The Complete Recordings on Deutsche Grammophon & Decca

~ Release by Claudio Abbado (see all versions of this release, 1 available)

Annotation

The complete set of recordings made by Claudio Abbado for Deutsche Grammophon and Decca. The set includes 258 CDs, 8 DVDs, a 112-page hardcover book with essays and photographs, and two booklets with tracklistings and credits. All CDs have original jacket artwork. The set is limited to 2,650 copies.

The set was originally released without the recording of Mozart's Piano Concerto no. 16 by Rudolf Serkin and Claudio Abbado. This missing disc was available on request from Deutsche Grammophon.

Annotation last modified on 2023-11-24 10:07 UTC.

Tracklist

1▶CD: Bach: Brandenburg Concertos nos. 1, 3 & 5
2▶CD: Bach: Brandenburg Concertos nos. 6, 4 & 2
3▶CD: Bartók: The Miraculous Mandarin / Two Portraits (One Ideal - One Grotesque)
4▶CD: Bartók: Piano Concertos nos. 1 & 2
5▶CD: Beethoven: Symphonies nos. 1 & 3 “Eroica” (Berliner Philharmoniker)
6▶CD: Beethoven: Symphonies nos. 2 & 4 (Berliner Philharmoniker)
7▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral” (Berliner Philharmoniker)
8▶CD: Beethoven: Symphonies nos. 7 & 8 (Berliner Philharmoniker)
9▶CD: Beethoven: Symphony no. 9 “Choral” (Berliner Philharmoniker)
10▶CD: Beethoven: Symphonies nos. 1 & 2 (Wiener Philharmoniker)
11▶CD: Beethoven: Symphony no. 3 “Eroica” (Wiener Philharmoniker)
12▶CD: Beethoven: Symphonies nos. 4 & 5 (Wiener Philharmoniker)
13▶CD: Beethoven: Meeresstille und glückliche Fahrt / Symphony no. 6 “Pastoral” / Choral Fantasy (Wiener Philharmoniker)
14▶CD: Beethoven: Symphonies nos. 7 & 8 (Wiener Philharmoniker)
15▶CD: Symphony no. 9 “Choral” (Wiener Philharmoniker)
16▶CD: Beethoven: Overtures
17▶CD: Beethoven: Overtures: Fidelio / Leonore I-III
18▶CD: Beethoven: Symphonies nos. 7 & 8 / Overture “Die Geschöpfe des Prometheus”
19▶CD: Beethoven: Piano Concertos nos. 1 & 2
20▶CD: Beethoven: Piano Concertos nos. 3 & 4
21▶CD: Beethoven: Piano Concerto no. 5 “Emperor” / Triple Concerto
22▶CD: Beethoven: Piano Concertos nos. 3 & 2
23▶CD: Beethoven: Musik zu Goethes Trauerspiel “Egmont” / “Ah! perfido” / Overture “Leonore III” / Choral Fantasy
24▶CD: Beethoven: Musik zu Die Weihe des Hauses / Leonore Prohaska / Egmont (Excerpts)
25▶CD: Beethoven: Fidelio (Act I)
26▶CD: Beethoven: Fidelio (Act II)
27▶CD: Berg: Lulu Suite / 3 Pieces for Orchestra / Altenberg Lieder
28▶CD: Berg: Altenberg Lieder / 3 Pieces from the Lyric Suite / Lulu Suite
29▶CD: Berg: 7 Early Songs / Der Wein / 3 Pieces for Orchestra
30▶CD: Berg: Wozzeck (Act I)
31▶CD: Berg: Wozzeck (Acts II & III)
32▶CD: Berlioz: Symphonie fantastique
33▶CD: Berlioz: Te Deum
34▶CD: Bizet: L'Arlésienne Suites nos. 1 & 2 / Carmen Suite
35▶CD: Bizet: Carmen (Acts I & II beg.)
