The Complete Elvis Presley Masters

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

1▶CD: 1954–1956
2▶CD: 1956
3▶CD: 1957
4▶CD: 1957–1958
5▶CD: 1960
6▶CD: 1960–1961
7▶CD: 1961
8▶CD: 1961–1962
9▶CD: 1962–1963
10▶CD: 1963–1964
11▼CD: 1964–1965
#TitleRatingLength
1Little Egypt
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-03-02 until 1964-03-03)
drums (drum set):
D.J. Fontana (from 1964-03-02 until 1964-03-03) and Buddy Harman (Session drummer and songwriter) (from 1964-03-02 until 1964-03-03)
guitar:
Barney Kessel (from 1964-03-02 until 1964-03-03), Billy Strange (from 1964-03-02 until 1964-03-03) and Tiny Timbrell (from 1964-03-02 until 1964-03-03)
instruments:
Scotty Moore (American guitarist and recording engineer) (from 1964-03-02 until 1964-03-03)
piano:
Floyd Cramer (from 1964-03-02 until 1964-03-03)
saxophone:
Boots Randolph (from 1964-03-02 until 1964-03-03)
vocals:
The Jordanaires (southern gospel group) (from 1964-03-02 until 1964-03-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-03-02 until 1964-03-03)
cover recording of:
Little Egypt (Ying Yang) (from 1964-03-02 until 1964-03-03)
writer:
Jerry Leiber and Mike Stoller
publisher:
Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music and Sony/ATV Songs LLC
2:19
2Poison Ivy League
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-03-02 until 1964-03-03)
drums (drum set):
D.J. Fontana (from 1964-03-02 until 1964-03-03) and Buddy Harman (Session drummer and songwriter) (from 1964-03-02 until 1964-03-03)
guitar:
Barney Kessel (from 1964-03-02 until 1964-03-03), Billy Strange (from 1964-03-02 until 1964-03-03) and Tiny Timbrell (from 1964-03-02 until 1964-03-03)
instruments:
Scotty Moore (American guitarist and recording engineer) (from 1964-03-02 until 1964-03-03)
piano:
Floyd Cramer (from 1964-03-02 until 1964-03-03)
saxophone:
Boots Randolph (from 1964-03-02 until 1964-03-03)
vocals:
The Jordanaires (southern gospel group) (from 1964-03-02 until 1964-03-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-03-02 until 1964-03-03)
recording of:
Poison Ivy League (from 1964-03-02 until 1964-03-03)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
2:02
3Hard Knocks
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-03-02 until 1964-03-03)
drums (drum set):
D.J. Fontana (from 1964-03-02 until 1964-03-03) and Buddy Harman (Session drummer and songwriter) (from 1964-03-02 until 1964-03-03)
guitar:
Barney Kessel (from 1964-03-02 until 1964-03-03), Billy Strange (from 1964-03-02 until 1964-03-03) and Tiny Timbrell (from 1964-03-02 until 1964-03-03)
instruments:
Scotty Moore (American guitarist and recording engineer) (from 1964-03-02 until 1964-03-03)
piano:
Floyd Cramer (from 1964-03-02 until 1964-03-03)
saxophone:
Boots Randolph (from 1964-03-02 until 1964-03-03)
vocals:
The Jordanaires (southern gospel group) (from 1964-03-02 until 1964-03-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-03-02 until 1964-03-03)
cover recording of:
Hard Knocks (from 1964-03-02 until 1964-03-03)
writer:
Joy Byers
1:42
4It’s a Wonderful World
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-03-02 until 1964-03-03)
drums (drum set):
D.J. Fontana (from 1964-03-02 until 1964-03-03) and Buddy Harman (Session drummer and songwriter) (from 1964-03-02 until 1964-03-03)
guitar:
Barney Kessel (from 1964-03-02 until 1964-03-03), Billy Strange (from 1964-03-02 until 1964-03-03) and Tiny Timbrell (from 1964-03-02 until 1964-03-03)
instruments:
Scotty Moore (American guitarist and recording engineer) (from 1964-03-02 until 1964-03-03)
piano:
Floyd Cramer (from 1964-03-02 until 1964-03-03)
saxophone:
Boots Randolph (from 1964-03-02 until 1964-03-03)
vocals:
The Jordanaires (southern gospel group) (from 1964-03-02 until 1964-03-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-03-02 until 1964-03-03)
recording of:
It’s a Wonderful World (from 1964-03-02 until 1964-03-03)
lyricist and composer:
Roy C. Bennett (US songwriter) and Sid Tepper
