The World’s Most Beautiful Melodies: Candlelight Classics

~ Parution par The London Promenade Orchestra (afficher toutes les versions de cette parution, 1 proposée)

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1▼CD
noTitreArtisteÉvaluationDurée
1Greensleeves
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Greensleeves (generic entry for traditional and unknown arrangements)
parolier et compositeur :
[traditional] (Traditionnel, special purpose artist)
[traditional]2:21
2Air for the G String
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1730)
partie de :
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:44
3The Tales of Hoffmann: Barcarolle
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
compositeur :
Jacques Offenbach (German-French composer, cellist and impresario)
librettiste :
Jules Barbier
partie de :
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:38
4Hänsel and Gretel: Evening Prayer
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Hänsel und Gretel: “Abends, will ich schlafen gehn” (Evening Prayer, Nachtgebet) (catch-all for arrangements)
compositeur :
Engelbert Humperdinck (German composer) (du 1891 au 1892)
librettiste :
Adelheid Wette (German lyricist)
arrangement de :
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir)
Engelbert Humperdinck3:38
5Intermezzo
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Intermezzo (aka "Souvenir de Vienne", theme from the 1936 Swedish film, "Intermezzo")
compositeur :
Heinz Provost (le 1935)
éditeur :
Schubert (19th century publisher) et Southern Music Publishing Company Limited
Heinz Provost, Robert Henning3:05
6Ave Maria
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
parolier :
[anonymous] (special purpose artist)
compositeur :
Franz Schubert (composer)
version de :
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
instrumental recording of :
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
parolier :
[anonymous] (special purpose artist)
compositeur :
Franz Schubert (composer)
version de :
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert2:59
7The Girl With the Flaxen Hair
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
compositeur :
Claude Debussy (French composer) (du 1909-12 au 1910-02)
première à :
[concert] (1910-06-02)
partie de :
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:52
8Vocalise
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Vocalise, op. 34 no. 14 (catch-all for unknown arrangements)
compositeur :
Сергей Васильевич Рахманинов (Serge Rachmaninoff, Russian composer) (le 1912)
arrangement de :
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninoff4:25
9Londonderry Air
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
arrangeur :
René Leibowitz (conductor)
recording of :
Londonderry Air
compositeur :
[traditional] (Traditionnel, special purpose artist)
arrangeur :
John Pell (classical guitar)
arrangement de :
Londonderry Air (for Harp, arr. Carlos Salzedo)
[traditional], arr. René Leibowitz1:39
10Don Giovanni: Là ci darem la mano
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Don Giovanni: “Là ci darem la mano” (catch-all for arrangements)
compositeur :
Wolfgang Amadeus Mozart (classical composer)
arrangement de :
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
Wolfgang Amadeus Mozart2:54
11Plaisir d’amour
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Plaisir d’amour (Romance du chevrier)
parolier :
Jean-Pierre Claris de Florian
compositeur :
Jean‐Paul‐Égide Martini (Plaisir d'amour)
éditeur :
Warlock Music Ltd.
Jean‐Paul‐Égide Martini3:29
12Serenade
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Schwanengesang, D. 957: IV. Ständchen (catch-all for arrangements)
compositeur :
Franz Schubert (composer)
arrangement de :
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (original for voice and piano)
est basée sur :
סרנדה
Franz Schubert2:06
13Liebestraum (Dream of Love)
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”, S. 541 Nr. 3 (catch-all for arrangements)
compositeur :
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement de :
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Franz Liszt2:28
14Tosca: Vissi d’arte
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of :
Tosca: “Vissi d’arte” (catch‐all for arrangements)
compositeur :
Giacomo Puccini (Italian composer)
arrangement de :
Tosca: Atto II. “Vissi d’arte” (Tosca)
Giacomo Puccini3:15
15Samson and Delilah: My Heart at Thy Sweet Voice
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
compositeur :
Camille Saint‐Saëns (composer)
partie de :
Samson et Dalila : Acte II
Camille Saint‐Saëns2:47
16Louise: Depuis le jour
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Louise: Acte III, Scène I. “Depuis le jour” (Louise)
compositeur :
Gustave Charpentier (French composer)
partie de :
Louise: Acte III, Scène I.
Gustave Charpentier4:03
17Ave Maria
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Ave Maria (Méditation sur le 1er prélude de piano de S. Bach, Bach/Gounod)
parolier :
[anonymous] (special purpose artist)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) et Charles Gounod (French composer) (le 1853)
est basée sur :
Méditation sur le Premier Prélude de Piano de S. Bach
est basée sur :
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach, Charles Gounod5:20
18Madama Butterfly: Un bel dì
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
compositeur :
Giacomo Puccini (Italian composer)
librettiste :
Giuseppe Giacosa et Luigi Illica
partie de :
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:47
19I Pagliacci: Vesti la giubba
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
compositeur et librettiste :
Ruggero Leoncavallo (composer) (le 1892)
partie de :
For the First Time (1959 film)
partie de :
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:19
20On Wings of Song
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements)
compositeur :
Felix Mendelssohn (composer)
arrangement de :
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Felix Mendelssohn2:49
21Carmen: Flower Song
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
compositeur :
Georges Bizet (French composer) (le 1875)
librettiste :
Ludovic Halévy (French librettist) (le 1875) et Henri Meilhac (le 1875)
partie de :
Carmen : Acte II
Georges Bizet3:11
22Tannhäuser: Evening Star
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
Tannhäuser: O du mein holder Abendstern (catch-all for arrangements)
compositeur :
Richard Wagner (composer)
arrangement de :
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern”
Richard Wagner2:55
23Lullaby
orchestre :
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor :
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of :
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
compositeur :
Johannes Brahms (German composer)
arrangement de :
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:24

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