Individually & Collectively

~ Release by The 5th Dimension (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Leave a Little Room
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood
recording of:
Leave a Little Room
lyricist:
Michael Randall
composer:
Michael Randall
3:46
A2(Last Night) I Didn’t Get to Sleep at All
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore and Ron Townson
arranger:
Bill Holman and Bones Howe
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood
recording of:
(Last Night) I Didn’t Get to Sleep at All
lyricist and composer:
Tony Macaulay
publisher:
PolyGram Music Publishing
33:10
A3All Kinds of People
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
piano:
John Myles
solo vocals:
Florence LaRue Gordon
vocals:
Billy Davis, Jr., Lamonte McLemore, Marilyn McCoo and Ron Townson
conductor:
John Myles
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) and John Myles
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood
cover recording of:
All Kinds of People
lyricist:
Hal David
composer:
Burt Bacharach
3:07
A4Sky & Sea
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood
recording of:
Sky & Sea
lyricist and composer:
J. Alf
3:39
A5Tomorrow Belongs to the Children
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood
recording of:
Tomorrow Belongs to the Children
lyricist and composer:
Bob Gundry
3:36
A6Turn Around to Me
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood
recording of:
Turn Around to Me
writer:
Gerry Goffin and Michael Masser
3:05
B1If I Could Reach You
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore and Ron Townson
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood
recording of:
If I Could Reach You
lyricist and composer:
Randy McNeill
3:08
B2Half Moon
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood
cover recording of:
Half Moon
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
3:14
B3Band of Gold
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Ron Townson
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore and Marilyn McCoo
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood
cover recording of:
Band of Gold (1955 song)
lyricist:
Bob Musel (American journalist, lyricist)
composer:
Jack Taylor (US soul producer/songwriter)
publisher:
Essex Music
4:09
B4Border Song
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
piano:
Isaiah Jones, Jr.
solo vocals:
Billy Davis, Jr.
vocals:
Florence La Rue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood
cover recording of:
Border Song
lyricist:
Elton John (English singer, songwriter, pianist, and composer) and Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
3:09
B5Black Patch
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo tenor saxophone:
Bill Perkins (jazz saxophonist)
solo vocals:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore and Marilyn McCoo
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood
recording of:
Black Patch
lyricist and composer:
Laura Nyro
publisher:
EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
4:27

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Release

printed in:United States