The Complete Elvis Presley Masters

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD: 1954–1956
#TitoloValutazioneDurata
1Harbor Lights
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
registrata presso:
Sun Studio in Memphis (il 1954-07-05)
registrazione cover di:
Harbour Lights (il 1954-07-05)
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
registrazione di:
Harbour Lights
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
2:35
2I Love You Because
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954, nel 1956, nel 1957)
registrata presso:
Sun Studio in Memphis (il 1954-07-05)
registrazione cover di:
I Love You Because (il 1954-07-05)
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
32:39
3That’s All Right
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso e contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra acustica :
Elvis Presley (“The King of Rock and Roll”)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Sun Studio in Memphis (il 1954-07-05)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 112)
registrazione cover di:
That’s All Right (il 1954-07-05)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
2.91:58
4Blue Moon of Kentucky
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05, il 1954-07-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05, il 1954-07-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05, il 1954-07-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05, il 1954-07-07)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrata presso:
Sun Studio in Memphis (il 1954-07-05, il 1954-07-07)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 49)
registrazione cover di:
Blue Moon of Kentucky (il 1954-07-05)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
registrazione cover di:
Blue Moon of Kentucky (il 1954-07-07)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2.652:02
5Blue Moon
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-08-19)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-08-19) e Elvis Presley (“The King of Rock and Roll”) (il 1954-08-19)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrata presso:
Sun Studio in Memphis (il 1954-08-19)
registrazione cover di:
Blue Moon (il 1954-08-19)
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
3.652:41
6Tomorrow Night
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1954)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1954) e Elvis Presley (“The King of Rock and Roll”) (nel 1954)
registrata presso:
Sun Studio in Memphis (nel 1954)
registrazione cover di:
Tomorrow Night (nel 1954)
autore:
Sam Coslow e Wilhelm Grosz (aka Hugh Williams)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Wilhelm Grosz Music Co
2:58
7I’ll Never Let You Go
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1954)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1954) e Elvis Presley (“The King of Rock and Roll”) (nel 1954)
registrata presso:
Sun Studio in Memphis (nel 1954)
registrazione cover di:
I’ll Never Let You Go Little Darlin’ (nel 1954)
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
2:24
8I Don’t Care If the Sun Don’t Shine
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1954)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1954) e Elvis Presley (“The King of Rock and Roll”) (nel 1954)
registrata presso:
Sun Studio in Memphis (nel 1954)
registrazione cover di:
I Don’t Care If the Sun Don’t Shine (nel 1954)
paroliere e compositore:
Mack David (American lyricist and songwriter)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:30
9Just Because
registrazione cover di:
Just Because (il 1954-09-12)
paroliere:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) e Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
compositore:
Leon Chappelear e Sid Robin (US lyricist & composer)
editore:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) e State Street Music Publ. Co. Inc. (il 1936-03-19)
12:32
10Good Rockin’ Tonight
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1954) e Elvis Presley (“The King of Rock and Roll”) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954) e BMG Entertainment (nel 1955)
registrata presso:
Sun Studio in Memphis (nel 1954, dal 1954-09-12 al 1954-09-16)
registrazione cover di:
Good Rockin’ Tonight (il 1954-09-10)
paroliere e compositore:
Roy Brown (blues musician) (nel 1947-07)
editore:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. e Wixen Music UK Ltd.
