The Roots of Rock ’n’ Roll 1946–1954

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
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#TitleArtistRatingLength
1Money Honey
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
guitar:
Walter Adams (guitarist for The Drifters) (on 1953-08-09)
baritone vocals:
Gerhart Thrasher (on 1953-08-09)
bass vocals:
Willie Ferbie (on 1953-08-09)
lead vocals:
Clyde McPhatter (on 1953-08-09)
tenor vocals:
Bill Pinkney (on 1953-08-09) and Andrew Thrasher (on 1953-08-09)
recorded at:
Atlantic Recording Studio (234 West 56th St., New York, 1947-1956) in Manhattan, New York, New York, United States (on 1953-08-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 252)
recording of:
Money Honey (on 1953-08-09)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
The Drifters42:57
2Little Richard’s Boogie
recorded in:
Houston (on 1953-10-05)
producer:
Don Robey
baritone saxophone:
Fred Ford (baritone saxophonist) (on 1953-10-05) and Walter Henry (baritone saxophonist) (on 1953-10-05)
double bass:
Albert Winston (R&B bassist) (on 1953-10-05)
drums (drum set):
Leard 'Kansas City' Bell (R&B drummer) (on 1953-10-05)
guitar:
Pete Lewis (on 1953-10-05)
piano:
Little Richard (in 1953) and Devonia Williams (US R&B pianist/singer) (on 1953-10-05)
trombone:
George Washington (jazz trombonist) (on 1953-10-05)
trumpet:
Lorenzo Holden (on 1953-10-05), Don Johnson (1950s' R&B trumpeter) (on 1953-10-05) and James Van Streeter (R&B trumpeter) (on 1953-10-05)
vibraphone:
Johnny Otis (on 1953-10-05)
vocals:
Little Richard (on 1953-10-05)
orchestra:
Johnny Otis Orchestra (on 1953-10-05)
recording of:
Little Richard’s Bible
lyricist:
Bernie Taupin
writer:
Brandi Carlile (American country singer-songwriter), Elton John (English singer, songwriter, pianist, and composer) and Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
dedicated to:
Little Richard
Little Richard with The Johnny Otis Orchestra2:51
3Let Me Go Home, Whiskey
recorded in:
Los Angeles (on 1952-12-18)
baritone saxophone:
Leroy Robinson (saxophonist) (on 1952-12-18)
bass:
Leonard Sonny Williams (bassist) (on 1952-12-18)
drums (drum set):
Donald Dean (US jazz drummer) (on 1952-12-18)
guitar:
Wayne Bennett (blues guitarist) (on 1952-12-18)
tenor saxophone:
Billie Smith (US jazz saxophonist) (on 1952-12-18) and Tina Brooks (on 1952-12-18)
vocals:
Amos Milburn (on 1952-12-18)
recording of:
Let Me Go Home, Whiskey (on 1952-12-18)
lyricist and composer:
John ‘Shifty’ Henry
Amos Milburn2:49
4Mystery Train
producer:
Sam Phillips (founder of Sun Records)
double bass [bass]:
Kenneth Banks (in 1953-10)
drums (drum set) [drums]:
John Bowers (drummer) (in 1953-10)
guitar:
Floyd Murphy (in 1953-10)
vocals:
Junior Parker (in 1953-10)
recorded at:
Sun Studio in Memphis (in 1953-10)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2013)
recording of:
Mystery Train (in 1953-10)
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
Little Junior's Blue Flames32:27
5Shake a Hand
orchestra:
Joe Morris Orchestra
recording of:
Shake a Hand (in 1953)
lyricist and composer:
Joe Morris (US jazz trumpeter)
publisher:
Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Faye Adams2:53
6Crying in the Chapel
cover recording of:
Crying in the Chapel (on 1953-06-30)
lyricist and composer:
Artie Glenn (in 1953)
publisher:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) and Mijac Music
The Orioles3:05
7Please Don’t Leave Me
producer:
Dave Bartholomew
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans
recording of:
Please Don’t Leave Me (on 1953-04-18)
lyricist and composer:
Antoine Dominique Domino (Fats Domino)
Fats Domino42:41
8Crazy Man, Crazy
double bass:
Marshall Lytle (in 1953)
electric guitar:
Art Ryerson (in 1953)
guitar:
Bill Haley (in 1953)
membranophone:
Billy Gussak (in 1953)
piano:
Johnny Grande (in 1953)
steel guitar:
William F. ‘Billy’ Williamson (in 1953)
vocals:
Bill Haley (in 1953)
recording of:
Crazy Man, Crazy (in 1953)
lyricist and composer:
Bill Haley
Bill Haley & His Comets2:40
9K.C. Loving
recording of:
Kansas City (aka “K.C. Loving”) (on 1952-08-18)
lyricist:
Jerry Leiber (in 1952)
composer:
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co., Peter Maurice Music Co. Ltd. and Sony/ATV Songs LLC
Little Willie Littlefield2:40
10The Clock
recording of:
The Clock (on 1953-01-13)
writer:
Johnny Ace (1950s rhythm & blues) and David James Mattis
Johnny Ace2:59
11Baby Don’t Do It
recording of:
Baby Don’t Do It (in 1952-10)
writer:
Lowman Pauling
The “5” Royales2:46
12Honey Hush
recorded in:
New Orleans (on 1953-05-12)
producer:
Big Joe Turner
alto saxophone:
Dimes Dupont (American saxophonist) (on 1953-05-12)
double bass [bass]:
John Fernandez (bassist) (on 1953-05-12)
drums (drum set) [drums]:
Alonzo Stewart (on 1953-05-12)
guitar:
Edgar Blanchard (on 1953-05-12)
piano:
Kathy Thomas (on 1953-05-12)
tenor saxophone:
Warren Hebrew (on 1953-05-12)
trombone:
Worthia Thomas (trombone) (on 1953-05-12)
trumpet:
Frank Mitchell (trumpet) (on 1953-05-12) and Thomas Sheldon (trumpet) (on 1953-05-12)
vocals:
Big Joe Turner (on 1953-05-12)
orchestra:
Pluma Davis' Orchestra (on 1953-05-12)
arranger:
Pluma Davis
recording of:
Honey Hush (on 1953-05-12)
additional lyricist and additional composer:
Lou Willie Turner
lyricist and composer:
Big Joe Turner
publisher:
Carlin Music Corp.
Big Joe Turner2:44
13I Feel So Bad
vocals:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (on 1953-09-17)
orchestra:
Leroy Kirkland Orchestra (on 1953-09-17)
conductor:
Leroy Kirkland (on 1953-09-17)
recording of:
I Feel So Bad (on 1953-09-17)
lyricist and composer:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Berkshire Music Inc., Cecil Lennox Ltd, Chuck Willis Music Co., Elvis Presley Music Inc. and Tideland Music Publishing Corporation
Chuck Willis2:56
14The Things That I Used to Do
alto saxophone:
Gus Fontenette (on 1953-10-26)
bass guitar [bass]:
Lloyd Lambert (on 1953-10-26)
drums (drum set) [drums]:
Oscar Moore (on 1953-10-26)
guitar:
Eddie "Guitar Slim" Jones (Eddie Jones) (on 1953-10-26)
piano:
Ray Charles (soul musician, singer and songwriter) (on 1953-10-26)
tenor saxophone:
Charles Burbank (on 1953-10-26) and Joseph Tillman (on 1953-10-26)
trumpet:
Frank S. Mitchell (trumpet) (on 1953-10-26)
vocals:
Eddie "Guitar Slim" Jones (Eddie Jones) (on 1953-10-26)
arranger:
Ray Charles (soul musician, singer and songwriter) (on 1953-10-26)
recorded at:
J&M Music Shop in New Orleans (on 1953-10-26)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1984)
recording of:
The Things That I Used to Do (on 1953-10-26)
lyricist and composer:
Eddie Jones (US blues guitarist, aka Guitar Slim)
publisher:
Sony/ATV Songs LLC and Venice Music
Guitar Slim23:03
15You Upset Me Baby
alto saxophone:
Jewell Grant (US saxophonist) (from 1954-08-18 until 1954-08-19)
bass:
Ralph Hamilton (US jazz/R&B bassist) (from 1954-08-18 until 1954-08-19)
drums (drum set):
Jesse Sailes (from 1954-08-18 until 1954-08-19)
guitar:
B.B. King (from 1954-08-18 until 1954-08-19)
piano:
Willard McDaniel (from 1954-08-18 until 1954-08-19)
saxophone:
