The 80s U.S. Playlist

~ Parution par Various Artists (afficher toutes les versions de cette parution, 1 proposée)

Liste de pistes

1CD
noTitreArtisteÉvaluationDurée
1Don’t Stop Believin’
ingénieur :
Kevin Elson
ingénieur assistant :
Wally Buck
producteur :
Kevin Elson et Mike Stone (producer and engineer, 1960s–80s)
batterie et percussions :
Steve Smith (US drummer most associated with Journey) (du 1981-04 au 1981-06)
clavier et piano :
Jonathan Cain (du 1981-04 au 1981-06)
guitare :
Neal Schon (du 1981-04 au 1981-06)
guitare basse :
Ross Valory (du 1981-04 au 1981-06)
voix d’accompagnement :
Jonathan Cain (du 1981-04 au 1981-06), Neal Schon (du 1981-04 au 1981-06) et Ross Valory (du 1981-04 au 1981-06)
voix principale :
Steve Perry (former lead singer of Journey) (du 1981-04 au 1981-06)
droits phonographiques (℗) par :
CBS Inc. (US broadcasting company; file no releases here!) (le 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (le 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (le 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1981) et Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (le 1981)
enregistré à :
Fantasy Studios (Berkeley) dans Berkeley (du 1981-04 au 1981-06)
mixé à :
Fantasy Studios (Berkeley) dans Berkeley
partie de :
SWR1 Hitparade 2022 (Baden-Württemberg) (numéro : 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numéro : 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (numéro : 34), Billboard: The 500 Best Pop Songs (as of October 2023) (numéro : 51) et Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numéro : 133)
recording of :
Don’t Stop Believin’ (Journey song) (du 1981-04 au 1981-06)
auteur :
Jonathan Cain, Steve Perry (former lead singer of Journey) et Neal Schon
éditeur :
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) et Weedhigh‐Nightmare Music
sous-éditeur :
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (jusqu’au 2014-12-31) et フジパシフィックミュージック (Fujipacific Music, Inc.) (du 2015-01-01 à ce jour)
Journey4.34:08
2Never Too Much
ingénieur du son et mixeur :
Michael H. Brauer (engineer)
ingénieur :
Carl Beatty (engineer)
ingénieur assistant :
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) et Don Wershba (engineer)
producteur :
Luther Vandross
producteur délégué :
Larkin Arnold
basse :
Marcus Miller (jazz musician)
batterie :
Buddy Williams (drummer)
clavier [keyboards] :
Nat Adderley, Jr.
congas :
Bashiri Johnson
cor [horns] et cordes :
Paul Riser
guitare :
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
percussions :
Crusher Bennett
voix d’accompagnement [female backup vocals] :
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis et Sybil Thomas
voix d’accompagnement [male backup vocals] et voix principale :
Luther Vandross
arrangeur :
Nat Adderley, Jr. et Paul Riser
arrangeur de voix :
Luther Vandross
droits phonographiques (℗) par :
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (le 1981), CBS, Inc. (US broadcasting company; file no releases here!) (le 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1981) et Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (le 1981)
enregistré à :
Mediasound Studios dans New York, New York, États-Unis
clips :
Never Too Much par Luther Vandross
partie de :
Billboard: The 500 Best Pop Songs (as of October 2023) (numéro : 468) et Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numéro : 466)
recording of :
Never Too Much
parolier et compositeur :
Luther Vandross
éditeur :
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. et Uncle Ronnie’s Music Company Inc.
Luther Vandross3.853:49
3Poison
droits phonographiques (℗) par :
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1989)
recording of :
Poison
auteur :
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) et John McCurry
éditeur :
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, du 1989 à ce jour), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, du 1989 à ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) et Ezra Music Corp. (du 1989 à ce jour)
sous-éditeur :
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) et ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper3:57
4State of Shock
programmation drum machine [Linn LM-1] :
Michael Jackson (“King of Pop”)
producteur :
Michael Jackson (“King of Pop”)
basse et guitare :
David Williams (session guitarist and songwriter)
battements de mains et voix principale :
Michael Jackson (“King of Pop”)
percussions :
Paulinho da Costa (Brazilian percussionist)
voix d’accompagnement :
Jackie Jackson (member of the Jackson 5), Marlon Jackson, Michael Jackson (“King of Pop”) et Johnny Ray Nelson
voix principale invité :
Mick Jagger (Rolling Stones)
arrangeur :
Michael Jackson (“King of Pop”)
droits phonographiques (℗) par :
CBS, Inc. (US broadcasting company; file no releases here!) (le 1984) et Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1984)
recording of :
State of Shock
parolier :
Randy Hansen et Michael Jackson (“King of Pop”)
compositeur :
Michael Jackson (“King of Pop”)
éditeur :
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons34:30
5Rosanna
producteur :
Toto (US rock group)
basse :
David Hungate
batterie et percussions :
Jeff Procaro
clavier :
David Paich et Steve Porcaro
guitare :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
voix :
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) et Steve Porcaro
arrangeur :
David Paich et Jerry Hey
droits phonographiques (℗) par :
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (le 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (le 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1982) et Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (le 1982)
recording of :
Rosanna
parolier et compositeur :
D. Paich
éditeur :
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. et Spirit Two Music
sous-éditeur :
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:02
6It’s Like That
recording of :
It’s Like That
auteur :
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) et Larry Smith (US hip hop producer)
éditeur :
Protoons Inc., Rush-Groove et Warner Chappell Music Ltd. (no slash; used 1988–1996)
Run‐DMC4:47
7Hangin’ Tough
droits phonographiques (℗) par :
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (le 1988)
