100% Hits: Best of ’98

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Boy Is Mine
Produzent(in):
Dallas Austin, Brandy (US R&B singer) und Rodney Jerkins
Interpret(in):
Monica (US R&B singer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1998) und WEA International, Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Brand Nu, Inc., Darkchild Entertainment, Inc. und Darp, Inc.
Bearbeitung von:
The Boy Is Mine (album version) von Brandy (US R&B singer) & Monica (US R&B singer)
recording of:
The Boy Is Mine
Verfasser(in):
Brandy Norwood (US R&B singer), LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins und Japhe Tejeda
publisher:
Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music und Sony/ATV Melody
Brandy & Monica34:02
2Viva Forever (radio edit)
Produzent(in):
Matt Rowe und Richard “Biff” Stannard
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1998)
recording of:
Viva Forever
Komponist(in):
Victoria Beckham (née Adams), Melanie Brown (Mel B), Emma Bunton, Melanie C, Geri Halliwell, Matt Rowe, Spice Girls und Richard “Biff” Stannard
publisher:
Polygram Music, PolyGram Music Publishing, Windswept Pacific Music und Windswept Pacific Music Ltd. (publishing company)
Spice Girls34:14
3High
Produzent(in):
Mike Peden (member of The Chimes)
vocals:
Tunde Baiyewu
recording of:
High
Texter:
Paul Tucker
Komponist(in):
Tunde Baiyewu und Paul Tucker
publisher:
Polygram Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family34:35
4Lady Marmalade
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
All Saints4:03
5Because We Want To (radio mix)
recording of:
Because We Want To
Verfasser(in):
Jim Marr, Wendy Page, Dion Rambo und Jacques Richmond (songwriter)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Hit & Run Music (UK company founded by Tony Smith in 1976), Homeless Youth Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und Scu Music
Billie Piper3:47
6Music Sounds Better With You (radio edit)
Programmierung:
Stardust (one‐time house project “Music Sounds Better With You”)
Produzent(in):
Thomas Bangalter
Mix:
Thomas Bangalter und Alan Braxe
Sologesang:
Benjamin Diamond (French rapper/singer)
phonographisches Urheberrecht (℗) von:
Roulé Music (in 1998)
produced for:
Roulé
aufgenommen bei:
Daft House in Paris
Samples:
Fate von Chaka Khan
Bearbeitung von:
Music Sounds Better With You (12” club mix) von Stardust (one‐time house project “Music Sounds Better With You”)
recording of:
Music Sounds Better With You
Texter:
Benjamin Cohen (French rapper/singer)
Komponist(in):
Thomas Bangalter, Benjamin Cohen (French rapper/singer) und Alain Quême
zusätzliche(r) Komponist(in):
Dominic Bugatti und Frank Musker
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Daft Music, Delabel Éditions (publisher; do NOT use as release label), EMI Publishing und Zomba Music
quotes music from:
Fate
Stardust3.84:23
7One Week
recording engineer und Techniker(in):
David Leonard (US producer and engineer) und Susan Rogers (US sound engineer)
sonstige Unterstützung:
Ed (Aufgabe: Dans la Maison) und Tyler (Aufgabe: Dans la Maison)
Produzent(in):
Barenaked Ladies, David Leonard (US producer and engineer) und Susan Rogers (US sound engineer)
Mix:
David Leonard (US producer and engineer)
Akustikgitarre:
Ed
E-Gitarre:
Ed und Kevin
E-Kontrabass [electric double bass]:
Jim
Keyboard:
Kevin
Schlagzeug:
Tyler
vocals:
Ed und Steven (Barenaked Ladies)
aufgenommen bei:
Arlyn Studios (sister of Pedernales Studio) in Austin (in 1998-02) und Phase One Studios in Toronto (in 1998-03)
mixed at:
East Iris Studios in Nashville (von 1998-03 bis 1998-04)
Musikvideos:
One Week von Barenaked Ladies
recording of:
One Week
Texter und Komponist(in):
Ed Robertson
publisher:
Treat Baker Music und WB Music Corp. (1929–2019)
Barenaked Ladies4.12:54
8Da Ya Think I’m Sexy
Techniker(in):
Nobby (alias of Martin Neary)
Produzent(in):
Curds und Whey
Gast vocals:
Rod Stewart
phonographisches Urheberrecht (℗) von:
AATW (in 1997)
Samples:
Da Ya Think I’m Sexy? von Rod Stewart
cover recording of:
Da Ya Think I’m Sexy?
Verfasser(in):
Carmine Appice, Duane Hitchings und Rod Stewart
publisher:
Control (German electronic sub-label of edel, inactive for a time, but relaunched in 2015), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Version von:
Taj Mahal
recording of:
Da Ya Think I’m Sexy?
Verfasser(in):
Carmine Appice, Duane Hitchings und Rod Stewart
publisher:
Control (German electronic sub-label of edel, inactive for a time, but relaunched in 2015), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Version von:
Taj Mahal
N‐Trance feat. Rod Stewart3.654:19
9Crush on You
phonographisches Urheberrecht (℗) von:
„edel“ records GmbH (in 1997)
cover recording of:
Crush on You
Texter und Komponist(in):
Jerry Knight und Aaron Zigman (American score composer)
publisher:
Rondor Musikverlag
recording of:
Crush on You
Texter und Komponist(in):
Jerry Knight und Aaron Zigman (American score composer)
publisher:
Rondor Musikverlag
recording of:
Crush on You (main mix)
Komponist(in):
J. Knight und Aaron Zigman (American score composer)
Aaron Carter3:28
10All My Life
Produzent(in):
Rory Bennett und JoJo Hailey (R&B singer, member of K‐Ci & JoJo)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (vom 1997 bis heute) und MCA Records Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1997)
produced for:
Two Big Productions Inc.
recording of:
All My Life
Verfasser(in):
Rory Bennett, Joel “Jo‐Jo” Hailey (R&B singer, member of K‐Ci & JoJo) und Randy Waldman
publisher:
2 Big Productions, Inc., Cord Kayla Music, EMI April Music Inc., EMI Publishing Ltd, Hee Bee Dooinit Music und Warner Chappell Music Ltd (no slash; used 1988–1996)
K‐Ci & JoJo3.43:42
11Sunchyme
phonographisches Urheberrecht (℗) von:
Chrysalis Records Limited (not for release label use! company behind the Chrysalis imprint) (in 1997) und Warner Music UK Ltd. (not for release label use!) (in 1997)
Samples:
Life in a Northern Town von The Dream Academy
Bearbeitung von:
Sunchyme (original) von Dario G
recording of:
Sunchyme
Verfasser(in):
Dario G, Gilbert Gabriel und Nick Laird-Clowes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner Chappell Music Ltd (no slash; used 1988–1996)
basiert auf:
Life in a Northern Town
Dario G3.653:56
12Grease Megamix (PWL version)
Sologesang:
Olivia Newton‐John (British‐Australian singer, actress and activist) und John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-Mixer:
Ian Curnow und Phil Harding (engineer, producer and remixer)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990, in 2003)
DJ-Mix von und Mashup von:
You’re the One That I Want von John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ von John Travolta (American actor and singer) und Summer Nights von John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
The Grease Megamix
Verfasser(in):
Warren Casey, John Farrar und Jim Jacobs
Medley von:
You’re the One That I Want (Grease, 1978 film)
Medley von:
Greased Lightnin’ (Grease, 1971 musical)
Medley von:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:49
13I Never Loved You Anyway
recording of:
I Never Loved You Anyway
Verfasser(in):
Carole Bayer Sager, Andrea Corr, Caroline Corr, Jim Corr und Sharon Corr
publisher:
All About Me Music (BMI-affiliated) (in 1997), Beacon Communications Music Co. (in 1997) und Songs of PolyGram International, Inc. (in 1997)
The Corrs4:26
14Don’t You Know Who I Am?
recording engineer und Produzent(in):
Happyland
Mix:
Magoo (Australian producer Lachlan Goold)
recording of:
Don’t You Know Who I Am?
Texter und Komponist(in):
Janet English und Quan Yeomans
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Happyland32:20
15Pure Morning (radio edit)
recording of:
Pure Morning
Texter:
Brian Molko
Komponist(in):
Placebo (UK alternative rock band)
publisher:
BMG Consortium Music Publishing Germany, BMG FM Music Limited, Elevator Lady Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Music Publishing LLC (1995–2020)
Placebo43:59
16Kung Fu Fighting
Produzent(in):
Biddu (composer, songwriter, producer and musician) (Aufgabe: original)
Gitarre:
Carl Adie (guitarist; performs with Bus Stop)
Gast vocals und Gast-Interpret(in):
Carl Douglas
zusätzlich Gast vocals:
Sue Quin
remixer:
Zip Fm-Japan (remixer; performs with The Olivia Project, Bus Stop)
phonographisches Urheberrecht (℗) von:
All Around the World (vom 1998 bis heute)
Samples:
Kung Fu Fighting von Carl Douglas
recording of:
Kung Fu Fighting (Bus Stop version)
Verfasser(in):
Carl Douglas
Version von:
Kung Fu Fighting
Bus Stop feat. Carl Douglas2.353:52
17The Impression That I Get
recording of:
The Impression That I Get
Verfasser(in):
Dicky Barrett und Joe Gittleman
The Mighty Mighty Bosstones3:15
18The Drugs Don’t Work
recording of:
The Drugs Don’t Work
Texter und Komponist(in):
Richard Ashcroft
publisher:
EMI Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
The Verve4:46
19No Aphrodisiac
Produzent(in):
Tim Freedman (Lead singer for The Whitlams) und Rob Taylor (Australian audio producer and engineer)
Bass und Kontrabass:
Andy Lewis (Australian bassist)
Bratsche / Viola:
Chris Emerson (violist) und Tim Hollo
Cello:
Peter Hollo
Geige / Violine:
Lara Goodridge
Gitarre:
Òscar Briz
Klavier und Hintergrundgesang:
Tim Freedman (Lead singer for The Whitlams)
Saiteninstrumente:
FourPlay String Quartet
Schlagzeug:
Mike Richards (Australian drummer formerly of The Whitlams)
vocals:
Tim Freedman (Lead singer for The Whitlams)
phonographisches Urheberrecht (℗) von:
Phantom Records (Australian indie label) (in 1997)
aufgenommen bei:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay und Paradise Studios (Sydney) in Sydney
mixed at:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 91) und triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1997)
recording of:
No Aphrodisiac (The Whitlams song)
Texter:
Tim Freedman (Lead singer for The Whitlams), Glenn Dormand (Australian songwriter and musician Glenn Dormand) und Matt Ford (Australian singer/songwriter Matt Ford)
Komponist(in):
Tim Freedman (Lead singer for The Whitlams)
publisher:
EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Mushroom Music Pty. Ltd., Mushroom Music Publishing und Phantom Music Pty. Ltd. (Publishing company for Phantom Records (active from 1999-2016)) (von 1997 bis 2016-10-24)
The Whitlams34:23
2▶CD

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1998)