The Decca Sound

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

a newer 2016 release with barcode 028947892625 (possibly with Decca cat # 478 9262) is available at https://www.amazon.com/dp/B018FCVK8U/ (released Jan 15, 2016, referred to from https://www.deccaclassics.com/us/cat/4789262 )

Annotation last modified on 2018-03-03 07:12 UTC.

Tracklist

1▶CD: Ansermet · Falla: El sombrero de tres picos / Debussy: Images
2▶CD: Argenta · España / Tchaikovsky: Violin Concerto
3▶CD: Ashkenazy · Rachmaninov: Piano Concerto 3 / Piano Sonata
4▶CD: Ashkenazy · Sibelius 1 / Mussorgsky: Pictures at an Exhibition
5▶CD: Bartoli · Italian Songs
6▶CD: Bell · Barber & Walton Concertos
7▶CD: Blomstedt · R. Strauss: Eine Alpensinfonie
8▶CD: Böhm · Bruckner 4
9▶CD: Boskovsky · New Year’s Day Concert, 1979
10▶CD: Britten · War Requiem
11▶CD: Chailly · Messiaen: Turangalîla‐sinfonie
12▶CD: Chung · Bruch & Mendelssohn Concertos
13▶CD: Curzon · Mozart: Piano Concertos 20 & 27
14▶CD: Dohnányi · Schoenberg / Berg / Webern
15▶CD: Dorati · Stravinsky: L’Oiseau de feu / Le Sacre du printemps
16▶CD: Dutoit · Ravel: Ma Mère l’Oye / Boléro
17▶CD: Fleming · Opera Scenes
18▶CD: Freire · Brahms: Piano Concerto 1 / Schumann: Carnaval
19▶CD: Haitink · Shostakovich 4 & 9
20▶CD: Hogwood · Purcell: Dido and Aeneas
21▶CD: Jansen · Britten & Beethoven Violin Concertos
22▶CD: Karajan · Holst: The Planets
23▶CD: Katchen · Bartók / Prokofiev: Piano Concerto 3 / Ravel: Piano Concerto
24▶CD: Kertész · Dvořak: New World Symphony / Symphony 8
25▶CD: King’s College Choir & St John’s College Choir · Haydn: Nelson Mass & Paukenmesse
26▶CD: Larrocha · Granados: Goyescas / Falla: Noches en los jardines de España
27▶CD: Lemper · Berlin Cabaret Songs
28▶CD: Lupu · Beethoven: Moonlight, Pathétique & Waldstein Sonatas
29▶CD: Maag · Mendelssohn: A Midsummer Night’s Dream / Symphony 3
30▶CD: Maazel · Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov
31▶CD: Mackerras · Janáček: Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite
32▶CD: Marriner · Tchaikovsky: Serenade for strings / Souvenir de Florence
33▶CD: Martinon · Ibert: Divertissement / Borodin 2
34▶CD: Mehta · Varèse / Ives 2
35▶CD: Monteux · Ravel: Daphnis et Chloé / Elgar: Enigma Variations
36▶CD: Münchinger · Bach: Magnificat / Cantatas 10 & 140
37▶CD: Nilsson / Solti · Wagner: Der Ring des Nibelungen (great scenes)
38▶CD: Carreras / Domingo / Pavarotti · In Concert, 1990
39▶CD: Pavarotti ・ Puccini: Turandot (highlights)
40▶CD: Pickett · Susato: Dansereye
41▶CD: Rogé · Saint‐Saëns: Piano Concertos 2, 4 & 5
42▶CD: Rousset · Pergolesi: Stabat Mater
43▶CD: Schiff · Bach: Goldber Variations
44▶CD: Solti · Romantic Russia / Suppé: 4 Overtures
45▼CD: Solti · Mahler 8
#TitleArtistRatingLength
1Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: a. Veni creator spiritus
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:27
2Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: b. Imple superna gratia
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:26
3Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: c. Infirma nostri corporis
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler6:20
4Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: d. Accende lumen sensibus
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:44
5Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: e. Veni, creator spiritus
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:50
6Symphony no. 8 in E‐flat major “Symphony of a Thousand”: I. Teil. Veni creator spiritus: f. Gloria sit patri domino
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:35
7Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: Poco Adagio – “Waldung, sie schwankt heran”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler14:16
8Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Ewiger Wonnebrand”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo baritone vocals [Pater Ecstaticus]:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:35
9Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Wie Felsenabgrund mir zu Füßen”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo bass vocals [Pater Profundus]:
Martti Talvela (operatic bass) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:42
10Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Gerettet ist das edle Glied”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:03
11Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Uns bleibt ein Erdenrest”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:59
12Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Höchste Herrscherin der Welt”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler8:08
13Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Bei der Liebe, die den Fussen”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo contralto vocals [Maria Aegyptiaca]:
Helen Watts (contralto) (in 1971-09)
solo contralto vocals [Mulier Samaritana]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo soprano vocals [Magna Peccatrix]:
Heather Harper (soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:54
14Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Neige, neige, du Ohnegleiche”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:18
15Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Blicket auf zum Retterblick”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-08 until 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-08 until 1971-09) and Wiener Singverein (from 1971-08 until 1971-09)
solo soprano vocals [Mater Gloriosa]:
Arleen Augér (soprano) (from 1971-08 until 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (from 1971-08 until 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (tenor) (from 1971-08 until 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:47
16Symphony no. 8 in E‐flat major “Symphony of a Thousand”: II. Teil. Schlußszene aus Goethes Faust II: “Alles Vergängliche”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1971-08 until 1971-09), Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-08 until 1971-09) and Wiener Singverein (from 1971-08 until 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (from 1971-08 until 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (from 1971-08 until 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (from 1971-08 until 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (from 1971-08 until 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (from 1971-08 until 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (from 1971-08 until 1971-09)
solo tenor vocals:
René Kollo (tenor) (from 1971-08 until 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:43
46▶CD: Sutherland / Horne / Pavarotti · Live from Lincoln Center
47▶CD: Takács Quartet · Beethoven: Quartets opp. 95, 130 & 133
48▶CD: Tebaldi / Del Monaco · Puccini: La fanciulla del West (highlights)
49▶CD: Wiener Oktett · Mendelssohn: Octet / Beethoven: Septet
50▶CD: Winchester / Terfel · Walton: Belshazzar’s Feast