52:14
11Milkcow Blues Boogie
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1954-11 al 1954-12)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1954-11 al 1954-12) e Elvis Presley (“The King of Rock and Roll”) (dal 1954-11 al 1954-12)
registrata presso:
Sun Studio in Memphis (dal 1954-11 al 1954-12)
registrazione cover di:
Milk Cow Blues (Kokomo Arnold's version) (dal 1954-11 al 1954-12)
paroliere e arrangiatore:
Kokomo Arnold
compositore:
[traditional] (special purpose artist) e Kokomo Arnold
editore:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) e Universal Music Corp. (USA, affiliated with ASCAP)
versione di:
Milk Cow Blues
2:38
12You’re a Heartbreaker
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1954-11 al 1954-12)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1954-11 al 1954-12) e Elvis Presley (“The King of Rock and Roll”) (dal 1954-11 al 1954-12)
registrata presso:
Sun Studio in Memphis (dal 1954-11 al 1954-12)
registrazione di:
You’re a Heartbreaker (dal 1954-11 al 1954-12)
autore:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:12
13I’m Left, You’re Right, She’s Gone (slow version)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1955-02 al 1955-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1955-02 al 1955-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1955-02 al 1955-03)
registrazione cover di:
I’m Left, You’re Right, She’s Gone (dal 1955-02 al 1955-03)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2:40
14Baby Let’s Play House
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1955-01-30 al 1955-02-04)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1955-01-30 al 1955-02-04)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1955-01-30 al 1955-02-04)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1955-01-30 al 1955-02-04)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1953, nel 1955)
registrata presso:
Sun Studio in Memphis (dal 1955-01-30 al 1955-02-04)
registrazione cover di:
Baby Let’s Play House (dal 1955-01-30 al 1955-02-04)
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
registrazione di:
Baby Let’s Play House
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
3.852:18
15I’m Left, You’re Right, She’s Gone
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1955-02 al 1955-03)
batteria :
Jimmie Lott (dal 1955-02 al 1955-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1955-02 al 1955-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1955-02 al 1955-03)
registrazione cover di:
I’m Left, You’re Right, She’s Gone (dal 1955-02 al 1955-03)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2:36
16I Forgot to Remember to Forget
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07)
batteria :
Johnny Bernero (nel 1955-07)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07) e Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
registrata presso:
Sun Studio in Memphis (nel 1955-07)
registrazione cover di:
I Forgot to Remember to Forget (il 1955-07-11)
autore:
Charlie Feathers e Stan Kesler (US session musician, composer and producer)
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
4.82:28
17Mystery Train
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07)
batteria :
Johnny Bernero (nel 1955-07)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07) e Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
registrata presso:
Sun Studio in Memphis (il 1955-07-11)
registrazione cover di:
Mystery Train (il 1955-07-11)
autore:
Junior Parker e Sam Phillips (founder of Sun Records)
editore:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Hilo Music Inc. (nel 1953)
2:24
18Trying to Get to You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1955-07-21)
batteria :
Johnny Bernero (il 1955-07-21)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1955-07-21) e Elvis Presley (“The King of Rock and Roll”) (il 1955-07-21)
registrata presso:
Sun Studio in Memphis (il 1955-07-21)
registrazione cover di:
Trying to Get to You (il 1955-07-21)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
2:31
19When It Rains, It Really Pours
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-11)
batteria :
Johnny Bernero (nel 1955-11)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1955-11) e Elvis Presley (“The King of Rock and Roll”) (nel 1955-11)
registrata presso:
Sun Studio in Memphis (nel 1955-11)
registrazione cover di:
When It Rains It Pours (dal 1955-08 al 1955-10)
paroliere e compositore:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
editore:
Hi Lo Music Inc. (BMI-affiliated) e Riverline Music
12:01
20I Got a Woman
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1956-01-10 al 1956-01-11)
