| # | Title | Artist | Rating | Length |
|---|
| 1 | Steal Away- engineer:
- Gary Brandt
- congas:
- Miguel Rivera
- guitar:
- Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer and Brian Ray
- harmonica:
- Robbie Dupree
- keyboard:
- Rick Chudacoff and Bill Elliott
- marimba:
- Alan Estes
- percussion:
- Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas and Miguel Rivera
- saxophone:
- Jerry Peterson
- synthesizer:
- Michael Boddicker and Bill Elliott
- background vocals:
- Kal David, Bill LaBounty, Arno Lucas and Michael McDonald
- arranger:
- Bill Elliott
- phonographic copyright (℗) by:
- Elektra Entertainment (in 1980) and Elektra/Asylum Records (in 1980)
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 64)
- recording of:
- Steal Away
- lyricist:
- Rick Chudacoff
- composer:
- Robbie Dupree
- publisher:
- Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Robbie Dupree | | 3:29 |
| 2 | Is It You? | Lee Ritenour | | 4:24 |
| 3 | Who’s Right, Who’s Wrong | Pages | | 4:18 |
| 4 | It’s the Falling in Love | Carole Bayer Sager | | 3:53 |
| 5 | Best for You | John Valenti | | 4:05 |
| 6 | Living Inside Myself | Gino Vannelli | | 4:24 |
| 7 | You Oughta Know by Now | Ray Kennedy | | 4:33 |
| 8 | You Should Hear How She Talks About You | Melissa Manchester | | 4:16 |
| 9 | Magic | Dick St. Nicklaus | | 3:39 |
| 10 | What a Fool Believes | The Doobie Brothers | 4 | 3:45 |
| 11 | Goin’ Down | Greg Guidry | | 3:45 |
| 12 | Baby Come Back- engineer:
- Matt Hyde , Jay Lewis and Joe Sidore
- producer:
- Dennis Lambert and Brian Potter
- bass guitar:
- Ronn Moss
- clavinet, electric piano and synthesizer:
- Wayne Cook
- congas, drums (drum set) and maracas:
- John Friesen
- guitar:
- Peter Beckett
- background vocals and lead vocals:
- J.C. Crowley
- vocals:
- Peter Beckett and Ronn Moss
- phonographic copyright (℗) by:
- PolyGram International Music B.V. (in 1977) and Universal International Music B.V. (in 1977)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 7) and Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 24)
- recording of:
- Baby Come Back
- writer:
- Peter Beckett and John Charles Crowley II
- publisher:
- BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music , R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 , ワーナー・チャペル音楽出版 Synch事業部 and 大洋音楽
| Player | 4.35 | 4:14 |
| 13 | I Won’t Hold You Back | Toto | | 3:50 |
| 14 | Heart of Mine- phonographic copyright (℗) by:
- The Music Force Media Group, LLC (in 1989)
- recording of:
- Heart of Mine
- writer:
- Bobby Caldwell , Dennis Matkosky and Jason Scheff
- publisher:
- Bobby Caldwell Music, Jason Scheff Music, Songs of Universal, Inc. , The Music Force, Walpergus Music, WB Music Corp. , シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 , ワーナー・チャペル音楽出版 Synch事業部 and 渡辺音楽出版 CM事業部
| Bobby Caldwell | | 4:48 |
| 15 | Him- engineer and mixer:
- Jim Boyer
- producer:
- Jim Boyer and Rupert Holmes
- bass [electric bass]:
- Frank Gravis
- drums (drum set):
- Leo Adamian
- phonographic copyright (℗) by:
- Infinity Records Inc., Geffen Records (in 1979) and MCA Records, Inc. (in 1979, in 1980)
- recorded at:
- Plaza Sound Studios in New York, New York, United States
- mixed at:
- A&R Recording Studio in New York, New York, United States
- recording of:
- Him
- lyricist, composer and arranger:
- Rupert Holmes
- publisher:
- The Holmes Line of Music, Inc., ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Rupert Holmes | | 4:09 |
| 16 | Wait for Me | Daryl Hall & John Oates | | 4:08 |
| 17 | After the Love Is Gone- producer:
- David Foster and Jay Graydon
- mixer:
- Jay Graydon
- bass guitar:
- David Hungate
- guitar:
- Jay Graydon
- keyboard:
- David Foster
- trombone:
- Bill Reichenbach , Charles Loper and Lew McCreary
- trumpet:
- Gary Grant , Jerry Hey and Steve Madaio
- background vocals:
- David Foster , Tommy Funderburk and Jay Graydon
- lead vocals:
- Tommy Funderburk and Jay Graydon
- brass [horns] arranger:
- David Foster
- arranger:
- David Foster and Jay Graydon
- phonographic copyright (℗) by:
- RCA Records (in 1980) and Sony Music Entertainment Inc. (in 1980)
- mixed at:
- Garden Rake Studios in Studio City
- cover recording of:
- After the Love Has Gone
- writer:
- Bill Champlin, David Foster and Jay Graydon
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music , Irving Music, Inc., Music Sales Corporation , Ninth Music and Noted for the Record
- sub-publisher:
- Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部
| Airplay | | 4:28 |
| 18 | Arthur’s Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 5 | 3:54 |
| 19 | You Can Have Me Anytime | Boz Scaggs | | 4:57 |
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