The Secret Sessions

~ Veröffentlichung von Bill Evans (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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2▶CD
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4▶CD
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6▼CD
Nr.TitelBewertungLänge
1Beautiful Love
recording engineer:
Mike Harris (engineer) (am 1968-02-04)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-02-04)
Klavier:
Bill Evans (pianist) (am 1968-02-04)
Schlagzeug:
Arnie Wise (am 1968-02-04)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-02-04)
live instrumental cover recording of:
Beautiful Love (Jazz Standard) (am 1968-02-04)
Texter:
Haven Gillespie
Komponist(in):
Egbert Van Alstyne, Wayne King und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Movie Tone Music und Sam Fox Publishing Co. (London) Ltd.
6:24
2Waltz for Debby
recording engineer:
Mike Harris (engineer) (am 1968-02-04)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-02-04)
Klavier:
Bill Evans (pianist) (am 1968-02-04)
Schlagzeug:
Arnie Wise (am 1968-02-04)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-02-04)
live recording of:
Waltz for Debby (instrumental) (am 1968-02-04)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. und Kensington Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
5:23
3I Fall in Love Too Easily
recording engineer:
Mike Harris (engineer) (am 1968-02-04)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-02-04)
Klavier:
Bill Evans (pianist) (am 1968-02-04)
Schlagzeug:
Arnie Wise (am 1968-02-04)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-02-04)
live instrumental cover recording of:
I Fall in Love Too Easily (am 1968-02-04)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. und Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
3:45
4My Man's Gone Now
recording engineer:
Mike Harris (engineer) (am 1968-08-23)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-08-23)
Klavier:
Bill Evans (pianist) (am 1968-08-23)
Schlagzeug:
Jack DeJohnette (am 1968-08-23)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-08-23)
live instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (am 1968-08-23)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America und WB Music Corp. (1929–2019) (bis 2019-05-28)
Version von:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
5:57
5Who Can I Turn To (When Nobody Needs Me)
recording engineer:
Mike Harris (engineer) (am 1968-08-23)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-08-23)
Klavier:
Bill Evans (pianist) (am 1968-08-23)
Schlagzeug:
Jack DeJohnette (am 1968-08-23)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-08-23)
live cover recording of:
Who Can I Turn To (When Nobody Needs Me) (am 1968-08-23)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. und TRO Muscal Comedy Productions, Inc.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
5:12
6Polka Dots and Moonbeams
recording engineer:
Mike Harris (engineer) (am 1968-08-23)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-08-23)
Klavier:
Bill Evans (pianist) (am 1968-08-23)
Schlagzeug:
Jack DeJohnette (am 1968-08-23)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-08-23)
live instrumental cover recording of:
Polka Dots and Moonbeams (am 1968-08-23)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:55
7Emily
recording engineer:
Mike Harris (engineer) (am 1968-08-23)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-08-23)
Klavier:
Bill Evans (pianist) (am 1968-08-23)
Schlagzeug:
Jack DeJohnette (am 1968-08-23)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-08-23)
live instrumental cover recording of:
Emily (Emily Theme from The Americanization of Emily) (am 1968-08-23)
Texter:
Johnny Mercer
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs und SBK Miller Catalog, Inc.
3:57
8Ev'rything I Love
recording engineer:
Mike Harris (engineer) (am 1968-09-15)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-09-15)
Klavier:
Bill Evans (pianist) (am 1968-09-15)
Schlagzeug:
John Dentz (am 1968-09-15)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-09-15)
live cover recording of:
Everything I Love (Let’s Face It! musical) (am 1968-09-15)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
4:35
9Someday My Prince Will Come
recording engineer:
Mike Harris (engineer) (am 1968-09-15)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-09-15)
Klavier:
Bill Evans (pianist) (am 1968-09-15)
Schlagzeug:
John Dentz (am 1968-09-15)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-09-15)
live instrumental cover recording of:
Someday My Prince Will Come (am 1968-09-15)
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
5:58
10The Shadow of Your Smile
recording engineer:
Mike Harris (engineer) (am 1968-09-15)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-09-15)
Klavier:
Bill Evans (pianist) (am 1968-09-15)
Schlagzeug:
John Dentz (am 1968-09-15)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-09-15)
live instrumental cover recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (am 1968-09-15)
Texter:
Paul Francis Webster
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 38th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1965 winner)
6:04
11A Sleepin' Bee
recording engineer:
Mike Harris (engineer) (am 1968-12-13)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-12-13)
Klavier:
Bill Evans (pianist) (am 1968-12-13)
Schlagzeug:
Marty Morell (drums) (am 1968-12-13)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-12-13)
live instrumental cover recording of:
A Sleepin’ Bee (House of Flowers) (am 1968-12-13)
Texter:
Harold Arlen und Truman Capote
Komponist(in):
Harold Arlen
publisher:
Harwin Music und S.A. Music Co.
Teil von:
House of Flowers
4:52
12Blue in Green
recording engineer:
Mike Harris (engineer) (am 1968-12-13)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-12-13)
Klavier:
Bill Evans (pianist) (am 1968-12-13)
Schlagzeug:
Marty Morell (drums) (am 1968-12-13)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-12-13)
live recording of:
Blue in Green (am 1968-12-13)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4:03
13For Heaven's Sake
recording engineer:
Mike Harris (engineer) (am 1968-12-22)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-12-22)
Klavier:
Bill Evans (pianist) (am 1968-12-22)
Schlagzeug:
Marty Morell (drums) (am 1968-12-22)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-12-22)
live cover recording of:
For Heaven’s Sake (am 1968-12-22)
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
4:34
14Love Is Here to Stay
recording engineer:
Mike Harris (engineer) (am 1968-12-22)
Bass:
Eddie Gomez (jazz double bassist) (am 1968-12-22)
Klavier:
Bill Evans (pianist) (am 1968-12-22)
Schlagzeug:
Marty Morell (drums) (am 1968-12-22)
aufgenommen bei:
Village Vanguard in Greenwich Village (am 1968-12-22)
live instrumental cover recording of:
Love Is Here to Stay (am 1968-12-22)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
4:17
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8▶CD

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gedruckt in:Vereinigte Staaten