36▼CD: Bizet: Carmen (Acts II cont. & III)
#TitleArtistRatingLength
1Carmen: Deuxième Acte. Nᵒ 16 Duo : « Je vais danser en votre honneur » (Carmen, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « Tout doux, Monsieur » … « Je vais danser en votre honneur » (Carmen, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte II
Georges Bizet5:42
2Carmen: Deuxième Acte. Air de la fleur : « La fleur que tu m’avais jetée » (Don José)
producer:
Christopher Alder (editor/engineer/producer) and Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer) and Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:16
3Carmen: Deuxième Acte. « Non! Tu ne m’aimes pas ! » (Carmen, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « Non ! Tu ne m’aimes pas » (Carmen, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:01
4Carmen: Deuxième Acte. Nᵒ 17 Finale : « Holà ! Carmen ! holà ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, les bohémiens)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet3:32
5Carmen: Deuxième Acte. « Suis‐nous à travers la campagne » (Frasquita, Mercédès, Dancaïre, Remendado, les bohémiens, les bohémiennes)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
partial recording of:
Carmen : Acte II (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:00
6Carmen: Entr’acte
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet3:01
7Carmen: Troisième Acte, Premier Tableau. Nᵒ 18 Introduction : « Écoute, compagnon, écoute » (les contrabandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:41
8Carmen: Troisième Acte, Premier Tableau. « Halte ! nous allons nous arrêter ici… » (Dancaïre, Remendado, Don José, Carmen)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte III. Introduction : « Halte ! Nous allons nous arrêter ici ! » (Dancaïre, Remendado, Don José, Carmen) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte III
Georges Bizet1:29
9Carmen: Troisième Acte, Premier Tableau. Nᵒ 19 Trio : « Mêlons ! » - « Mêlons ! » - « Coupons ! » (Frasquita, Mercédès)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:21
10Carmen: Troisième Acte, Premier Tableau. Air des cartes : « Carreau, pique… la mort ! » (Carmen)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte III
Georges Bizet3:20
11Carmen: Troisième Acte, Premier Tableau. « Parlez encore, parlez, mes belles » (Frasquita, Mercédès, Carmen)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
partial recording of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte III
Georges Bizet0:50
12Carmen: Troisième Acte, Premier Tableau. « Eh bien, j’avais raison » (Dancaïre, Carmen, Remandado, Frasquita, Mercédès, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
spoken vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
spoken vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
spoken vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
spoken vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
spoken vocals [Le Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
spoken vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
partial recording of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte III
Georges Bizet0:30
13Carmen: Troisième Acte, Premier Tableau. Nᵒ 20 Morceau d’ensemble : « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, les bohémiennes, les bohémiens, Dancaïre, Remandado)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:08
14Carmen: Troisième Acte, Premier Tableau. « Nous y sommes » (le guide, Micaëla)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
spoken vocals [le guide]:
Jean Lainé (tenor) (from 1977-08 until 1977-09)
spoken vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
partial recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet0:44
15Carmen: Troisième Acte, Premier Tableau. Nᵒ 21 Air « Je dis que rien ne m’épouvante » (Micaëla)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
soprano vocals [Micaëla]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09, in 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09, in 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09, in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (in 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:50
