| # | Title | Artist | Rating | Length |
|---|
| 1 | Il barbiere di Siviglia: Opening Credits/Cast | [no artist] | | 1:02 |
| 2 | Il barbiere di Siviglia: Sinfonia | Gioachino Rossini | | 6:58 |
| 3 | Il barbiere di Siviglia: Atto primo. N. 1 Introduzione: “Piano, pianissimo” (Fiorello, coro, Conte)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Fiorello, servitore del conte]:
- Renato Cesari (in 1971-09, from 1972-07 until 1972-08)
- choir vocals:
- Coro del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°1a. Introduzione “Piano, pianissimo” (Fiorello, Coro, Conte) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°1a. Introduzione “Piano, pianissimo” (Fiorello, Coro, Conte) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 2:50 |
| 4 | Il barbiere di Siviglia: Atto primo. Cavatina: “Ecco, ridente in cielo” (Conte, Fiorello, coro)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Fiorello, servitore del conte]:
- Renato Cesari (in 1971-09, from 1972-07 until 1972-08)
- choir vocals:
- Coro del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 6:48 |
| 5 | Il barbiere di Siviglia: Atto primo. Recitativo: “Gente indiscreta!” (Conte, Fiorello)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Fiorello, servitore del conte]:
- Renato Cesari (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°1e. “Gente indiscreta!” (Conte, Fiorello, Figaro) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°1e. “Gente indiscreta!” (Conte, Fiorello, Figaro) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 0:41 |
| 6 | Il barbiere di Siviglia: Atto primo. N. 2 Cavatina: “Tra la la… Largo al factotum” (Figaro)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 4:37 |
| 7 | Il barbiere di Siviglia: Atto primo. Recitativo: “Ah, ah! Che bella vita!” (Figaro, Conte)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°2b. “Ah che bella vita!” (Figaro, Conte) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°2b. “Ah che bella vita!” (Figaro, Conte) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 2:28 |
| 8 | Il barbiere di Siviglia: Atto primo. Recitativo: “Non è venuto ancora” (Rosina, Conte, Bartolo, Figaro)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°2c. “Non è venuto ancora” (Rosina, Conte, Bartolo, Figaro) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°2c. “Non è venuto ancora” (Rosina, Conte, Bartolo, Figaro) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 4:21 |
| 9 | Il barbiere di Siviglia: Atto primo. N. 3 Canzone: “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) / Recitativo: “Oh, cielo!” (Conte, Figaro)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°3a. Canzone “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°3a. Canzone “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 3:33 |
| 10 | Il barbiere di Siviglia: Atto primo. N. 4 Duetto: “All'idea di quel metallo” (Figaro, Conte)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- partial recording of:
- Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- partial recording of:
- Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 7:40 |
| 11 | Il barbiere di Siviglia: Atto primo. Recitativo: “Evviva il mio padrone!” (Fiorello)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Fiorello, servitore del conte]:
- Renato Cesari (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- partial recording of:
- Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- partial recording of:
- Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 0:36 |
| 12 | Il barbiere di Siviglia: Atto primo. N. 5 Cavatina: “Una voce poco fa” (Rosina)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 5:33 |
| 13 | Il barbiere di Siviglia: Atto primo. Recitativo: “Sì, sì, la vincerò” (Rosina, Figaro)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°5b. “Sì, sì, la vincerò” (Rosina, Figaro) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°5b. “Sì, sì, la vincerò” (Rosina, Figaro) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 1:20 |
| 14 | Il barbiere di Siviglia: Atto primo. Recitativo: “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- bass vocals [Ambrogio, servitore di Bartolo]:
- Hans Kraemmer (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Berta, cameriera di Bartolo]:
- Stefania Malagú (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°5c. “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°5c. “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 1:33 |