recording of :
Hangin’ Tough
parolier et compositeur :
Maurice Starr
New Kids on the Block4:16
8Jump (for My Love)
ingénieur :
Gary Skardina
producteur :
Richard Perry (producer)
producteur associé :
Stephen Mitchell (US musician, composer, songwriter, producer et al.) et Gary Skardina
mixeur :
Michael Brooks (mixer) et James C. Tract
droits phonographiques (℗) par :
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (le 1982)
recording of :
Jump (for My Love)
auteur :
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron et Gary Skardina
éditeur :
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) et Sony/ATV Songs LLC
The Pointer Sisters43:59
9Broken Wings
droits phonographiques (℗) par :
Sony BMG Music Entertainment Inc. (le 1985) et Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1985)
montage de :
Broken Wings par Mr. Mister (American pop rock band)
recording of :
Broken Wings
auteur :
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) et Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
éditeur :
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (jusqu’au 2019-05-28) et WC Music Corp. (du 2019-05-28 à ce jour)
sous-éditeur :
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) et Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister44:23
10CriticizeAlexander O’Neal43:59
11Tell It to My HeartTaylor Dayne3:19
12The Way It Is
droits phonographiques (℗) par :
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (le 1986)
recording of :
The Way It Is
parolier et compositeur :
B.R. Hornsby
éditeur :
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) et Zappo Music (du 1986 à ce jour)
sous-éditeur :
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.353:58
13Let’s Hear It for the Boy
producteur :
George Duke
mixeur :
Tom Perry (engineer), Tommy Vicari et Erik Zobler
batterie électronique [Linn Drums] , Minimoog [Mini-Moog] , Moog [Memory Moog] et synthétiseur analogique [Prophet V] :
George Duke
guitare :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussions :
Paulinho da Costa (Brazilian percussionist)
voix d’accompagnement :
George Merrill, Shannon Rubicam et Deniece Williams (US soul/funk vocalist/songwriter)
droits phonographiques (℗) par :
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (le 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1984) et Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (le 1984)
recording of :
Let’s Hear It for the Boy
parolier :
Dean Pitchford
compositeur :
Thomas Snow (US keyboardist/songwriter)
éditeur :
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation et Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
partie de :
The 57th Academy Award for Best Original Song (numéro : 2) et Academy Award for Best Original Song (numéro : 1984 nominee)
Deniece Williams3.64:19
14Just Be Good to Me
recording of :
Just Be Good to Me
compositeur :
James Harris III (James Harris of Jam & Lewis) et Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
S.O.S. Band4:24
15Love Come Down
recording of :
Love Come Down
parolier et compositeur :
Kashif (Michael Jones, B.T. Express)
éditeur :
MCA Music Ltd.
Evelyn “Champagne” King4.53:17
16I’ll House You
producteur :
Jungle Brothers (US hip hop group) et Todd Terry (US house DJ, producer and remixer)
échantillons :
Can You Party par Royal House (Todd Terry alias) et Move Your Body par Marshall Jefferson
recording of :
I’ll House You
auteur :
Michael Small (US rapper Michael Small, member of Jungle Brothers), Nathaniel Hall (Nathaniel Hall) et Todd Terry (US house DJ, producer and remixer)
Jungle Brothers44:56
17Love Struck Baby
droits phonographiques (℗) par :
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (le 1983)
recording of :
Love Struck Baby
parolier et compositeur :
Stevie Ray Vaughan
éditeur :
Bug Music Ltd. et Ray Vaughan Music
Stevie Ray Vaughan & Double Trouble2:22
18Baby, I Love Your Way / Freebird
droits phonographiques (℗) par :
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (le 1987) et Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (le 1988)
partie de :
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numéro : 97)
reprise recording of :
Baby, I Love Your Way
parolier et compositeur :
Peter Frampton
éditeur :
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division et Yamaha Music EH(CM)
recording of :
Baby, I Love Your Way
parolier et compositeur :
Peter Frampton
éditeur :
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division et Yamaha Music EH(CM)
recording of :
Baby, I Love Your Way / Freebird
parolier et compositeur :
Allen Collins, Peter Frampton et Ronnie Van Zant
éditeur :
Anidraks Music (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Duchess Music Corporation (BMI-affiliated), Hustler Inc. et Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
pot-pourri de :
Baby, I Love Your Way
pot-pourri de :
Free Bird
Will to Power44:04
19Going Back to My Roots
reprise recording of :
Going Back to My Roots
parolier et compositeur :
Lamont Dozier
éditeur :
EMI Blackwood Music Inc., EMI Songs Ltd., Maurice Starr Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) et フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Odyssey53:25
20Don’t Wanna Lose You
programmation :
Jorge Casas et Clay Ostwald
ingénieur :
Eric Schilling
ingénieur supplémentaire assistant :
Mauricio Guerrero (Chilean drummer) et Greg Laney
producteur :
Jorge Casas, Emilio Estefan, Jr. et Clay Ostwald
mixeur :
Humberto Gatica
guitare acoustique :
Jorge Casas
guitare électrique :
Michael Thompson (session guitarist)
voix :
Gloria Estefan
voix d’accompagnement :
Jon Secada
voix principale :
Gloria Estefan
arrangeur :
Jorge Casas, Gloria Estefan et Clay Ostwald
droits phonographiques (℗) par :
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (le 1989)
recording of :
Don’t Wanna Lose You
parolier et compositeur :
Gloria Estefan
éditeur :
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), EMI Songs Ltd., Foreign Imported Productions & Publishing, Inc. et Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Gloria Estefan3.654:01
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commercialisé par :Crimson (UK budget comps; imprint of Crimson Productions Ltd.)