Singin’…

~ Release by Melissa Manchester (see all versions of this release, 9 available)

Tracklist

1▼CD
#TitleRatingLength
1Sad Eyes
assistant engineer:
Tom Bush
engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Galen Senogles
bass guitar [bass]:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
Jeff Mironov and David Spinozza
keyboard:
Don Grolnick
percussion:
Lenny Castro
synthesizer:
James Newton Howard (American score composer)
background vocals and lead vocals:
Melissa Manchester
strings arranger:
James Newton Howard (American score composer)
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and Sound Labs, Inc. in Hollywood
mixed at:
Producer’s Workshop in Hollywood
recording of:
Sad Eyes
lyricist and composer:
David Spinozza
publisher:
Spin These Tunes
sub-publisher:
リトルスター・コピーライトマネージメント (Little Star Copyright Management)
44:05
2I Wanna Be Where You Are
assistant engineer:
Tom Bush
engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Galen Senogles
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Steve Gadd (drummer)
flute:
Leo Worth Potts, Michael P. Carnahan and Tom Saviano
guitar:
Jeff Mironov and David Spinozza
keyboard:
Don Grolnick
percussion:
Lenny Castro
background vocals:
Claudia Cagan, Wendy Haas, Brie Howard and Gail Kantor
background vocals and lead vocals:
Melissa Manchester
woodwind arranger:
Tom Saviano
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and Sound Labs, Inc. in Hollywood
mixed at:
Producer’s Workshop in Hollywood
cover recording of:
I Wanna Be Where You Are
lyricist:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
composer:
Arthur “T‐Boy” Ross
publisher:
Jobete Music Co., Inc.
sub-publisher:
EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
43:51
3A Love of Your Own
assistant engineer:
Tom Bush
engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Galen Senogles
baritone saxophone:
Andy Macintosh (British-born saxophonist)
bass guitar [bass]:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
Sid McGinnis (American musician and guitarist)
keyboard:
Don Grolnick
percussion:
Lenny Castro
tenor saxophone:
Tom Saviano and Stanley Schwartz
trombone:
George Bohanon
trumpet:
Rich Felts
background vocals:
The Faragher Brothers and Vini Poncia
background vocals and lead vocals:
Melissa Manchester
brass [horns] arranger:
Tom Saviano
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and Sound Labs, Inc. in Hollywood
mixed at:
Producer’s Workshop in Hollywood
cover recording of:
A Love of Your Own
writer:
Ned Doheny and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Joe’s Songs Inc. (publisher, ASCAP‐affiliated), Longdog Music, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
34:02
4No One’s Ever Seen This Side of Me
assistant engineer:
Tom Bush
engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Galen Senogles
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Steve Gadd (drummer)
guitar:
Jeff Mironov and David Spinozza
keyboard:
Don Grolnick
percussion:
Lenny Castro
background vocals:
Claudia Cagan, The Faragher Brothers, Wendy Haas, Brie Howard, Gail Kantor and Vini Poncia
lead vocals:
Melissa Manchester
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and Sound Labs, Inc. in Hollywood
mixed at:
Producer’s Workshop in Hollywood
recording of:
No One’s Ever Seen This Side of Me
lyricist and composer:
Melissa Manchester
publisher:
Rumanian Pickleworks Company
43:17
5You Make It Easy
assistant engineer:
Tom Bush
engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Galen Senogles
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Steve Gadd (drummer)
guitar:
Sid McGinnis (American musician and guitarist)
keyboard:
Don Grolnick
percussion:
Lenny Castro
synthesizer:
James Newton Howard (American score composer)
vocals:
Melissa Manchester
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and Sound Labs, Inc. in Hollywood
mixed at:
Producer’s Workshop in Hollywood
cover recording of:
You Make It Easy (James Taylor song)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
45:11
6Stand
assistant engineer:
Tom Bush
engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Galen Senogles
baritone saxophone:
Andy Macintosh (British-born saxophonist)
bass guitar [bass]:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
Jeff Mironov and David Spinozza
keyboard:
Don Grolnick
percussion:
Lenny Castro
tenor saxophone:
Tom Saviano and Stanley Schwartz
trombone:
George Bohanon
trumpet:
Rich Felts
background vocals:
Claudia Cagan, The Faragher Brothers, Wendy Haas, Brie Howard, Gail Kantor and Vini Poncia
background vocals and lead vocals:
Melissa Manchester
brass [horns] arranger:
Tom Saviano
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and Sound Labs, Inc. in Hollywood
mixed at:
Producer’s Workshop in Hollywood
cover recording of:
Stand!
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
44:03
7My Love Is All I Know
assistant engineer:
Tom Bush
engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Galen Senogles
bass guitar [bass]:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
flute:
Leo Worth Potts, Michael P. Carnahan and Tom Saviano
guitar:
Jeff Mironov and David Spinozza
keyboard:
Don Grolnick
percussion:
Lenny Castro
solo flugelhorn:
Rich Felts
synthesizer:
James Newton Howard (American score composer)
background vocals:
Claudia Cagan, Wendy Haas, Brie Howard and Gail Kantor
background vocals and lead vocals:
Melissa Manchester
woodwind arranger:
Tom Saviano
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and Sound Labs, Inc. in Hollywood
mixed at:
Producer’s Workshop in Hollywood
cover recording of:
My Love Is All I Know
lyricist and composer:
Wendy Waldman
publisher:
Irving Music (BMI), Moon and Stars Music and Wei Chi Music
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
43:38
8Time
assistant engineer:
Tom Bush
engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Galen Senogles
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Steve Gadd (drummer)
guitar:
Jeff Mironov and David Spinozza
keyboard:
Don Grolnick
percussion:
Lenny Castro
background vocals and lead vocals:
Melissa Manchester
strings arranger:
James Newton Howard (American score composer)
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and Sound Labs, Inc. in Hollywood
mixed at:
Producer’s Workshop in Hollywood
cover recording of:
Time
writer:
Bob Marshall (bassist/songwriter, worked with John Miles) and John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
British Rocket Music, EMI Blackwood Music Inc., RAK Publishing Ltd. and Velvet Music (work publisher?)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
54:17
9Let Me Serenade You
assistant engineer:
Tom Bush
engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Galen Senogles
bass guitar [bass]:
Will Lee (US jazz/rock bassist)
drums (drum set):
Steve Gadd (drummer)
guitar:
Jeff Mironov and David Spinozza
keyboard:
Don Grolnick
percussion:
Lenny Castro
background vocals:
The Faragher Brothers and Vini Poncia
background vocals and lead vocals:
Melissa Manchester
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and Sound Labs, Inc. in Hollywood
mixed at:
Producer’s Workshop in Hollywood
cover recording of:
Let Me Serenade You
lyricist and composer:
John Finley
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
43:51
10The Warmth of the Sun
assistant engineer:
Tom Bush
engineer:
Bob Schaper
producer:
Vini Poncia
mixer:
Galen Senogles
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Steve Gadd (drummer)
guitar:
Sid McGinnis (American musician and guitarist)
keyboard:
Don Grolnick
percussion:
Lenny Castro
solo tenor saxophone:
Stanley Schwartz
vocals:
Melissa Manchester
produced for:
Mad Vincent Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and Sound Labs, Inc. in Hollywood
mixed at:
Producer’s Workshop in Hollywood
cover recording of:
The Warmth of the Sun
writer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
44:52

Credits

Release

manufactured by:Sony Music Japan International Inc. (do not use as a label, see the annotation)