Money in the Pocket: Recorded Live at The Club in Chicago in March 1966

~ Veröffentlichung von Cannonball Adderley (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

"Cannon's Theme" and edited versions of "Money in the Pocket," "Hear Me Talkin' to Ya," and "The Sticks" were previously issued on Capitol singles. All other material is previously unreleased.

Anmerkung zuletzt geändert am 2023-09-28 04:43 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Money in the Pocket
Produzent(in):
Tom Morgan (producer)
Mix:
Ron McMaster (US mastering & cutting engineer) (Aufgabe: remixed from the original three-track masters)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
aufgenommen bei:
The Club (formerly the Club De Lisa, Chicago) in Chicago (am 1966-03-19)
live recording of:
Money in the Pocket (am 1966-03-19)
Komponist(in):
Joe Zawinul (jazz and fusion keyboard player)
10:26
2Stardust
Produzent(in):
Tom Morgan (producer)
Mix:
Ron McMaster (US mastering & cutting engineer) (Aufgabe: remixed from the original three-track masters)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
aufgenommen bei:
The Club (formerly the Club De Lisa, Chicago) in Chicago (am 1966-03-20)
9:10
3Introduction to a Samba
Produzent(in):
Tom Morgan (producer)
Mix:
Ron McMaster (US mastering & cutting engineer) (Aufgabe: remixed from the original three-track masters)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
aufgenommen bei:
The Club (formerly the Club De Lisa, Chicago) in Chicago (am 1966-03-19)
7:23
4Hear Me Talkin’ to Ya
Produzent(in):
Tom Morgan (producer)
Mix:
Ron McMaster (US mastering & cutting engineer) (Aufgabe: remixed from the original three-track masters)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
aufgenommen bei:
The Club (formerly the Club De Lisa, Chicago) in Chicago (am 1966-03-19)
live recording of:
Hear Me Talkin’ to Ya (am 1966-03-19)
Komponist(in):
Nat Adderley und Julian “Cannonball” Adderley
7:44
5Requiem for a Jazz Musician
Produzent(in):
Tom Morgan (producer)
Mix:
Ron McMaster (US mastering & cutting engineer) (Aufgabe: remixed from the original three-track masters)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
aufgenommen bei:
The Club (formerly the Club De Lisa, Chicago) in Chicago (am 1966-03-20)
10:32
6Cannon’s Theme (aka Unit 7)
Produzent(in):
Tom Morgan (producer)
Mix:
Ron McMaster (US mastering & cutting engineer) (Aufgabe: remixed from the original three-track masters)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
aufgenommen bei:
The Club (formerly the Club De Lisa, Chicago) in Chicago (am 1966-03-19)
3:07
7The Sticks
Produzent(in):
Tom Morgan (producer)
Mix:
Ron McMaster (US mastering & cutting engineer) (Aufgabe: remixed from the original three-track masters)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
aufgenommen bei:
The Club (formerly the Club De Lisa, Chicago) in Chicago (am 1966-03-20)
4:06
8Fiddler on the Roof
Produzent(in):
Tom Morgan (producer)
Mix:
Ron McMaster (US mastering & cutting engineer) (Aufgabe: remixed from the original three-track masters)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2005)
aufgenommen bei:
The Club (formerly the Club De Lisa, Chicago) in Chicago (am 1966-03-20)
10:29

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Veröffentlichung

gedruckt in:USA