Lena, a New Album

~ Release by Lena Horne with The Robert Farnon Orchestra featuring Phil Woods (see all versions of this release, 3 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1I’ve Grown Accustomed to His Face
assistant recording engineer, assistant mixer and assistant editor:
Jeremy Gee
recording engineer, mixer and editor:
Keith Grant (classical recording engineer)
co-producer:
Keith Grant (classical recording engineer)
producer:
Norman Schwartz
bass:
Chris Laurence (double bassist) (in 1976)
keyboard:
Gordon Beck (in 1976)
saxophone:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger and orchestrator:
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes (in 1976)
mixed at and edited at:
Olympic Studios (1966–2009) in Barnes
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
Lena Horne3:53
A2Someone to Watch Over Me
assistant recording engineer, assistant mixer and assistant editor:
Jeremy Gee
recording engineer, mixer and editor:
Keith Grant (classical recording engineer)
co-producer:
Keith Grant (classical recording engineer)
producer:
Norman Schwartz
bass:
Chris Laurence (double bassist) (in 1976)
keyboard:
Gordon Beck (in 1976)
saxophone:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger and orchestrator:
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes (in 1976)
mixed at and edited at:
Olympic Studios (1966–2009) in Barnes
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Lena Horne4:28
A3My Funny Valentine
assistant recording engineer, assistant mixer and assistant editor:
Jeremy Gee
recording engineer, mixer and editor:
Keith Grant (classical recording engineer)
co-producer:
Keith Grant (classical recording engineer)
producer:
Norman Schwartz
bass:
Chris Laurence (double bassist) (in 1976)
keyboard:
Gordon Beck (in 1976)
saxophone:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger and orchestrator:
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes (in 1976)
mixed at and edited at:
Olympic Studios (1966–2009) in Barnes
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Lena Horne3:37
A4Someday My Prince Will Come
assistant recording engineer, assistant mixer and assistant editor:
Jeremy Gee
recording engineer, mixer and editor:
Keith Grant (classical recording engineer)
co-producer:
Keith Grant (classical recording engineer)
producer:
Norman Schwartz
bass:
Chris Laurence (double bassist) (in 1976)
keyboard:
Gordon Beck (in 1976)
saxophone:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger and orchestrator:
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes (in 1976)
mixed at and edited at:
Olympic Studios (1966–2009) in Barnes
cover recording of:
Someday My Prince Will Come
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
Lena Horne4:19
A5I’ve Got the World on a String
assistant recording engineer, assistant mixer and assistant editor:
Jeremy Gee
recording engineer, mixer and editor:
Keith Grant (classical recording engineer)
co-producer:
Keith Grant (classical recording engineer)
producer:
Norman Schwartz
bass:
Chris Laurence (double bassist) (in 1976)
keyboard:
Gordon Beck (in 1976)
saxophone:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger and orchestrator:
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes (in 1976)
mixed at and edited at:
Olympic Studios (1966–2009) in Barnes
cover recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Lena Horne5:34
B1Softly as I Leave You
assistant recording engineer, assistant mixer and assistant editor:
Jeremy Gee
recording engineer, mixer and editor:
Keith Grant (classical recording engineer)
co-producer:
Keith Grant (classical recording engineer)
producer:
Norman Schwartz
bass:
Chris Laurence (double bassist) (in 1976)
keyboard:
Gordon Beck (in 1976)
saxophone:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger and orchestrator:
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes (in 1976)
mixed at and edited at:
Olympic Studios (1966–2009) in Barnes
cover recording of:
Softly, as I Leave You
lyricist:
Giorgio Calabrese
composer:
Antonio DeVita
translator:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. and Miller Music (publisher)
translated version of:
Piano
Lena Horne3:40
B2I Have Dreamed
assistant recording engineer, assistant mixer and assistant editor:
Jeremy Gee
recording engineer, mixer and editor:
Keith Grant (classical recording engineer)
co-producer:
Keith Grant (classical recording engineer)
producer:
Norman Schwartz
bass:
Chris Laurence (double bassist) (in 1976)
keyboard:
Gordon Beck (in 1976)
saxophone:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger and orchestrator:
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes (in 1976)
mixed at and edited at:
Olympic Studios (1966–2009) in Barnes
cover recording of:
I Have Dreamed (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The King and I (Rodgers & Hammerstein musical)
Lena Horne4:44
B3A Flower Is a Lovesome Thing
assistant recording engineer, assistant mixer and assistant editor:
Jeremy Gee
recording engineer, mixer and editor:
Keith Grant (classical recording engineer)
co-producer:
Keith Grant (classical recording engineer)
producer:
Norman Schwartz
bass:
Chris Laurence (double bassist) (in 1976)
keyboard:
Gordon Beck (in 1976)
saxophone:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger and orchestrator:
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes (in 1976)
mixed at and edited at:
Olympic Studios (1966–2009) in Barnes
cover recording of:
A Flower Is a Lovesome Thing
lyricist and composer:
Billy Strayhorn
Lena Horne3:14
B4I’ve Got to Have You
assistant recording engineer, assistant mixer and assistant editor:
Jeremy Gee
recording engineer, mixer and editor:
Keith Grant (classical recording engineer)
co-producer:
Keith Grant (classical recording engineer)
producer:
Norman Schwartz
bass:
Chris Laurence (double bassist) (in 1976)
keyboard:
Gordon Beck (in 1976)
saxophone:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger and orchestrator:
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes (in 1976)
mixed at and edited at:
Olympic Studios (1966–2009) in Barnes
cover recording of:
I’ve Got to Have You
lyricist and composer:
Kris Kristofferson
publisher:
Universal Music Careers
Lena Horne3:51
B5My Ship
assistant recording engineer, assistant mixer and assistant editor:
Jeremy Gee
recording engineer, mixer and editor:
Keith Grant (classical recording engineer)
co-producer:
Keith Grant (classical recording engineer)
producer:
Norman Schwartz
bass:
Chris Laurence (double bassist) (in 1976)
keyboard:
Gordon Beck (in 1976)
saxophone:
Phil Woods (US jazz woodwind player) (in 1976)
vocals:
Lena Horne (in 1976)
conductor:
Robert Farnon (composer, conductor, trumpet player) (in 1976)
arranger and orchestrator:
Robert Farnon (composer, conductor, trumpet player)
concertmaster:
Raymond Cohen (English violinist) (in 1976)
recorded at:
Olympic Studios (1966–2009) in Barnes (in 1976)
mixed at and edited at:
Olympic Studios (1966–2009) in Barnes
cover recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp. and WB Music Corp. (1929–2019)
version of:
Lady in the Dark: My Ship
Lena Horne5:15

Credits

Release

mastered at:Masterdisk in New York, New York, United States