111 More Classic Tracks

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Abbado – Chaliapin
2▼CD: Collins – Galway
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1Clarinet Concerto in A major, K. 622: II. Adagio
clarinet:
Michael Collins (clarinetist & conductor) (in 1997-07)
orchestra:
Russian National Orchestra (in 1997-07)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1997-07)
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1997-07)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1997-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:44
2Symphony no. 4 in E minor, op. 98: III. Allegro giocoso (Poco meno presto) - Tempo I
recorded in:
Berlin (in 1939-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1939-04)
conductor:
Victor de Sabata (conductor and composer) (in 1939-04)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (in 1939-04)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms5:38
3Te lo juro yo
engineer:
Stephan Flock
executive producer:
Ute Fesquet and Valentina Granados (executive producer)
producer:
Sid McLauchlan (engineer/producer)
guitar:
José María Gallardo del Rey (in 2007-07)
tenor vocals:
Plácido Domingo (tenor) (in 2007-07)
vocals:
Plácido Domingo (tenor) (in 2007-07)
orchestra:
Orquesta de la Comunidad de Madrid (in 2007-07)
conductor:
Miguel Roa (conductor) (in 2007-07)
orchestrator:
Emilio Aragón (Spanish director)
recorded at:
Teatro Albéniz in Madrid (from 2007-07 to present, in 2007-07)
recording of:
Te lo juro yo (I Swear It) (in 2007-07)
lyricist and composer:
Manuel Quiroga (Spanish pianist and composer, 1899-1988)
Manuel Quiroga2:41
4Kalinka & Grünes Gras
bass vocals:
Paul Myhalik (in 1964-01)
choir vocals:
Don Cossack Choir (in 1964-01)
tenor vocals:
Igor Seifert (in 1964-01) and Georg Tymczenko (in 1964-01)
conductor:
Serge Jaroff
chorus master:
Сергей Жаров (Serge Jaroff) (in 1964-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Friedrich-Ebert-Halle in Hamburg (in 1964-01)
recording of:
Kalinka & Grünes Gras (in 1964-01)
composer:
[anonymous] (special purpose artist)
arranger:
Сергей Жаров (Serge Jaroff)
[unknown]4:24
5“West Side Story” - Symphonic Dances: IV. Mambo
orchestra:
Orquesta Sinfónica Simón Bolívar (Simón Bolívar Symphony Orchestra) (in 2008-01)
conductor:
Gustavo Dudamel (conductor and violinist) (in 2008-01)
recorded at:
Sala Simón Bolivar (CASPM) in Caracas (in 2008-01)
live recording of:
Symphonic Dances from West Side Story: IV. Mambo. Presto (in 2008-01)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
live recording of:
West Side Story: The Dance at the Gym: Mambo
composer:
Leonard Bernstein (American conductor, composer, pianist)
arranger:
Michael Sweeney (American composer)
part of:
West Side Story: The Dance at the Gym
Leonard Bernstein2:21
6Allegretto (Polka) for String Quartet
producer:
Da-Hong Seetoo
cello:
David Finckel (in 1998-07)
string quartet:
Emerson String Quartet (in 1998-07)
viola:
Lawrence Dutton (violist) (in 1998-07)
violin:
Eugene Drucker (in 1998-07) and Philip Setzer (violinist) (in 1998-07)
recorded at:
Harris Concert Hall in Aspen (in 1998-07)
edit of:
Allegretto (Polka) for String Quartet After the Polka From “The Age of Gold”, op. 22 (w/ applause) by Emerson String Quartet
live recording of:
Two Pieces for String Quartet: II. Polka (in 1998-07)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
arrangement of:
Suite from "The Age of Gold", op. 22a: III. Polka
part of:
Two Pieces for String Quartet (sometimes labelled op. 36)
Дмитрий Дмитриевич Шостакович2:27
7Hora staccato
piano:
Jean‐Claude Ambrosini (pianist) (on 1968-12-19)
violin:
Christian Ferras (violinist) (on 1968-12-19)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Studio Polydor in Paris (on 1968-12-19)
recording of:
Hora Staccato (for violin and piano, arr. Heifetz) (on 1968-12-19)
composer:
Grigoraș Dinicu (Romanian violin virtuoso and composer)
piano and violin arranger:
Jascha Heifetz (violinist) (in 1932)
arrangement of:
Hora Staccato (dance for solo violin)
Grigoraș Dinicu2:21
8Lieder, op. 62: “Herr Pfarrer hat zwei Fraeulchen” Book II no. 4 (Poem: Die Pfarrjuengferchen)
piano:
Cord Garben (pianist and conductor) (in 1987-10)
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1987-10)
recorded at:
Studio Lankwitz in Lankwitz (in 1987-10)
recording of:
Die Pfarrjüngferchen, op. 62, Heft 1, no. 10 (in 1987-10)
lyricist:
Friedrich Rückert (German poet)
composer:
Carl Loewe (composer)
part of:
Liederkreis nach Gedichten von Friedrich Rückert, op. 62
Carl Loewe2:23
9Cantata “Christ lag in Todesbanden”, BWV 4: VI. Versus 5: “Hier ist das rechte Osterlamm”
organ:
Maria Jung (in 1950-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1950-08)
orchestra:
Bach Festival Orchestra 1950 (in 1950-08)
conductor:
Fritz Lehmann (conductor) (in 1950-08)
recorded at:
Johanniskirche in Göttingen (in 1950-08)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1950-08)
composed in:
Mühlhausen (from 1707 until 1708)
revised in:
Leipzig (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:25
10Sonata for Violin and Piano in A major: I. Allegretto ben moderato
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
violin:
Augustin Dumay (violinist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich) (from 1993-09 until 1993-10)
recording of:
Sonata for Violin and Piano in A major, M. 8, CFF 123: I. Allegretto ben moderato (from 1993-09 until 1993-10)
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck5:48
11Ragtime Bass in C‐sharp
producer:
Dr. Fred Hamel
piano:
Földes Andor (Hungarian pianist) (in 1951-09)
balance engineer:
Karl-Heinz Westphal (in 1951-09)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover) (in 1951-09)
recording of:
Ragtime Bass in C-sharp (in 1951-09)
composer:
Virgil Thomson (American composer)
Virgil Thomson1:46
12The Tale of Tsar Saltan: The Flight of the Bumble‐Bee
producer:
Hansjoachim Reiser (engineer/producer)
cello:
Pierre Fournier (cellist) (in 1969-01, from 1969-01-08 until 1969-01-10)
piano:
Lamar Crowson (pianist) (in 1969-01, from 1969-01-08 until 1969-01-10)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1969-01-08 until 1969-01-10)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich) (in 1969-01, from 1969-01-08 until 1969-01-10)
recording of:
Flight of the Bumblebee (for cello and piano, Strimer) (from 1969-01-08 until 1969-01-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
arranger:
Joseph Strimer
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements) (in 1969-01)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Николай Андреевич Римский‐Корсаков1:17
13Tritsch‐Tratsch‐Polka, op. 214
producer:
Hans Weber (producer/engineer)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-02-02 until 1961-02-09)
conductor:
Ferenc Fricsay (conductor) (from 1961-02-02 until 1961-02-09)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1961-02-02 until 1961-02-09)
recording of:
Tritsch–Tratsch Polka, op. 214 (from 1961-02-02 until 1961-02-09)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss II2:29
14Rosamunde, D.797 (Incidental music to Helmina von Chézy’s Play): Ballet Music no. 2
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1929-06)
conductor:
Wilhelm Furtwängler (conductor) (in 1929-06)
recorded at:
Hochschule für Musik Hanns Eisler Berlin in Berlin (in 1929-06)
recording of:
Rosamunde, D. 797: IX. Ballettmusik Nr. 2 G-Dur. Andantino (in 1929-06)
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert5:20
15Bachianas brasileiras no. 5 for Soprano and Cellos: Aria (Cantilena)
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
arranger:
[anonymous] (special purpose artist)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (in 2006-07)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (catch-all for arrangements) (in 2006-07)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1936)
arrangement of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Heitor Villa‐Lobos6:21
16Die Schöpfung Hob. XXI:2 Erster Teil - XIV. Chor und Terzett: “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
instruments:
English Baroque Soloists (The English Baroque Soloists)
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:50
17Fantasias (7 Piano Pieces), op. 116: VII. Capriccio in D minor
piano:
Emil Gilels (pianist) (from 1975-09-08 until 1975-09-10)
recorded at:
Turun konserttitalo (Turku Concert Hall) in Turku (from 1975-09-08 until 1975-09-10)
recording of:
7 Fantasias, op. 116: No. 7 in D minor. Capriccio. Allegro agitato (from 1975-09-08 until 1975-09-10)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
7 Fantasias, op. 116
Johannes Brahms2:19
18Requiem, Op.48: VII. In Paradisum
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor) (in 1986-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1986-03)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:52
19Ayre: II. Una Madre Comió Asado (A Mother Roasted Her Child)
instruments:
The Andalucian Dogs (in 2004-08)
soprano vocals:
Dawn Upshaw (soprano) (in 2004-08)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 2004-08)
recording of:
Ayre: II. Una madre comió asado (in 2004-08)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Osvaldo Golijov (Argentinean composer)
part of:
Ayre
Osvaldo Golijov3:08
20Annie’s Song (arranged by Charles Gerhardt; adapted by Craig Leon)
producer:
Craig Leon (musician, arranger, composer and producer)
flute:
James Galway (flautist) (in 2004-06)
orchestra:
London Symphony Orchestra (in 2004-06)
conductor:
Klauspeter Seibel (conductor) (in 2004-06)
arranger:
Charles Gerhardt (conductor, producer, arranger) and Craig Leon (musician, arranger, composer and producer)
balance engineer:
Jonathan Allen (engineer)
recorded at:
Abbey Road Studios in St John's Wood (in 2004-06) and Abbey Road Studios: Studio 1 in St John's Wood (in 2004-06)
recording of:
Annie’s Song (John Denver song) (in 2004-06)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen (in 1973-01)
instrumental recording of:
Annie’s Song (John Denver song) (in 2004-06)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen (in 1973-01)
John Denver2:57
3▶CD: Goebel – Knappertsbusch
4▶CD: Kleiber – Mravinsky
5▶CD: Mutter – Rostropovich
6▶CD: Seefried – Zimerman