The Complete Bill Evans on Verve

~ Veröffentlichung von Bill Evans (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

The original Verve release of this 18-CD box set is notable for being in a metal box that is designed to rust over time. One of the edges is fairly sharp as well. I tell people that they better wear gloves if the haven't had a tetanus booster.

Anmerkung zuletzt geändert am 2015-02-19 22:37 UTC.

Titelliste

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17▶CD
18▼CD
Nr.TitelBewertungLänge
1The Dolphin-Before (master take edited)
recorded in:
San Francisco (am 1970-03-28)
Produzent(in):
Helen Keane
E-Bass:
John Beal (American Broadway bassist) (am 1970-05-27)
Gitarre:
Sam Brown (jazz guitarist) (am 1970-03-28)
Hybrid-Piano und Klavier:
Bill Evans (pianist) (am 1970-03-28)
Schlagzeug:
Marty Morell (drums) (am 1970-03-28)
arranger:
Mickey Leonard
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1970-05-27)
instrumental cover recording of:
The Dolphin (von 1970-03-28 bis 1970-05-27)
Texter:
Reuben Fisher
Komponist(in):
Luiz Eça
3:06
2The Dolphin-After
Produzent(in):
Helen Keane
Bratsche / Viola:
Norman Forrest (am 1970-04-23) und David Schwartz (violist) (am 1970-04-23)
Cello:
Seymour Barab (am 1970-04-23)
flute:
Harvey Estrin (am 1970-04-23)
Geige / Violine:
Karen Jones (violinist) (am 1970-04-23), Leo Kahn (am 1970-04-23), David Nadien (am 1970-04-23), George Ockner (am 1970-04-23), Raoul Polikian (am 1970-04-23), Tosha Samaroff (am 1970-04-23) und David Schwartz (violist) (am 1970-04-23)
Holzblasinstrumente:
Donald Ashworth (am 1970-04-23), Harvey Estrin (am 1970-04-23), Romeo Penque (am 1970-04-23) und Joe Soldo (am 1970-04-23)
Klavier:
Bill Evans (pianist) (am 1970-04-23)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1970-04-23)
conductor:
Mickey Leonard (am 1970-04-23)
arranger:
Mickey Leonard
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1970-04-23)
instrumental cover recording of:
The Dolphin (von 1970-04-23 bis 1970-05-01)
Texter:
Reuben Fisher
Komponist(in):
Luiz Eça
3:17
3Comrade Conrad (complete take)
recorded in:
San Francisco (am 1970-03-25)
Produzent(in):
Helen Keane
Bass:
Eddie Gomez (jazz double bassist) (am 1970-03-25)
Gitarre:
Sam Brown (jazz guitarist) (am 1970-03-25)
Klavier:
Bill Evans (pianist) (am 1970-03-25)
Schlagzeug:
Marty Morell (drums) (am 1970-03-25)
recording of:
Comrade Conrad (am 1970-03-25)
Komponist(in):
Bill Evans (pianist)
publisher:
Orpheum Music
4:36
4Comrade Conrad (incomplete take)
recorded in:
San Francisco (am 1970-03-25)
Produzent(in):
Helen Keane
Bass:
Eddie Gomez (jazz double bassist) (am 1970-03-25)
Gitarre:
Sam Brown (jazz guitarist) (am 1970-03-25)
Hybrid-Piano:
Bill Evans (pianist) (am 1970-03-25)
Schlagzeug:
Marty Morell (drums) (am 1970-03-25)
teilweise recording of:
Comrade Conrad (am 1970-03-25)
Komponist(in):
Bill Evans (pianist)
publisher:
Orpheum Music
4:01
5Comrade Conrad (complete take)
recorded in:
San Francisco (am 1970-03-25)
Produzent(in):
Helen Keane
Bass:
Eddie Gomez (jazz double bassist) (am 1970-03-25)
Gitarre:
Sam Brown (jazz guitarist) (am 1970-03-25)
Hybrid-Piano und Klavier:
Bill Evans (pianist) (am 1970-03-25)
Schlagzeug:
Marty Morell (drums) (am 1970-03-25)
recording of:
Comrade Conrad (am 1970-03-25)
Komponist(in):
Bill Evans (pianist)
publisher:
Orpheum Music
3:47
6It Must Be Love (complete take)
recorded in:
San Francisco (am 1970-03-25)
Produzent(in):
Helen Keane
Bass:
Eddie Gomez (jazz double bassist) (am 1970-03-25)
Gitarre:
Sam Brown (jazz guitarist) (am 1970-03-25)
Klavier:
Bill Evans (pianist) (am 1970-03-25)
Schlagzeug:
Marty Morell (drums) (am 1970-03-25)
recording of:
It Must Be Love (am 1970-03-25)
Komponist(in):
Sam Brown (jazz guitarist)
3:57
7It Must Be Love (incomplete take)
recorded in:
San Francisco (am 1970-03-25)
Produzent(in):
Helen Keane
Bass:
Eddie Gomez (jazz double bassist) (am 1970-03-25)
Gitarre:
Sam Brown (jazz guitarist) (am 1970-03-25)
Klavier:
Bill Evans (pianist) (am 1970-03-25)
Schlagzeug:
Marty Morell (drums) (am 1970-03-25)
teilweise recording of:
It Must Be Love (am 1970-03-25)
Komponist(in):
Sam Brown (jazz guitarist)
2:32
8It Must Be Love (complete take)
recorded in:
San Francisco (am 1970-03-25)
Produzent(in):
Helen Keane
Bass:
Eddie Gomez (jazz double bassist) (am 1970-03-25)
Gitarre:
Sam Brown (jazz guitarist) (am 1970-03-25)
Klavier:
Bill Evans (pianist) (am 1970-03-25)
Schlagzeug:
Marty Morell (drums) (am 1970-03-25)
recording of:
It Must Be Love (am 1970-03-25)
Komponist(in):
Sam Brown (jazz guitarist)
3:49
9[spoken introduction]
Produzent(in):
Norman Granz
aufgenommen bei:
Bill Evans at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport (am 1957-07-06)
0:47
10Dancing in the Dark
Produzent(in):
Norman Granz
Bass:
Ernie Furtado (am 1957-07-06)
Bongos, Mellophon und Vibraphon:
Don Elliott (am 1957-07-06)
Klavier:
Bill Evans (pianist) (am 1957-07-06)
Schlagzeug:
Al Beldini (am 1957-07-06)
aufgenommen bei:
Bill Evans at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport (am 1957-07-06)
live instrumental cover recording of:
Dancing in the Dark (am 1957-07-06)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
5:35
11I Love You
Produzent(in):
Norman Granz
Bass:
Ernie Furtado (am 1957-07-06)
Klavier:
Bill Evans (pianist) (am 1957-07-06)
Schlagzeug:
Al Beldini (am 1957-07-06)
aufgenommen bei:
Bill Evans at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport (am 1957-07-06)
live instrumental cover recording of:
I Love You (Mexican Hayride musical) (am 1957-07-06)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
4:32
12'S Wonderful
Produzent(in):
Norman Granz
Bass:
Ernie Furtado (am 1957-07-06)
Bongos, Mellophon und Vibraphon:
Don Elliott (am 1957-07-06)
Klavier:
Bill Evans (pianist) (am 1957-07-06)
Schlagzeug:
Al Beldini (am 1957-07-06)
aufgenommen bei:
Bill Evans at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport (am 1957-07-06)
live instrumental cover recording of:
’S Wonderful (am 1957-07-06)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
5:14

Nennungen

Veröffentlichung

gedruckt in:Vereinigte Staaten
Waldhorn:Ray Alonge (french horn) (am 1969-10-21, am 1970-05-01)