A224 Inside Music (part 2, Mozart and DVD)

~ Veröffentlichung von The Open University (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

9▼CD: units 15 & 16
Nr.TitelKünstlerBewertungLänge
1L’Arlésienne, Suite no. 1: IV. Carillon (extract)
Orchester:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
teilweise recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet1:27
2Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:45
3Down Under (extract)
teilweise recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work0:22
4You Really Got Me
Produzent(in):
Shel Talmy (in 1964-07)
Bassgitarre:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
Gitarre:
Harry Fryer (in 1964-07)
Gitarre [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
Gitarre [rhythm guitar], Keyboard, Mundharmonika und Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
Schlagzeug:
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
zusätzlich Klavier:
Perry Ford (English pop singer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
sonstige Unterstützung:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (Aufgabe: Courtesy of / c/o Celebrity Licensing, Inc.)
aufgenommen bei:
IBC Studios in London (Greater London) (in 1964-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 162) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 176)
recording of:
You Really Got Me (in 1964-07)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. und Jay Boy
The Kinks4.252:15
5Dido and Aeneas, Act 2: ‘Oft she visits this lone mountain’
Produzent(in):
John Hadden
Orchester:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographisches Urheberrecht (℗) von:
Taverner Productions (not for release label use!) (in 1994)
aufgenommen bei:
St Giles’s Cripplegate in City of London (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (in 1994-09)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:25
6An Eye for Optical Theory
Interpret(in):
Michael Nyman Band
recording of:
An Eye for Optical Theory
Komponist(in):
Michael Nyman (composer) (in 1982)
publisher:
Première Music Group (in 1982)
basiert auf:
Ground in C minor, ZD. 221
Michael Nyman4:29
7An Eye for Optical Theory (extract)
Interpret(in):
Michael Nyman Band
teilweise recording of:
An Eye for Optical Theory
Komponist(in):
Michael Nyman (composer) (in 1982)
publisher:
Première Music Group (in 1982)
basiert auf:
Ground in C minor, ZD. 221
Michael Nyman0:17
8Suite No. 3 in C minor: I. (extract)
Cembalo:
Trevor Pinnock (conductor / harpsichord)
William Croft3:05
9Yesnaby Ground
recording of:
Yesnaby Ground, op. 89 no. 2
Komponist(in):
Sir Peter Maxwell Davies (English composer and conductor) (in 1980)
Teil von:
Works of Peter Maxwell Davies by opus number (Nummer: op. 89 no. 2)
Sir Peter Maxwell Davies1:59
10Barren Grounds: I. (extract)
teilweise recording of:
Barren Grounds: I.
Komponist(in):
Andrew Schultz (Australian composer) (in 1988)
Teil von:
Barren Grounds
Andrew Schultz0:25
11Barren Grounds: I.
recording of:
Barren Grounds: I.
Komponist(in):
Andrew Schultz (Australian composer) (in 1988)
Teil von:
Barren Grounds
Andrew Schultz8:00
12Under African Skies
assistierende(r) Techniker(in):
Mark Cobrin und Steven Strassman
Techniker(in):
Roy Halee
Produzent(in):
Paul Simon (of Simon & Garfunkel)
Bassgitarre:
Bakithi Kumalo
Gitarre:
Adrian Belew, Chikapa “Ray” Phiri und Paul Simon (of Simon & Garfunkel)
Perkussion:
Ralph MacDonald
Schlagzeug:
Isaac Mtshali
vocals:
Linda Ronstadt und Paul Simon (of Simon & Garfunkel)
zusätzlich arranger:
Chikapa “Ray” Phiri
aufgenommen bei:
Amigo Studios in North Hollywood und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (von 1985-05 bis 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (in 1986)
recording of:
Under African Skies
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
Paul Simon4.153:38
13The Four Seasons, Autumn: III.
Geige / Violine:
Nigel Kennedy (violinist)
Orchester:
English Chamber Orchestra
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:15
14Violin Concerto in A minor, BWV 1041: I.
