The Complete Reprise Studio Recordings

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Monday Morning Quarterback
recorded in:
New York, New York, Vereinigte Staaten (am 1981-09-10)
Produzent(in):
Don Costa (US pop music arranger & producer)
Blechblasinstrumente:
Charles Turner (US jazz trumpeter) (am 1981-09-10)
Bratsche / Viola:
George Brown (American pop violinist) (am 1981-09-10), Harold Coletta (am 1981-09-10), Theodore Israel (am 1981-09-10), Vincent Liota (am 1981-09-10), Richard Maximoff (am 1981-09-10) und Mitsue Takayama (violinist/violist/cellist) (am 1981-09-10)
Cello:
Julius Ehrenwerth (am 1981-09-10), Jesse Levy (am 1981-09-10), Anthony Sophos (am 1981-09-10) und Frederick Zlotkin (cellist) (am 1981-09-10)
Geige / Violine:
Anahid Ajemian (American violinist) (am 1981-09-10), Sanford Allen (am 1981-09-10), Lamar Alsop (am 1981-09-10), Frederick Buldrini (am 1981-09-10), Peter Buonconsiglio (am 1981-09-10), Peter Dimitriades (am 1981-09-10), Winterton Garvey (am 1981-09-10), Max Hollander (am 1981-09-10), Stanley Hunte (am 1981-09-10), Elliot Magaziner (am 1981-09-10), Carmel Malin (am 1981-09-10), Joe Malin (am 1981-09-10), Pamela Posk (am 1981-09-10), Tony Posk (am 1981-09-10), Secondo Proto (am 1981-09-10) und Gerald Tarack (am 1981-09-10)
Gitarre:
Tony Mottola (am 1981-09-10)
Harfe:
Nanette Norton Kramer (am 1981-09-10)
Holzblasinstrumente:
Sidney Cooper (am 1981-09-10), Wally Kane (US woodwind player) (am 1981-09-10), Bernie Kaufman (am 1981-09-10), Al Klink (am 1981-09-10), Sol Schlinger (saxophone, jazz) (am 1981-09-10) und Robert Steen (am 1981-09-10)
Klavier:
Vincent Falcone, Jr. (am 1981-09-10)
Kontrabass:
Frank Bruno (bass) (am 1981-09-10), Gene Cherico (am 1981-09-10) und John Miller (bassist and music contractor/coordinator) (am 1981-09-10)
Perkussion:
Ted Sommer (am 1981-09-10)
Schlagzeug:
Irv Cottler (am 1981-09-10)
Waldhorn:
Joseph de Angelis (am 1981-09-10), Donald Corrado (am 1981-09-10) und Sharon Moe (am 1981-09-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1981-09-10)
conductor:
Gordon Jenkins (am 1981-09-10)
arranger:
Gordon Jenkins
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1981-09-10)
recording of:
Monday Morning Quarterback (am 1981-09-10)
Texter:
Pamela Phillips‐Oland
Komponist(in):
Don Costa (US pop music arranger & producer)
publisher:
WB Music Corp. (1929–2019)
14:38
2Hey Look, No Crying
recorded in:
New York, New York, Vereinigte Staaten (am 1981-09-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1981-09-10)
arranger:
Gordon Jenkins
recording of:
Hey Look, No Cryin' (am 1981-09-10)
Texter:
Susan Birkenhead
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
5:27
3To Love a Child
recorded in:
Hollywood (am 1981-12-05)
vocals:
Nikki Costa (am 1981-12-05) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1981-12-05)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
To Love a Child (am 1981-12-05)
Texter:
Hal David
Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
publisher:
Casa David und Instructional Children’s Music Inc.
3:22
4Love Makes Us Whatever We Want to Be
recorded in:
New York, New York, Vereinigte Staaten (am 1982-08-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1982-08-17)
arranger:
Billy May
recording of:
Love Makes Us Whatever We Want to Be (am 1982-08-17)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
2:39
5Searching
recorded in:
New York, New York, Vereinigte Staaten (am 1982-08-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1982-08-17)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
Searching (am 1982-08-17)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
3:48
6Here’s to the Band
recorded in:
New York, New York, Vereinigte Staaten (am 1983-01-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1983-01-25)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
Here's to the Band (am 1983-01-25)
Verfasser(in):
Sharman Howe, Alfred Nittoli und Arthur Schroeck
publisher:
EMI Algee Music Corp. und Saloon Songs Inc.