1:48
5Big Love Big Heartache
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-03-02 until 1964-03-03)
drums (drum set):
D.J. Fontana (from 1964-03-02 until 1964-03-03) and Buddy Harman (Session drummer and songwriter) (from 1964-03-02 until 1964-03-03)
guitar:
Barney Kessel (from 1964-03-02 until 1964-03-03), Billy Strange (from 1964-03-02 until 1964-03-03) and Tiny Timbrell (from 1964-03-02 until 1964-03-03)
instruments:
Scotty Moore (American guitarist and recording engineer) (from 1964-03-02 until 1964-03-03)
piano:
Floyd Cramer (from 1964-03-02 until 1964-03-03)
saxophone:
Boots Randolph (from 1964-03-02 until 1964-03-03)
vocals:
The Jordanaires (southern gospel group) (from 1964-03-02 until 1964-03-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-03-02 until 1964-03-03)
cover recording of:
Big Love, Big Heartache (from 1964-03-02 until 1964-03-03)
writer:
Dolores Fuller, Sonny Hendrix and Lee Morris (US songwriter)
2:00
6One Track Heart
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-03-02 until 1964-03-03)
drums (drum set):
D.J. Fontana (from 1964-03-02 until 1964-03-03) and Buddy Harman (Session drummer and songwriter) (from 1964-03-02 until 1964-03-03)
guitar:
Barney Kessel (from 1964-03-02 until 1964-03-03), Billy Strange (from 1964-03-02 until 1964-03-03) and Tiny Timbrell (from 1964-03-02 until 1964-03-03)
instruments:
Scotty Moore (American guitarist and recording engineer) (from 1964-03-02 until 1964-03-03)
piano:
Floyd Cramer (from 1964-03-02 until 1964-03-03)
saxophone:
Boots Randolph (from 1964-03-02 until 1964-03-03)
vocals:
The Jordanaires (southern gospel group) (from 1964-03-02 until 1964-03-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-03-02 until 1964-03-03)
recording of:
One Track Heart (from 1964-03-02 until 1964-03-03)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
2:15
7It’s Carnival Time
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-03-02 until 1964-03-03)
drums (drum set):
D.J. Fontana (from 1964-03-02 until 1964-03-03) and Buddy Harman (Session drummer and songwriter) (from 1964-03-02 until 1964-03-03)
guitar:
Barney Kessel (from 1964-03-02 until 1964-03-03), Billy Strange (from 1964-03-02 until 1964-03-03) and Tiny Timbrell (from 1964-03-02 until 1964-03-03)
instruments:
Scotty Moore (American guitarist and recording engineer) (from 1964-03-02 until 1964-03-03)
piano:
Floyd Cramer (from 1964-03-02 until 1964-03-03)
saxophone:
Boots Randolph (from 1964-03-02 until 1964-03-03)
vocals:
The Jordanaires (southern gospel group) (from 1964-03-02 until 1964-03-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-03-02 until 1964-03-03)
recording of:
It’s Carnival Time (from 1964-03-02 until 1964-03-03)
writer:
Sid Wayne and Ben Weisman
1:32
8Carny Town
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-03-02 until 1964-03-03)
drums (drum set):
D.J. Fontana (from 1964-03-02 until 1964-03-03) and Buddy Harman (Session drummer and songwriter) (from 1964-03-02 until 1964-03-03)
guitar:
Barney Kessel (from 1964-03-02 until 1964-03-03), Billy Strange (from 1964-03-02 until 1964-03-03) and Tiny Timbrell (from 1964-03-02 until 1964-03-03)
instruments:
Scotty Moore (American guitarist and recording engineer) (from 1964-03-02 until 1964-03-03)
piano:
Floyd Cramer (from 1964-03-02 until 1964-03-03)
saxophone:
Boots Randolph (from 1964-03-02 until 1964-03-03)
vocals:
The Jordanaires (southern gospel group) (from 1964-03-02 until 1964-03-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-03-02 until 1964-03-03)
recording of:
Carny Town (from 1964-03-02 until 1964-03-03)
writer:
Randy Starr and Fred Wise
1:10
9There’s a Brand New Day on the Horizon
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-03-02 until 1964-03-03)
drums (drum set):
D.J. Fontana (from 1964-03-02 until 1964-03-03) and Buddy Harman (Session drummer and songwriter) (from 1964-03-02 until 1964-03-03)
guitar:
Barney Kessel (from 1964-03-02 until 1964-03-03), Billy Strange (from 1964-03-02 until 1964-03-03) and Tiny Timbrell (from 1964-03-02 until 1964-03-03)
instruments:
Scotty Moore (American guitarist and recording engineer) (from 1964-03-02 until 1964-03-03)
piano:
Floyd Cramer (from 1964-03-02 until 1964-03-03)
saxophone:
Boots Randolph (from 1964-03-02 until 1964-03-03)
vocals:
The Jordanaires (southern gospel group) (from 1964-03-02 until 1964-03-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-03-02 until 1964-03-03)
recording of:
There's a Brand New Day on the Horizon (from 1964-03-02 until 1964-03-03)
writer:
Joy Byers
2:00
10Wheels on My Heels
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-03-02 until 1964-03-03)
drums (drum set):
D.J. Fontana (from 1964-03-02 until 1964-03-03) and Buddy Harman (Session drummer and songwriter) (from 1964-03-02 until 1964-03-03)
guitar:
Barney Kessel (from 1964-03-02 until 1964-03-03), Billy Strange (from 1964-03-02 until 1964-03-03) and Tiny Timbrell (from 1964-03-02 until 1964-03-03)
instruments:
Scotty Moore (American guitarist and recording engineer) (from 1964-03-02 until 1964-03-03)
piano:
Floyd Cramer (from 1964-03-02 until 1964-03-03)
saxophone:
Boots Randolph (from 1964-03-02 until 1964-03-03)
vocals:
The Jordanaires (southern gospel group) (from 1964-03-02 until 1964-03-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-03-02 until 1964-03-03)
recording of:
Wheels on My Heels (from 1964-03-02 until 1964-03-03)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
1:19
11Roustabout
bass:
Ray Siegel (on 1964-04-29)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1964-04-29) and Bernie Mattinson (on 1964-04-29)
guitar:
Billy Strange (on 1964-04-29) and Tiny Timbrell (on 1964-04-29)
piano:
Dudley Brooks (on 1964-04-29)
vocals:
The Mello Men (American singing quartet) (on 1964-04-29) and Elvis Presley (“The King of Rock and Roll”) (on 1964-05-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (on 1964-04-29)
recording of:
Roustabout (from 1964-04-29 until 1964-05-14)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
2:00
12Puppet on a String
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-07-10 until 1964-07-15)
drums (drum set):
D.J. Fontana (from 1964-07-10 until 1964-07-15), Frank Carlson (from 1964-07-10 until 1964-07-15) and Buddy Harman (Session drummer and songwriter) (from 1964-07-10 until 1964-07-15)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1964-07-10 until 1964-07-15), Tommy Tedesco (guitar) (from 1964-07-10 until 1964-07-15) and Tiny Timbrell (from 1964-07-10 until 1964-07-15)
piano:
Floyd Cramer (from 1964-07-10 until 1964-07-15)
saxophone:
Boots Randolph (from 1964-07-10 until 1964-07-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-07-10 until 1964-07-12, on 1964-07-15)
cover recording of:
Puppet on a String (from 1964-07-10 until 1964-07-15)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and Williamson Music Company
2:39
13The Meanest Girl in Town
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-07-10 until 1964-07-15)
drums (drum set):
D.J. Fontana (from 1964-07-10 until 1964-07-15), Frank Carlson (from 1964-07-10 until 1964-07-15) and Buddy Harman (Session drummer and songwriter) (from 1964-07-10 until 1964-07-15)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1964-07-10 until 1964-07-15), Tommy Tedesco (guitar) (from 1964-07-10 until 1964-07-15) and Tiny Timbrell (from 1964-07-10 until 1964-07-15)
piano:
Floyd Cramer (from 1964-07-10 until 1964-07-15)
saxophone:
Boots Randolph (from 1964-07-10 until 1964-07-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-07-10 until 1964-07-12, on 1964-07-15)
cover recording of:
The Meanest Girl in Town (from 1964-07-10 until 1964-07-15)
writer:
Joy Byers
1:55
14Girl Happy
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-07-10 until 1964-07-15)
drums (drum set):
D.J. Fontana (from 1964-07-10 until 1964-07-15), Frank Carlson (from 1964-07-10 until 1964-07-15) and Buddy Harman (Session drummer and songwriter) (from 1964-07-10 until 1964-07-15)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1964-07-10 until 1964-07-15), Tommy Tedesco (guitar) (from 1964-07-10 until 1964-07-15) and Tiny Timbrell (from 1964-07-10 until 1964-07-15)
piano:
Floyd Cramer (from 1964-07-10 until 1964-07-15)
saxophone:
Boots Randolph (from 1964-07-10 until 1964-07-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-07-10 until 1964-07-12, on 1964-07-15)
cover recording of:
Girl Happy (from 1964-07-10 until 1964-07-15)
writer:
Norman Meade and Doc Pomus
2:07
15Cross My Heart and Hope to Die
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-07-10 until 1964-07-15)
drums (drum set):
D.J. Fontana (from 1964-07-10 until 1964-07-15), Frank Carlson (from 1964-07-10 until 1964-07-15) and Buddy Harman (Session drummer and songwriter) (from 1964-07-10 until 1964-07-15)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1964-07-10 until 1964-07-15), Tommy Tedesco (guitar) (from 1964-07-10 until 1964-07-15) and Tiny Timbrell (from 1964-07-10 until 1964-07-15)
piano:
Floyd Cramer (from 1964-07-10 until 1964-07-15)
saxophone:
Boots Randolph (from 1964-07-10 until 1964-07-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-07-10 until 1964-07-12, on 1964-07-15)
cover recording of:
Cross My Heart and Hope to Die (from 1964-07-10 until 1964-07-15)
writer:
Sid Wayne and Ben Weisman
4.651:51
16Spring Fever
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-07-10 until 1964-07-15)
drums (drum set):
D.J. Fontana (from 1964-07-10 until 1964-07-15), Frank Carlson (from 1964-07-10 until 1964-07-15) and Buddy Harman (Session drummer and songwriter) (from 1964-07-10 until 1964-07-15)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1964-07-10 until 1964-07-15), Tommy Tedesco (guitar) (from 1964-07-10 until 1964-07-15) and Tiny Timbrell (from 1964-07-10 until 1964-07-15)
piano:
Floyd Cramer (from 1964-07-10 until 1964-07-15)
saxophone:
Boots Randolph (from 1964-07-10 until 1964-07-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-07-10 until 1964-07-12, on 1964-07-15)
recording of:
Spring Fever (from 1964-07-10 until 1964-07-15)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
1:51
17Do Not Disturb
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-07-10 until 1964-07-15)
drums (drum set):
D.J. Fontana (from 1964-07-10 until 1964-07-15), Frank Carlson (from 1964-07-10 until 1964-07-15) and Buddy Harman (Session drummer and songwriter) (from 1964-07-10 until 1964-07-15)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1964-07-10 until 1964-07-15), Tommy Tedesco (guitar) (from 1964-07-10 until 1964-07-15) and Tiny Timbrell (from 1964-07-10 until 1964-07-15)
piano:
Floyd Cramer (from 1964-07-10 until 1964-07-15)
saxophone:
Boots Randolph (from 1964-07-10 until 1964-07-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-07-10 until 1964-07-12, on 1964-07-15)
recording of:
Do Not Disturb (from 1964-07-10 until 1964-07-15)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
1:53
18I’ve Got to Find My Baby
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-07-10 until 1964-07-15)
drums (drum set):
D.J. Fontana (from 1964-07-10 until 1964-07-15), Frank Carlson (from 1964-07-10 until 1964-07-15) and Buddy Harman (Session drummer and songwriter) (from 1964-07-10 until 1964-07-15)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1964-07-10 until 1964-07-15), Tommy Tedesco (guitar) (from 1964-07-10 until 1964-07-15) and Tiny Timbrell (from 1964-07-10 until 1964-07-15)
piano:
Floyd Cramer (from 1964-07-10 until 1964-07-15)
saxophone:
Boots Randolph (from 1964-07-10 until 1964-07-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-07-10 until 1964-07-12, on 1964-07-15)
recording of:
I’ve Got to Find My Baby (from 1964-07-10 until 1964-07-15)
writer:
Joy Byers
1:29
19Fort Lauderdale Chamber of Commerce
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-07-10 until 1964-07-15)
