Stage Heroes

~ Veröffentlichung von Colm Wilkinson (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Man of La Mancha (from Man of La Mancha)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
Man of La Mancha (I, Don Quixote) (in 1988-12)
Texter:
Joe Darion
Komponist(in):
Mitch Leigh
Teil von:
Man of La Mancha (Mitch Leigh musical)
3:50
2The Impossible Dream (from Man of La Mancha)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
The Impossible Dream (Man of La Mancha) (in 1988-12)
Texter:
Joe Darion
Komponist(in):
Mitch Leigh
publisher:
Andrew Scott Inc., Andrew Scott Music, Carlin Music Corporation und Helena Music Co.
Teil von:
Man of La Mancha (Mitch Leigh musical)
2:49
3Pity the Child (from Chess)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
Pity the Child (Chess) (in 1988-12)
Texter:
Tim Rice
Komponist(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Teil von:
Chess (full musical)
4:18
4Anthem (from Chess)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Anders Eljas
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
Anthem (Chess) (in 1988-12)
Texter:
Tim Rice
Komponist(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Teil von:
Chess (full musical)
3:32
5Maria (from West Side Story)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
West Side Story: Maria (Tony) (in 1988-12)
Texter:
Stephen Sondheim (in 1956)
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
West Side Story
3:36
6Somewhere (from West Side Story)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1988-12)
Texter:
Stephen Sondheim
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
West Side Story: Ballet Sequence
2:42
7The Phantom of the Opera (from The Phantom of the Opera)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Claire Moore (in 1988-12) und Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
The Phantom of the Opera (Christine, The Phantom) (in 1988-12)
Texter:
Charles Hart (British lyricist) und Richard Stilgoe
zusätzlicher Texter:
Mike Batt
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!)
Teil von:
The Phantom of the Opera (Andrew Lloyd Webber musical)
Teil von:
The Phantom of the Opera (2004 film soundtrack)
Revision von:
The Phantom of the Opera (lyrics without Charles Hart’s words)
3:07
8Music of the Night (from The Phantom of the Opera)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
The Music of the Night (The Phantom of the Opera) (in 1988-12)
Texter:
Charles Hart (British lyricist)
zusätzlicher Texter:
Richard Stilgoe
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
The Phantom of the Opera (Andrew Lloyd Webber musical)
Teil von:
The Phantom of the Opera (2004 film soundtrack)
5:55
9Bring Him Home (from Les Misérables)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
John Cameron (British composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
Bring Him Home (Valjean) (in 1988-12)
Texter:
Alain Boublil und Herbert Kretzmer
Komponist(in):
Claude‐Michel Schönberg
publisher:
Alain Boublil Music, Alain Boublil Music Ltd., Faber Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Teil von:
Les Misérables (Claude-Michel Schönberg musical, English version)
3:25
10Empty Chairs at Empty Tables (from Les Misérables)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
John Cameron (British composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
Empty Chairs at Empty Tables (Marius) (in 1988-12)
Texter:
Herbert Kretzmer
Komponist(in):
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. und Faber Music
Teil von:
Les Misérables (Claude-Michel Schönberg musical, English version)
2:52
11Some Enchanted Evening (from South Pacific)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Richard Hewson (in 1988-12)
arranger:
Richard Hewson
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
Some Enchanted Evening (South Pacific) (in 1988-12)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company und Williamson Music, Inc.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
3:16
12This Nearly Was Mine (from South Pacific)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Richard Hewson (in 1988-12)
arranger:
Richard Hewson
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
This Nearly Was Mine (South Pacific) (in 1988-12)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
South Pacific (Rodgers & Hammerstein musical)
3:25
13How to Handle a Woman (from Camelot)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
How to Handle a Woman (from “Camelot”) (in 1988-12)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
Teil von:
Camelot (full musical)
3:59
14If Ever I Would Leave You (from Camelot)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
If Ever I Would Leave You (from “Camelot”) (in 1988-12)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Teil von:
Camelot (full musical)
4:01
15Summertime (from Porgy & Bess)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
George Gershwin (composer)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (in 1988-12)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:30
16It Ain't Necessarily So (from Porgy & Bess)
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
George Gershwin (composer)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (in 1988-12)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
3:30

Nennungen

Veröffentlichung

gedruckt in:USA