Credits

Release group

includes:A Midsummer Night’s Dream / Symphony no. 3 “Scottish” by Felix Mendelssohn (composer); Peter Maag (conductor)
Arcana / Intégrales / Ionisation by Edgard Varèse (composer); Los Angeles Philharmonic Orchestra, Zubin Mehta (conductor)
Barber: Violin Concerto / Walton: Violin Concerto / Bloch: Baal Shem by Barber (American composer), Walton (British composer and conductor), Bloch (Swiss-American composer); Joshua Bell (violinist), Baltimore Symphony Orchestra, David Zinman (conductor)
Bartók: Piano Concerto no. 3 / Ravel: Piano Concerto in G major by Bartók (Béla Bartók, composer), Ravel (Maurice Ravel, French composer); Julius Katchen (pianist), London Symphony (London Symphony Orchestra), István Kertész (conductor)
Berlin Cabaret Songs by Ute Lemper
Dansereye (1551) by Tielman Susato (Flemish Renaissance composer); New London Consort, Philip Pickett (musician)
Daphnis et Chloé by Ravel (Maurice Ravel, French composer); London Symphony Orchestra, Pierre Monteux (conductor)
Eine Alpensinfonie / Don Juan by Richard Strauss (German composer); San Francisco Symphony, Herbert Blomstedt (conductor)
España by The London Symphony Orchestra (London Symphony Orchestra), Ataúlfo Argenta (pianist and conductor)
Goldberg Variations (1982 recording) by Johann Sebastian Bach (German Baroque period composer & musician); András Schiff (pianist)
Goyescas: Volumes 1 & 2 / El pelele by Granados (composer); Alicia de Larrocha (pianist)
Ibert: Divertissement / Bizet: Jeux d’enfants / Saint‐Säens: Danse macabre / Le rouet d’omphale by Ibert (French composer), Bizet (French composer), Saint‐Saëns (composer); Paris Conservatoire Orchestra, Jean Martinon (French conductor and composer)
In Concert by Carreras (Spanish tenor), Domingo (tenor), Pavarotti (tenor), Mehta (Zubin Mehta, conductor)
Italian Songs by Beethoven (Ludwig van Beethoven, German composer), Schubert (Franz Schubert, composer), Mozart (Wolfgang Amadeus Mozart, classical composer), Haydn (composer); Cecilia Bartoli (mezzo‐soprano), András Schiff (pianist)
La fanciulla del West (1958 studio cast) by Puccini (Italian composer); Tebaldi (soprano), del Monaco (tenor), MacNeil (American baritone), Tozzi (operatic bass), Orchestra (Orchestra of the National Academy of Santa Cecilia) e Coro dell’Accademia di Santa Cecilia, Roma (Chorus of the National Academy of Santa Cecilia), Franco Capuana (conductor)
Le Sacre du printemps / L’Oiseau de feu by Stravinsky (Igor Stravinsky, Russian composer); Antal Doráti (conductor)
Ma Mère l’Oye / Pavane pour une infante défunte / Le Tombeau de Couperin / Valses nobles et sentimentales by Ravel (Maurice Ravel, French composer); Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
Magnificat in D major / Cantata no. 10 by Bach (Johann Sebastian Bach, German Baroque period composer & musician); Ameling (soprano), Van Bork (soprano), Watts (contralto), Krenn (tenor), Rintzler (Romanian operatic bass), Krause (bass-baritone), Wiener Akademiechor (Vienna Chamber Choir, choir), Stuttgart Chamber Orchestra, Karl Münchinger (German conductor)
Mendelssohn Octet / Beethoven Septet by Mendelssohn (Felix Mendelssohn, composer), Beethoven (Ludwig van Beethoven, German composer); Wiener Oktett
New Year's Day Concert in Vienna 1979 by Wiener Philharmoniker (Vienna Philharmonic), Willi Boskovsky (violinist and conductor)