drums (drum set):
D.J. Fontana (from 1964-07-10 until 1964-07-15), Frank Carlson (from 1964-07-10 until 1964-07-15) and Buddy Harman (Session drummer and songwriter) (from 1964-07-10 until 1964-07-15)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1964-07-10 until 1964-07-15), Tommy Tedesco (guitar) (from 1964-07-10 until 1964-07-15) and Tiny Timbrell (from 1964-07-10 until 1964-07-15)
piano:
Floyd Cramer (from 1964-07-10 until 1964-07-15)
saxophone:
Boots Randolph (from 1964-07-10 until 1964-07-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-07-10 until 1964-07-12, on 1964-07-15)
cover recording of:
Fort Lauderdale Chamber of Commerce (from 1964-07-10 until 1964-07-15)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
1:32
20Startin’ Tonight
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-07-10 until 1964-07-15)
drums (drum set):
D.J. Fontana (from 1964-07-10 until 1964-07-15), Frank Carlson (from 1964-07-10 until 1964-07-15) and Buddy Harman (Session drummer and songwriter) (from 1964-07-10 until 1964-07-15)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1964-07-10 until 1964-07-15), Tommy Tedesco (guitar) (from 1964-07-10 until 1964-07-15) and Tiny Timbrell (from 1964-07-10 until 1964-07-15)
piano:
Floyd Cramer (from 1964-07-10 until 1964-07-15)
saxophone:
Boots Randolph (from 1964-07-10 until 1964-07-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-07-10 until 1964-07-12, on 1964-07-15)
recording of:
Startin’ Tonight (from 1964-07-10 until 1964-07-15)
writer:
Vic Millrose and Lenore Rosenblatt (songwriter)
1:18
21Do the Clam
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-07-10 until 1964-07-15)
drums (drum set):
D.J. Fontana (from 1964-07-10 until 1964-07-15), Frank Carlson (from 1964-07-10 until 1964-07-15) and Buddy Harman (Session drummer and songwriter) (from 1964-07-10 until 1964-07-15)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1964-07-10 until 1964-07-15), Tommy Tedesco (guitar) (from 1964-07-10 until 1964-07-15) and Tiny Timbrell (from 1964-07-10 until 1964-07-15)
piano:
Floyd Cramer (from 1964-07-10 until 1964-07-15)
saxophone:
Boots Randolph (from 1964-07-10 until 1964-07-15)
vocals:
Carol Lombard Trio (from 1964-07-10 until 1964-07-15), The Jordanaires (southern gospel group) (from 1964-07-10 until 1964-07-15) and The Jubilee Four (from 1964-07-10 until 1964-07-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-07-10 until 1964-07-12, on 1964-07-15)
cover recording of:
Do the Clam (from 1964-07-10 until 1964-07-15)
writer:
Dolores Fuller, Sid Wayne and Ben Weisman
publisher:
Gladys Music Elvis Presley Enterprises LLC
3:17
22Wolf Call
bass:
Bob Moore (U.S. bassist and bandleader) (from 1964-07-10 until 1964-07-15)
drums (drum set):
D.J. Fontana (from 1964-07-10 until 1964-07-15), Frank Carlson (from 1964-07-10 until 1964-07-15) and Buddy Harman (Session drummer and songwriter) (from 1964-07-10 until 1964-07-15)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1964-07-10 until 1964-07-15), Tommy Tedesco (guitar) (from 1964-07-10 until 1964-07-15) and Tiny Timbrell (from 1964-07-10 until 1964-07-15)
piano:
Floyd Cramer (from 1964-07-10 until 1964-07-15)
saxophone:
Boots Randolph (from 1964-07-10 until 1964-07-15)
vocals:
The Jordanaires (southern gospel group) (from 1964-07-10 until 1964-07-15) and The Jubilee Four (from 1964-07-10 until 1964-07-15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood (from 1964-07-10 until 1964-07-12, on 1964-07-15)
recording of:
Wolf Call (from 1964-07-10 until 1964-07-15)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
1:27
23Shake That Tambourine
bass:
Henry Strzelecki (from 1965-02-24 until 1965-02-26)
congas:
Gene Nelson (American actor) (from 1965-02-24 until 1965-02-26)
drums (drum set):
D.J. Fontana (from 1965-02-24 until 1965-02-26) and Kenneth Buttrey (from 1965-02-24 until 1965-02-26)
flute:
Rufus Long (from 1965-02-24 until 1965-02-26)
guitar:
Grady Martin (country/rockabilly guitarist) (from 1965-02-24 until 1965-02-26), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-02-24 until 1965-02-26) and Scotty Moore (American guitarist and recording engineer) (from 1965-02-24 until 1965-02-26)
oboe:
Ralph Strobel (from 1965-02-24 until 1965-02-26)
piano:
Floyd Cramer (from 1965-02-24 until 1965-02-26)
tambourine:
Hoyt Hawkins (from 1965-02-24 until 1965-02-26)
vocals:
The Jordanaires (southern gospel group) (from 1965-02-24 until 1965-02-26)
recorded at:
RCA Studio B (Nashville, TN) in Nashville (from 1965-02-24 until 1965-02-26)
recording of:
Shake That Tambourine (from 1965-02-24 until 1965-02-26)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
2:02
24So Close, Yet So Far (From Paradise)
bass:
Henry Strzelecki (from 1965-02-24 until 1965-02-26)
congas:
Gene Nelson (American actor) (from 1965-02-24 until 1965-02-26)
drums (drum set):
D.J. Fontana (from 1965-02-24 until 1965-02-26) and Kenneth Buttrey (from 1965-02-24 until 1965-02-26)
flute:
Rufus Long (from 1965-02-24 until 1965-02-26)
guitar:
Grady Martin (country/rockabilly guitarist) (from 1965-02-24 until 1965-02-26), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-02-24 until 1965-02-26) and Scotty Moore (American guitarist and recording engineer) (from 1965-02-24 until 1965-02-26)
oboe:
Ralph Strobel (from 1965-02-24 until 1965-02-26)
piano:
Floyd Cramer (from 1965-02-24 until 1965-02-26)
tambourine:
Hoyt Hawkins (from 1965-02-24 until 1965-02-26)
vocals:
The Jordanaires (southern gospel group) (from 1965-02-24 until 1965-02-26)
recorded at:
RCA Studio B (Nashville, TN) in Nashville (from 1965-02-24 until 1965-02-26)
recording of:
So Close, Yet So Far (From Paradise) (from 1965-02-24 until 1965-02-26)
lyricist and composer:
Joy Byers
3:01
25My Desert Serenade
bass:
Henry Strzelecki (from 1965-02-24 until 1965-02-26)
congas:
Gene Nelson (American actor) (from 1965-02-24 until 1965-02-26)
drums (drum set):
D.J. Fontana (from 1965-02-24 until 1965-02-26) and Kenneth Buttrey (from 1965-02-24 until 1965-02-26)
flute:
Rufus Long (from 1965-02-24 until 1965-02-26)
guitar:
Grady Martin (country/rockabilly guitarist) (from 1965-02-24 until 1965-02-26), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-02-24 until 1965-02-26) and Scotty Moore (American guitarist and recording engineer) (from 1965-02-24 until 1965-02-26)
oboe:
Ralph Strobel (from 1965-02-24 until 1965-02-26)
piano:
Floyd Cramer (from 1965-02-24 until 1965-02-26)
tambourine:
Hoyt Hawkins (from 1965-02-24 until 1965-02-26)
vocals:
The Jordanaires (southern gospel group) (from 1965-02-24 until 1965-02-26)
recorded at:
RCA Studio B (Nashville, TN) in Nashville (from 1965-02-24 until 1965-02-26)
recording of:
My Desert Serenade (from 1965-02-24 until 1965-02-26)
writer:
Stanley Gelber (songwriter)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
1:46
26Wisdom of the Ages
bass:
Henry Strzelecki (from 1965-02-24 until 1965-02-26)
congas:
Gene Nelson (American actor) (from 1965-02-24 until 1965-02-26)
drums (drum set):
D.J. Fontana (from 1965-02-24 until 1965-02-26) and Kenneth Buttrey (from 1965-02-24 until 1965-02-26)
flute:
Rufus Long (from 1965-02-24 until 1965-02-26)
guitar:
Grady Martin (country/rockabilly guitarist) (from 1965-02-24 until 1965-02-26), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-02-24 until 1965-02-26) and Scotty Moore (American guitarist and recording engineer) (from 1965-02-24 until 1965-02-26)
oboe:
Ralph Strobel (from 1965-02-24 until 1965-02-26)
piano:
Floyd Cramer (from 1965-02-24 until 1965-02-26)
tambourine:
Hoyt Hawkins (from 1965-02-24 until 1965-02-26)
vocals:
The Jordanaires (southern gospel group) (from 1965-02-24 until 1965-02-26)
recorded at:
RCA Studio B (Nashville, TN) in Nashville (from 1965-02-24 until 1965-02-26)
recording of:
Wisdom of the Ages (from 1965-02-24 until 1965-02-26)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
1:52
27Kismet
bass:
Henry Strzelecki (from 1965-02-24 until 1965-02-26)