16Carmen: Troisième Acte, Premier Tableau. « Mais… je ne me trompe pas… » (Micaëla, Escamillo, Don José) / Nᵒ 22 Duo : « Je suis Escamillo, toréro de Grenade » (Escamillo, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (baritone) (from 1977-08 until 1977-09)
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte III. No. 23. Duo « Quelques lignes plus bas » …« Je suis Escamillo, toréro de Grenade ! » (Escamillo, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. Récitative « Je ne me trompe pas… » (Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:42
17Carmen: Troisième Acte, Premier Tableau. Nᵒ 23 Finale : « Holà, José ! » (Carmen, Escamillo, Dancaïre, Don José, les contrebandiers, les contrebandières)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:00
18Carmen: Troisième Acte, Premier Tableau. « Halte !... Quelqu’un est là qui cherche à se cacher » (Remendado, Carmen, Dancaïre, Don José, Micaëla, chœur, Escamillo)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet5:16
19Carmen: Entr’acte
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:10
20Carmen: Troisième Acte, Deuxième Tableau. Nᵒ 24 Chœur : « A deux cuartos » (marchandes, marchands, un soldat, Andrès, un bohémien)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Moralès]:
Stuart Harling (English baritone)
baritone vocals [Un bohémien]:
Leslie Fyson (baritone) (from 1977-08 until 1977-09)
baritone vocals [Un soldat]:
Richard Amner (pianist) (from 1977-08 until 1977-09)
bass vocals [Zuniga]:
Robert Lloyd (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
contralto vocals [Une marchande]:
Shirley Minty (contralto) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano)
tenor vocals [Andrès, un lieutenant]:
Jean Lainé (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet2:23
21Carmen: Troisième Acte, Deuxième Tableau. Nᵒ 25 Chœur et scène : « Les voici ! Voici le quadrille » (chœur)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
John McCarthy (British choral conductor, scholar, composer and arranger) and Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:52
22Carmen: Troisième Acte, Deuxième Tableau. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:20
23Carmen: Troisième Acte, Deuxième Tableau. Nᵒ 26 Duo final : « C’est toi? » / « C’est moi ! » (Carmen, Don José, chœur)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh (in 1977-08) and St John’s, Smith Square in London (Greater London) (in 1977-09)
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet9:24
37▶CD: Brahms: Symphony no. 1 / Gesang der Parzen
38▶CD: Brahms: Alto Rhapsody, op. 53 / Symphony no. 2
39▶CD: Brahms: Tragische Ouvertüre / Schicksalslied / Symphony no. 3
40▶CD: Brahms: Haydn Variations / Nänie / Symphony no. 4
41▶CD: Brahms: Symphony no. 1
42▶CD: Brahms: Symphony no. 2 / Akademische Festouvertüre
43▶CD: Brahms: Symphony no. 3 / Haydn Variations
44▶CD: Brahms: Symphony no. 4 / Tragische Ouvertüre
45▶CD: Brahms: Serenades nos. 1 & 2
46▶CD: Brahms: Hungarian Dances
47▶CD: Brahms: Piano Concerto no. 2 (Pollini)
48▶CD: Brahms: Piano Concerto no. 1 (Brendel)
49▶CD: Brahms: Piano Concerto no. 2 (Brendel)
50▶CD: Brahms: Piano Concerto no. 1 (Pollini)
51▶CD: Brahms: Piano Concerto no. 2 (Pollini)
52▶CD: Brahms: Violin Concerto / Akademische Festouvertüre
53▶CD: Brahms: Violin Concerto
54▶CD: Brahms: Violin Concerto / Double Concerto
55▶CD: Brahms: Ein Deutsches Requiem
56▶CD: Brahms: Rinaldo / Schicksalslied
57▶CD: Bruckner: Symphony no. 1 (Wiener Philharmoniker, 1996)
58▶CD: Bruckner: Symphony no. 4 “Romantic”
59▶CD: Bruckner: Symphony no. 5
60▶CD: Bruckner: Symphony no. 7
61▶CD: Bruckner: Symphony no. 9 (Wiener Philharmoniker, 1996)
62▶CD: Bruckner: Symphony no. 1 (Lucerne Festival Orchestra, 2012)
63▶CD: Bruckner: Symphony no. 1 (Wiener Philharmoniker, 1969)
64▶CD: Bruckner: Symphony no. 9 (Lucerne Festival Orchestra, 2013)
65▶CD: Chopin & Liszt: Piano Concertos nos. 1
66▶CD: Chopin: Piano Concerto no. 2 / Polonaise, op. 44
67▶CD: Debussy: Prélude à l'après-midi d'un faune / Nocturnes / Pelléas et Mélisande - Concert Suite
68▶CD: Debussy: Nocturnes / La Mer / Ravel: Daphnis et Chloé (Fragments symphoniques II) / Pavane pour une infante défunte
69▶CD: Debussy: La Damoiselle élue / Prélude à l'après-midi d'un faune / Images Nᵒ 2 « Ibéria »
70▶CD: Debussy: Pelléas et Melisande (Acts I-III beg.)