4:11
7All the Way Home
recorded in:
New York, New York, Vereinigte Staaten (am 1983-01-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1983-01-25)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
All the Way Home (am 1983-01-25)
Texter und Komponist(in):
Teddy Randazzo
publisher:
Saloon Songs Inc. und Teddy Randazzo Music
3:54
8It’s Sunday
recorded in:
Los Angeles (am 1983-02-28)
Gitarre:
Tony Mottola (am 1983-02-28)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1983-02-28)
arranger:
Tony Mottola
recording of:
It's Sunday (am 1983-02-28)
Texter:
Susan Birkenhead
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA), Saloon Songs Inc., Unichappell Music und WB Music Corp. (1929–2019)
3:37
9L.A. Is My Lady
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-13)
recording engineer:
Phil Ramone (am 1984-04-13)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Perkussion:
Ralph MacDonald (am 1984-04-13)
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1984-04-13)
Solo-Hybrid-Piano:
Bob James (US jazz keyboardist, arranger and producer) (am 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-13)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-13)
conductor:
Quincy Jones (am 1984-04-13)
arranger:
Jerry Hey, Quincy Jones, Dave Matthews (of Dave Matthews Band) und Torrie Zito
recording of:
L.A. Is My Lady (am 1984-04-13)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Quincy Jones und Peggy Lipton
publisher:
Rashida Music, Threesome Music Company und Yellowbrick Road Music
53:14
10Until the Real Thing Comes Along
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-13)
recording engineer:
Phil Ramone (am 1984-04-13)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-Trompete [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (am 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-13)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-13)
conductor:
Quincy Jones (am 1984-04-13)
arranger:
Sammy Nestico
cover recording of:
Until the Real Thing Comes Along (am 1984-04-13)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
13:05
11After You’ve Gone
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-13)
recording engineer:
Phil Ramone (am 1984-04-13)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Gitarre:
George Benson (jazz guitarist/singer) (am 1984-04-13)
Solo-Vibraphon [Vibes]:
Lionel Hampton (am 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-13)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-13)
conductor:
Quincy Jones (am 1984-04-13)
arranger:
Frank Foster (saxophonist)
cover recording of:
After You’ve Gone (am 1984-04-13)
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
13:18
12The Best of Everything
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-16)
recording engineer:
Phil Ramone (am 1984-04-16)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-alto saxophone:
Frank Wess (am 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-16)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-16)
conductor:
Quincy Jones (am 1984-04-16)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
The Best of Everything (am 1984-04-16)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Fiddleback Music Publishing Co., Inc. und Kander & Ebb, Inc.
12:48
13It’s All Right With Me
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-16)
recording engineer:
Phil Ramone (am 1984-04-16)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-16)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-16)
conductor:
Quincy Jones (am 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
It’s All Right with Me (Can‐Can musical) (am 1984-04-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
12:41
14A Hundred Years From Today
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-16)
recording engineer:
Phil Ramone (am 1984-04-16)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-Posaune:
Urbie Green (am 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-16)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-16)
conductor:
Quincy Jones (am 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
A Hundred Years From Today (am 1984-04-16)
Texter:
Ned Washington und Joe Young (US lyricist)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und Warock Corp.
13:09
15How Do You Keep the Music Playing?
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-17)
recording engineer:
Phil Ramone (am 1984-04-17)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Klavier:
Joe Parnello (American pianist, conductor and arranger) (am 1984-04-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-17)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-17)
conductor:
Quincy Jones (am 1984-04-17)
arranger:
Joe Parnello (American pianist, conductor and arranger)
cover recording of:
How Do You Keep the Music Playing? (am 1984-04-17)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Michel Legrand
publisher:
Warner Olive Music LLC und WB Music Corp. (1929–2019) (in 1982)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
13:54
16Teach Me Tonight
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-17)