Floyd Turnham (from 1954-08-18 until 1954-08-19)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (from 1954-08-18 until 1954-08-19)
trumpet:
Harry D. Jones (from 1954-08-18 until 1954-08-19)
vocals:
B.B. King (from 1954-08-18 until 1954-08-19)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
publisher:
Intersong Music
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) and P‐VINE RECORDS (record label — add releases here) (in 1954)
recorded at:
Modern Studios in Culver City (from 1954-08-18 until 1954-08-19)
recording of:
You Upset Me Baby (from 1954-08-18 until 1958-08-19)
writer:
Riley B. King and Jules Taub
publisher:
BMG Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
B.B. King13:02
16Riot in Cell Block #9
bass:
Ralph Hamilton (US jazz/R&B bassist) (in 1954)
drums (drum set):
Jesse Sailes (in 1954)
guitar:
Barney Kessel (in 1954)
piano:
Mike Stoller (in 1954)
saxophone:
Gil Bernal (in 1954)
lead vocals:
Richard Berry (US singer/songwriter, composed “Louie Louie”) (in 1954)
vocals:
Carl Gardner (in 1954), Bobby Nunn (US doo‐wop/R&B bass vocalist) (in 1954), Billy Richard (of The Robins) (in 1954), Roy Richard (from The Robins) (in 1954) and Ty Terrell (in 1954)
arranger:
Mike Stoller
recorded at:
Master Recorders in Hollywood (in 1954)
recording of:
Riot in Cell Block #9 (in 1954)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC
The Robins2.53:00
17Sh‐Boom
recorded in:
New York, New York, United States (on 1954-03-15)
producer:
Ahmet Ertegun (US songwriter/producer) and Jerry Wexler
tenor saxophone:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (on 1954-03-15)
vocals:
The Chords (50s US doo-wop group "Sh-Boom") (on 1954-03-15)
arranger:
Howard Biggs
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 215)
recording of:
Sh‐Boom (on 1954-03-15)
writer:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes and Floyd McRae
premiered by:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:27
18Work With Me Annie
electric bass guitar:
Alonzo Tucker (singer, guitarist, arranger, songwriter) (on 1954-01-14)
guitar:
Arthur Porter (on 1954-01-14)
membranophone:
Robert Boswell (drummer) (on 1954-01-14)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1954-01-14)
tenor saxophone:
Robert Darby (on 1954-01-14)
background vocals:
Henry Booth (on 1954-01-14) and Charles Sutton (on 1954-01-14)
bass vocals:
Sonny Woods (on 1954-01-14)
lead vocals:
Hank Ballard (on 1954-01-14)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Work With Me, Annie (on 1954-01-14)
lyricist and composer:
Hank Ballard
Hank Ballard and the Midnighters2:45
19I’m Your Hoochie Coochie Man
recorded in:
Chicago (on 1954-01-07)
double bass:
Willie Dixon (on 1954-01-07)
drums (drum set):
Fred Below (on 1954-01-07)
guitar:
Muddy Waters (blues musician) (on 1954-01-07) and Jimmy Rogers (blues artist) (on 1954-01-07)
harmonica:
Little Walter (blues performer and songwriter) (on 1954-01-07)
piano:
Otis Spann (on 1954-01-07)
vocals:
Muddy Waters (blues musician) (on 1954-01-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1954)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1984), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 225)
recording of:
I’m Your Hoochie Coochie Man (on 1954-01-07)
lyricist and composer:
Willie Dixon
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Campbell Connelly, Hello Mr. Wilson, Hoochie Coochie Music, Jewel Music Pub Co Ltd (publisher; do NOT use as release label) and Willie Dixon Music
Muddy Waters3.752:50

Credits

Release

mastering:Gavin Lurssen (American mastering engineer)