Madrigali

~ Release by Luca Marenzio; Concerto Italiano, Rinaldo Alessandrini (see all versions of this release, 1 available)

Annotation

Recorded Feb 2000 at Chiesa San Biaggio, Fiuggi

Annotation last modified on 2008-04-15 22:45 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Basciami mille volte (a 5 voci)
harp:
Mara Galassi
alto vocals:
Alessandro Carmignani (countertenor)
bass vocals:
Sergio Foresti (operatic bass)
soprano vocals:
Monica Piccinini (soprano) and Elisabetta Tiso (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Basciami mille volte (a 5 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1585)
Luca Marenzio2:03
2Satiati Amor, ch'a piu dogliosi amante (a 6 voci)
harp:
Mara Galassi
theorbo:
Andrea Damiani
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano) and Elisabetta Tiso (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Satiati Amor, ch'a piu dogliosi amante (a 6 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1584)
Luca Marenzio2:00
3Dolorosi martir, fieri tormenti (a 5 voci)
harp:
Mara Galassi
theorbo:
Andrea Damiani
alto vocals:
Alessandro Carmignani (countertenor)
bass vocals:
Sergio Foresti (operatic bass)
soprano vocals:
Monica Piccinini (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Dolorosi martir, fieri tormenti (a 5 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1580)
Luca Marenzio4:39
4Ne fero sdegno mai, Donna, mi mosse (a 6 voci): [prima parte]
harp:
Mara Galassi
theorbo:
Andrea Damiani
alto vocals:
Alessandro Carmignani (countertenor)
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Ne fero sdegno mai, Donna, mi mosse (a 6 voci): [prima parte]
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1587)
Luca Marenzio1:28
5Ne fero sdegno mai, Donna, mi mosse (a 6 voci): "Talchè dovunque vò, tutte repente"
harp:
Mara Galassi
theorbo:
Andrea Damiani
alto vocals:
Alessandro Carmignani (countertenor)
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Ne fero sdegno mai, Donna, mi mosse (a 6 voci): "Talchè dovunque vò, tutte repente"
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1587)
Luca Marenzio2:17
6Liquide perle Amor, da gl'occhi sparse (a 5 voci)
bass vocals:
Sergio Foresti (operatic bass)
soprano vocals:
Monica Piccinini (soprano) and Elisabetta Tiso (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Liquide perle Amor, da gl'occhi sparse (a 5 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1580)
Luca Marenzio2:20
7Liquide perle Amor, da gl'occhi sparse (diminuito per liuto) (originale di Marenzio)
harp:
Mara Galassi
theorbo:
Andrea Damiani
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Liquide perle Amor, da gl'occhi sparse (diminuito per liuto) (originale di Marenzio)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1580)
lute arranger:
Giovanni Antonio Terzi (in 1593)
Giovanni Antonio Terzi3:22
8Vaghi e lieti fanciulli (a 6 voci)
harp:
Mara Galassi
theorbo:
Andrea Damiani
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano) and Elisabetta Tiso (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Vaghi e lieti fanciulli (a 6 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1584)
Luca Marenzio1:42
9Deh rinforzate il vostro largo pianto (a 6 voci)
alto vocals:
Alessandro Carmignani (countertenor)
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Deh rinforzate il vostro largo pianto (a 6 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1581)
Luca Marenzio3:08
10Donne il celeste lume (a 9)
harp:
Mara Galassi
harpsichord:
Rinaldo Alessandrini (baroque keyboardist and conductor)
theorbo:
Andrea Damiani
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano) and Elisabetta Tiso (soprano)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Donne il celeste lume (a 9)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1593)
Luca Marenzio2:03
11Udite lagrimosi spirti d'averno, udite (a 5 voci)
theorbo:
Andrea Damiani
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Elisabetta Tiso (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Udite lagrimosi spirti d'averno, udite (a 5 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1594)
Luca Marenzio4:34
12Là dove sono i pargoletti Amori (a 6 voci)
harp:
Mara Galassi
theorbo:
Andrea Damiani
alto vocals:
Alessandro Carmignani (countertenor)
bass vocals:
Sergio Foresti (operatic bass)
soprano vocals:
Monica Piccinini (soprano) and Elisabetta Tiso (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Là dove sono i pargoletti Amori (a 6 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1595)
Luca Marenzio2:02
13E s'io mi doglio, Amor (a 6 voci)
alto vocals:
Alessandro Carmignani (countertenor)
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
E s'io mi doglio, Amor (a 6 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1584)
Luca Marenzio3:12
14Fuggi speme mia, fuggi (a 6 voci)
harp:
Mara Galassi