| 15 | Il barbiere di Siviglia: Atto primo. N. 6 Aria: “Ah, barbiere d'inferno” (Bartolo, Basilio)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Basilio, maestro di musica]:
- Paolo Montarsolo (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°5d. “Ah! Barbiere d’inferno” (Bartolo, Basilio) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°5d. “Ah! Barbiere d’inferno” (Bartolo, Basilio) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 2:10 |
| 16 | Il barbiere di Siviglia: Atto primo. Recitativo: “La calunnia è un venticello” (Basilio)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- bass vocals [Basilio, maestro di musica]:
- Paolo Montarsolo (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 4:26 |
| 17 | Il barbiere di Siviglia: Atto primo. Recitativo: “Ah! Che ne dite?” (Basilio, Bartolo, Figaro, Rosina)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Basilio, maestro di musica]:
- Paolo Montarsolo (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°6b. “Ah che ne dite?” (Basilio, Bartolo) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°6b. “Ah che ne dite?” (Basilio, Bartolo) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 3:30 |
| 18 | Il barbiere di Siviglia: Atto primo. N. 7 Duetto: “Dunque io son… Tu non m'inganni?” (Rosina, Figaro)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 4:41 |
| 19 | Il barbiere di Siviglia: Atto primo. Recitativo: “Ora mi sento meglio” (Rosina, Bartolo)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°7b. “Ora mi sento meglio” (Rosina, Bartolo) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°7b. “Ora mi sento meglio” (Rosina, Bartolo) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 1:49 |
| 20 | Il barbiere di Siviglia: Atto primo. N. 8 Aria: “A un dottor sella mia sorte” (Bartolo)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 6:04 |
| 21 | Il barbiere di Siviglia: Atto primo. Recitativo: “Finora in questa camera” (Berta, Conte)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- mezzo-soprano vocals [Berta, cameriera di Bartolo]:
- Stefania Malagú (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 0:46 |
| 22 | Il barbiere di Siviglia: Atto primo. N. 9 Finale I: “Ehi, di casa! Buona gente!” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, un ufficiale, coro)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Basilio, maestro di musica]:
- Paolo Montarsolo (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Un ufficiale]:
- Luigi Roni (in 1971-09, from 1972-07 until 1972-08)
- choir vocals:
- Coro del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Berta, cameriera di Bartolo]:
- Stefania Malagú (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
- recording of:
- Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto I
| Gioachino Rossini | | 20:27 |
| 23 | Il barbiere di Siviglia: Atto secondo. Recitativo: “Ma vedi il mio destino!” (Bartolo) | Gioachino Rossini | | 0:51 |
| 24 | Il barbiere di Siviglia: Atto secondo. N. 10 Duetto: “Pace e gioia sia con voi” (Conte, Bartolo)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 2:45 |
| 25 | Il barbiere di Siviglia: Atto secondo. Recitativo: “Pace! Gioia!” - “Insomma, mio signore” (Conte, Bartolo, Rosina)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 3:39 |
| 26 | Il barbiere di Siviglia: Atto secondo. N. 11 Aria: “Contro un cor che accende amore” (Rosina, Conte)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 4:43 |
| 27 | Il barbiere di Siviglia: Atto secondo. Recitativo: “Bella voce! Bravissima!” (Conte, Rosina, Bartolo)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 0:31 |
| 28 | Il barbiere di Siviglia: Atto secondo. N. 12 Arietta: “Quando mi sei vicina” (Bartolo) / Recitativo: “Bravo, signor barbiere” (Bartolo, Figaro, Rosina, Conte)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 3:58 |
| 29 | Il barbiere di Siviglia: Atto secondo. N. 13 Quintetto: “Don Basilio!” - “Cosa veggo!” (Rosina, Conte, Figaro, Bartolo, Basilio)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Basilio, maestro di musica]:
- Paolo Montarsolo (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- partial recording of:
- Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- partial recording of:
- Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 9:37 |