Piano Concertos no. 20, K466 & no. 27, K595 by Mozart (Wolfgang Amadeus Mozart, classical composer); Clifford Curzon (classical pianist, knighted in 1977), Benjamin Britten (English composer, conductor, and pianist), English Chamber Orchestra
Piano Concertos nos. 2, 4 & 5 by Saint‐Saëns (composer); Pascal Rogé (pianist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Charles Dutoit (conductor)
Piano Sonata op. 27 no. 2 “Moonlight” / Piano Sonata op. 13 “Pathetique” / Piano Sonata op. 53 “Waldstein” by Beethoven (Ludwig van Beethoven, German composer); Radu Lupu (Romanian concert pianist)
Respighi: Feste romane / Pini di Roma / Rimsky‐Korsakov: Le Coq d’or (suite) by Respighi (composer), Rimsky‐Korsakov (Nikolai Rimsky‐Korsakov, Russian composer); The Cleveland Orchestra, Lorin Maazel (conductor)
Serenade for Strings / Souvenir de Florence by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer), Academy of St Martin in the Fields, Neville Marriner (conductor)
Signatures: Great Opera Scenes by Renée Fleming (soprano), Sir Georg Solti (conductor), London Symphony Orchestra
Sinfonietta / Taras Bulba / The Cunning Little Vixen Suite by Janáček (Czech composer); Wiener Philharmoniker (Vienna Philharmonic), Charles Mackerras (Australian conductor)
Stabat Mater / Salve Regina by Pergolesi (composer); Andreas Scholl (countertenor), Barbara Bonney (soprano), Christophe Rousset (French harpsichordist & conductor), Les Talens Lyriques (French classical musical ensemble)
Symphonie no. 8 (1971 recording) by Mahler (composer); Chicago Symphony Orchestra, Georg Solti (Sir Georg Solti, conductor)
Symphony no. 4 by Bruckner (Austrian composer); Vienna Philharmonic Orchestra (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Symphony no. 9 in E minor, op. 95 “New World” by Dvořák (Antonín Dvořák, composer); Vienna Philharmonic Orchestra (Vienna Philharmonic), István Kertész (conductor)
The Planets by Holst (Gustav Holst, composer); Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
The Three-cornered Hat / La Vida Breve - Interlude and Dance by Falla (Spanish composer); Teresa Berganza (mezzo-soprano), L’Orchestre de la Suisse Romande (OSR), Ernest Ansermet (conductor)
Turandot (1972 studio cast) by Puccini (Italian composer); Sutherland (soprano), Pavarotti (tenor), Caballé (soprano), Ghiaurov (operatic bass), Krause (bass-baritone), Pears (tenor), John Alldis Choir (The John Alldis Choir), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Zubin Mehta (conductor)
Turangalîla‐Symphonie by Olivier Messiaen (composer and organist); Royal Concertgebouw Orchestra, Riccardo Chailly (conductor), Jean‐Yves Thibaudet (pianist), Takashi Harada (Harada Takashi, ondes Martenot player)
Violin Concertos / Scottish Fantasia by Mendelssohn (Felix Mendelssohn, composer), Bruch (composer and conductor); Kyung Wha-Chung (Kyung-Wha Chung, violinist), Kempe (conductor), Dutoit (conductor)
Walton: Belshazzar’s Feast / Coronation Te Deum / Parry: I Was Glad / Jerusalem by Walton (British composer and conductor), Parry (English composer); Bryn Terfel (bass‐baritone opera singer), Waynflete Singers, Winchester Cathedral Choir, Bournemouth Symphony Orchestra, Andrew Litton (conductor)
War Requiem by Benjamin Britten (English composer, conductor, and pianist); Galina Vishnevskaya (soprano), Peter Pears (tenor), Dietrich Fischer‐Dieskau (baritone)