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Elisabetta Tiso (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Fuggi speme mia, fuggi (a 6 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1584)
Luca Marenzio1:36
15Tirsi morir volea (a 5 voci): [prima parte]
harp:
Mara Galassi
theorbo:
Andrea Damiani
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Tirsi morir volea (a 5 voci): [prima parte]
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1580)
Luca Marenzio2:31
16Tirsi morir volea (a 5 voci): "Frenò Tirsi il desio"
harp:
Mara Galassi
theorbo:
Andrea Damiani
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Tirsi morir volea (a 5 voci): "Frenò Tirsi il desio"
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1580)
Luca Marenzio2:26
17Tirsi morir volea (a 5 voci): "Così moriro i fortunati amanti"
harp:
Mara Galassi
theorbo:
Andrea Damiani
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Tirsi morir volea (a 5 voci): "Così moriro i fortunati amanti"
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1580)
Luca Marenzio1:20
18Tirsi morir volea (diminuito per cembalo) (originale di Marenzio)
harpsichord:
Rinaldo Alessandrini (baroque keyboardist and conductor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Tirsi morir volea (diminuito per cembalo) (originale di Marenzio)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1580)
harpsichord arranger:
Peter Philips (English composer & organist, 1560-1628)
Peter Philips7:02
19Consumando mi vò di piaggia in piaggia (a 5 voci)
theorbo:
Andrea Damiani
alto vocals:
Alessandro Carmignani (countertenor)
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Consumando mi vò di piaggia in piaggia (a 5 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1585)
Luca Marenzio2:31
20O verdi selv'o dolci fonti e rivi (a 6 voci)
harp:
Mara Galassi
theorbo:
Andrea Damiani
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano) and Elisabetta Tiso (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
O verdi selv'o dolci fonti e rivi (a 6 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1595)
Luca Marenzio3:07
21Caro Aminta pur voi a due voci in dialogo, (a 6 voci): [prima parte]
harp:
Mara Galassi
theorbo:
Andrea Damiani
soprano vocals:
Elisabetta Tiso (soprano)
tenor vocals:
Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Caro Aminta pur voi a due voci in dialogo, (a 6 voci): [prima parte]
composer:
Luca Marenzio (Italian late Renaissance composer & singer)
Luca Marenzio1:59
22Caro Aminta pur voi a due voci in dialogo, (a 6 voci): "Non puo Filli più"
harp:
Mara Galassi
theorbo:
Andrea Damiani
soprano vocals:
Elisabetta Tiso (soprano)
tenor vocals:
Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Caro Aminta pur voi a due voci in dialogo, (a 6 voci): "Non puo Filli più"
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1587)
Luca Marenzio2:29
23Cruda Amarilli (a 5 voci): [prima parte]
harp:
Mara Galassi
theorbo:
Andrea Damiani
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Cruda Amarilli (a 5 voci): [prima parte]
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1595)
Luca Marenzio2:18
24Cruda Amarilli (a 5 voci): "Ma grideran per me le piagge"
harp:
Mara Galassi
theorbo:
Andrea Damiani
bass vocals:
Sergio Foresti (operatic bass)
mezzo-soprano vocals:
Rosa Dominguez (mezzo-soprano)
soprano vocals:
Monica Piccinini (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Cruda Amarilli (a 5 voci): "Ma grideran per me le piagge"
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1595)
Luca Marenzio3:11
25Per duo coralli ardenti (a 6 voci)
alto vocals:
Alessandro Carmignani (countertenor)
bass vocals:
Sergio Foresti (operatic bass)
soprano vocals:
Monica Piccinini (soprano) and Elisabetta Tiso (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Per duo coralli ardenti (a 6 voci)
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1581)
Luca Marenzio1:38
26Così nel mio parlar vogl'esser aspro (a 5 voci): [prima parte]
harp:
Mara Galassi
theorbo:
Andrea Damiani
alto vocals:
Alessandro Carmignani (countertenor)
bass vocals:
Sergio Foresti (operatic bass)
soprano vocals:
Elisabetta Tiso (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Così nel mio parlar vogl'esser aspro (a 5 voci): [prima parte]
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1599)
Luca Marenzio3:47
27Così nel mio parlar vogl'esser aspro (a 5 voci): "Et ella anide, e non val c'huom si chiuda"
harp:
Mara Galassi
theorbo:
Andrea Damiani
alto vocals:
Alessandro Carmignani (countertenor)
bass vocals:
Sergio Foresti (operatic bass)
soprano vocals:
Elisabetta Tiso (soprano)
tenor vocals:
Paolo Fanciullacci (tenor and classical string instrumentalist) and Gianluca Ferrarini (organist and tenor)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Così nel mio parlar vogl'esser aspro (a 5 voci): "Et ella anide, e non val c'huom si chiuda"
composer:
Luca Marenzio (Italian late Renaissance composer & singer) (in 1599)
Luca Marenzio2:55

Credits

Release

engineer, producer and editor:Laurence Heym