Time Tunnel 90’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Text has 14 digit barcode!? (presumably for Sainsbury’s tills, visibly a 0/6 preceding an ean, have not investigated further).
Yes, the catno and the barcode have 532 and 523 in them respectively.
There’s a single external promo sticker stuck on a proposed release.

Annotazione modificata l'ultima volta il 2020-10-25 07:12 UTC.

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Dreams
produttore:
Richie Fermie
tecnico di missaggio:
John Brough
chitarra :
Paul Noble (member of "Warm Jets")
diritti fonografici (℗) detenuti da:
Go Beat Ltd. (nel 1993) e Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1993)
registrazione di:
Dreams (nel 1993)
autore:
Tim Laws e Louise Gabrielle Bobb (British singer‐songwriter)
editore:
Imagem London Ltd., Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Gabrielle33:48
2Finally
diritti fonografici (℗) detenuti da:
A&M Records (nel 1998)
registrazione di:
Finally (CeCe Peniston song)
autore:
Cecilia Peniston, Felipe Delgado, Elbert Linnear e R. K. Jackson
editore:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music e Wax Museum Music
Ce Ce Peniston3:40
3I Wanna Be the Only One
tecnico di missaggio:
Andy Bradfield
voce ospite:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1997)
registrazione di:
I Wanna Be the Only One
paroliere:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
compositore:
Rhett Lawrence e BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
editore:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. e Rhettrhyme Music
Eternal featuring BeBe Winans2.53:36
4My Destiny
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1992)
registrazione di:
My Destiny
paroliere e compositore:
Brenda Harvey–Richie e Lionel Richie
editore:
Imagem Songs Ltd. e Kobalt Music Publishing Ltd. (UK)
Lionel Richie3.654:51
5Ain’t No Man
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1992)
registrazione di:
Ain’t No Man
autore:
Dina Carroll e Nigel Lowis
editore:
Imagem London Ltd. e Universal/MCA Music Ltd. (not for release label use!)
Dina Carroll33:54
6Lifted
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1996)
registrazione di:
Lifted
autore:
Tunde Baiyewu, Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) e Paul Tucker
editore:
Lots of Hits Music e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family24:14
7Two Can Play That Game
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1994)
registrazione di:
Two Can Play That Game
autore:
Bernard Belle, Bobby Brown (R&B singer, New Edition member), David "Redhead" Guppy e Teddy Riley (US R&B singer & producer)
editore:
Bobby Brown Music (nel 1992), Donril Music (nel 1992), Down Low Publishing (nel 1992), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (nel 1992), Mom and Dad Publishing (nel 1992) e Zomba Enterprises, Inc. (nel 1992)
Bobby Brown3:32
8No Matter What
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1998)
registrazione di:
No Matter What
paroliere:
Jim Steinman
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (conclusa), Universal–Songs of PolyGram International, Inc. (conclusa), Lost Boys Music Inc. (BMI affiliated) e The Really Useful Group Limited (not for release label use!)
parte di:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone4:35
9Get Here
produttore:
David Bascombe e Roland Orzabal (UK musician, songwriter and producer)
basso :
Pino Palladino
batteria :
John Cushon
percussione :
Luís Jardim
pianoforte e tastiera :
Oleta Adams
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!), Mercury Records Ltd. (not for release label use!) (nel 1990) e Mercury Records Ltd. (London) (for copyrights use only) (nel 1990)
parte di:
The Downloader’s Music Source Book (numero: 191)
registrazione cover di:
Get Here
paroliere e compositore:
Brenda Russell (US singer-songwriter & keyboardist)
editore:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e WB Music Corp. (1929–2019)
Oleta Adams44:35
10A Little Time
tecnico:
Rupert Coulson (sound engineer), Ben Kape e Lance Phillips
produttore:
Mike Hedges (UK producer/recording engineer)
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1990)
video musicali:
A Little Time di The Beautiful South
registrazione di:
A Little Time
paroliere:
Paul Heaton
compositore:
Paul Heaton e Dave Rotheray
editore:
Go! Discs Music Ltd. (publisher), Island Music Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Beautiful South33:01
11Killer
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1990)
registrazione di:
Killer
paroliere:
Seal (English‐born singer and songwriter)
autore:
Seal (English‐born singer and songwriter) e Adam Paul Tinley
editore:
EMI Virgin Music Publishing Germany GmbH & Co. KG (conclusa), Virgin Music (Publishers) Ltd. (conclusa), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing GmbH
Adamski featuring Seal33:48
12Tom’s Diner
produttore aggiunto:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
voce e esecutore:
Suzanne Vega (American singer-songwriter)