| 30 | Il barbiere di Siviglia: Atto secondo. Recitativo: “Ah, disgraziato me!” (Bartolo, Berta)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Berta, cameriera di Bartolo]:
- Stefania Malagú (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- partial recording of:
- Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- partial recording of:
- Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 0:45 |
| 31 | Il barbiere di Siviglia: Atto secondo. N. 14 Aria: “Il vecchiotto cerca moglie” (Berta)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- mezzo-soprano vocals [Berta, cameriera di Bartolo]:
- Stefania Malagú (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 3:18 |
| 32 | Il barbiere di Siviglia: Atto secondo. Recitativo: “Dunque voi Don Alonso non conoscete affatto?” (Bartolo, Basilio, Rosina)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Basilio, maestro di musica]:
- Paolo Montarsolo (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto II. Recitativo “Dunque voi” - “Per forza o per amore” (Bartolo, Basilio, Rosina) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II. Recitativo “Dunque voi” - “Per forza o per amore” (Bartolo, Basilio, Rosina) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 1:16 |
| 33 | Il barbiere di Siviglia: Atto secondo. N. 15 Temporale | Gioachino Rossini | | 2:59 |
| 34 | Il barbiere di Siviglia: Atto secondo. Recitativo: “Alfine, eccoci qua” (Figaro, Conte, Rosina)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 1:12 |
| 35 | Il barbiere di Siviglia: Atto secondo. N. 16 Terzetto: “Ah, qual colpo inaspettato!” (Rosina, Figaro, Conte)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 5:46 |
| 36 | Il barbiere di Siviglia: Atto secondo. Recitativo: “Ah, disgraziati noi!” (Figaro, Conte, Rosina, Basilio, un notaio, Bartolo, un ufficiale, coro)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Basilio, maestro di musica]:
- Paolo Montarsolo (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Un ufficiale]:
- Luigi Roni (in 1971-09, from 1972-07 until 1972-08)
- choir vocals:
- Coro del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 2:57 |
| 37 | Il barbiere di Siviglia: Atto secondo. N. 19 Finaletto II: “Di sì felice innesto” (Figaro, Rosina, Conte, tutti gli altri)- miscellaneous support:
- Kurt Brückner (task: camera), Dietmar Graf (task: camera), Franz Hofer (task: camera), Horant H. Hohlfeld (task: production manager), Jürgen Jürges (task: camera), Peter Skwara (task: unit manager) and Ernst Wild (task: director of photography)
- sound engineer:
- Rolf Peter Schröder and Walter Alfred Wettler
- executive producer:
- Fritz Buttenstedt
- editor:
- Gela-Marina Runne
- baritone vocals [Figaro, barbiere]:
- Hermann Prey (in 1971-09, from 1972-07 until 1972-08)
- baritone vocals [Fiorello, servitore del conte]:
- Renato Cesari (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Ambrogio, servitore di Bartolo]:
- Hans Kraemmer (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Bartolo, dottore in medicina]:
- Enzo Dara (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Basilio, maestro di musica]:
- Paolo Montarsolo (in 1971-09, from 1972-07 until 1972-08)
- bass vocals [Un ufficiale]:
- Luigi Roni (in 1971-09, from 1972-07 until 1972-08)
- choir vocals:
- Coro del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Berta, cameriera di Bartolo]:
- Stefania Malagú (in 1971-09, from 1972-07 until 1972-08)
- mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
- Teresa Berganza (in 1971-09, from 1972-07 until 1972-08)
- tenor vocals [Il conte d'Almaviva]:
- Luigi Alva (in 1971-09, from 1972-07 until 1972-08)
- orchestra:
- Orchestra del Teatro alla Scala (in 1971-09, from 1972-07 until 1972-08)
- conductor:
- Claudio Abbado (in 1971-09, from 1972-07 until 1972-08)
- assistant video director:
- Sonja Frisell
- recorded at:
- ICET Studio Fonorama in Milano (in 1971-09)
- shot at:
- Atelier Dürer in Salzburg (from 1972-07 until 1972-08)
- recording of:
- Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (in 1971-09)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
- recording of:
- Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1972-07 until 1972-08)
- composer:
- Gioachino Rossini
- librettist:
- Cesare Sterbini
- part of:
- Il barbiere di Siviglia: Atto II
| Gioachino Rossini | | 2:21 |
Play on ListenBrainz