recording engineer:
Phil Ramone (am 1984-04-17)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-17)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-17)
conductor:
Quincy Jones (am 1984-04-17)
arranger:
Torrie Zito
cover recording of:
Teach Me Tonight (am 1984-04-17)
Texter:
Sammy Cahn
Komponist(in):
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
23:47
17If I Should Lose You
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-17)
recording engineer:
Phil Ramone (am 1984-04-17)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-17)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-17)
conductor:
Quincy Jones (am 1984-04-17)
arranger:
Sammy Nestico
cover recording of:
If I Should Lose You (am 1984-04-17)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
12:39
18Stormy Weather
recorded in:
Los Angeles (am 1984-05-17)
recording engineer:
Steve Crimmel (US recording engineer) (am 1984-05-17), Mark Ettel (am 1984-05-17) und Phil Ramone (am 1984-05-17)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-Gitarre:
Lee Ritenour (am 1984-05-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-05-17)
Orchester:
Quincy Jones and His Orchestra (am 1984-05-17)
conductor:
Quincy Jones (am 1984-05-17)
arranger:
Sammy Nestico
cover recording of:
Stormy Weather (am 1984-05-17)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
13:41
19Mack the Knife
recorded in:
Los Angeles (am 1986-10-30)
recording engineer und Mix:
Phil Ramone
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1986-10-30)
Solo-Posaune:
Urbie Green (am 1986-10-30)
Solo-Trompete [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (am 1986-10-30)
Vibraphon [vibes]:
Lionel Hampton (am 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1986-10-30)
Orchester und Interpret(in):
Quincy Jones and His Orchestra (am 1986-10-30)
conductor:
Quincy Jones (am 1986-10-30)
arranger:
Frank Foster (saxophonist)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (am 1986-10-30)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
24:53
20The Girls I Never Kissed
recorded in:
Los Angeles (am 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1986-10-30)
arranger:
Billy May
recording of:
The Girls I Never Kissed (am 1986-10-30)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music und Sony/ATV Songs LLC
3:32
21Only One to a Customer
Bass:
Jim Hughart (am 1986-10-30)
Bratsche / Viola:
Marilyn Baker (am 1986-10-30), Kenneth Burward‐Hoy (am 1986-10-30), Pamela Goldsmith (American violist) (am 1986-10-30) und Gareth Nuttycombe (violist) (am 1986-10-30)
Cello:
Virginia Burward-Hoy (cellist) (am 1986-10-30), Ernest Ehrhardt (am 1986-10-30), Raymond Kelley (cellist) (am 1986-10-30) und Frederick Seykora (am 1986-10-30)
Geige / Violine:
Israel Baker (American violinist) (am 1986-10-30), Arnold Belnick (am 1986-10-30), Assa Drori (am 1986-10-30), Henry Ferber (am 1986-10-30), Reginald Hill (British‐American violinist) (am 1986-10-30), Bill Hybel (am 1986-10-30), Kathleen Lenski (am 1986-10-30), Gordon Marron (am 1986-10-30), Wilbert Nuttycombe (strings) (am 1986-10-30), Donald Palmer (US violinist and concertmaster) (am 1986-10-30), Mari Tsumura (aka Mari Tsumura‐Botnick) (am 1986-10-30) und Shari Zippert (Violinist) (am 1986-10-30)
Gitarre:
Ron Anthony (am 1986-10-30)
Harfe:
Gayle Levant (American studio musician, harpist) (am 1986-10-30)
Holzblasinstrumente:
Jeff Clayton (saxophonist and flautist) (am 1986-10-30), Bob Cooper (US jazz saxophonist) (am 1986-10-30), Daniel Higgins (am 1986-10-30), Jack Nimitz (American saxophonist and clarinet player) (am 1986-10-30) und Wilbur Schwartz (am 1986-10-30)
Klavier:
Bob Florence (am 1986-10-30)
Perkussion:
Victor Feldman (jazz musician) (am 1986-10-30)
Posaune:
Les Benedict (am 1986-10-30), Dick Hyde (am 1986-10-30), Charles Loper (American trombonist) (am 1986-10-30) und Dick Noel (trombone) (am 1986-10-30)
Schlagzeug:
Irv Cottler (am 1986-10-30)
Trompete:
Charles Davis (trumpet player) (am 1986-10-30), Walter Johnson (trumpeter) (am 1986-10-30), John Madrid (am 1986-10-30) und Frank Szabo (am 1986-10-30)
Waldhorn:
Ron Loofbourrow (am 1986-10-30), Ralph Pollock (am 1986-10-30) und Henry Sigismonti (am 1986-10-30)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1986-10-30)
conductor:
Bill Miller (pianist) (am 1986-10-30)
arranger:
Billy May
aufgenommen bei:
Evergreen Recording Studios in Burbank (am 1986-10-30)
recording of:
Only One to a Customer (am 1986-10-30)
Texter:
Carolyn Leigh
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
2:48
22My Foolish Heart
recorded in:
Hollywood (am 1988-06-06)
Solo-Trompete:
Jack Sheldon (am 1988-06-06)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1988-06-06)
arranger:
Billy May
Bearbeitung von:
My Foolish Heart (original studio master) von Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
My Foolish Heart (am 1988-06-06)
Texter:
Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music und Patti Washington Music
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 2)
2:47

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten