Dream a Dream

~ Release by Charlotte Church (see all versions of this release, 10 available)

Tracklist

1▼SACD (2 channels)
#TitleArtistRatingLength
1Dream a Dream (Elysium)
recording engineer, programming and mixer:
Ash Howes (British mixer, writer and musician)
producer:
Julian Gallagher (songwriter, producer) and Richard Stannard
guitar:
John Themis
vocals:
Charlotte Church and Billy Gilman (American country music singer.)
performer:
Billy Gilman (American country music singer.)
strings arranger:
Simon Hale
vocals arranger:
Simon Hale
produced for:
Biffco Productions
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead (strings) and Whitfield St. Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London)
mixed at:
Whitfield St. Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London)
recording of:
Dream a Dream
lyricist:
Sam Babenia
additional composer:
Simon Greenaway and James Shearman (conductor, orchestrator, composer)
composer:
Gabriel Fauré (French composer)
publisher:
A E Copyrights Ltd.
is based on:
Pavane, op. 50 (for piano and chorus)
Charlotte Church duet with Billy Gilman23:54
2O Come, All Ye Faithful
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
choir vocals:
New London Children’s Choir
orchestra:
London Symphony Orchestra
conductor:
Ronald Corp (British composer and conductor) and Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
O Come, All Ye Faithful (English version of Latin “Adeste fideles”)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
translator:
Frederick Oakeley (in 1841)
arrangement of:
O Come, All Ye Faithful
translated version of:
Adeste fideles (original latin version)
Charlotte Church3:22
3The Little Drummer Boy
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 2000)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
Carol of the Drum (aka “The Little Drummer Boy”)
lyricist and composer:
Katherine K. Davis (Katherine Kennicott Davis) (in 1941)
additional composer:
Henry Onorati (in 1958) and Harry Simeone (in 1958)
publisher:
EMI Mills Music (ASCAP-affiliated), International Korwin Corp., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Belwin-Mills Publishing Corp. (in 1955) and Mills Music, Inc. (in 1964)
is based on:
Trad. (traditional Czech carol, became “Carol of the Drums”)
Charlotte Church2:57
4Mary’s Boy Child
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Frank Gallagher (fiddler)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
Mary’s Boy Child
lyricist and composer:
Jester Hairston
publisher:
Bourne Music Ltd. and J. Albert & Son Pty. Ltd.
Charlotte Church3:31
5Ding Dong! Merrily on High
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
Ding Dong! Merrily on High
lyricist:
George Ratcliffe Woodward
composer:
Thoinot Arbeau (Artist name of Jehan Tabourot (“Orchesographie”))
arranger:
Charles Wood (Irish composer)
is based on:
Branle de l’official
Charlotte Church2:18
6Winter Wonderland
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
arranger:
Julian Smith (Welsh National Opera conductor)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
cover recording of:
Winter Wonderland
lyricist:
Richard B. Smith (wrote lyrics to “Winter Wonderland”)
composer:
Felix Bernard
publisher:
Bregman, Vocco & Conn, Inc., EMI Music (do not use as release label! this is a music publisher), Francis, Day & Hunter, Redwood Music Ltd. (Carlin), Warner Chappell Music Inc., Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Charlotte Church3:04
7The Christmas Song (Chestnuts Roasting on an Open Fire)
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Nick Ingman
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire)
lyricist:
Robert Wells (songwriter) (in 1945-07) and Mel Tormé (“The Velvet Fog”) (in 1945-07)
composer:
Mel Tormé (“The Velvet Fog”) (in 1945-07)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell, Warner Chappell Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (from 1946 to present)
Charlotte Church3:30
8Hark! The Herald Angels Sing
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
chorus master:
Stephen Westrop (chorus master)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
Hark! The Herald Angels Sing (Christmas carol)
additional lyricist:
George Whitefield (in 1753)
lyricist:
Charles Wesley (hymn writer) (in 1739)
composer:
Felix Mendelssohn (composer) (in 1840)
arranger:
William H. Cummings (in 1855)
part of:
The New English Hymnal (hymn book) (number: 26)
Charlotte Church3:17
9The Coventry Carol (Lully Lullay)
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
Coventry Carol
lyricist:
Robert Croo (16th-century lyricist of "The Coventry Carol") (in 1534)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 19028)
Charlotte Church2:32
10Joy to the World
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
chorus master:
Stephen Westrop (chorus master)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
Joy to the World (Christmas carol)
lyricist:
Isaac Watts (hymn writer) (in 1719)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Lowell Mason (in 1839)
Charlotte Church2:13
11When a Child Is Born
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
chorus master:
Stephen Westrop (chorus master)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
When a Child Is Born
lyricist:
Fred Jay
composer:
Zacar
arranger:
Dave Arch (pianist, conductor, arranger and composer)
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., Beechwood Music Corp., EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Charlotte Church2:30
12What Child Is This?
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
What Child Is This?
lyricist:
William Chatterton Dix (in 1865)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 25608)
version of:
Greensleeves (generic entry for traditional and unknown arrangements)
Charlotte Church2:47
13God Rest Ye Merry, Gentlemen
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
God Rest Ye Merry, Gentlemen (traditional, no arrangement credits here)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 394)
Charlotte Church2:00
14Draw Tua Bethlehem/Far Over Bethlehem
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
Draw Tua Bethlehem/Far Over Bethlehem
additional lyricist:
John Stoddart (American R&B/Gospel singer-songwriter)
lyricist:
W. Rhys Nicholas
composer:
Hugh Gwynne
publisher:
Cyhoeddiadau Curiad
Charlotte Church3:37
15Ave Maria
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
harp:
Rhodri Davies (UK harp player)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charlotte Church2:50
16Gabriel’s Message
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
arranger:
Julian Smith (Welsh National Opera conductor)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
Gabriel's Message
lyricist:
Sabine Baring‐Gould and Christina Rossetti
composer:
[traditional] (special purpose artist)
arranger:
Zachary Wadsworth
Charlotte Church2:43
17O Holy Night
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Cappeau de Roquemaure and Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
O Holy Night
lyricist:
John Sullivan Dwight (in 1855)
composer:
Adolphe Adam (French composer) (in 1847)
arrangement of:
O holy night (arr. John Ebenezer West)
translated version of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
Charlotte Church4:22
18Lo! How a Rose E’er Blooming
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
chorus master:
Stephen Westrop (chorus master)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Blackheath Concert Halls in London (Greater London)
recording of:
Lo, How a Rose E’er Blooming (English version of “Es ist ein Ros entsprungen”)
additional composer:
Michael Praetorius (composer and organist)
composer:
[anonymous] (special purpose artist)
translator:
Theodore Baker (in 1894)
translated version of:
Es ist ein Ros entsprungen (Praetorius’ harmonisation)
Charlotte Church2:33
19Silent Night
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
vocals:
Charlotte Church
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead and Whitfield Street Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London)
recording of:
Silent Night (Christmas carol, English translation)
lyricist:
Josef Mohr (composer/author) (in 1816)
composer:
Franz Xaver Gruber (composer/author) (in 1818)
translator:
John Freeman Young (in 1859)
part of:
Roud Folk Song Index (number: 27088)
translated version of:
Stille Nacht, heilige Nacht
Charlotte Church33:47

Credits

Release

executive producer:Jeremy Caulton