batteria :
D.J. Fontana (dal 1956-01-10 al 1956-01-11)
chitarra :
Chet Atkins (dal 1956-01-10 al 1956-01-11), Scotty Moore (American guitarist and recording engineer) (dal 1956-01-10 al 1956-01-11) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-01-10 al 1956-01-11)
pianoforte :
Floyd Cramer (dal 1956-01-10 al 1956-01-11)
voce:
Brock Speer (dal 1956-01-10 al 1956-01-11), Ben Speer (dal 1956-01-10 al 1956-01-11) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1956-01-10 al 1956-01-11)
registrazione cover di:
I Got a Woman (dal 1956-01-10 al 1956-01-11)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:23
21Heartbreak Hotel
tecnico:
Bob Ferris (engineer)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-10)
batteria :
D.J. Fontana (il 1956-01-10)
chitarra :
Chet Atkins (il 1956-01-10), Scotty Moore (American guitarist and recording engineer) (il 1956-01-10) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
pianoforte :
Floyd Cramer (il 1956-01-10)
voce:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (il 1956-01-10), Lena Brock "Mom" Speer (il 1956-01-10) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-01-10)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
editore:
Sony/ATV Songs LLC
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (Nashville) in Nashville (il 1956-01-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 45) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 347)
registrazione di:
Heartbreak Hotel (il 1956-01-10)
autore:
Mae Boren Axton, Tommy Durden e Elvis Presley (“The King of Rock and Roll”)
editore:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing e Unichappell Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
3.552:08
22Money Honey
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1956-01-10 al 1956-01-11)
batteria :
D.J. Fontana (dal 1956-01-10 al 1956-01-11)
chitarra :
Chet Atkins (dal 1956-01-10 al 1956-01-11), Scotty Moore (American guitarist and recording engineer) (dal 1956-01-10 al 1956-01-11) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-01-10 al 1956-01-11)
pianoforte :
Floyd Cramer (dal 1956-01-10 al 1956-01-11)
voce:
Brock Speer (dal 1956-01-10 al 1956-01-11), Ben Speer (dal 1956-01-10 al 1956-01-11) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1956-01-10 al 1956-01-11)
registrazione cover di:
Money Honey (dal 1956-01-10 al 1956-01-11)
paroliere e compositore:
Jesse Stone
editore:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) e ZFC Music
2:34
23I’m Counting on You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1956-01-10 al 1956-01-11)
batteria :
D.J. Fontana (dal 1956-01-10 al 1956-01-11)
chitarra :
Chet Atkins (dal 1956-01-10 al 1956-01-11), Scotty Moore (American guitarist and recording engineer) (dal 1956-01-10 al 1956-01-11) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-01-10 al 1956-01-11)
pianoforte :
Floyd Cramer (dal 1956-01-10 al 1956-01-11)
voce:
Brock Speer (dal 1956-01-10 al 1956-01-11), Ben Speer (dal 1956-01-10 al 1956-01-11) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1956-01-10 al 1956-01-11)
registrazione di:
I’m Counting on You (dal 1956-01-10 al 1956-01-11)
paroliere e compositore:
Don Robertson (“Happy Whistler” songwriter)
editore:
Carlin Music Corporation, Don Robertson Music Corp. e Ross Jungnickel, Inc.
2:24
24I Was the One
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1956-01-10 al 1956-01-11)
batteria :
D.J. Fontana (dal 1956-01-10 al 1956-01-11)
chitarra :
Chet Atkins (dal 1956-01-10 al 1956-01-11), Scotty Moore (American guitarist and recording engineer) (dal 1956-01-10 al 1956-01-11) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-01-10 al 1956-01-11)
pianoforte :
Floyd Cramer (dal 1956-01-10 al 1956-01-11)
voce:
Brock Speer (dal 1956-01-10 al 1956-01-11), Ben Speer (dal 1956-01-10 al 1956-01-11) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1956-01-10 al 1956-01-11)
registrazione di:
I Was the One (dal 1956-01-10 al 1956-01-11)
autore:
Hal Blair, Claude Demetrius, Bill Peppers e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. e Rachel’s Own Music
2:33
2▶CD: 1956
3▶CD: 1957
4▶CD: 1957–1958
5▶CD: 1960
6▶CD: 1960–1961
7▶CD: 1961
8▶CD: 1961–1962
9▶CD: 1962–1963
10▶CD: 1963–1964
11▶CD: 1964–1965
12▶CD: 1965–1966
13▶CD: 1966
14▶CD: 1966–1967
15▶CD: 1967–1968
16▶CD: 1968
17▶CD: 1969
18▶CD: 1969
19▶CD: 1970
20▶CD: 1970
21▶CD: 1970–1971
22▶CD: 1971–1972
23▶CD: 1972
24▶CD: 1973
25▶CD: 1973
26▶CD: 1973–1975
27▶CD: 1975–1977
28▶CD: Outtakes and Alternates I
29▶CD: Outtakes and Alternates II
30▶CD: Outtakes and Alternates III

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Pubblicazione

stampata a:Stati Uniti