New Adventures in Hi‐Fi

~ Release by R.E.M. (see all versions of this release, 20 available)

Tracklist

1▼CD
#TitleRatingLength
1How the West Was Won and Where It Got Us
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Adam Kasper
additional assistant engineer:
Victor Janacua
assistant engineer:
Sam Hofstedt and William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
bass guitar, bouzouki, guitar and mandolin:
Peter Buck (R.E.M. guitarist)
drums (drum set), percussion and whistle [ennio whistle]:
Bill Berry (R.E.M. drummer)
piano and synthesizer and background vocals:
Mike Mills (R.E.M. bass player)
synthesizer and lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
Bad Animals Studio in Seattle
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
music videos:
How the West Was Won and Where It Got Us by R.E.M. (American rock band)
recording of:
How the West Was Won and Where It Got Us
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.54:31
2The Wake‐Up Bomb
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Joe O’Herlihy, Jo Ravitch and Jeff Wooding
additional assistant engineer:
Victor Janacua
assistant engineer:
William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
bass guitar and organ and background vocals:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist) and Nathan December
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
North Charleston Coliseum in North Charleston (on 1995-11-16)
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
live recording of:
The Wake‐Up Bomb
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.755:08
3New Test Leper
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Adam Kasper
additional assistant engineer:
Victor Janacua
assistant engineer:
Sam Hofstedt and William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
bass guitar and organ:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
Bad Animals Studio in Seattle
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
music videos:
New Test Leper by R.E.M. (American rock band)
recording of:
New Test Leper
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.55:27
4Undertow
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Joe O’Herlihy, Jo Ravitch and Jeff Wooding
additional assistant engineer:
Victor Janacua
assistant engineer:
William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
bass guitar and background vocals:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist) and Nathan December
synthesizer [ARP Odyssey]:
Scott McCaughey
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
FleetCenter (1995–present) in West End (on 1995-10-03)
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
live recording of:
Undertow (R.E.M. version)
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.45:09
5E‐Bow the Letter
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Adam Kasper
additional assistant engineer:
Victor Janacua
assistant engineer:
Sam Hofstedt and William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
ebow [e-bow guitar] and electric sitar:
Peter Buck (R.E.M. guitarist)
Moog [Moog synthesizer], bass guitar, mellotron and organ:
Mike Mills (R.E.M. bass player)
background vocals:
Patti Smith
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
Bad Animals Studio in Seattle
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
music videos:
E‐Bow the Letter by R.E.M. (American rock band)
recording of:
E‐Bow the Letter
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.755:25
6Leave
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Joe O’Herlihy, Jo Ravitch and Jeff Wooding
additional assistant engineer:
Victor Janacua
assistant engineer:
William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
acoustic guitar, drums (drum set), percussion and synthesizer:
Bill Berry (R.E.M. drummer)
bass guitar and keyboard:
Mike Mills (R.E.M. bass player)
guitar:
Peter Buck (R.E.M. guitarist) and Nathan December
synthesizer [ARP Odyssey]:
Scott McCaughey
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
Omni Theater in Atlanta (from 1995-11-18 until 1995-11-21)
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recording of:
Leave
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Universal Tunes, Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.757:18
7Departure
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Joe O’Herlihy, Jo Ravitch and Jeff Wooding
additional assistant engineer:
Victor Janacua
assistant engineer:
William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
bass guitar [fuzz bass] and farfisa and background vocals:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist) and Nathan December
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
The Palace of Auburn Hills in Auburn Hills (from 1995-06-06 until 1995-06-07)
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recording of:
Departure
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.63:29
8Bittersweet Me
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Joe O’Herlihy, Jo Ravitch and Jeff Wooding
additional assistant engineer:
Victor Janacua
assistant engineer:
William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
bass guitar, mellotron and organ:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
piano:
Scott McCaughey
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
Pyramid Arena in Memphis (on 1995-11-07)
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
music videos:
Bittersweet Me by R.E.M. (American rock band) and Bittersweet Me by R.E.M. (American rock band)
recording of:
Bittersweet Me (on 1995-11-07)
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.74:06
9Be Mine
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Adam Kasper
additional assistant engineer:
Victor Janacua
assistant engineer:
Sam Hofstedt and William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
bass guitar and guitar:
Peter Buck (R.E.M. guitarist)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
guitar and keyboard and background vocals:
Mike Mills (R.E.M. bass player)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
Bad Animals Studio in Seattle
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recording of:
Be Mine
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
45:33
10Binky the Doormat
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Joe O’Herlihy, Jo Ravitch and Jeff Wooding
additional assistant engineer:
Victor Janacua
assistant engineer:
William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
bass guitar [fuzz bass] and keyboard:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
farfisa:
Scott McCaughey
guitar:
Peter Buck (R.E.M. guitarist) and Nathan December
background vocals:
Bill Berry (R.E.M. drummer) and Mike Mills (R.E.M. bass player)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
Desert Sky Pavilion in Phoenix (on 1995-11-04)
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recording of:
Binky the Doormat
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.55:02
11Zither
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Joe O’Herlihy, Jo Ravitch and Jeff Wooding
additional assistant engineer:
Victor Janacua
assistant engineer:
William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
autoharp:
Scott McCaughey
bass guitar:
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
organ:
Mike Mills (R.E.M. bass player)
tambourine:
Nathan December
spoken vocals [count in]:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
The Spectrum in Philadelphia (from 1995-10-12 until 1995-10-14)
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recording of:
Zither
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.252:34
12So Fast, So Numb
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Joe O’Herlihy, Jo Ravitch and Jeff Wooding
additional assistant engineer:
Victor Janacua
assistant engineer:
William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
bass guitar and organ and background vocals:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
piano:
Scott McCaughey
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
Orlando Arena (1989–2010) in Orlando (on 1995-11-15)
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recording of:
So Fast, So Numb
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.84:13
13Low Desert
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Joe O’Herlihy, Jo Ravitch and Jeff Wooding
additional assistant engineer:
Victor Janacua
assistant engineer:
William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
bass guitar and organ:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
piano:
Scott McCaughey
slide guitar:
Nathan December
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
Omni Theater in Atlanta (from 1995-11-18 until 1995-11-21)
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recording of:
Low Desert
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.753:32
14Electrolite
additional recording engineer:
John Keane (US indie rock producer/engineer) and Patrick McCarthy
recording engineer:
Joe O’Herlihy, Jo Ravitch and Jeff Wooding
additional assistant engineer:
Victor Janacua
assistant engineer:
William “Billy” Field (engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
John Keane (US indie rock producer/engineer) and Scott Litt (producer and engineer)
editor:
Eric Stolz
banjo and bass guitar:
Peter Buck (R.E.M. guitarist)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
güiro:
Nathan December
piano:
Mike Mills (R.E.M. bass player)
violin:
Andy Carlson
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1996)
additionally recorded at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
recorded at:
Desert Sky Pavilion in Phoenix (on 1995-11-04)
mixed at:
John Keane Studios in Athens and Louie’s Clubhouse in Los Angeles
music videos:
Electrolite by R.E.M. (American rock band)
recording of:
Electrolite
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Warner-Tamerlane (publisher; do NOT use as release label) and Night Garden Music (in 1996)
3.74:05

Credits

Release

additional engineer:William Field (engineer)