Arias for Mezzo-Soprano (Title on liner notes is Arias for Contralto; title on CD is Arias for Mezzo-soprano.)

~ Release by Gioachino Rossini; Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi, Ewa Podleś (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Italian Girl in Algiers: Act I. Cavatina "Cruda sorte! Amor tiranno!" (Isabella)
recording engineer:
Jenő Simon (in 1995-05)
producer:
Tamás Benedek (in 1995-05)
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus) (from 1995-05-16 until 1995-05-22)
mezzo-soprano vocals:
Ewa Podleś (contralto) (from 1995-05-16 until 1995-05-22)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra) (from 1995-05-16 until 1995-05-22)
conductor:
Pier Giorgio Morandi (conductor) (from 1995-05-16 until 1995-05-22)
balance engineer:
Gábor Mocsáry (in 1995-05)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest (from 1995-05-16 until 1995-05-22)
recording of:
L'italiana in Algeri: Atto I, scena 4. No. 4 Coro e cavatina: “Quanta roba! Quanti schiavi!” (Coro, Haly) (from 1995-05-16 until 1995-05-22)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto I
Gioachino Rossini4:23
2The Italian Girl in Algiers: Act II. Recitativo e rondò "Amici, in ogni evento m'affido a voi ... Pensa alla patria" (Isabella)
recording engineer:
Jenő Simon (in 1995-05)
producer:
Tamás Benedek (in 1995-05)
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus) (from 1995-05-16 until 1995-05-22)
mezzo-soprano vocals:
Ewa Podleś (contralto) (from 1995-05-16 until 1995-05-22)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra) (from 1995-05-16 until 1995-05-22)
conductor:
Pier Giorgio Morandi (conductor) (from 1995-05-16 until 1995-05-22)
balance engineer:
Gábor Mocsáry (in 1995-05)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest (from 1995-05-16 until 1995-05-22)
recording of:
L'italiana in Algeri: Atto II, scena 11. No. 15. Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (Coro) / “Amici, in ogni evento” / “Pensa alla patria” (Isabella, Coro) (from 1995-05-16 until 1995-05-22)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini9:22
3Semiramide: Act I. Recitativo e cavatina "Eccomi alfine in Babilonia ... Ah! quel giorno ognor rammento" (Arsace)
recording engineer:
Jenő Simon (in 1995-05)
producer:
Tamás Benedek (in 1995-05)
mezzo-soprano vocals:
Ewa Podleś (contralto) (from 1995-05-16 until 1995-05-22)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra) (from 1995-05-16 until 1995-05-22)
conductor:
Pier Giorgio Morandi (conductor) (from 1995-05-16 until 1995-05-22)
balance engineer:
Gábor Mocsáry (in 1995-05)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest (from 1995-05-16 until 1995-05-22)
recording of:
Semiramide: Atto I. “Ah, quel giorno ognor rammento” … “Oh, come da quel dì” (Arsace) (from 1995-05-16 until 1995-05-22)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Semiramide: Atto I
recording of:
Semiramide: Atto I. No. 2. Recitativo e cavatina “Eccomi alfine in Babilonia” (Arsace) (from 1995-05-16 until 1995-05-22)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Semiramide: Atto I
Gioachino Rossini10:53
4Tancredi: Act I. Recitative e cavatina "Oh patria ... Di tanti palpiti" (Tancredi)
recording engineer:
Jenő Simon (in 1995-05)
producer:
Tamás Benedek (in 1995-05)
mezzo-soprano vocals:
Ewa Podleś (contralto) (from 1995-05-16 until 1995-05-22)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra) (from 1995-05-16 until 1995-05-22)
conductor:
Pier Giorgio Morandi (conductor) (from 1995-05-16 until 1995-05-22)
balance engineer:
Gábor Mocsáry (in 1995-05)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest (from 1995-05-16 until 1995-05-22)