remixer:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (UK) (nel 1990) e A&M Records (nel 1991)
campionamenti:
Tom’s Diner di Suzanne Vega (American singer-songwriter)
registrazione di:
Tom’s Diner
paroliere:
Suzanne Vega (American singer-songwriter)
compositore:
Suzanne Vega (American singer-songwriter) (nel 1982)
editore:
Waifer Songs Ltd., Warner Chappell North America e WB Music Corp. (1929–2019)
DNA featuring Suzanne Vega3.83:50
13Sexbomb
diritti fonografici (℗) detenuti da:
Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1999)
registrazione di:
Sexbomb (Mousse T. / Errol Rennalls song)
paroliere e compositore:
Mousse T. e Errol Rennalls
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tom Jones with Mousse T.3:33
14Sweets for My Sweet
diritti fonografici (℗) detenuti da:
Universal Music (UK) Ltd. (not a release label; see Universal Music UK annotation) (nel 1994)
registrazione cover di:
Sweets for My Sweet
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Pomus Songs Inc. e Trio Music Company
C.J. Lewis3:18
15The Shoop Shoop Song (It’s in His Kiss)
produttore:
Peter Asher
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1990)
video musicali:
The Shoop Shoop Song (It’s in His Kiss) di Cher
registrazione cover di:
It’s in His Kiss (The Shoop Shoop Song)
paroliere e compositore:
Rudy Clark (US songwriter)
editore:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. e Trio Music Company
Cher3.22:52
16There She Goes
tecnico:
Dave Charles (British drummer as well as producer & engineer)
produttore:
Bob Andrews (keyboardist and producer)
tecnico di missaggio:
Steve Lillywhite
batteria :
Chris Sharrock
chitarra basso e voce di accompagnamento:
John Power (of The La’s and Cast)
chitarra elettrica :
John Byrne (John 'Boo' Byrne, electric guitarist)
voce principale:
Lee Mavers
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1988)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 45), TV Cream: Real 100 Best Singles Ever (numero: 62) e Indie 88: Top 500 Indie Rock Songs (numero: 418)
registrazione di:
There She Goes (The La’s)
paroliere e compositore:
Lee Mavers
editore:
Go! Discs Music Ltd. (publisher) e Kobalt Music Publishing Ltd. (UK)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:43
17Breakfast at Tiffany’s
tecnico, produttore e tecnico di missaggio:
David Castell
batteria e percussione :
John Kirtland (Drummer, head of Kirtland Records)
chitarra acustica e chitarra elettrica :
Toby Pipes, Todd Pipes e Kirk Tatom
chitarra basso :
Todd Pipes e Kirk Tatom
chitarra lap steel :
Toby Pipes
organo e pianoforte :
Kirk Tatom
tastiera :
Toby Pipes e Todd Pipes
voce:
Toby Pipes, Todd Pipes e Kirk Tatom
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1995) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1995)
registrazione di:
Breakfast at Tiffany’s
paroliere e compositore:
Todd Pipes
editore:
Warner Chappell North America e WC Music Corp.
Deep Blue Something3.74:18
18How Bizarre
tecnico e produttore:
Alan Jansson
tecnico aggiunto e tecnico di missaggio aggiunto:
Rick Huntington
chitarra :
Lee Baker (NZ guitarist)
fisarmonica :
Hershal Herscher
tromba :
George Chisholm (jazz trombonist (1915-1997))
voce di accompagnamento:
Sina Saipaia
diritti fonografici (℗) detenuti da:
Universal Music NZ Ltd. (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (nel 1995)
registrazione di:
How Bizarre
autore:
Pauly Fuemana e Alan Jansson
editore:
Lamont Music
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 34)
OMC3.953:47
19Common People
programmazione:
Olle Romo (Swedish music producer, songwriter, and drummer) (dal 1995-01-18 al 1995-01-24)
assistente tecnico:
Pete Lewis (engineer)
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1995)
registrata presso:
The Town House in Shepherd's Bush (dal 1995-01-18 al 1995-01-24)
mixata presso:
The Town House in Shepherd's Bush
video musicali:
Common People di Pulp
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 3), Indie 88: Top 500 Indie Rock Songs (numero: 63) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 75)
registrazione di:
Common People (dal 1995-01-18 al 1995-01-24)
paroliere:
Jarvis Cocker
compositore:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) e Russell Senior
eseguita per la prima volta presso:
Reading Festival (1994-08-27) (1994)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2018-03-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Pulp4.75:53
20What’s Up? (piano version)
tecnico di mastering:
Stephen Marcussen (mastering engineer)
tecnico e tecnico di missaggio:
Brian Scheuble
chitarra acustica e pianoforte :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
voce principale:
Linda Perry (rock singer‐songwriter & producer)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1992, nel 1993)
registrazione di:
What’s Up?
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat e Stuck in the Throat Music
4 Non Blondes54:10

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Universal Music Catalogue (nel 2009)