71▶CD: Debussy: Pelléas et Melisande (Acts III cont. - V)
72▶CD: Dvořák: Symphony no. 9
73▶CD: Haydn: Symphony, Hob. I:93 / Symphony “The Clock”, Hob. I:101
74▶CD: Haydn: Symphony “The Miracle”, Hob. I:96 / Sinfonia concertante, Hob. I:105
75▶CD: Haydn: Overture to “Il mondo della luna” / Symphony, Hob I:98 / “Military” Symphony, Hob. I:100
76▶CD: Haydn: Symphony, Hob. I:102 / “Drum Roll” Symphony, Hob. I:103
77▶CD: Hindemith: Symphonie »Mathis der Maler« / Nobilissima visione / Symphonische Metamorphosen
78▶CD: Hindemith: Symphonische Metamorphosen / Janáček: Sinfonietta / Prokofiev: Romeo and Juliet (Excerpts)
79▶CD: Janáček: The Diary of One Who Disappeared / Sinfonietta
80▶CD: Kurtág: Grabstein fär Stephan / Stele / Stockhausen: Gruppen
81▶CD: Mahler: Symphony no. 1 “Titan” (Berliner Philharmoniker)
82▶CD: Mahler: Symphony no. 2 “Resurrection” (Lucerne Festival Orchestra)
83▶CD: Mahler: Symphony no. 3 (Part I) (Berliner Philharmoniker)
84▶CD: Mahler: Symphony no. 3 (Part II) (Berliner Philharmoniker)
85▶CD: Mahler: Symphony no. 4 / Berg: 7 Early Songs (Berliner Philharmoniker)
86▶CD: Mahler: Symphony no. 5 (Berliner Philharmoniker)
87▶CD: Mahler: Symphony no. 6 (Berliner Philharmoniker)
88▶CD: Mahler: Symphony no. 7 (Berliner Philharmoniker)
89▶CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part I) (Berliner Philharmoniker)
90▶CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part II) (Berliner Philharmoniker)
91▶CD: Mahler: Symphony no. 9 (Berliner Philharmoniker)
92▶CD: Mahler: Symphony no. 10 (unfinished) / Symphony no. 2 “Resurrection” (beg.) (Wiener Philharmoniker)
93▶CD: Mahler: Symphony no. 2 “Resurrection” (cont.) (Wiener Philharmoniker)
94▶CD: Mahler: Symphony no. 3 (Parts I & II beg.) (Wiener Philharmoniker)
95▶CD: Mahler: Symphony no. 3 (Part II cont.) (Wiener Philharmoniker)
96▶CD: Mahler: Symphony no. 4 (Wiener Philharmoniker)
97▶CD: Mahler: Symphony no. 9 (Wiener Philharmoniker)
98▶CD: Mahler: Symphony no. 1 “Titan” (Chicago Symphony Orchestra)
99▶CD: Mahler: Symphony no. 2 “Resurrection” (Chicago Symphony Orchestra)
100▶CD: Mahler: Symphony no. 5 (Chicago Symphony Orchestra)
101▶CD: Mahler: Symphony no. 6 (beg.) (Chicago Symphony Orchestra)
102▶CD: Mahler: Symphony no. 6 (cont.) / Rückert Lieder (Chicago Symphony Orchestra)
103▶CD: Mahler: Symphony no. 7 (Chicago Symphony Orchestra)
104▶CD: Mahler: Lieder nach Gedichten aus Des Knaben Wunderhorn
105▶CD: Mendelssohn: Symphony no. 1 / Scherzo from Octet, op. 20 / Overtures: Ein Sommernachtstraum / Die Hebriden / Meeresstille und glückliche Fahrt