congas:
Gene Nelson (American actor) (from 1965-02-24 until 1965-02-26)
drums (drum set):
D.J. Fontana (from 1965-02-24 until 1965-02-26) and Kenneth Buttrey (from 1965-02-24 until 1965-02-26)
flute:
Rufus Long (from 1965-02-24 until 1965-02-26)
guitar:
Grady Martin (country/rockabilly guitarist) (from 1965-02-24 until 1965-02-26), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-02-24 until 1965-02-26) and Scotty Moore (American guitarist and recording engineer) (from 1965-02-24 until 1965-02-26)
oboe:
Ralph Strobel (from 1965-02-24 until 1965-02-26)
piano:
Floyd Cramer (from 1965-02-24 until 1965-02-26)
tambourine:
Hoyt Hawkins (from 1965-02-24 until 1965-02-26)
vocals:
The Jordanaires (southern gospel group) (from 1965-02-24 until 1965-02-26)
recorded at:
RCA Studio B (Nashville, TN) in Nashville (from 1965-02-24 until 1965-02-26)
cover recording of:
Kismet (from 1965-02-24 until 1965-02-26)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
2:08
28Hey Little Girl
bass:
Henry Strzelecki (from 1965-02-24 until 1965-02-26)
congas:
Gene Nelson (American actor) (from 1965-02-24 until 1965-02-26)
drums (drum set):
D.J. Fontana (from 1965-02-24 until 1965-02-26) and Kenneth Buttrey (from 1965-02-24 until 1965-02-26)
flute:
Rufus Long (from 1965-02-24 until 1965-02-26)
guitar:
Grady Martin (country/rockabilly guitarist) (from 1965-02-24 until 1965-02-26), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-02-24 until 1965-02-26) and Scotty Moore (American guitarist and recording engineer) (from 1965-02-24 until 1965-02-26)
oboe:
Ralph Strobel (from 1965-02-24 until 1965-02-26)
piano:
Floyd Cramer (from 1965-02-24 until 1965-02-26)
tambourine:
Hoyt Hawkins (from 1965-02-24 until 1965-02-26)
vocals:
The Jordanaires (southern gospel group) (from 1965-02-24 until 1965-02-26)
recorded at:
RCA Studio B (Nashville, TN) in Nashville (from 1965-02-24 until 1965-02-26)
recording of:
Hey Little Girl (from 1965-02-24 until 1965-02-26)
lyricist and composer:
Joy Byers
2:14
29Golden Coins
bass:
Henry Strzelecki (from 1965-02-24 until 1965-02-26)
congas:
Gene Nelson (American actor) (from 1965-02-24 until 1965-02-26)
drums (drum set):
D.J. Fontana (from 1965-02-24 until 1965-02-26) and Kenneth Buttrey (from 1965-02-24 until 1965-02-26)
flute:
Rufus Long (from 1965-02-24 until 1965-02-26)
guitar:
Grady Martin (country/rockabilly guitarist) (from 1965-02-24 until 1965-02-26), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-02-24 until 1965-02-26) and Scotty Moore (American guitarist and recording engineer) (from 1965-02-24 until 1965-02-26)
oboe:
Ralph Strobel (from 1965-02-24 until 1965-02-26)
piano:
Floyd Cramer (from 1965-02-24 until 1965-02-26)
tambourine:
Hoyt Hawkins (from 1965-02-24 until 1965-02-26)
vocals:
The Jordanaires (southern gospel group) (from 1965-02-24 until 1965-02-26)
recorded at:
RCA Studio B (Nashville, TN) in Nashville (from 1965-02-24 until 1965-02-26)
recording of:
Golden Coins (from 1965-02-24 until 1965-02-26)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
4.351:54
30Animal Instinct
bass:
Henry Strzelecki (from 1965-02-24 until 1965-02-26)
congas:
Gene Nelson (American actor) (from 1965-02-24 until 1965-02-26)
drums (drum set):
D.J. Fontana (from 1965-02-24 until 1965-02-26) and Kenneth Buttrey (from 1965-02-24 until 1965-02-26)
flute:
Rufus Long (from 1965-02-24 until 1965-02-26)
guitar:
Grady Martin (country/rockabilly guitarist) (from 1965-02-24 until 1965-02-26), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-02-24 until 1965-02-26) and Scotty Moore (American guitarist and recording engineer) (from 1965-02-24 until 1965-02-26)
oboe:
Ralph Strobel (from 1965-02-24 until 1965-02-26)
piano:
Floyd Cramer (from 1965-02-24 until 1965-02-26)
tambourine:
Hoyt Hawkins (from 1965-02-24 until 1965-02-26)
vocals:
The Jordanaires (southern gospel group) (from 1965-02-24 until 1965-02-26)
recorded at:
RCA Studio B (Nashville, TN) in Nashville (from 1965-02-24 until 1965-02-26)