recording of:
Tancredi: Atto I. “Di tanti palpiti” (Tancredi) (from 1995-05-16 until 1995-05-22)
composer:
Gioachino Rossini (composer)
part of:
Tancredi: Atto I
recording of:
Tancredi: Atto I. No. 3. Recitativo e cavatina “Oh patria! - Dolce e ingrata patria!” (Tancredi) (from 1995-05-16 until 1995-05-22)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Tancredi: Atto I
Gioachino Rossini8:42
5Maometto II: Act II. Aria "Non temer: d'un basso affetto" (Calbo)
recording engineer:
Jenő Simon (in 1995-05)
producer:
Tamás Benedek (in 1995-05)
mezzo-soprano vocals:
Ewa Podleś (contralto) (from 1995-05-16 until 1995-05-22)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra) (from 1995-05-16 until 1995-05-22)
conductor:
Pier Giorgio Morandi (conductor) (from 1995-05-16 until 1995-05-22)
balance engineer:
Gábor Mocsáry (in 1995-05)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest (from 1995-05-16 until 1995-05-22)
recording of:
Maometto II: Atto II. Aria “Non temer: d’un basso affetto” (Calbo) (from 1995-05-16 until 1995-05-22)
composer:
Gioachino Rossini (composer)
librettist:
Cesare della Valle
part of:
Maometto II: Atto II
Gioachino Rossini7:45
6The Lady of the Lake: Act I. Recitativo e cavatina "Mura felici ... Elena! oh tu, che chiamo!" (Malcolm)
recording engineer:
Jenő Simon (in 1995-05)
producer:
Tamás Benedek (in 1995-05)
mezzo-soprano vocals:
Ewa Podleś (contralto) (from 1995-05-16 until 1995-05-22)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra) (from 1995-05-16 until 1995-05-22)
conductor:
Pier Giorgio Morandi (conductor) (from 1995-05-16 until 1995-05-22)
balance engineer:
Gábor Mocsáry (in 1995-05)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest (from 1995-05-16 until 1995-05-22)
recording of:
La donna del lago: Atto I, scena 2. No. 3. Recitativo e cavatina “Mura felici” … “Elena! oh tu, che chiamo!” (Malcolm) (from 1995-05-16 until 1995-05-22)
composer:
Gioachino Rossini (composer)
librettist:
Andrea Leone Tottola
part of:
La donna del lago: Atto I
Gioachino Rossini10:01
7The Barber of Seville: Act I. Cavatina "Una voce poco fa" (Rosina)
recording engineer:
Jenő Simon (in 1995-05)
producer:
Tamás Benedek (in 1995-05)
mezzo-soprano vocals:
Ewa Podleś (contralto) (from 1995-05-16 until 1995-05-22)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra) (from 1995-05-16 until 1995-05-22)
conductor:
Pier Giorgio Morandi (conductor) (from 1995-05-16 until 1995-05-22)
balance engineer:
Gábor Mocsáry (in 1995-05)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest (from 1995-05-16 until 1995-05-22)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1995-05-16 until 1995-05-22)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:05
8Cinderella: Act II. Rondò finale "Nacqui all'affanno, al pianto" (Cenerentola)
recording engineer:
Jenő Simon (in 1995-05)
producer:
Tamás Benedek (in 1995-05)
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus) (from 1995-05-16 until 1995-05-22)
mezzo-soprano vocals [Cenerentola]:
Ewa Podleś (contralto) (from 1995-05-16 until 1995-05-22)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra) (from 1995-05-16 until 1995-05-22)
conductor:
Pier Giorgio Morandi (conductor) (from 1995-05-16 until 1995-05-22)
balance engineer:
Gábor Mocsáry (in 1995-05)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest (from 1995-05-16 until 1995-05-22)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (from 1995-05-16 until 1995-05-22)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini7:43

Credits

Release

liner notes:Keith Anderson (Naxos related liner notes writer)