106▶CD: Mendelssohn: Symphony no. 2 “Hymn of Praise”
107▶CD: Mendelssohn: Symphony no. 3 “Scottish” / Overtures: Die schöne Melusine / Trompeten-Ouvertüre / Ruy Blas
108▶CD: Mendelssohn: Symphonies nos. 1 “Italian” & 5 “Reformation” / Overture for Wind Instruments
109▶CD: Mendelssohn: Symphonies nos. 3 “Scottish” & 4 “Italian”
110▶CD: Mendelssohn: Violin Concerto / Bruch: Violin Concerto no. 1
111▶CD: Mozart: Symphonies nos. 35 “Haffner”, 29 & 33
112▶CD: Mozart: Symphonies nos. 38 “Prague” & 41 “Jupiter”
113▶CD: Mozart: Symphonies nos. 39 & 40
114▶CD: Mozart: Symphonies nos. 40 & 41 “Jupiter”
115▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 12 (Serkin)
116▶CD: Mozart: Piano Concertos nos. 9 “Jeunehomme” & 17 (Serkin)
117▶CD: Mozart: Piano Concertos nos. 15 & 22 (Serkin)
118▶CD: Mozart: Piano Concertos nos. 18 & 24 (Serkin)
119▶CD: Mozart: Piano Concertos nos. 25 & 19 “Second Coronation Concerto” (Serkin)
120▶CD: Mozart: Piano Concertos nos. 20 & 27 (Serkin)
121▶CD: Mozart: Piano Concertos nos. 21 & 23 (Serkin)
122▶CD: Mozart: Piano Concertos nos. 14 & 26 “Coronation” (Pires)
123▶CD: Mozart: Piano Concertos nos. 17 & 21 (Pires)
124▶CD: Mozart: Piano Concertos nos. 27 & 20 (Pires)
125▶CD: Mozart: Piano Concertos nos. 25 & 20 (Argerich)
126▶CD: Mozart: Piano Concertos nos. 20 & 21 (Gulda)
127▶CD: Mozart: Piano Concertos nos. 25 & 27 (Gulda)
128▶CD: Mozart: Violin Concertos nos. 1-3
129▶CD: Mozart: Violin Concertos nos. 4 & 5 / Sinfonia concertante, K. 364 (320d)
130▶CD: Mozart: Violin Concertos nos. (7) & 4 / Violin Sonata, K. 454
131▶CD: Mozart: Sinfonia concertante, K. 297b / Concerto for Flute, Harp and Orchestra
132▶CD: Mozart: Horn Concertos nos. 1-4
133▶CD: Mozart: Clarinet Concerto / Flute Concerto no. 2 / Bassoon Concerto
134▶CD: Mozart: Horn Concerto no. 3 / Bassoon Concerto / Oboe Concerto / Allegro for Oboe and Orchestra / Haydn: Trumpet Concerto, Hob. VIIe:1
135▶CD: Auf Mozarts Spuren
136▶CD: Mozart: Missa solemnis “Waisenhaus”
137▶CD: Mozart: Requiem / Laudate Dominum / Aria »Betracht dies Herz und frage mich«
138▶CD: Mozart: Arias / R. Strauss: Orchestral Songs
139▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
140▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
141▶CD: Mozart: Le nozze di Figaro (Act IV)
142▶CD: Mozart: Don Giovanni (Act I beg.)
143▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
144▶CD: Mozart: Don Giovanni (Act II cont.) / Bonus - Arias
145▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
146▶CD: Mozart: Die Zauberflöte (Act II cont.)