Produzent(in):
Nicholas Parker (classical violinist, producer, engineer)
Geige / Violine:
Elizabeth Wallfisch (violinist) (von 1990-08 bis 1991-06)
Orchester:
Orchestra of the Age of Enlightenment (von 1990-08 bis 1991-06)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (von 1990-08 bis 1991-06)
aufgenommen bei:
St Michael’s Church (Highgate) in Highgate (von 1990-08 bis 1991-06)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (von 1990-08 bis 1991-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach3:50
15Keyboard Sonata in E-flat major, op. 5 no. 4: Rondo
Hammerklavier:
Harald Hoeren (harpsichordist)
Johann Christian Bach3:13
16Till Eulenspiegel
Produzent(in):
Howard H. Scott (classical music producer)
Orchester:
The Cleveland Orchestra (am 1957-03-29)
conductor:
George Szell (conductor, pianist, composer) (am 1957-03-29)
aufgenommen bei:
TempleLive Cleveland Masonic in Cleveland (am 1957-03-29)
recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegels lustige Streiche, op. 28, op. 28; TrV 171) (am 1957-03-29)
Komponist(in):
Richard Strauss (German composer) (von 1894 bis 1895)
Teil von:
Works of Richard Strauss by opus number (Nummer: op. 28) und Werkverzeichnis (Richard Strauss TrV) (Nummer: TrV 171)
Richard Strauss14:20
17Wiegenlied D. 498, op. 98 no. 2
Techniker(in) und Produzent(in):
Gary Cole (classical producer / engineer, founder of Regent Records)
Klavier:
Peter Hill (pianist) (von 1994-11-07 bis 1994-11-09)
Soprangesang:
Lynda Russell (soprano) (von 1994-11-07 bis 1994-11-09)
aufgenommen bei:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire (von 1994-11-07 bis 1994-11-09)
recording of:
Wiegenlied, D. 498 (von 1994-11-07 bis 1994-11-09)
Texter:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Komponist(in):
Franz Schubert (composer) (in 1816-11)
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 498)
Franz Schubert2:30
18Back For Good (extract)
teilweise recording of:
Back for Good
Texter und Komponist(in):
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd und EMI Virgin Music Ltd. (do not use this as a release label!)
Take That1:00
19Bad Day (extract)
Daniel Powter0:36
20‘Ellens Dritter Gesang’, D. 839, op. 52, no. 6: "Ave Maria" (extract)
Klavier:
Dalton Baldwin (American pianist)
Soprangesang:
Elly Ameling (soprano)
teilweise recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Texter:
Jairo (Argentinean singer) und Sir Walter Scott (19th-century Scottish author)
Komponist(in):
Franz Schubert (composer) (in 1825)
Übersetzer:
Adam Storck
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 839)
Franz Schubert1:04
21Wiegenlied, D. 867, op. 105 no. 2 (extract)
Klavier:
Graham Johnson (pianist)
Soprangesang:
Christine Schäfer (soprano)
teilweise recording of:
Wiegenlied, D. 867
Texter:
Johann Gabriel Seidl (Austrian archeologist, poet, storyteller and dramatist)
Komponist(in):
Franz Schubert (composer) (in 1826)
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 867)
Franz Schubert1:08
22Ständchen, D. 957, no. 4 (extract)
Klavier:
Antonio Pappano (conductor and pianist)
Tenor-Gesang:
Ian Bostridge (tenor)
teilweise recording of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (original for voice and piano)
Texter:
Ludwig Rellstab
Komponist(in):
Franz Schubert (composer) (in 1828)
Teil von:
Schwanengesang, D. 957
Franz Schubert0:46
23Upside Down (extract)
teilweise recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross0:40
24My Baby Just Cares For Me (extract)
teilweise cover recording of:
My Baby Just Cares for Me
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone1:19
10▶CD: units 17 & 18
11▶CD: units 19 & 20
12▶CD: Unit 21
14▶CD: Mozart