Back to Black

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Blues, Jazz, Swing & The Big Bands 1900-1945
2▶CD: The Birth of R'n'b 1946-1953
3▼CD: The Rock'n'Roll Years 1945-1962
Nr.TitelKünstlerBewertungLänge
1Loco-Motion
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Little Eva22:28
2Johnny B. Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.252:40
3Yakety Yak
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 7)
recording of:
Yakety Yak
Texter:
Jerry Leiber
Verfasser(in):
Jerry Leiber und Mike Stoller
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Teil von:
Twins (1988)
The Coasters51:50
4Tutti Frutti
recording of:
Tutti Frutti
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Little Richard2:25
5Reet Petite (The Finest Girl You Ever Want to Meet)
recording of:
Reet Petite (The Sweetest Girl in Town) (in 1957)
Verfasser(in):
Tyran Carlo und Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson42:44
6Duke of Earl
recording of:
Duke of Earl
Verfasser(in):
Earl Edwards (soul singer-songwriter), Eugene Dixon und Bernice Williams (songwriter)
publisher:
Conrad Music (publisher; do NOT use as release label)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Gene Chandler2:16
7Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:18
8Hit the Road Jack
recording of:
Hit the Road Jack
Texter und Komponist(in):
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles1:56
9Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:22
10Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
11My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:36
12Tears on My Pillow
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 30) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 478)
recording of:
Tears on My Pillow
Texter:
Al Lewis (Tin Pan Alley era lyricist)
Komponist(in):
Sylvester Bradford
publisher:
Gladys Music (in 1958), Sovereign Music Co. (in 1958) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1989)
Little Anthony & the Imperials2.52:16
13Smoke Gets in Your Eyes
recorded in:
Paris (am 1958-09-24)
Produzent(in):
Buck Ram
Sologesang:
Tony Williams (lead singer for The Platters)
Interpret(in):
The Platters
cover recording of:
Smoke Gets in Your Eyes (am 1958-09-24)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters3.752:38
14It’s All in the Game
conductor:
Leroy Holmes
arranger:
Leroy Holmes
cover recording of:
It’s All in the Game
Texter:
Carl Sigman (in 1951)
Komponist(in):
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
basiert auf:
Melody in A major (instrumental)
Tommy Edwards42:38
15Passing Strangers
recording of:
Passing Strangers
Verfasser(in):
Rita Mann (songwriter) (in 1957) und Mel Mitchell (songwriter) (in 1957)
Billy Eckstine & Sarah Vaughan32:39
16I Can’t Stop Loving You
cover recording of:
I Can’t Stop Lovin’ You
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC und Acuff-Rose Publications, Inc. (BMI) (am 1958-02-07)
Ray Charles4:17
17Didn’t It Rain
Mahalia Jackson2:40
18Handy Man
recording of:
Handy Man
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jimmy Jones (writer of “Good Timin’” and “Handy Man”)
publisher:
Bess Music Company, EMI Unart Catalog Inc., Metric Music Company (publisher), Shalimar Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Jimmy Jones1:59
19Will You Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:41
20Bo Didley
recording of:
Bo Diddley
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
Bo Diddley2:29
21Good Golly Miss Molly
recording of:
Good Golly Miss Molly
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
Little Richard2:10
22The Twist
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 451)
cover recording of:
The Twist
Texter und Komponist(in):
Hank Ballard
publisher:
Carlin Music Corp., J. Albert & Son P/L und Embassy Music Corporation (vom 2016-06 bis heute)
Chubby Checker4.22:37
23Green Onions
recorded in:
Memphis (in 1962-06)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Lewie Steinberg (in 1962-06)
Gitarre:
Steve Cropper (in 1962-06)
Hammond-Orgel:
Booker T. Jones (in 1962-06)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 181) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 418)
recording of:
Green Onions (in 1962-06)
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the MG’s3.852:54
24Sweet Little Sixteen
Gitarre und Sologesang:
Chuck Berry (in 1957-12)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1957-12)
Kontrabass:
Willie Dixon (in 1957-12)
Schlagzeug:
Jasper Thomas (in 1957-12)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago (in 1957-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 272)
recording of:
Sweet Little Sixteen (in 1957-12)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry0.13:12
25It Never Entered My Mind
Produzent(in):
Alfred Lion
Bass und Kontrabass:
Percy Heath (am 1954-03-06)
Klavier:
Horace Silver (am 1954-03-06)
Schlagzeug:
Art Blakey (am 1954-03-06)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1954-03-06)
phonographisches Urheberrecht (℗) von:
Blue Note
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack (am 1954-03-06)
instrumental cover recording of:
It Never Entered My Mind (am 1954-03-06)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Miles Davis4:03
4▶CD: Classic Soul, Part 1 1963-1966
5▶CD: Classic Soul, Part 2 1967-1970
6▶CD: Nu Wave Soul 1971-1974
7▶CD: Disco Inferno 1975-1979
8▶CD: Black Pop & Hip Hop Culture, Part 1 1980-1983
9▶CD: Black Pop & Hip Hop Culture, Part 2 1984-1991
10▶CD: Urban Explosion 1992-1999

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