147▶CD: Mussorgsky: Night on Bald Mountain / Choral Works / Pictures at an Exhibition (Berliner Philharmoniker)
148▶CD: Mussorgsky: Pictures at an Exhibition (London Symphony Orchestra)
149▶CD: Mussorgsky: Khovanshchina (Act I)
150▶CD: Mussorgsky: Khovanshchina (Acts II & III)
151▶CD: Mussorgsky: Khovanshchina (Acts IV & V)
152▶CD: Nono: Como una ola de fuerza y luz / ..... sofferte onde serene ... / Contrappunto dialettico alla mente
153▶CD: Pergolesi: Stabat Mater / Violin Concerto / Salve Regina
154▶CD: Pergolesi: Missa S. Emidio / Salve Regina / Manca la guida al piè / Laudate pueri Dominum
155▶CD: Pergolesi: Confitebor tibi, Domine / Chi non ode e chi non vede / Salve Regina / Dixit Dominus
156▶CD: Pergolesi: Stabat Mater
157▶CD: Prokofiev: Symphonies nos. 1 “Classical” & 3 / Ballet Suite “Chout” (Excerpts)
158▶CD: Prokofiev: March, op. 99 / Peter and the Wolf / Overture on Hebrew Themes / Symphony no. 1 “Classical”
159▶CD: Prokofiev: Scythian Suite / Lieutenant Kijé
160▶CD: Prokofiev: Romeo and Juliet (Excerpts)
161▶CD: Prokofiev: Piano Concertos nos. 1 & 3
162▶CD: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto in G major
163▶CD: Prokofiev: Alexander Nevsky
164▶CD: Prokofiev: Violin Concertos nos. 1 & 2
165▶CD: Rachmaninoff: Piano Concertos nos. 2 & 3
166▶CD: Rachmaninoff: Rhapsody on a Theme of Paganini / Piano Concerto no. 2
167▶CD: Ravel: Boléro / Rapsodie espagnole / Ma mère l'Oye / Pavane pour une infante défunte
168▶CD: Ravel: Daphnis et Chloé / Valses nobles et sentimentales
169▶CD: Ravel: Le Tombeau de Couperin / Alborada del gracioso / Shéhérazade, M. 17 / Menuet antique / La Valse
170▶CD: Ravel: Piano Concerto in G major / Piano Concerto for the Left Hand / Tzigane / Shéhérazade, M.41
171▶CD: Rossini: Overtures (London Symphony Orchestra)
172▶CD: Rossini: Overtures (Chamber Orchestra of Europe)
173▶CD: Rossini: L'italiana in Algeri (Act I)
174▶CD: Rossini: L'italiana in Algeri (Act II)
175▶CD: Rossini: Il barbiere di Siviglia (Act I beg.) (Chamber Orchestra of Europe)
176▶CD: Rossi: Il barbiere di Siviglia (Acts I cont. & II) (Chamber Orchestra of Europe)
177▶CD: Rossini: Il barbiere di Siviglia (Act I beg.) (London Symphony Orchestra)
178▶CD: Rossini: Il barbiere di Siviglia (Act I cont. & II) (London Symphony Orchestra)
179▶CD: Rossini: La Cenerentola (Act I beg.)
180▶CD: Rossini: La Cenerentola (Act I cont. & II)
181▶CD: Rossini: Il viaggio a Reims (beg.)
182▶CD: Rossini: Il viaggio a Reims (cont.)
183▶CD: Schoenberg: Gurre-Lieder (Part I)
184▶CD: Schoenberg: Gurre-Lieder (Parts II & III)
185▶CD: Schubert: Symphonies nos. 1 & 2
186▶CD: Schubert: Symphonies nos. 3 & 4 “Tragic”
187▶CD: Schubert: Symphonies nos. 5 & 6
188▶CD: Schubert: Symphony no. 8 “Unfinished” / Grand Duo
189▶CD: Schubert: Symphony no. 9 “Great” / Overture “Die Zauberharfe”
190▶CD: Schubert: Symphonies nos. 8 “Unfinished” & 5
191▶CD: Schubert: Symphony no. 9 “Great”
192▶CD: Schubert: Rosamunde, Prinzessin von Zypern
193▶CD: Schubert: Mass no. 2 / Tantum ergo / Psalm 23 / Schumann: Requiem für Mignon
194▶CD: Schubert: Mass no. 6
195▶CD: Schubert: Lieder with Orchestra
196▶CD: Schubert: Fierrabras (Act I)
197▶CD: Schubert: Fierrabras (Acts II & III)
198▶CD: Schumann: Symphony no. 2 / Overtures: Manfred, Genoveva
