100 Greatest Australian Singles of the ’60s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Fool, Fool, Fool
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1988)
registrazione di:
Fool, Fool, Fool
paroliere e compositore:
Rudy Clark (US songwriter)
editore:
T.M. Music Australia Pty. Ltd. e TM Music (Aust) P/L
Ray Brown & the Whispers?:??
2For My Woman
diritti fonografici (℗) detenuti da:
J. Albert & Son Pty. Ltd. (nel 1965)
registrazione di:
For My Woman (The Easybeats song)
autore:
Stevie Wright e George Young (Australian musician and producer)
editore:
J. Albert & Son Pty. Ltd.
The Easybeats?:??
3Fortune Teller
diritti fonografici (℗) detenuti da:
J. Albert & Son Pty. Ltd. (nel 1966)
registrazione di:
Fortune Teller
paroliere e compositore:
Naomi Neville
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!) e EMI United Partnership Ltd.
The Throb?:??
4Friday on My Mind
diritti fonografici (℗) detenuti da:
J. Albert & Son Pty. Ltd. (nel 1966)
registrazione di:
Friday on My Mind
autore:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. e Unart Music Corporation (nel 1973)
The Easybeats?:??
5Georgy Girl
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2009)
registrazione di:
Georgy Girl
paroliere:
Jim Dale
compositore:
Tom Springfield
editore:
Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
parte di:
The 39th Academy Award for Best Original Song (numero: 2)
The Seekers?:??
6Get a Little Dirt on Your Hands
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1998)
registrazione di:
Get a Little Dirt on Your Hands
paroliere e compositore:
Bill Anderson (US country singer, songwriter & TV personality)
editore:
Bill Anderson Music, Champion Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Songs of Universal, Inc. (BMI), Sony/ATV Tree Publishing, Tree Publishing Co., Inc. e Universal/MCA Music Publishing Pty Ltd
The Delltones?:??
7Giggle Eyed Goo
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1965)
registrazione di:
Giggle Eyed Goo
paroliere e compositore:
Nat Kipner (Australian producer, songwriter, label owner & publisher)
editore:
Joye Publishing Co.
Steve & the Board?:??
8Hangin’ Five
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1998)
registrazione di:
Hangin’ Five
autore:
Ben Acton (Australian composer, musician, surfer and NSW Police Detective) e Fred Kirkham (Australian Police Officer, Judge, Olympic rower and songwriter. Co-wrote Hangin' Five with Ben Acton but is often not credited.)
editore:
Joye Publishing Co.
The Delltones?:??
9Have You Ever Been to See Kings Cross?
diritti fonografici (℗) detenuti da:
Frankie Davidson (nel 1962)
registrazione di:
Have You Ever Been to See Kings Cross?
paroliere e compositore:
Frankie Davidson
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Frankie Davidson?:??
10Hayride
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1969)
registrazione di:
Hayride
autore:
James “Buzz” Cason e Mac Gayden
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Flying Circus?:??
11He’s My Blonde Headed Stompie Wompie Real Gone Surfer Boy
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 2000)
registrazione di:
He’s My Blonde Headed Stompie Wompie Real Gone Surfer Boy
autore:
Joe Halford (British-born Australian producer, A&R, songwriter) e Jay Justin (Australian early 60’s)
editore:
EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Little Pattie?:??
12Hide & Seek
diritti fonografici (℗) detenuti da:
Somebody’s Image (nel 1968)
registrazione di:
Hide & Seek
autore:
Doug Trevor (Australian Producer) e Martin Van Wijk
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Somebody’s Image?:??
13Hush
diritti fonografici (℗) detenuti da:
Somebody’s Image (nel 1968)
registrazione di:
Hush (South, Royal, Deep Purple)
paroliere e compositore:
Joe South (fino al 1967)
editore:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music e Sony/ATV Music Publishing Australia Pty Ltd.
Somebody’s Image?:??
14I Belong With You
diritti fonografici (℗) detenuti da:
Go!! (nel 1964)
registrazione di:
I Belong With You
paroliere e compositore:
Laurie Allen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal/MCA Music Publishing Pty Ltd
Bobby & Laurie?:??
15If I Had a Ticket
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1967)
registrazione di:
If I Had a Ticket
autore:
[traditional] (special purpose artist)
Phil Jones & The Unknown Blues?:??
16I Found a New Love
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1960)
registrazione di:
I Found a New Love
paroliere e compositore:
Nat Kipner (Australian producer, songwriter, label owner & publisher)
editore:
Universal/MCA Music Publishing Pty Ltd
Lonnie Lee?:??
17I Just Wanna Make Love to You
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1966)
registrazione di:
I Just Wanna Make Love to You
paroliere e compositore:
Willie Dixon
editore:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hoochie Coochie Music
Blues Rags’n’Hollers?:??
18I’ll Never Find Another You
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1994)
registrazione di:
I'll Never Find Another You
paroliere e compositore:
Tom Springfield
editore:
Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
The Seekers?:??
19I’m Your Puppet
diritti fonografici (℗) detenuti da:
The Cam-Pact (nel 1968)
registrazione di:
I’m Your Puppet
autore:
Spooner Oldham e Dan Penn (songwriter, soul singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (1996–2019), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Australia Pty. Ltd.
The Cam-Pact?:??
20I Remember You
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1962)
registrazione cover di:
I Remember You
paroliere:
Johnny Mercer (nel 1941)
compositore:
Victor Schertzinger (nel 1941)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation e Sony/ATV Music Publishing Australia Pty Ltd.
Frank Ifield?:??
21It Ain’t Necessarily So
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1965)
registrazione di:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
paroliere:
Ira Gershwin, Dorothy Heyward (playwright) e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
è stata commissionata da:
Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Normie Rowe & The Playboys?:??
22I Thank You
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 2004)
registrazione di:
I Thank You
paroliere e compositore:
John B. Young (Australian singer)
editore:
Warner/Chappell Music Australia Pty. Ltd.
Lionel Rose?:??
23It’s Not Easy
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1966)
registrazione di:
It’s Not Easy
autore:
Barry Mann e Cynthia Weil
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Screen Gems–EMI Music Ltd.
Normie Rowe?:??
24I’ve Been Everywhere
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1962)
registrazione di:
I’ve Been Everywhere
paroliere e compositore:
Geoff Mack
editore:
Belinda Music e EMI Belinda Music Australia Pty. Ltd.
Lucky Starr?:??
25Krome Plated Yabbie
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1967)
registrazione di:
Krome Plated Yabbie
paroliere e compositore:
Lobby Loyde (Australian musician and producer)
editore:
Essex Music of Australia Pty. Ltd.
The Wild Cherries?:??
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Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 2015)
commercializzata da:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited)