Don Giovanni

~ Release by Mozart; Andreas Schmidt, Gregory Yurisich, Amanda Halgrimson, Lynne Dawson, John Mark Ainsley, Nancy Argenta, Gerald Finley, Alastair Miles, London Classical Players, Roger Norrington (see all versions of this release, 2 available)

Tracklist

1▶CD: Atto Primo (Prague version)
2▼CD: Atto Secondo (Prague version)
#TitleArtistRatingLength
1Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:11
2Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:44
3Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
soprano vocals:
Lynne Dawson (soprano) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:06
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello) / "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
soprano vocals:
Lynne Dawson (soprano) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Eccomi a voi!” (Donna Elvira, Don Giovanni, Leporello) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:45
5Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:38
6Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" / "Non ci stanchiamo" (Don Giovanni, Masetto)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
bass vocals:
Gerald Finley (bass-baritone) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:02
7Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:39
8Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni) / "Ahi ahi! la testa mia" (Masetto, Zerlina)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
bass vocals:
Gerald Finley (bass-baritone) (in 1992-08)
soprano vocals:
Nancy Argenta (soprano) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:44
9Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
soprano vocals:
Nancy Argenta (soprano) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:52
10Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
soprano vocals:
Lynne Dawson (soprano) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:23
11Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
soprano vocals:
Lynne Dawson (soprano) (in 1992-08) and Amanda Halgrimson (soprano) (in 1992-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:38
12Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Mille torbidi pensieri" (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
soprano vocals:
Lynne Dawson (soprano) (in 1992-08) and Amanda Halgrimson (soprano) (in 1992-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:35
13Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
bass vocals:
Gerald Finley (bass-baritone) (in 1992-08)
soprano vocals:
Nancy Argenta (soprano) (in 1992-08) and Lynne Dawson (soprano) (in 1992-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:20
14Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:40
15Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
bass vocals:
Gerald Finley (bass-baritone) (in 1992-08)
soprano vocals:
Nancy Argenta (soprano) (in 1992-08) and Lynne Dawson (soprano) (in 1992-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:37
16Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
tenor vocals:
John Mark Ainsley (tenor) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:49
17Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:50
18Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:25
19Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
soprano vocals:
Amanda Halgrimson (soprano) (in 1992-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:46
20Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
soprano vocals:
Amanda Halgrimson (soprano) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:17
21Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
soprano vocals:
Amanda Halgrimson (soprano) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:42
22Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
tenor vocals:
John Mark Ainsley (tenor) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, si segua il suo passo” (Don Ottavio) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:15
23Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
soprano vocals:
Lynne Dawson (soprano) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:47
24Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
soprano vocals:
Lynne Dawson (soprano) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. “L’ultima prova dell’amor mio” (Don Giovanni, Leporello, Donna Elvira) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:43
25Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "Ah signor ... per carità!" (Don Giovanni, Leporello)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
bass vocals:
Gregory Yurisich (baritone) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. “Che grido è questo mai” … “Ah signor per carità” (Donna Elvira, Don Giovanni, Leporello) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer) and Giuseppe Verdi (Italian opera composer)
librettist:
Lorenzo Da Ponte and Temistocle Solera
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:49
26Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
bass vocals:
Alastair Miles (operatic bass) (in 1992-08) and Gregory Yurisich (baritone) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:16
27Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
bass vocals:
Gerald Finley (bass-baritone) (in 1992-08) and Gregory Yurisich (baritone) (in 1992-08)
soprano vocals:
Nancy Argenta (soprano) (in 1992-08), Lynne Dawson (soprano) (in 1992-08) and Amanda Halgrimson (soprano) (in 1992-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:45
28Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
bass vocals:
Gerald Finley (bass-baritone) (in 1992-08) and Gregory Yurisich (baritone) (in 1992-08)
choir vocals:
The Schütz Choir of London (in 1992-08)
soprano vocals:
Nancy Argenta (soprano) (in 1992-08) and Amanda Halgrimson (soprano) (in 1992-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. “Or che tutti, o mio tesoro” … “Resti dunque quel birbon” (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:44
29Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto)
engineer:
Chris Ludwinski (in 1992-08)
assistant producer:
Rosemary Lowther (task: production assistant)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
bass vocals:
Gerald Finley (bass-baritone) (in 1992-08) and Gregory Yurisich (baritone) (in 1992-08)
soprano vocals:
Nancy Argenta (soprano) (in 1992-08), Lynne Dawson (soprano) (in 1992-08) and Amanda Halgrimson (soprano) (in 1992-08)
tenor vocals:
John Mark Ainsley (tenor) (in 1992-08)
orchestra:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1992-08)
recording of:
Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) (in 1992-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:52
3▶CD: Appendix (Vienna version)

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liner notes translator:Florence Daguerre de Hureaux