 1966-02-16 until 1966-02-17)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1966-02-16 until 1966-02-17), Tommy Tedesco (guitar) (from 1966-02-16 until 1966-02-17) and Tiny Timbrell (from 1966-02-16 until 1966-02-17)
piano:
Floyd Cramer (from 1966-02-16 until 1966-02-17)
saxophone:
Boots Randolph (from 1966-02-16 until 1966-02-17)
vocals:
The Jordanaires (southern gospel group) (from 1966-02-16 until 1966-02-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1966-02-16 until 1966-02-17)
recording of:
Beach Shack (from 1966-02-16 until 1966-02-17)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
1:46
27Never Say Yes
bass:
Bob Moore (U.S. bassist and bandleader) (from 1966-02-16 until 1966-02-17)
drums (drum set):
D.J. Fontana (from 1966-02-16 until 1966-02-17) and Buddy Harman (Session drummer and songwriter) (from 1966-02-16 until 1966-02-17)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1966-02-16 until 1966-02-17), Tommy Tedesco (guitar) (from 1966-02-16 until 1966-02-17) and Tiny Timbrell (from 1966-02-16 until 1966-02-17)
piano:
Floyd Cramer (from 1966-02-16 until 1966-02-17)
saxophone:
Boots Randolph (from 1966-02-16 until 1966-02-17)
vocals:
The Jordanaires (southern gospel group) (from 1966-02-16 until 1966-02-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1966-02-16 until 1966-02-17)
recording of:
Never Say Yes (from 1966-02-16 until 1966-02-17)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Pomus Songs Inc.
1:51
28Spinout
bass:
Bob Moore (U.S. bassist and bandleader) (from 1966-02-16 until 1966-02-17)
drums (drum set):
D.J. Fontana (from 1966-02-16 until 1966-02-17) and Buddy Harman (Session drummer and songwriter) (from 1966-02-16 until 1966-02-17)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1966-02-16 until 1966-02-17), Tommy Tedesco (guitar) (from 1966-02-16 until 1966-02-17) and Tiny Timbrell (from 1966-02-16 until 1966-02-17)
piano:
Floyd Cramer (from 1966-02-16 until 1966-02-17)
saxophone:
Boots Randolph (from 1966-02-16 until 1966-02-17)
vocals:
The Jordanaires (southern gospel group) (from 1966-02-16 until 1966-02-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1966-02-16 until 1966-02-17)
recording of:
Spinout (from 1966-02-16 until 1966-02-17)
writer:
Dee Fuller, Sid Wayne and Ben Weisman
2:32
29All That I Am
bass:
Bob Moore (U.S. bassist and bandleader) (from 1966-02-16 until 1966-02-17)
drums (drum set):
D.J. Fontana (from 1966-02-16 until 1966-02-17) and Buddy Harman (Session drummer and songwriter) (from 1966-02-16 until 1966-02-17)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1966-02-16 until 1966-02-17), Tommy Tedesco (guitar) (from 1966-02-16 until 1966-02-17) and Tiny Timbrell (from 1966-02-16 until 1966-02-17)
piano:
Floyd Cramer (from 1966-02-16 until 1966-02-17)
saxophone:
Boots Randolph (from 1966-02-16 until 1966-02-17)
vocals:
The Jordanaires (southern gospel group) (from 1966-02-16 until 1966-02-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1966-02-16 until 1966-02-17)
recording of:
All That I Am (from 1966-02-16 until 1966-02-17)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Carlin Music Corporation and Williamson Music Company
2:15
30Adam and Evil
bass:
Bob Moore (U.S. bassist and bandleader) (from 1966-02-16 until 1966-02-17)
drums (drum set):
D.J. Fontana (from 1966-02-16 until 1966-02-17) and Buddy Harman (Session drummer and songwriter) (from 1966-02-16 until 1966-02-17)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1966-02-16 until 1966-02-17), Tommy Tedesco (guitar) (from 1966-02-16 until 1966-02-17) and Tiny Timbrell (from 1966-02-16 until 1966-02-17)
piano:
Floyd Cramer (from 1966-02-16 until 1966-02-17)
saxophone:
Boots Randolph (from 1966-02-16 until 1966-02-17)
vocals:
The Jordanaires (southern gospel group) (from 1966-02-16 until 1966-02-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1966-02-16 until 1966-02-17)
recording of:
Adam and Evil (from 1966-02-16 until 1966-02-17)
writer:
Randy Starr and Fred Wise
1:52
31I’ll Be Back
bass:
Bob Moore (U.S. bassist and bandleader) (from 1966-02-16 until 1966-02-17)
drums (drum set):
D.J. Fontana (from 1966-02-16 until 1966-02-17) and Buddy Harman (Session drummer and songwriter) (from 1966-02-16 until 1966-02-17)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1966-02-16 until 1966-02-17), Tommy Tedesco (guitar) (from 1966-02-16 until 1966-02-17) and Tiny Timbrell (from 1966-02-16 until 1966-02-17)
piano:
Floyd Cramer (from 1966-02-16 until 1966-02-17)
saxophone:
Boots Randolph (from 1966-02-16 until 1966-02-17)
vocals:
The Jordanaires (southern gospel group) (from 1966-02-16 until 1966-02-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1966-02-16 until 1966-02-17)
cover recording of:
I’ll Be Back (from 1966-02-16 until 1966-02-17)
writer:
Sid Wayne and Ben Weisman
2:02
13▶CD: 1966
14▶CD: 1966–1967
15▶CD: 1967–1968
16▶CD: 1968
17▶CD: 1969
18▶CD: 1969
19▶CD: 1970
20▶CD: 1970
21▶CD: 1970–1971
22▶CD: 1971–1972
23▶CD: 1972
24▶CD: 1973
25▶CD: 1973
26▶CD: 1973–1975
27▶CD: 1975–1977
28▶CD: Outtakes and Alternates I
29▶CD: Outtakes and Alternates II
30▶CD: Outtakes and Alternates III

Credits

Release

printed in:United States