recording of:
Animal Instinct (from 1965-02-24 until 1965-02-26)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
2:13
31Harem Holiday
recorded in:
Hollywood (on 1965-03-09)
bass:
Henry Strzelecki (from 1965-02-24 until 1965-02-26)
congas:
Gene Nelson (American actor) (from 1965-02-24 until 1965-02-26)
drums (drum set):
D.J. Fontana (from 1965-02-24 until 1965-02-26) and Kenneth Buttrey (from 1965-02-24 until 1965-02-26)
flute:
Rufus Long (from 1965-02-24 until 1965-02-26)
guitar:
Grady Martin (country/rockabilly guitarist) (from 1965-02-24 until 1965-02-26), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-02-24 until 1965-02-26) and Scotty Moore (American guitarist and recording engineer) (from 1965-02-24 until 1965-02-26)
oboe:
Ralph Strobel (from 1965-02-24 until 1965-02-26)
piano:
Floyd Cramer (from 1965-02-24 until 1965-02-26)
tambourine:
Hoyt Hawkins (from 1965-02-24 until 1965-02-26)
vocals:
The Jordanaires (southern gospel group) (from 1965-02-24 until 1965-02-26) and Elvis Presley (“The King of Rock and Roll”) (on 1965-03-09)
recorded at:
RCA Studio B (Nashville, TN) in Nashville (from 1965-02-24 until 1965-02-26)
recording of:
Harem Holiday (from 1965-02-24 until 1965-03-09)
writer:
Peter Andreoli (US songwriter/producer vocalist) and Vini Poncia
2:19
32Go East – Young Man
recorded in:
Hollywood (on 1965-03-09)
bass:
Henry Strzelecki (from 1965-02-24 until 1965-02-26)
congas:
Gene Nelson (American actor) (from 1965-02-24 until 1965-02-26)
drums (drum set):
D.J. Fontana (from 1965-02-24 until 1965-02-26) and Kenneth Buttrey (from 1965-02-24 until 1965-02-26)
flute:
Rufus Long (from 1965-02-24 until 1965-02-26)
guitar:
Grady Martin (country/rockabilly guitarist) (from 1965-02-24 until 1965-02-26), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-02-24 until 1965-02-26) and Scotty Moore (American guitarist and recording engineer) (from 1965-02-24 until 1965-02-26)
oboe:
Ralph Strobel (from 1965-02-24 until 1965-02-26)
piano:
Floyd Cramer (from 1965-02-24 until 1965-02-26)
tambourine:
Hoyt Hawkins (from 1965-02-24 until 1965-02-26)
vocals:
The Jordanaires (southern gospel group) (from 1965-02-24 until 1965-02-26) and Elvis Presley (“The King of Rock and Roll”) (on 1965-03-09)
recorded at:
RCA Studio B (Nashville, TN) in Nashville (from 1965-02-24 until 1965-02-26)
cover recording of:
Go East - Young Man (from 1965-02-24 until 1965-03-09)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
2:26
33Mirage
recorded in:
Hollywood (on 1965-03-09)
bass:
Henry Strzelecki (from 1965-02-24 until 1965-02-26)
congas:
Gene Nelson (American actor) (from 1965-02-24 until 1965-02-26)
drums (drum set):
D.J. Fontana (from 1965-02-24 until 1965-02-26) and Kenneth Buttrey (from 1965-02-24 until 1965-02-26)
flute:
Rufus Long (from 1965-02-24 until 1965-02-26)
guitar:
Grady Martin (country/rockabilly guitarist) (from 1965-02-24 until 1965-02-26), Charlie McCoy (white blues harmonica player, 1960s-present) (from 1965-02-24 until 1965-02-26) and Scotty Moore (American guitarist and recording engineer) (from 1965-02-24 until 1965-02-26)
oboe:
Ralph Strobel (from 1965-02-24 until 1965-02-26)
piano:
Floyd Cramer (from 1965-02-24 until 1965-02-26)
tambourine:
Hoyt Hawkins (from 1965-02-24 until 1965-02-26)
vocals:
The Jordanaires (southern gospel group) (from 1965-02-24 until 1965-02-26) and Elvis Presley (“The King of Rock and Roll”) (on 1965-03-09)
recorded at:
RCA Studio B (Nashville, TN) in Nashville (from 1965-02-24 until 1965-02-26)
recording of:
Mirage (from 1965-02-24 until 1965-03-09)
writer:
Joy Byers
2:25
12▶CD: 1965–1966
13▶CD: 1966
14▶CD: 1966–1967
15▶CD: 1967–1968
16▶CD: 1968
17▶CD: 1969
18▶CD: 1969
19▶CD: 1970
20▶CD: 1970
21▶CD: 1970–1971
22▶CD: 1971–1972
23▶CD: 1972
24▶CD: 1973
25▶CD: 1973
26▶CD: 1973–1975
27▶CD: 1975–1977
28▶CD: Outtakes and Alternates I
29▶CD: Outtakes and Alternates II
30▶CD: Outtakes and Alternates III

Credits

Release

printed in:United States