199▶CD: Schumann: Piano Concerto / Piano Quintet
200▶CD: Schumann & Schoenberg: Piano Concertos
201▶CD: Schumann: Piano Concerto / Weber: Konzertstück
202▶CD: R. Strauss: Don Juan / Till Eulenspiegels lustig
203▶CD: R. Strauss: Orchestral Songs
204▶CD: Stravinsky: Le Sacre du printemps / L'Oiseau de feu / Jeu de cartes
205▶CD: Stravinsky: Pétrouchka / Pulcinella
206▶CD: Tchaikovsky: Symphony no. 2 “Little Russian”
207▶CD: Tchaikovsky: Symphony no. 4
208▶CD: Tchaikovsky: Symphony no. 5
209▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
210▶CD: Tchaikovsky: The Tempest / Slavonic March / Romeo and Juliet / Ouverture solennelle “1812”
211▶CD: Tchaikovsky: Romeo and Juliet / Scriabin: Le Poème de l'extase
212▶CD: Tchaikovsky: Piano Concerto no. 1 (Argerich)
213▶CD: Tchaikovsky: Piano Concerto no. 1 (Pogorelich)
214▶CD: Tchaikovsky & Mendelssohn: Violin Concertos
215▶CD: Verdi: Overtures and Preludes
216▶CD: Verdi: Messa da Requiem (beg.) (Wiener Philharmoniker)
217▶CD: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri (Wiener Philharmoniker)
218▶CD: Verdi: Messa da Requiem (beg.) (Coro e Orchestra del Teatro alla Scala)
219▶CD: Verdi: Messa da Requiem (cont.) (Coro e Orchestra del Teatro alla Scala)
220▶CD: Verdi: Macbeth (Acts I & II)
221▶CD: Verdi: Macbeth (Acts III & IV)
222▶CD: Verdi: Simon Boccanegra (Prologue & Act I)
223▶CD: Verdi: Simon Boccanegra (Acts II & III)
224▶CD: Verdi: Un ballo in maschera (Act I)
225▶CD: Verdi: Un ballo in maschera (Acts II & III)
226▶CD: Verdi: Don Carlos (Acts I & II beg.)
227▶CD: Verdi: Don Carlos (Acts II cont. & III)
228▶CD: Verdi: Don Carlos (Act IV)
229▶CD: Verdi: Don Carlos (Act V & Appendix)
230▶CD: Verdi: Aida (Acts I & II)
231▶CD: Verdi: Aida (Acts III & IV)
232▶CD: Verdi: Falstaff (Acts I & II beg.)
233▶CD: Verdi: Falstaff (Acts II cont. & III)
234▶CD: Verdi: Choruses
235▶CD: Verdi: Arias
236▶CD: Verdi: Arias & Scenes
237▶CD: Vivaldi: Le quattro stagioni / Concerto “Per l'orchestra di Dresda”, RV 577
238▶CD: Vivaldi: Le quattro stagioni
239▶CD: Wagner: Orchestral Music
240▶CD: Wagner: Opera Arias
241▶CD: Wagner Gala 1993
242▶CD: Wagner: Lohengrin (Acts I & II beg.)
243▶CD: Wagner: Lohengrin (Act II cont.)
244▶CD: Wagner: Lohengrin (Act III)
245▶CD: Berlin Gala 1997: A Salute to Carmen
246▶CD: Berlin Gala 1998
247▶CD: Jonas Kaufmann - Sehnsucht
248▶CD: Schoenberg: Chamber Symphony no. 1 / Sciarrino: Autoritratto nella notte / Ligeti: Six Bagatelles / Double Concerto
249▶CD: Anna Netrebko - Sempre libera
250▶CD: New Year's Concert 1988
251▶CD: New Year's Concert 1991
252▶CD: Schoenberg: A Survivor from Warsaw / Bach/Webern: Fuga (Ricercata no. 2) / Webern: Passacaglia
253▶CD: Wien Modern I
254▶CD: Wien Modern II
255▶CD: Wien Modern III
256▶CD: Janáček: From the House of the Dead (Acts I & II)
257▶CD: Janáček: From the House of the Dead (Act III)
258▶CD: Mozart: Piano Concerto no. 16
259▶DVD: A Russian Night
260▶DVD: Claudio Abbado in Concert: Mozart & Schubert
261▶DVD: Claudio Abbado in Concert: Brahms & Rossini
262▶DVD: Neujahrskonzert 1991
263▶DVD: Peter and the Wolf: A Prokofiev Fantasy
264▶DVD: La Cenerentola
265▶DVD: Rossini: Il barbiere di Siviglia
266▶DVD: Janáček: From the House of the Dead